Top Tens – Mythology: Top 10 Books (Special Mention) – New Entry (15) Charles Fort

 

 

(15) CHARLES FORT –

THE BOOK OF THE DAMNED / NEW LANDS / LO! / WILD TALENTS (1919-1932)

 

“Charles Hoy Fort, an eccentric American who meticulously collected and catalogued anomalous phenomena inexplicable or thought impossible by orthodox science – giving his name to ‘Fortean’ and ‘Forteana’ to characterize such phenomena, as in the ongoing online Fortean Times which effectively carries on Fort’s legacy.

I have a soft spot, as did Fort himself from evident from the prolific reports he compiled, for strange “falls” raining from the sky – fish (like on the book cover in my feature image), frogs, and so on.

They also are a good example of the anomalous phenomena Fort researched by visiting libraries in New York and London for more than 30 years “assiduously reading scientific journals, newspapers, and magazines” and compiling thousands of notes “on cards and scraps of paper in shoeboxes”. From this research, Fort wrote the four books in this special mention.

He was also ahead of his time, writing of UFOs – before 1947 and the usual start of “modern UFO allegations”. That might be reflected in why he wrote of triangle UFOs rather than the discs that were more in vogue from 1947, although triangle UFO sightings persist.

I also have a soft spot for his theory of a Super-Sargasso Sea to which he attributed strange falls and UFOs – a “sea” where all lost things go and occasionally rain back down on Earth – and an even softer spot for him effectively dismissing that and all other theories in his work (such as his “cosmic joker” theory), noting “I believe nothing of my own that I have ever written”.

Like H.P. Lovecraft (with whom he was largely contemporaneous), he was not the best prose stylist – although unlike Lovecraft he had much more of a sense of humor about it, tongue firmly in cheek – but created a modern mythology similar to that of Lovecraft and became a similar cult figure.

 

RATING: 4 STARS****

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Top Tens – TV: Top 10 Fantasy & SF TV Series (2) SF: From

 

 

(2) SF (HORROR): FROM

(2022 – PRESENT: 3 SEASONS+)

 

An American SF horror series with labyrinthine twists – the closest comparison is usually with Lost, “as an improved second attempt at Lost” or “what if Lost got a healthy injection of horror”. I understand the comparison to Lost extends to Lost actor Harold Perrineau having a similar role in From, where he is the sheriff and de facto mayor of the town. Now that I think about it, the comparison extends to their titles as four letter words (with o as the vowel). Fortunately, I never saw Lost so I came in clean to this series with no such comparison.

The basic premise is introduced in the very first episode – while on a road trip, the Matthews family find themselves trapped in a “strange small town in middle America”. The town traps those who enter, as the Matthews family find that any attempt to drive away or back the way they came simply has them circling back to the town, in some sort of weird dimensional loop. It also is an eldritch location, drawing people in from different locations throughout the United States.

Worse, you don’t want to be outside – or inside without the protection of a mysterious amulet – at night. The town is literally nightmarish, stalked at night by mysterious shapeshifting but humanoid creatures that kill anyone they find and as gruesomely as possible, as we see in the very first opening scene.

And that’s just getting started…

 

FANTASY OR SF?

 

One of the hardest genre classifications in my Top 10 Fantasy or SF TV series – elements of it have a distinct fantasy or supernatural feel to it, but I ultimately leaned towards it having an extradimensional SF tone.

 

HORROR

 

Did you not see the SF horror reference in my opening line? It could readily be classified as SF horror – one of the clearest such entries in my top ten.

 

RATING: 5 STARS*****

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Top Tens – History (WW2): Top 10 Second World Wars (Special Mention): (20) Indochina Wars / Vietnam War

CIA map of “dissident activities” in French Indochina as at 3 November 1950, Page 8 of the Pentagon Papers – public domain image

 

 

(20) INDOCHINA WARS / VIETNAM WAR

(1940-1979)

 

“In Indochina, a nativist political movement rose up to oppose the resumption of French colonial rule; one of the factions that struggled for supremacy was the Communist Viet Minh led by Ho Chi Minh.”

