Top Tens – History: Top 10 Types of War (Special Mention) (15) Electronic Warfare & Cyberwarfare

United States Space Force personnel operating a satellite antenna during an electromagnetic warfare military exercise – photograph by Tech. Sgt. Luke Kitterman in California on 20 September 2022 and released released by the United States Space Force with the ID 220920-X-VE588-1004 (public domain image used in Wikipedia “Electronic Warfare”)

 

 

(15) ELECTRONIC WARFARE & CYBERWARFARE

 

Electronic warfare – evocatively defined as “warfare involving the use of the electromagnetic spectrum” or “directed energy to control the spectrum, attack an enemy, or impede enemy operations”.

In other words – intercepting, jamming or targeting modern communication, radar, “or other military or civilian assets” such as electronic guidance systems for drones, missiles or planes. Or the less destructive way of “sending them back to the Stone Age”.

Interestingly, electronic warfare dates back further than you’d think, albeit still at the dawn of the twentieth century – with Morse code in the Boer War, followed closely by radio interception or jamming elsewhere, including in the Russo-Japanese War. Churchill colorfully called the electronic warfare of WW2 as the “Battle of the Beams”.

Cyberwarfare on the other hand is the use of cyberattacks or the various means of “technological force within computer networks” against an enemy state, “causing comparable harm to traditional warfare” – “espionage, sabotage, propaganda, manipulation, and economic warfare” – or deploying defensive measures against the former.

In other words – essentially war by hacking (and counter-hacking).

Top Tens – Comics: Top 10 Comics (Special Mention) (6) Junji Ito – Tomie

Tomie complete hardcover deluxe edition published by VIZ Media LLC 10 January 2017 (fair use)

 

 

(6) JUNJI ITO –

TOMIE

 

Yes, I’m including manga in special mentions otherwise of American or European comics – just because of Junji motherfreaking Ito!

You never forget horror manga artist and writer Junji Ito once you’ve seen his work, either in their original form or in their screen adaptations. It’s horror that operates as horror because it is weird and disturbing.

“Ito’s work consists of many subgenres of horror, mainly being host to the subgenres of body horror and cosmic horror. Much of his work is based solely in them, with other themes including a relationship of predator to prey, a loss of humanity, apocalyptic scenarios, and obsession being common. The universe Ito depicts is cruel and capricious; his characters often find themselves victims of malevolent unnatural circumstances for no discernible reason or punished out of proportion for minor infractions against an unknown and incomprehensible natural order.”

If I am to pick one Ito work above all others, it has to be Tomie – the recurring immortal girl that drives men to madness and keeps coming back even if you kill her.

Top Tens – History: Top 10 Wars (Special Mention: Revised) (15) British Colonial Wars – Anglo-Zulu & Anglo-Zanzibar Wars

 

The defense of Rorke’s Drift 1879 – painting by Alphonse de Neuville 1880

 

(15) BRITISH COLONIAL WARS –
ANGLO-ZULU & ANGLO-ZANZIBAR WARS (1879 & 1896)

 

The Battle of Rorke’s Drift.

That’s it – that’s the entry. Well that and the 1964 film Zulu which depicted it.

Also not quite, as British colonial wars are the archetypal wars fought by European maritime empires as they carved up the world, with the British Empire coming out in the top spot. Don’t worry – we’ll get back to Rorke’s Drift, but Britain fought numerous colonial wars.

Arguably, the most decisive colonial war or wars fought by Britain were the Napoleonic Wars. For one thing, with all the focus on their European theaters, we forget how much of the Napoleonic Wars were fought beyond Europe – and just how much of those were in essence colonial wars, with Britain coming out on top. For another, Britain’s victory in the Napoleonic Wars laid the foundations for its naval supremacy, Pax Britannica and what is sometimes called the second British Empire (to distinguish it from the first British empire until American independence).

Although its naval supremacy was the primary instrument of its empire, Britain was surprisingly versatile with a colonial army that tended to punch above its weight in numbers, which were surprisingly small, in part of course due to superior firepower (and plain old firing drill) over its colonial adversaries.

In the words of Hillaire Belloc –
“Whatever happens, we have got
The Maxim gun, and they have not”

So which of Britain’s prolific colonial wars to pick for this entry? As you can see, I’ve gone with the Anglo-Zulu and Anglo-Zanzibar Wars, firstly because I like the alliterative effect, but also because they are aptly representative of Britain’s colonial wars.

