Top Tens – History: Top 10 Types of Empire & Imperialism (Special Mention) (13) Republican & Democratic Imperialism

Republican imperialism at its finest – Vercingetorix throws down his arms at the feet of Julius Caesar (1899) by Lionel Royer (public domain)

 

 

(13) REPUBLICAN & DEMOCRATIC IMPERIALISM 

 

Republican and democratic imperialism seem obvious oxymorons.

Well, certainly democratic imperialism does – republican imperialism somewhat less so as it simply requires that the imperial state be a republic rather than formal monarchy or government by emperor.  Indeed, the top empire in my Top 10 Empires originated as republican imperialism although it evolved into a formal empire – the Roman Empire. Other examples of republican imperialism include the Venetian Empire as well as the modern French Empire (once France was a republic) and less formal empires such as the American empire, Soviet (and modern Russian) empire, and the Third Reich.

However, democratic imperialism remains an oxymoron – “the intersection, overlap, or tension between democratic political systems at home and the practice or justification of overseas empire, hegemony, or foreign intervention.”

The third top empire in my Top 10 Empires, the British Empire, is perhaps the classic example of democratic imperialism, albeit progressively over time with increasing enfranchisement – which coincided with increasing reluctance or sentiment for maintaining its empire. However, that was reflected also by other empires such as the American empire or those of increasingly democratic or enfranchised western European nations – at least French, Dutch, and Belgian empires, as well as arguably also German and Italian empires.

Top Tens – History: Top 10 Empires (Special Mention: Revised) New Entry (13) Turkic – Timurid Empire

 

Map of the Timurid Empire in 1400, Demis Map Server (from reference The Jalayirids: Dynastic State Formation in the Mongol Middle East Map 3, Wikipedia “Timurid Empire” under license https://creativecommons.org/licenses/by-sa/4.0/deed.en

 

 

(13) TURKIC – TIMURID EMPIRE

 

Yeah, you know those horse blitzkriegs or nomadic empires by mounted nomadic pastoralist tribes from the Eurasian steppes – “those psychos on horseback” – that keep popping up in my top ten history lists?

A large number of them were Turkic, as one of the more prevalent ethnicities of Eurasian mounted nomadic pastoralist tribes – particularly after the so-called Turkic expansion throughout Eurasia from the 5th century AD onwards.

They are distinct from the Mongolic peoples but the Turkic expansion overlapped with the Mongol Empire as the latter enlisted Turkic peoples and confusingly gave rise to various Turko-Mongol “traditions” or ethnocultural syntheses. And to confuse things further, the Turkic expansion extended to the Middle East – giving rise to Turko-Persian tradition – and more famously, Anatolia, as the origin of the Turks who formed the Ottoman Empire and present nation of Turkey.

There’s enough Turkic empires for their own top ten, originating with the first definitive Turkic empire in the 6th century – the Göktürk Khaganate, variously titled the First Turkic Khaganate, the First Turkic Empire, or Turkic Khaganate, which also “became the first Central Asian transcontinental empire from Manchuria to the Black Sea”.

Indeed, Turkish nationalists have compiled their own top ten of Turkic empires, or rather, a top sixteen – the 16 Great Turkic Empires, albeit counting some disputed as Turkic, going back to the Xongniu or Huns.

However, one empire that is not disputed as Turkic – or rather, Turko-Mongol – is the Timurid Empire, founded by Timur or Tamerlane, “the last of the major nomadic conquerors of the Eurasian Steppe” and in doing so, mauled other states of such formidable reputation as the Golden Horde, Mamluk Sultanate, the Ottomans, and Delhi Sultanate. Or as I like to call him, the Timurnator. He was even eyeing off Ming China before his death

“The Timurid conquests and invasions started in the late 14th century with Timur’s control over the Chagatai Khanate” – one of the successor states of the Mongol Empire which I otherwise would have seen as the runt of the litter – and ended at the start of the 15th century with the death of Timur. Due to the sheer scale of Timur’s wars, and due to the fact that he was generally undefeated in battle, he has been regarded as one of the most successful military commanders of all time. These wars resulted in Timur’s supremacy over Central Asia, Persia, the Caucasus, the Levant, and parts of South Asia and eastern Europe, and they also resulted in the formation of the short-lived Timurid Empire”.

While his empire persisted for a century after his death, it slowly fragmented but one of his successors, his great-great-grandson Babur, conquered India to forge a whole new empire that was arguably the most powerful imperial state in the subcontinent prior to the British – the Mughal Empire, which survived even in decline to the nineteenth century.