You knew this one was coming – the iconic twentieth century war after 1945 and second only to the Second World War itself as visual image in popular culture or imagination, and as metaphor or archetype in history or politics.

Of course, it serves as the counterpoint to the Second World War in those things, particularly in moral terms, highlighted by the defeat of the United States and its allies in Vietnam, with the diminished number of its allies as further counterpoint to the Second World War.

It also serves as counterpoint in its nature, both as a limited war and as insurgency or guerilla warfare, contrasting with the Second World War as both unlimited and as more straightforward conventional warfare. Indeed, a common criticism of American military proficiency or strategy in the Vietnam War is that it essentially sought to fight an unconventional war by conventional means more suited to the Second World War and hence entirely misplaced in the Vietnam War, resulting or at least contributing to defeat.

Few things encapsulate the unconventional Vietnam War wrongly fought by conventional Second World War strategy in popular culture or imagination more than American bombing during the war, usually seen as futilely dropping bombs on jungle.

In popular culture or imagination, the Vietnam War is typically that involving the United States in varying levels of engagement from about 1954, with the height of its military engagement from about 1965 to 1972. However, that war was actually the Second Indochina War, which followed almost directly from the First Indochina War from 1945 to 1954 against the French colonial regime – and the First Indochina War commenced immediately as the last shots were fired in the Second World War.

The First Indochina War in turn took shape in the Second World War itself. The Vietnamese resistance to French colonial rule predated the Second World War but took its definitive shape in that war – as the Vichy French colonial administration effectively had to concede control to Japanese occupation from 1940 onwards until Japan “had extended its control over the whole of French Indochina”.

Interestingly, the Japanese occupation and control of French Indochina was the trigger point for the United States to embargo Japan, which in turn led to war with the Japanese attack on Pearl Harbor. Interestingly that is, because it illuminates Vietnam as another American trigger point for the Cold War in Asia.

During the Pacific War, however, the United States placed little weight on French Indochina – with President Roosevelt even offering it to Chiang Kai-Shek. In fairness, this may have reflected the predominant role of China for Vietnamese resistance – “most of the Vietnamese resistance to Japan, France, or both, including both communist and non-communist groups, remained based over the border, in China”.

One exception was Ho Chi Minh and the underground communist resistance he led within Vietnam from 1941 onwards – gaining mass support from the effects of the 1945 Vietnamese famine on the populace.

In March 1945, the Japanese effectively sought to salt the earth of the remnants of the French colonial administration – which the Japanese revoked, imprisoning French administrators and taking full control of Indochina, nominally under Vietnamese emperor Bao Dai who proclaimed the Empire of Vietnam.

As Japan lurched to its surrender, the communists or Viet Minh under Ho Chi Minh launched firstly their August Revolution from Hanoi and secondly declared Vietnamese independence. The latter had little real effect as the Allies had agreed to China occupying north Vietnam while the British occupied the south.

The Viet Minh remained largely intact under Chinese occupation of the north – such that they were even able to purge non-communist nationalist resistance – but British occupation of the south was another matter. I always recall reading how the British, having accepted the surrendering Japanese garrisons laying down their arms, then immediately rearmed them to keep order in Vietnam – which essentially translated to keeping order for the return of French colonial rule.

However, the Vietnamese communist resistance under Ho Chi Minh came out swinging against the restoration of French colonial rule from the outset and the First Indochina War took shape, along similar north-south lines as the postwar occupation and the subsequent Second Indochina War with the United States, with the Third Indochina War against China in 1979 echoing the postwar Chinese occupation of northern Vietnam.

 

RATING: 4 STARS*****

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Top Tens – Mythology: Top 10 Books (Special Mention: Subject) (5) Norse Mythology

 

(5) NORSE MYTHOLOGY:

H.A. GUERBER – MYTHS OF THE NORSEMEN (1909)

 

“Northern mythology is grand and tragical. Its principal theme is the perpetual struggle of the beneficent forces of Nature against the injurious, and hence it is not graceful and idyllic in character, like the religion of the sunny South, where the people could bask in perpetual sunshine, and the fruits of the earth grew ready to their hand.”