The Anglo-Zanzibar War is, however, the archetypal British colonial victory through superior firepower. Not coincidentally, it also holds the title of the shortest war in history – 38 minutes to 45 minutes, depending on which record you go by.

It was proverbial gunboat diplomacy – bonus points for involving actual gunboats, two craft with that designation, among the five British ships. Essentially, the wrong sultan succeeded to the Zanzibar Sultanate. Wrong, that is, from the perspective of the British, who preferred another one – so they simply rolled up in their ships and shelled the palace until they got the right one. Yes – they also stormed the palace with a contingent of marines or sailors and pro-British Zanzibaris. The British suffered one casualty – a wounded sailor – to about 500 Zanzibari casualties.

And with remarkably wry humor, the British billed Zanzibar for the shells the British used, among the other terms of surrender, because the British built their empire on a budget. With its puppet sultan, Zanzibar continued to be absorbed into the British Empire, and was subsequently merged with the former German colony of Tanganyika to become British Tanzania.

Now back to Rorke’s Drift, if you’re a fan of the Battle of Helm’s Deep in The Lord of The Rings film (The Two Towers), then you’re a fan of the Battle of Rorke’s Drift, as the former was filmed in a manner deliberately reminiscent of the film Zulu according to Jackson.

Indeed, Rorke’s Drift was seen at the time as the Helm’s Deep of the British Empire, a victory snatched from the jaws of the crushing defeat by the Zulus at the Battle of Isandlwana (as well as the seedy origins of the Anglo-Zulu War).

Even if contemporary observers might see Britain and its empire more as Mordor (or Isengard to America’s Mordor) rather than the Shire as Tolkien did.

If anything, Rorke’s Drift was even more epic than Helm’s Deep – as a small company of less than 150 soldiers attached to the Royal Engineers (including a substantial number of sick and wounded) fought off a force of about 3-4,000 Zulus.

Taking a step back, Rorke’s Drift was a small albeit highly celebrated part of the Anglo-Zulu War, with the British soldiers finding themselves in the path of a Zulu force in the aftermath of the opening Zulu victory at Isandlwana.

The Anglo-Zulu War itself might be seen as the last of a series of Zulu wars, from the foundation of the Zulu Kingdom as a formidable military power under Shaka. Unfortunately for his successors, the Zulu Kingdom found itself against a bigger and even more aggressive tribe – the Anglo tribe of the British Empire – and Isandlwana proved itself to be the Zulu high point of the war.

Back to Rorke’s Drift, I tend to default to its depiction in the film Zulu, which while generally accurate to the historical battle, does of course have inaccuracies (with perhaps the most egregious involving the depiction of Private Hook, a model soldier, as a rogue redeemed in the battle). The film may also be seen as somewhat problematic in these times given its celebration of British imperial victory – I don’t care.

Indeed the film tends to glamorize both sides in the battle – with the Zulus depicted as a brave, intelligent, capable, resourceful and ultimately honorable adversary. And if anyone can resist the stirring orchestral theme by John Barry, I don’t know what to say.

The British soldiers were led by Lieutenant Chard, portrayed by Stanley Baker, and his second in command Lieutenant Bromhead, portrayed by a young Michael Caine in his breakthrough film role. Deciding that retreat isn’t an option as they will move too slowly with their sick or wounded and the Zulus will catch them out in the open, they have no option but to stand and fight behind improvised barricade defenses.

Throughout the day and night (into the following day) after the Zulu force surrounds them, wave after wave of Zulu attackers are desperately and narrowly repelled by the British defenders. At one point, the Zulus succeed in setting fire to the field hospital, leading to tense scenes of the evacuation of patients under fierce attack by Zulu warriors – and British Surgeon-Major James Henry Reynolds calmly continues his surgery on a wounded soldier with fighting all around him. And yes – he got a Victoria Cross.

The British defenders retreat to the shortened lines of their inner barricades. One tactic you see through the film is the use of multiple ranks of soldiers to maintain a nearly continuous volley of fire with their bolt-action rifles. None more so than the climactic scene with three such ranks used (after falling back from desperate hand-to-hand combat at an outer barricade) to defend a massive assault by Zulu warriors. And as the camera pans back, you see the fallen Zulu warriors mere inches away from the front rank of breathless British soldiers – an impressive feat of holding the line.