Top Tens – Mythology: Top 10 Mythology Horror (6) Classical Mythology

Yeah, they tear him apart after what we see here – and one of them is his mother. Pentheus being torn apart by maenads in a Roman fresco in Pompeii (public domain)

 

 

(6) CLASSICAL MYTHOLOGY

 

Remember my introduction’s reference to modern horror fiction prompting to mind Greek dramatic tragedy and its catharsis – its intense feelings of fear and pity?

Well, here we are, as classical mythology was the usual subject of that Greek dramatic tragedy and catharsis. Or for that matter, the usual structure of Greek dramatic tragedy of hubris followed by nemesis, with the latter usually personified as the goddess Nemesis or similar figures such as the Furies.

And as I said, it wouldn’t take too much to tweak most Greek tragedies into horror films.

The Bacchae by Euripides demonstrates the horror inherent in classical mythology. The tragedy is based on the myth of Pentheus, king of Thebes, who is opposed to the new god Dionysus and his cult. It’s easy to see it as modern horror fiction, from the folk horror of The Wicker Man to cosmic horror – Dionysus as Yog Sothoth, perhaps?

A conflation of folk and cosmic horror pretty much sums up the horror of classical mythology, particularly the latter with brutal divine punishments or cruel divine wrath. There are also monstrous creatures and the body horror of metamorphoses, often combined – and both tend to be instruments of divine punishment or wrath. Even when your adversaries or antagonists are human rather than supernatural in classical mythology, it often resembles slasher horror.

As for the Bible and Biblical mythology, modern horror fiction tends not to adapt classical mythology directly – few or no minotaurs, sphinxes, chimeras, or hydras for example – but instead draws on its themes, tropes, and above all its templates of dramatic tragedy.

Top Tens – Mythology: Top 10 Mythology Horror (5) Apocalypse

“Death on a Pale Horse” (and all hell followed after him) – Death as the Fourth Horseman of the Apocalypse, 1865 engraving by Gustave Dore (public domain)

 

 

(5) APOCALYPSE

 

As I said in my previous entry, the Bible and Biblical mythology tend not to be directly horror, except perhaps for the book in this entry – the Book of Apocalypse.

The Book of Apocalypse pretty much reads as horror fiction, with faithful Christians as the final girl.

Beyond that, it has many elements or figures that recur as tropes in horror fiction, not least the Beast, the Antichrist figure most famously adapted in The Omen film franchise. Even Apocalyptic Jesus can present as a terrifying figure, what with that sword coming out of his mouth and all.

Of course, these tropes loom largest and in their most literal form in religious horror – but they recur in more metaphorical form in other sub-genres of horror fiction.

For a quick apocalyptic roll call, it’s literally one damned thing after another – or one beast after another, as the Great Beast or Beast of the Apocalypse as it is called, is not the only beast in the Apocalypse. You have the Four Horsemen, Star Wormwood, Abaddon, the Locusts of the Bottomless Pit, the Dragon and the Woman Clothed in the Sun (the latter something of a final girl herself), the False Prophet, and Mystery Babylon.

O – and whole swathes of humanity die.

Top Tens – Mythology: Top 10 Mythology Horror (4) Bible & Biblical Mythology

“The Vision of the Valley of the Dry Bones” by Gustave Dore in 1866 – from the Book of Ezekiel 37:1-14, a passage evoking horror fiction (public domain)

 

 

(4) BIBLE & BIBLICAL MYTHOLOGY

 

Wait – what? The Bible or Biblical mythology as horror?

I mean, have you read the Bible?

In fairness, the Bible and Biblical mythology tend not to be directly horror, except perhaps for the book in my next entry.

Rather, they tend to be more indirectly horror – that is, they or elements within them tend to be tropes of, or readily adapted to, horror. Indeed, there’s a whole sub-genre of horror fiction that just does the latter – religious horror.

Of course, the focus of religious horror tends to be the figure literally named as the adversary in the Bible, Satan, or the other lesser adversarial figures under him. Satan and his demons are somewhat muted (and mostly absent) for horror in the Old Testament, but the New Testament ramps them up in horror, not least in its stories of demonic possession or exorcism which continue to be tropes in horror fiction. The story of the demon Legion remains genuinely terrifying, not unlike The Exorcist film in its narrative.

The underworld of the Bible and Biblical mythology remains the most horrific of any mythic underworld, both of itself and for its demonic denizens, although again this is muted or mostly absent in the Old Testament and ramped up in the New Testament.