Norse mythology – or more broadly Germanic and Scandinavian mythology – is one of the best known, even outside its European continent of origin and centuries after its displacement by Christianity, with the days of the week still named in English for the Norse gods and Thor as one of the Marvel Cinematic Universe’s highest profile characters. It is also arguably one of the most hardcore mythologies, ranking in third top spot in my Top 10 Mythologies

So of course it also scores special mention as a subject for my books of mythology. Books on the subject already feature as entries in my Top 10 Mythology Books or special mentions. There’s the first volume of Bulfinch’s Mythology, albeit not as much as classical mythology which is the predominant subject of that volume. More generally, Barbara Walker’s Women’s Encyclopedia of Myths and Secrets as well as the Penguin Dictionary of Symbols have numerous entries on subjects of Norse mythology.

Myths of the Norsemen by American teacher and writer Hélène Adeline Guerber remains one of my favorite books for Norse mythology – and a vintage one at that. It owes its status as my favorite to being one of two books I first read to learn about the Norse myths as a child – the other being Bulfinch’s Mythology, but to be honest this did it better, not least because of its exclusive focus and the art plates throughout the book. It still boggles my mind that they had this vintage book in my school library – although one advantage of its vintage publication is that it is freely available online.

 

RATING: 4 STARS****

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Top Tens – Film: Top 10 Fantasy & SF Films: (2) SF: Terminator

 

(2) SF: TERMINATOR

(1984-1991: TERMINATOR 1-2 – Yeah – I only count the first two films)

 

“I’ll be back”

The Terminator franchise is the definitive cinematic Robot War franchise, a science fiction trope that seemingly works best when combined with another science fiction trope. In the Terminator franchise, the Robot War is combined with that other compelling science fiction trope of time travel.

In this, it is the direct descendant of H. G. Wells’ The Time Machine – the heart of science fiction is still all Martians and Morlocks. We’ll be looking at Martians soon, but Skynet and its Terminators are Morlocks. The original Morlocks were one of two evolutionary descendants of humanity, evolved from the working class – maintaining the advanced technology of the future for the Eloi, the other descendants of humanity evolved from its leisured upper class. The dark twist of Wells’ novel is that the Morlocks eat the Eloi, “farming” them like livestock. This theme of evolution endures in the Terminator, albeit transformed from Wells’ unrealistic biological evolution (without genetic engineering or mutation) to cybernetic evolution – involving artificial intelligence and robots (or cyborgs) as machine Morlocks that rise up against their human Eloi. This descent from The Time Machine is doubly so for involving time travel, except in the other direction – almost as a direct sequel, as if the Morlocks had reverse engineered the Time Machine to travel back to the present.

Of course, at its core, the original Terminator is a horror film of relentless nightmare pursuit, literally evolved from James Cameron’s own nightmare vision of a metallic skeleton dragging itself from fire – which perhaps explains the franchise’s law of diminishing returns with each sequel away from its horror origins. Yes, even Terminator Judgement Day, which started the rot by breaking the rules of the original – although the action was so cool, we overlooked that. The original allowed time travel for only two ‘people’, the Terminator itself and Kyle Reese sent to stop it. The sequel allowed two more – a good cyborg Terminator and a bad liquid metal Terminator – and so on, until that Skynet time machine must be like a commuter train station with all the robots and humans going back and forth.