That’s when you start to think from the preceding sense of overwhelming doom that hangs over the British soldiers – holy crap, they’re actually going to make it! And then – no, holy crap, they’re not…as the Zulu force masses on the hill overlooking Rorke’s Drift, seemingly barely diminished, while the British are exhausted and running low on ammunition. Lieutenant van den Burgh, their Afrikaaner advisor serving with the Natal Native Contingent, sinks to his knees and rebukes the British officers (and arguably their imperialism as well) – “Haven’t you had enough? We’re all dead!”

And then, holy crap again – as the Zulus chant, raising their spears. “They’re taunting us!” Michael Caine’s character exclaims. Van den Burgh laughs – “You couldn’t be more wrong – they’re saluting us as fellow braves!”. And then the Zulus slowly turn and walk away, still chanting, until a lone warrior is left, before he too turns and leaves.

Sadly, the historical battle ended in a more prosaic way, without the Zulus saluting the British (but more withdrawing from strategic sense and an advancing British relief column). I prefer to think it ended the way it did in the film.

11 Victoria Crosses were awarded to the defenders of Rorke’s Drift, with 17 killed and 11 wounded from their number in the battle – having inflicted 20 casualties for every one of theirs, with 351 confirmed killed from the Zulu forces (and about 500 wounded).

Britain’s colonial wars – and European colonial wars in general – exemplified the less gallant but undeniably effective side of the art of war, picking curb stomp battles, albeit usually through superior firepower rather than superior numbers. All nations would like wars like the Anglo side of the Anglo-Zanzibar War, whether or not they like to admit it – they just usually lack the means. And even if the British occasionally got stomped rather than doing the stomping, as in the Anglo-Zulu War (although they ultimately won that too).

 

RATING:
A-TIER (TOP TIER)

Top Tens – Comics: Top 10 Comics (Special Mention) (6) Morning Glories

 

 

(6) NICK SPENCER –

MORNING GLORIES (Image Comics 2010 – ?!)

 

“What did you see when your eyes were opened?”

Well, for one thing, I saw Morning Glories, an ongoing series from Image Comics that had me enraptured from the first issue I read. In the tagline of its writer Nick Spencer, it’s Runaways meets Lost (without the ending of the latter, or indeed any ending at present).

In my eyes, it’s as if the Illuminati had a high school – or perhaps more aptly, since it is referenced by name, as if Grant Morrison’s Invisibles had a high school. Or if Night Vale WAS a high school, given that it has one. Indeed, Nick Spencer shows a positively Morrisonesque flair for twists and turns of storyline, at times even coming close to Morrison’s unrivalled hand at those fabulous comics one-liners or that juxtaposition of word and image.

The Morning Glories (or just Glories) is the nickname for the protagonist group of six new students, selected for the prestigious Morning Glory Academy – selected, that is, for a very particular and peculiar set of selection criteria. Which may or may not explain that they all seem to manifest mysterious abilities or future selves, and that they all seem to have dark or strange pasts (including – perhaps – the occasional homicide).

It doesn’t explain why the location of the school is kept mysterious by drugging each new student before arrival – or why their parents don’t even seem to remember their very existence when they call them from the school (with one notable exception, which necessitates the most unfortunate consequences). It certainly doesn’t explain the “mysterious and shadowy purpose of this dizzying boarding school of horrors”, which remains mysterious and shadowy except only that it seems to be the tip of a global conspiracy – or conspiracies.

Not to mention the other paranormal phenomena or time travel within and without its walls. (In one of my favorite Morrisonesque one-liners from the series, a student enquires as to the trippy design of a time machine – “Who built it?” “You did” is the reply).

Nor does it explain the sadistic faculty staff, led by the unseen headmaster behind the scenes – who don’t hesitate to resort to progressive mind control techniques, extreme physical discipline and the occasional sacrifice.

After all, it’s “for a better future” and we all have to make sacrifices. Literally.

 

RATING: 

A-TIER (TOP TIER)

Top Tens – History: Top 10 Types of War (Special Mention) (14) Biological Warfare

International biohazard symbol (public domain). I mean, otherwise it would be an image of a bunch of test tubes or something…

 

 

(14) BIOLOGICAL WARFARE

 

War by disease or pestilence. Germ warfare – using biological toxins or infectious agents such as bacteria, viruses, insects, and fungi.