Mind you, even the supernatural force of God or forces of Heaven can be terrifying, whether in visions or intruding into our own world. “Be not afraid” as Biblical angels say to soothe the terror from their appearance – and it does not take too much to reimagine encounters with angels, such as Jacob wrestling with the angel (or whatever you interpret it to be), as horror.

Outside the supernatural elements, the Bible or Biblical mythology leans more towards slasher horror with its human violence – or inside its supernatural elements for that matter, with God as arguably the biggest slasher of all. The Plagues of Egypt – or cycles of punishment for Israel – can read like the Saw films.

Finally, there are many episodes, passages or stories within the Bible that are easy to reimagine as horror in one form or another – for example, the Levite’s concubine or the Witch of Endor, I’m struck by how often that has effectively been done by artists – and by just how many artists have done Biblical horror art, as it were. Durer, Dore, Bruegel, Dali, and so on – enough for the subject of its own top ten list.

 

Top Tens – History: Top 10 Types of Empire & Imperialism (Special Mention) (12) Defensive Imperialism

Map of all the territories once occupied by the Roman Empire, along with locations of limes and borders (public domain image)

 

 

(12) DEFENSIVE IMPERIALISM

 

“Now look at what you made me do!”.

Alternatively, I needed my empire to defend myself.

As ridiculous as it may seem, empires have asserted that their imperialism was defensive or reactive, and historian have even agreed with or asserted it for them.

“Defensive imperialism is a security-motivated theory of empire-building that views territorial expansion as a reactive response to external threats rather than planned, aggressive conquest…states often conquered reluctantly out of fear, self-protection, or broken treaties”.

The most famous example of defensive imperialism is the one that may also seem most surprising, the Roman Empire. Indeed, the theory of defensive imperialism originated “in Roman studies in the late 19th century”, albeit it persisted after that and was “closest to the argument favored by the Romans themselves”.

“The theory draws its strength from the apparent inconsistency of Roman foreign policy, the slowness with which their rulers acted (or reacted), and their reluctance to annex. In this pattern economic and ideological factors appear secondary at most.”

Perhaps not coincidentally given the theory was contemporary with the British Empire approaching its peak, defensive imperialism was also asserted for the British Empire – “in the late Victorian and Edwardian eras, figures like James Bryce compared Roman expansion to the British Empire, arguing that external dangers and frontier instability forced further conquest”.

Admittedly, claims of defensive imperialism are the exception rather than the rule, particularly for pre-modern empires that tended to cheerfully revel in conquest for its own sake – what is best in life is “to crush your enemies, see them driven before you, and hear the lamentations in their women”. That quote from the Conan film is famously adapted from one attributed to Genghis Khan in a historical biography of Genghis Khan (Charles Lamb’s “Genghis Khan: The Conqueror of All Men”), which notably also included “to take their horses and goods”. While the latter was probably apocryphal, it certainly reflected the ethos of the Mongol Empire.

Even so, claims of defensive imperialism are significant. After all, two of the top three empires in my Top 10 Empires have asserted it for themselves or had historians assert it for them, the Roman and British Empires – and another entry, the Macedonian Empire, might arguably be added to them, at least in so far as Alexander the Great claimed his invasion of Persia to be a “retaliatory defensive act of justice” (for the Greek-Persian Wars and Persia’s control of or interference with Greek cities).

Claims of defensive imperialism haven’t exactly gone out of fashion either – “scholars point out that ancient and modern powers frequently weaponize defensive language and just-war theory to legitimize pre-emptive strikes and territorial control”.

Top Tens – History: Top 10 Empires (Special Mention: Revisited) (12) Holy Roman Empire

 

Map of the Carolingian Empire in 814 AD – Wikipedia “Holy Roman Empire” licensed under https://creativecommons.org/licenses/by-sa/4.0/

 

(12) HOLY ROMAN EMPIRE

 

The Holy Roman Empire of the German Nation.

The thousand year Reich, subsequently styled as the First Reich – which means I’ve featured all three Reichs in my special mentions.

It was, as Voltaire famously quipped, neither holy nor Roman nor an empire.

The Holy Roman Empire had some substance to it, but also embodied an idea – or worse, a snub by Pope Leo III to the eastern Roman Empire and its empress Irene by crowning Charlemagne as Roman emperor, in Rome no less, in what must surely rank as a medieval meme.

Of course, underlying that idea was the enduring influence or template of the western Roman Empire, a legacy which many in the European kingdoms or nations subsequent to it sought to revive, even at the expense of the eastern Roman Empire.