People bemoaned Terminator Genisys because it messed up the timeline, but that timeline was messed up from the very first sequel – if not implicitly in the original itself. It’s always bemused me that Skynet is smart enough to build an actual time machine, but not smart enough to work out the implications of it – either you simply can’t change the past (because it includes your time travel already) or you can but it becomes a different timeline from your existing timeline (nice for the new timeline, but not your original timeline which you still haven’t changed). Terminator Genisys simply took the changing timelines already in the franchise in their logical direction from Skynet’s point of view – a timeline-hopping Skynet, because the only way it can actually win by time travel is for itself to do the time travelling, like Skynet crossed with Marty McFly in Terminator meets Back to the Future. Then again, Skynet is just too much of a d!ck – it also bemused me exactly why Skynet’s plan always involves killing humanity rather than making a killing on the stock exchange or otherwise using its artificial intelligence to become rich and powerful, ruling the world rather than destroying it.

 

FANTASY OR SF?

 

One of the biggest cinematic SF film franchises – the Robot War and time travel really give the genre away as SF. Although you probably could adapt it to magic in fantasy. There was a real missed opportunity not to do a Terminator-type storyline with time travel in epic fantasy. Think a mashup between The Lord of the Rings and the Terminator – with Sauron for Skynet…

 

HORROR

 

As I said, at its core (and in its origin) the Terminator films are SF horror – which essentially is slasher horror in this case, except with a robot killer.

 

 

RATING: 5 STARS*****

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Top Tens – History (WW2): Top 10 Second World Wars (Special Mention) (19) Korean War

Spot the difference! Map of the first month and last month of the Korean War taken in screenshots and placed together in collage by me from an animated series of maps through the war by Leomonaci98 for Wikipedia “Korean War” under licence https://creativecommons.org/licenses/by-sa/3.0/deed.en

 

 

(19) KOREAN WAR

(1945-1953)

 

“Korea became a powder keg with the Russians and Americans entangled in its north and south.”

The Korean War may have been its own distinct war, but it directly arose from the circumstances of the Second World War before it, overlaid by the new Cold War of which it was part (and for which it was the first major conflict).

The primary circumstance which gave rise to the Korean War was the occupation of the northern and southern halves of Korea by the Soviet Union and the United States respectively – similarly to the eastern and western halves of Germany in Europe.

Ironically, Japan itself was fortunate to avoid the division of Germany into Europe, because of its sole occupation by the United States (and selected western allies), but its former imperial territory of Korea was not. Indeed, Korea was doubly unfortunate in that, unlike Germany, war was fought along the lines of that division.

Of course, the key distinction between Korea and Germany was that any war along the lines of division in Germany would have involved war directly between the United States and the Soviet Union – the very thing that they sought to avoid in the Cold War, with its potential escalation to nuclear war after 1949.

In Korea, however, the Soviet Union could wage war by proxy – firstly the North Korean communist regime that was already fighting low-level warfare across the border with its non-communist counterpart in South Korea from 1945 onwards, and secondly the new communist government in China on North Korea’s behalf.

The Korean War was also “largely fought by the same commanders and with the same doctrines, weapons, and equipment as the Second World War” – including strategic bombing on the same scale, dropping more bombs than in the whole Pacific War, ranking North Korea as one of the most heavily bombed countries in history.

Some of those weapons were developed from their versions introduced or tested in the last days of the Second World War. Notably, jet aircraft – while the Allies had eschewed replacing their propellor-driven prop counterparts in service at that late stage of the Second World War, they came into their own in the Korean War. Jet aircraft confronted each other in air-to air combat for the first time in history and it was the first war in which jets played the central role in air combat. Similarly, the Korean War also featured the first large-scale deployment of helicopters, which had been developed during the Second World War.

It was also the closest the United States came to using nuclear weapons against an adversary in war since the Second World War, actively contemplating or planning their use against China, or North Korean and Chinese forces.

The Korean War also featured General Macarthur’s daring amphibious invasion behind enemy lines for the Battle of Inchon as the closest comparison to Normandy since the Second World War. The Battle of Inchon has commonly been considered among historians and military scholars as a strategic masterpiece or one of the most decisive military operations in modern warfare, a particularly distinctive accolade for an amphibious operation – “a brilliant success, almost flawlessly executed,” which remained “the only unambiguously successful, large-scale US combat operation” for the next 40 years.