War is so often accompanied by disease or pestilence in its wake that they join each other along with famine and death as the proverbial Four Horsemen of the Apocalypse – proverbial, that is, because the original Biblical Four Horsemen of the Apocalypse were conquest, war, famine, and death (but conquest seemed too much like doubling up with war so pestilence was substituted or proposed for the original image).

Biological warfare takes that to the next level – as war waged by pestilence or disease.

Yes, biological warfare is that “offensive use of living organisms” as weapons that I pre-empted in my previous entry for chemical warfare (and distinguishing chemical warfare’s use of the toxic properties of non-living chemical substances, albeit including those produced by living organisms such as botulinum toxin, risin, and saxitoxin).

Or in other words, disease as a weapon – the use of bacteria (sometimes distinguished as bacteriological warfare), viruses, insects (sometimes distinguished as entomological warfare), and fungi (disappointingly not distinguished as mycowarfare) “with the intent to kill, harm, or incapacitate humans, animals, or plants as an act of war”.

And yes, it evokes our visceral horror in reaction to it arguably exceeding that to chemical warfare – and depending just how pandemic it is, arguably rivalling the existential horror of nuclear war. Hence the taboo against it helping to uphold the prohibition of it by international law – that has seen the modern use of biological warfare to be more hypothetical or rarer than chemical warfare, and even nuclear warfare for deployment and testing.

Of course, it helps for the taboo against and prohibition of it that biological warfare has a similar logic of mutually assured destruction as nuclear war, hence the similar existential horror (and visceral horror more than chemical warfare). However, that might change with genetic engineering, which potentially might allow for more targeted biological warfare.

There is some rudimentary use of biological warfare in history, going all the way back to the Bronze Age – the Hittites driving plague victims into enemy territory, the Assyrians poisoning wells with ergot, the use of excrement or cadavers to cause or spread infection.

Perhaps the most famous historical examples are the Mongols catapulting the bodies of those who died from Black Plague into the Crimean city of Kaffa they were besieging, or the use of blankets to spread smallpox to native Americans – although in both cases, it is debated the extent to which this actually spread the disease as opposed to other vectors.

However, it was only with modern science, not least germ theory, that biological warfare became a matter more of design than chance – while at the same time, our greater visceral and existential horror in reaction to it.

 

RATING: A-TIER (TOP TIER)

Top Tens – Comics: Top 10 Comics (Special Mention) (5) Bill Willingham – Fables

Wraparound cover art by Adam Hughes for the Fables spinoff Fairest in 2012, showcasing the female characters from the series (fair use)

 

 

(5) BILL WILLINGHAM –

FABLES (2002-2015 & 2022-2024)

 

The series is summed up by the title of its opening issue – Legends in Exile.

All myths are true. Characters from fairy tales and folklore, the titular Fables, are real – and are living in New York! New York City, that is, for the human Fables – non-human Fables (or those who can’t magically transform themselves into humans) are still in New York but upstate not the city, in “the Farm”. Refugees from their own story worlds or Homelands, driven into our non-magical or Mundane world to escape the inexorably expanding empire of the multiverse-conquering Adversary.

A little like the TV series Once Upon a Time for those who saw that series, only with more depth. There are some intriguing aspects that only get deeper the further you go. The Fables often use or weaponize their storied attributes as superpowers – including immortality and to some extent invulnerability based on the popularity of their stories, although whether the latter is the case is debated by the Fables themselves. My favorite aspect is how some Fable characters are the same recurring archetypal character across stories – such as Jack, representing all fairy tale or nursery rhyme Jacks, who as we see in his spinoff series Jack of Fables does deals with all the different devils of fairy tales and folklore.

 

RATING:

A-TIER (TOP TIER)

Top Tens – Comics: Top 10 Comics (Special Mention) (4) Pat Mills – Requiem Vampire Knight

Poster and cover art for the series showcasing the sumptuous art by Olivier Ledroit as well as everyone’s favorite character from the comic, Claudia, so much so that she got her own spinoff series (fair use)

 

 

(6) PAT MILLS –

REQUIEM VAMPIRE KNIGHT (2000 – present?)

 

The Franco-British comic Requiem Vampire Knight – or French title Requiem Chevalier Vampire – by British writer Pat Mills and French artist Olivier Ledroit is exactly what is says on the tin – the protagonist Requiem is, ah, a vampire knight (or chevalier).