That said, but for its first year which did resemble the more mobile warfare of the Second World War, the Korean War mostly resembled the First World War and the conventional static stalemate of the Western Front, albeit crammed into the narrower space of the Korean peninsula.

Ironically enough, the war stabilized at or close to the original border between South and North Korea. That is where the fighting largely stayed for the next two years – and also where it ended at ceasefire.

In this the Korean War again more closely resembled the First World War than the Second, with their inconclusive armistices or ceasefires that are far more typical of modern war than the Second World War with its decisive victories. The Korean War is still very much with us – with the ceasefire division of the Korean peninsula into opposing North and South Korea, still technically at war with each other, in a frozen conflict like bugs preserved in some strange Cold War amber.

 

RATING: 4 STARS****

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Top Tens – Mythology: Top 10 Books (Special Mention: Subject) (3) Iliad & Odyssey (Troy & Trojan War)

 

*

(3) ILIAD & ODYSSEY (TROY & TROJAN WAR):

BARRY STRAUSS – THE TROJAN WAR (2006)

 

“Sing, Muse, of the wrath of Achilles” – or really just anything about the Iliad and the Odyssey, or the Troy and the Trojan war in general.

Homer’s Iliad and Odyssey are of course my primary books of classical mythology, ranking in second spot in my Top 10 Mythology Books. So of course, I have a special mention just for the subject of the Iliad and the Odyssey, as well as the Troy and Trojan War in general

Other books on the subject of the Iliad and the Odyssey, other than, well, the Iliad and the Odyssey, in my Top 10 Mythology Books or special mentions include those works on classical mythology in general – Bulfinch’s Mythology with its first volume predominantly on classical mythology and Robert Graves’ The Greek Myths, as well as Bettany Hughes on Helen of Troy. Barbara Walker’s Women’s Encyclopedia of Myths and Secrets has numerous entries on subjects from the Iliad or Odyssey.

My keynote book for this special mention is The Trojan War by historian Barry Strauss.

“In The Trojan War historian and classicist Barry Strauss explores the myth and the reality behind the war, from Homer’s accounts in The Iliad and The Odyssey to Heinrich Schliemann’s discovery of ancient Troy in the late nineteenth century to more recent excavations that have yielded intriguing clues to the story behind the fabled city.”

Essentially, Strauss is able to reconstruct the Trojan War from the Iliad, even if it did not happen quite as Homer described it, although Homer got more right than people give him credit – hence the reconstruction. (I’d love to see someone argue that all the mythological gods stuff was true, but the historical war stuff is false).

And Hector? Thou art avenged! I like how history matches mythology in more often than not showing the Trojans as the civilized society, originating from the Hittites, besieged by the rowdy Greeks as the sea-roving barbarians, or dare I say it, the Sea Peoples – the Vikings of the Aegean.

 

RATING: 5 STARS*****

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Top Tens – TV: Top 10 Fantasy & SF TV Series (3) SF: Peacemaker

 

 

(3) SF: PEACEMAKER

(2022: SEASON 1)

 

“I cherish peace with all my heart. I don’t care how many men, women and children I have to kill to get it”

I mean, the opening credits sequence alone would earn a place in my top ten. And Eagly too of course.

Peacemaker was introduced – on screen at least – in James Gunn’s The Suicide Squad in 2019 (the good Suicide Squad film, not the bad one), along with his credo for “peace” quoted above.

I wouldn’t have guessed that out of all the characters in that film, Peacemaker would be the one to get his own spin-off TV series, also directed by James Gunn – but it totally works, as Gunn brings his blackly comic signature style from the film to the TV series, with added hair metal flair.

Of course, it helps that the titular anti-hero protagonist is having something of a crisis of faith, not least the whole-heartedness of his credo – notably including guilt and remorse over its casualties, one in particular. And we get to see his traumatic origin, particularly at the hands of his father – played with vile relish by Robert Patrick.

Once again, Peacemaker finds himself being used as a tool – or weapon – by Task Force X, against an invasion by mysterious entities known as Butterflies, prompting Peacemaker to compare it to Operation Starfish in The Suicide Squad.

And it’s not just Peacemaker’s show – the other characters, particularly the other members of Task Force X, bring their A-game as well. My personal favorite is the cheerfully sociopathic Vigilante, although I’m not sure how faithfully his screen incarnation is adapted from the comics

 

FANTASY OR SF?

 

I’m going with the genre classification of SF – after all, it does involve an alien invasion (and Gunn tends to lean more into the SF side of comics when adapting their properties). However, like most comics or works adapted from them, it’s the distinctly softer kind of SF.

 

HORROR

 

Gunn has roots in SF horror back to his film Slither and it often shows in his works – as here, where there are distinct SF horror elements in the Butterfly alien invasion.

 

RATING: 4 STARS****
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Top Tens – History (WW2): Top 10 Second World Wars (Special Mention) (18) Indonesian War of Independence

Map of the United States of Indonesia, December 1949 by Milenioscuro for Wikipedia “Indonesian National Revolution” under licence https://creativecommons.org/licenses/by/4.0/deed.en

 

 

(18) INDONESIAN WAR OF INDEPENDENCE

(1942-1949)

 

And now we come to the focus of my wild-tier special mentions for conflicts or wars after the Second World War, but which took definitive shape during that war – the wars in east or south east Asia.

Of course, we’ve already seen one of the biggest such wars in my previous special mention for the Chinese Civil War, but it is also one that encapsulates many of the features of “the deadly confrontations that broke out–or merely continued–in Asia after peace was proclaimed at the end of World War II”.

“Under occupation by the victorious Allies, this part of the world was plunged into new power struggles or back into old feuds that in some ways were worse than the war itself”, compounded by the circumstance that “the U.S. and Soviet governments, as they secretly vied for influence in liberated lands, were soon at odds”.

“Within weeks of the famous surrender ceremony aboard the U.S.S. Missouri, civil war, communal clashes, and insurgency engulfed the continent, from Southeast Asia to the Soviet border. By early 1947, full-scale wars were raging in China, Indonesia, and Vietnam, with growing guerrilla conflicts in Korea and Malaya. Within a decade after the Japanese surrender, almost all of the countries of South, East, and Southeast Asia that had formerly been conquests of the Japanese or colonies of the European powers experienced wars and upheavals that resulted in the deaths of at least 2.5 million combatants and millions of civilians.”

Unlike British India, Indonesia had to fight a war of independence, also known as the Indonesian National Revolution, against the Netherlands that had ruled it as the Dutch East Indies – expanding from the original holdings of the Dutch East India Company in 1603 through to its full extent under the Dutch government until Japanese occupation in 1942.

There are some ironies here. That was the Dutch government in exile, as the Netherlands had been occupied by Germany in 1940, so the Dutch government found itself exiled twice over with the loss of the Dutch East Indies to Japan. Also, while Indonesia may not have had British India’s more “peaceful” cession of independence, it had fewer casualties from its war for independence than British India had from its partition into two states. Indeed, it was fortunate that its war for independence involved comparatively few casualties among the new or continuing wars that emerged in east or south-east Asia after the Second World War.

The Indonesian independence movement began well before the Second World War, but the occupation by Japan from 1942 to 1945 “was a critical factor in the subsequent revolution”. Firstly, Japan “spread and encouraged Indonesian nationalist sentiment”, even if more for their own advantage. Secondly, the Japanese occupation effectively “destroyed and replaced much of the Dutch-created economic, administrative, and political infrastructure”. Hence I’ve chosen 1942 as the starting date for this special mention.

And the Indonesian independence movement came out swinging straight from the end of the war, with their declaration of independence on 17 August 1945 – only two days after the announcement of Japan’s unconditional surrender (and prior to the formal ceremony of surrender on the U.S.S. Missouri).