The intriguing part is that it is posthumous fantasy of the darkest kind – I am a fan of posthumous fantasy or fantasy set in the afterlife, and that’s before you throw in Mills’ characteristic blackly comic misanthropy. Life sucks and the afterlife sucks more. Literally. The protagonist, a German soldier from the Second World War, is killed on the Eastern Front only to find himself in the posthumous fantasy setting known as Resurrection – a literally hellish inversion of Earth in which land and sea are reversed (with seas of perpetual fire in the place of the terrestrial continents) and whose resurrected inhabitants age in reverse, growing younger into infancy (and beyond into non-existence) with fading memories. Worst of all, the more evil one was in life, the better they are rewarded in Resurrection as various classes of monster, with the vampires as the elite aristocracy (populated by such characters as the historical Dracula, Nero, Caligula and Attila the Hun) and former innocent victims as the lowly lemures, “outcasts at best and food or entertainment at worst”. The protagonist finds himself resurrected as the titular vampire knight – but still plagued by a conscience, particularly towards the love of his former life, the Jewish Rebecca, now a lemure (a term borrowed from Roman mythology) bent on her ticket out of Resurrection (‘expiring’ her former tormentor).

In the words of TV Tropes, “an age-old adage was that, if you were bad in life, when you died it generally got worse. Nowhere is this idea more assaulted, mugged, curb-stomped and left for dead face-down in a rancid gutter than in the world of Résurrection, the brainchild of Pat Mills and illustrated in excruciatingly loving and gory detail by Olivier Ledroit”.

 

RATING:

A-TIER (TOP TIER)

Top Tens – History: Top 10 Wars (Special Mention: Revised) (14) Chinese Civil Wars – Taiping & Boxer Rebellions

 

US Marines fight rebellious Boxers outside Beijing Legation Quarter, 1900 – copy of painting by Sergeant John Clymer

 

(14) CHINESE CIVIL WARS – TAIPING & BOXER REBELLIONS
(1850-1864 & 1899-1901)

 

China has such a long history of wars within itself that one really could do a Top 10 list merely for Chinese civil wars or rebellions. Indeed, one could round up a Top 10 for rebellions in Qing China alone. Few things were as spectacular in modern history – or loom as large in the hindsight of a Chinese revolutionary regime succeeding it – as the decline and fall of the Qing Empire, fighting endless rebellions within itself, until it was ultimately overwhelmed by the final one.

And by spectacular, I mean on a scale of international wars for casualties, or even world wars in the case of the Taiping Rebellion. The Taiping Rebellion might well be styled China’s world war, in the same way that the Second Congo War is styled as Africa’s world war. It was effectively a world war fought within China – on a scale of casualties exceeding the First World War, or even matching the Second World War by some estimates. Although characteristically for Chinese wars, the overwhelming majority of casualties was not from actual violence in war, but from the famine and disease that invariably accompanied the disruption of the delicate balance or supply chains of Chinese peasant agriculture.

I’ve heard it said that the Qing Empire literally faced a peasant rebellion an average of every hour or so. I don’t know the truth of that assertion, which probably tallies up the hours in the numerous historical rebellions against the Qing, although I also suspect that many or most rebellions were too limited or localised to have any serious consequence.

 

Territories of the Taiping Heavenly Kingdom held at various times during the rebellion by M. Bitton for Wikipedia “Taiping Rebellion” licensed under https://creativecommons.org/licenses/by-sa/4.0/deed.en

 

Not so the Taiping Rebellion. I’ve always been fascinated by millennialist or messianic movements – and it fascinates me that Qing China, formerly one of the most powerful imperial states in the world, if not the most imperial state, would find itself struggling and slogging it out for over a decade (or two if you count holdouts until 1871) with…a cult.

That’s right – a cult, one with a leader who proclaimed himself the younger brother of Jesus and declared his own Taiping Heavenly Kingdom. A cult which one would not anticipate to be particularly convincing or credible, but obviously tapped into popular unrest against the Qing.

It’s also amusing that this cult leader was effectively the equivalent of a university dropout, failing the examination for the imperial state bureaucracy. Declaring yourself the messianic leader of a heavenly kingdom and waging war against the state that failed you sounds totally like an admirable career goal in those circumstances. Why don’t more guidance counsellors recommend it?

The Taiping Rebellion marked the inexorable decline of Qing China, which was to prove terminal within half a century – and helped inspire the revolution that terminated it.