The Dutch were able to regain some control of major towns or cities when they returned as a significant military force in early 1946. In the interim, other Allied forces occupied Indonesia or at least parts of it, primarily the British as it was assigned to Britain’s South East Asia Command.

Ironically, despite surrendering, the former Japanese occupying forces found themselves on both sides of the war. The overwhelming majority of them complied with the terms of surrender to assist the Allied forces to maintain order, albeit both Japanese and Allied forces often sought to avoid direct confrontation with Indonesian nationalists. However, some Japanese holdouts joined the Indonesian national revolutionaries – as did some defecting Indian soldiers from British forces.

Ultimately, Dutch forces were not able to extend or preserve the control they regained, partly because of the military situation facing “well-organized resistance with popular support”, but primarily because of international diplomatic and political opposition. That opposition came from neighboring Australia – where Australian maritime workers in their characteristic style boycotted loading or unloading Dutch ships – but also India, the Soviet Union, and most significantly, the United States. The opposition from the United States was the most significant because it threatened to cut off economic aid to the Netherlands under the Marshall Plan. The Dutch gave in, ceding sovereignty to Indonesia in 1949.

 

RATING: 4 STARS****

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Top Tens – Mythology: Top 10 Books (Special Mention – Subject) (4) Classical Mythology

 

 

Pentheus being torn apart – Attic red-figure vase painting

 

(4) CLASSICAL MYTHOLOGY:

EURIPIDES & APULEIUS – BACCHAE & GOLDEN ASS

 

I believe in all the gods – especially the goddesses!

And the nymphs – I’m in it for the nymphs.

Homer’s Iliad and Odyssey are of course my primary books of classical mythology, ranking in second spot in my Top 10 Mythology Books, as classical mythology itself does in my Top 10 Mythologies. and Top 10 Mythologies.

However, it’s not all Homer. Indeed, Homer ranks his own special mention – this special mention is for books on the subject of classical mythology other than Homer or within the Iliad, Odyssey and Trojan War.

Books on the subject of classical mythology (or religion) already feature prominently as entries in my Top 10 Mythology Books or special mentions – Bulfinch’s Mythology with its first volume predominantly on classical mythology, Robert Graves’ The Greek Myths, Walter Burkert’s Greek Religion, Bettany Hughes on Aphrodite, Paul Robichaud on Pan, and Natalie Haynes on the Olympian goddesses and other female figures of classical mythology. More generally, Barbara Walker’s Women’s Encyclopedia of Myths and Secrets as well as the Penguin Dictionary of Symbols have numerous entries on subjects of classical mythology.

However, I have two keynote books for this special mention, both of which are by writers in the classical period itself, Greek and Roman respectively – the Greek dramatist Euripides and Roman writer Apuleius, with their works The Bacchae and The Golden Ass respectively.

I mean, that right there – just the phrasing of Bacchae and Golden Ass – encapsulates my personal  philosophy, my mythos if you will, of classical mythology. Indeed, the phrase Golden Ass encapsulates my personal philosophy of everything – my life has been a quest not for the grail, but the golden ass.

 

“Appear, appear whatsoever thy name or shape!

O mountain bill, snake of the hundred heads,

Lion of the burning flame

O god, beast, mystery, come!”

Firstly, The Bacchae by Euripides – literal Dionysian deus ex machina in the original folk horror story and clash of church against state  or cult against throne.

The greatest Greek tragedy – indeed one that has been argued to be one of the greatest ever written – in the usual style of Greek tragedies, which is the gods will screw you over and there’s nothing much you can do about it, even with that weird chorus telling you what’s happening, and even if they liked to call it nemesis for your hubris.

Yes, I know Dionysus personally appears, albeit in mortal disguise, to give Pentheus a repenting chance, but he doesn’t exactly go all out in the attempt because it’s much more demonstrative – and fun – setting up Pentheus for the Wicker Man to his Lord Summerisle. Except that the Bacchae makes the Wicker Man look like a picnic.