 

Movement of Boxers and Alliance forces during the Boxer Rebellion by SY – Wikipedia “Boxer Rebellion” licensed under https://creativecommons.org/licenses/by-sa/4.0/

 

I also find the Boxer Rebellion almost as interesting as the Taiping Rebellion, because it fascinates me that Qing China could again find itself thrown into turmoil by…a secret society of mystical martial artists, generally known in English as the Boxers, but known in Chinese by the even more awesome name of the Society of Righteous and Harmonious Fists.

It’s like that mysterious secret organization under crime lord Han in the Bruce Lee film Enter the Dragon – which seemed to spend all its time pointlessly drilling in martial arts to take over the world, rather than, you know, training with guns or something, existed in historical real life.

Or perhaps the Jedi in Star Wars, as like the Jedi, the Boxers claimed magical force or supernatural power, particularly invulnerability to bullets (much like the Jedi deflecting lasers)

Unlike the Taiping Rebellion which pitted itself against the Qing state and was inspired by foreign influences, particularly Christian missionaries, the Boxer Rebellion declared its slogan of supporting the Qing state and exterminating foreigners, particularly Christian missionaries.

One might consider the Boxing Rebellion as essentially the Chinese version of its near contemporary by eerie coincidence, the Ghost Dance (although the Taiping Rebellion could also be argued to be a Chinese Ghost Dance).

The Qing state found itself on the horns of a dilemma, but with those Righteous and Harmonious Fists stroking its ego, sided with the Boxers – at least by the decree of the Imperial Dowager. The Chinese imperial officialdom and military were more split, some supporting the decree and others opposing it.

The Boxer Rebellion and the Qing imperial state that supported it did as well as might be expected for combatants who placed their faith in their invulnerability to bullets. That is to say, they lost – handily defeated by the Eight Nation Alliance of Britain, France, Russia, the United States, Germany, Austria-Hungary, Italy and Japan, who found rare solidarity with each other in curb stomping the Qing Empire and the Boxers.

My friends and I had a joke that it’s ironic that China, the nation of Sun Tzu and The Art of War, should have such a consistent lack of military competence (similar to Italy, the nation of Machiavelli and The Prince, with its consistent lack of political competence).

Like most jokes, it’s an overstatement – but China did top The Book of Lists’ 10 Most Defeated Nations in Modern History, and about half of its entry was Qing China. So not surprisingly its wars against rebellions were slogging matches.

Top Tens – History: Top 10 Types of War (Special Mention) (13) Chemical Warfare

Australian infantry wearing respirators at Ypres in 1917, Australian War Memorial (public domain image)

 

 

(13) CHEMICAL WARFARE

 

“You’re poison running through my veins”

That’s right. Chemical warfare is basically just poison. Well, even more so than the song by Alice Cooper.

Nerve agents, blister agents or vesicants, blood agents or asphyxiants, and choking or pulmonary agents

Yes, chemical warfare uses different types of poison, generally categorized by their effects on the human body, by different means of delivery, but still poison nonetheless.

“Chemical warfare (CW) involves using the toxic properties of chemical substances as weapons”.

It is distinct from radiological warfare or the radioactive effects and fallout of nuclear warfare. While it can include the “use of non-living toxic products produced by living organisms (toxins such as botulinum toxin, ricin, and saxitoxin)”, the “offensive use of living organisms” as weapons is also another type of warfare (in the very next special mention entry).

The use of poisons in warfare or as weapons goes all the way back to ancient history – and indeed prehistory, if the use of poisons by contemporary hunter-gatherer tribes is any guide. (The example that always comes to mind are the poison dart frogs named for their use as a source of poison for darts or arrows by native American tribes in Central and South America).

However, it was modern industrialization that provided the basis in production and delivery for chemical warfare on a substantial rather than sporadic scale – with the use of poison gas in First World War as the archetype and apogee of chemical warfare (unless you count the H0l0caust which remains the deadliest use of poison gas), such that it is only fitting chemical warfare follows after trench and tunnel warfare.

Apogee, that is, because our visceral horror in reaction to chemical warfare is arguably exceeded only by that of the next entry, or the existential horror of nuclear war. Hence, the taboo against it (similar to the taboo against those other two forms of warfare) as well as the prohibition of it by international law, with the former helping to uphold the latter despite intermittent chemical warfare since WW1.

Top Tens – History: Top 10 Wars (Special Mention: Revised) (13) Ottoman Conquests

 

Sobieski at Vienna – painting by Stanislaw Chebowsk 1865-1876 National Museum in Krakow

 

(14) OTTOMAN CONQUESTS (1299 – 1699)

 

The rise and conquests of the empire that conquered Constantinople and besieged Vienna – twice, although the second time was their highwater mark of conquest.

One can draw parallels with the conquests of other empires, some more ironic than others. Perhaps the least ironic is the rise of the Ottoman Empire rivalling the conquests by the Arab caliphates it ultimately replaced in predominance in the Middle East – and indeed replayed much of the same history over the same territory. The Ottoman Empire may have lacked the range and speed of the Arab conquests, being slower and more methodical than the blitzkrieg pace of the latter but made up for it in the extent to which it invaded and conquered within Europe.

On that last point, one might draw some parallel with the Mongol conquests, aptly enough for the Turkic steppe nomadic origins of the Ottomans – as the most substantial invasion of Europe since and to rival the Mongols.

One might even draw a parallel with the Romans – aptly enough as the power that finally conquered (and saw itself as inheriting) the last of the Roman Empire. Firstly, in the rise of the Ottomans from one of numerous non-descript warring tribes on a peninsula, albeit the Anatolian rather than Italian peninsula (although as further irony, the Romans traced themselves from that peninsula as well, with their mythic origin from Troy). And secondly, in the methodical and almost inexorable nature of its conquests – as well as its tenacity in decline, although this entry is concerned with the former.

It is also intriguing how much of the origins of modern history might be traced to the looming presence of the Ottoman Empire in Europe and the Mediterranean – such as the discovery of the New World from seeking to find alternate trade routes to Asia and so on.

Again, one might see the parallel with the Arab conquests, with the Ottoman conquests shaping modern history similarly to the Arab conquests shaping medieval history. And like the Arabs, one of the first obstacles the Ottomans faced on their path to conquest was the eastern Roman empire, albeit much declined from its days of defending against the Arabs. Still, the Ottoman siege(s) and capture of Constantinople were an epic end to the eastern Roman empire – and springboard for further Ottoman conquests.

With its conquest of the Byzantine Empire as well as Constantinople as its newly conquered capital and its control of the Mediterranean basin, the Ottoman Empire was a transcontinental empire at the crossroads of Europe, Asia and Africa for almost half a millennium, albeit half of that again in decline.

Egypt was of course the jewel in the crown of their African empire – but it extended westwards from Libya to Morocco (and briefly into the Atlantic with the Canary Islands), becoming the basis of the fabled Barbary corsairs or pirates which even fought the United States, although these were only nominally under Ottoman control. The Ottomans also extended southwards to the Horn of Africa – and into naval wars in the Indian Ocean.

In Asia, they inherited the caliphate and its predominance in the Middle East, extending south through the Arabian peninsula, although held at bay by a resurgent Persia under their own Turkic Safavid dynasty.

However, it was in Europe that they had their conquests that define this entry – they conquered the Balkans, extending to Crimea with the Crimean Khanate or Tatars, successors to the Mongol Golden Horde, as their vassal state, and also reached to the heart of Europe to besiege Vienna. Although apart from its defeats when besieging Vienna, it encountered significant holdouts or resistance elsewhere – Croatia, Dracula or Vlad the Impaler, Venice and the naval Battle of Lepanto.

If I were to pick one war from among these conquests to encapsulate them, it would be the war that saw their second siege of Vienna, particularly famed for the charging Polish cavalry or winged hussars that broke the Ottoman siege – the Great Turkish War or Wars of the Holy League from 1683 to 1699.

The Great Turkish War was fought between the Ottoman Empire on one side and the Holy League on the other – the Holy Roman Empire, the Poland-Lithuanian Commonwealth, Russia, Hungary and Venice.

And following from that defeat in the Battle of Vienna, the Great Turkish War ended with Turkish defeat – and defeat that was to prove the highwater mark of their conquests in Europe, losing substantial territory in Hungary and elsewhere.

Thereafter the Ottomans steadily lost their conquests in the Balkans even as it was propped up by Britain against Russia, resulting in it being styled as the “sick man of Europe” in the nineteenth century – somewhat overconfidently, as the Allies were to find out in WW1, although ultimately it collapsed in that war.