Anyway, the play by Euripides is based on the myth of Pentheus, king of Thebes, who is opposed to the new god Dionysus and his cult, despite being, you know, actually related to him. No, seriously, Pentheus is the cousin of Dionysus, because that’s how it was in those days, particularly with Zeus. Worse, Pentheus – and much of Thebes denies the divinity of Dionysus. And you can’t be disrespecting Dionysus.

So Dionysus does what any Greek god would do:
Step 1 – disguise yourself as a mortal priest of yourself and be captured only to respond cryptically to questions
Step 2 – drive your female worshippers or Maenads mad and trick Pentheus into spying on them in disguise as one of them
Step 3 – !!!
Step 4 – profit!

And by step 3, I mean sit back as your Maenads, including Pentheus’ own mother Agave, literally tear Pentheus apart with their bare hands in a crazed frenzy, believing Pentheus to be a wild beast.

That leads to a moment of classic horror as Agave proudly bears the head, still under divine delusion that it is the head of a mountain lion, to her own father Cadmus, only to see it for what it really is when Cadmus recoils and calls upon her to look more closely.

From a modern perspective, it’s hard not to identify or sympathize with King Pentheus cracking down on a strange new cult spreading through his city – particularly one with literal crazed worshippers like the Maenads, up there with the followers of Jim Jones or Charles Manson.

The Bacchae resonates on so many levels. I’ve already compared it to The Wicker Man, which replays many of its story beats for horror – and it’s easy to adapt the Bacchae for horror, from folk horror to cosmic horror – Dionysus as Yog Sothoth, perhaps?

More substantially, others have argued the parallels between it and the Gospels, with Jerusalem for Thebes and Jesus for Dionysus (and the Jewish leaders and Pontius Pilate for Pentheus), except of course Jesus is far more morally palatable in his divine coup de grace than Dionysus.

And there’s the Nietzschean interpretations, most famously with his dichotomy of the Apollonian and Dionysian in The Birth of Tragedy – and it is tempting to see Pentheus as a good Apollonian, attempting to hold the line of order against Dionysian chaos. Or the Freudian interpretations with Pentheus as ego trying to hold back the wild ecstasy of the id…

 

“Queen of Heaven, whether you are known as bountiful Ceres, the primal harvest mother, who, delighted at finding your daughter Proserpine again, abolished our primitive woodland diet, showed us sweet nourishment, and now dwell at Eleusis; or heavenly Venus, who at the founding of the world joined the sexes by creating Love, propagating the human race in endless generation, and worshipped now in the sea-girt sanctuary of Paphos; or Diana, Apollo’s sister, you who relieve the pangs of countless childbirths with your soothing remedies, venerated now at Ephesus; or dread Proserpine herself, she of the night-cries, who triple-faced combats the assault of spirits shutting them from earth above, who wanders the many sacred groves, propitiated by a host of rites; oh, light of woman, illuminating every city, nourishing the glad seed with your misty radiance, shedding that light whose power varies with the passage of the sun; in whatever aspect, by whatever name, with whatever ceremony we should invoke you”

And then there’s The Golden Ass by Apuleius – she is the goddess and this is her body!

As a (bawdy) comic prose novel – “the only ancient Roman novel in Latin to survive in entirety” – it lacks the tragic grandeur of The Bacchae, but what it lacks in grandeur, it makes up in, well, golden ass. The titular ass is what the writer is magically transformed into for a series of picaresque adventures, as well as snippets of classical mythology such as the myth of Cupid (or Eros) and Psyche.

He is restored to human form by the goddess – ironically perhaps given its keynote status as one of my top books of classical mythology, the Egyptian goddess Isis, who initiates Apuleius into her mysteries. O yes!

Isis was of course a popular goddess among the Romans, who took to her despite her Egyptian origin. However, in The Golden Ass, Isis is revealed to be not just a goddess, but effectively the Goddess – made manifest and known as other goddesses, including those in classical mythology.

 

RATING: 5 STARS*****

S-TIER (GOD TIER)