That idea had some force to it under Charlemagne, who had achieved the largest unified polity in western Europe since the Roman Empire – although his empire should more accurately be styled as the Frankish Empire- but it soon fell apart after it was divided between his sons.

From that division, Germany emerged as a separate realm from the Frankish Empire, largely from the eastern Frankish empire, and it was from Germany that the Holy Roman Empire truly arose. Historians tend to distinguish the Frankish Empire from the Holy Roman Empire proper, with Otto I as the first Holy Roman Emperor in 962, even if that cuts down that thousand year Reich (from Charlemagne’s coronation in 800) to a mere 844 years.

Again, the idea had some force to it under Otto and his successors, even if it oscillated between that idea as reflected in its title as Roman Empire and the reality as reflected in its title as Empire or Kingdom of the Germans. It was still a snub to the eastern Roman empire, who were deeply insulted by the Pope crowning Roman Emperors – although in fairness, “the Pope was the only one of these people who actually lived in Rome itself” so “it could be argued he was the most entitled to decide who was Emperor of the Romans”.

The actual term Holy Roman Empire began to be used only during the reign of Friedrich or Frederick Barbarossa two centuries and two dynasties later, and under him, the idea had some teeth to it (as well as transforming him into a legendary figure) and continued to do so until his grandson Friedrich II, who attempted to run an Italian-German empire from Sicily.

That reflected the internal struggles within the Empire – with German nobles, with Italian cities or communes, and above all, with the Papacy. “The Empire and the Papacy, both competing for secular and religious power over all Christendom without the means to enforce it, essentially destroyed each other’s credibility. This was not helped by a fairly consistent policy of Emperors to neglect the basis of their power in Germany to grasp at its shadow in Italy – because in order for a German king to become Emperor, he had to go to Italy and be crowned by the pope”.

From there, the empire that had originated as a meme essentially devolved back into one – falling into irrelevancy or worse, the joke of an empire “that mostly clung to life because the ruler of Austria wanted to call himself an emperor and the rest of Europe was willing to humor him”. As Marx quipped, history repeats itself, the first time as tragedy, the second time as farce.

And above all, it was incredibly convoluted, both in history and structure – an emperor elected by powerful regional lords and clergy, in an empire that went from 300 to 1800 “sovereign kingdoms, duchies, free cities, and other entities”.

Hence Voltaire’s famous quip about it – and Napoleon doing away with the whole dog’s breakfast of the Holy Roman Empire in 1806.

Top Tens – Mythology: Top 10 Mythology Horror (3) Vampires

 

Santanico Pandemonium poster art Season 2, From Dusk Till Dawn TV series – one of my favorite female vampires. Yes – it’s not Salma Hayek from that scene in the film but Eiza Gonzalez is more vamped up in the poster here

 

(3) VAMPIRES

 

And now we get to the hungrier folklore of the dead, distinct in their corporeal form from ghosts – back from the dead as revenants. They came back wrong. Not much good comes out of coming back from the dead as a rule. It usually involves preying upon life to sustain one’s unnatural, undead being – treading water, but in blood, as it were.

There is a whole host of vampiric or ‘vampire adjacent’ beings or creatures in folklore and mythology, going all around the world and back to the dawn of history or beyond.

While the archetypal vampire of European folklore – “the folklore for the entity known today as the vampire” – is relatively recent, originating “almost exclusively from early 18th-century southeastern Europe”, the broader archetype of the hungry corporeal dead goes back at least to ancient Mesopotamia, as John Blair points out in his book Killing the Dead.

And so too does killing the dead (again) as per the book’s title – the various means of preventing vampires (as in the various means of preventing a corpse from becoming a vampire, or at least causing too much trouble as one), identifying vampires, and most importantly of all, protecting against or destroying them.

When the dead aren’t ghostly in horror, they’re hungry. The corporeal dead, and killing them, is a substantial part of horror fiction.

Top Tens – History: Top 10 Types of Empire & Imperialism (Special Mention) (11) Cultural Imperialism

Arguably the two most famous and iconic corporate brand logos in the world – Coca-Cola and McDonalds (fair use)

 

 

(11) CULTURAL IMPERIALISM

 

Coca-Colonization and McDonaldization!

Yes, cultural imperialism is much broader than the spread of American corporate brands – extending throughout culture and cultural values or traditions – but Coca-Cola and McDonalds serve (heh) as useful symbols of it, as well as the most recognizable.

In my opinion, however, cultural imperialism is a somewhat nebulous concept, typically co-opted for ideological or political argument rather than to connote anything meaningful.

Sure, empires routinely engage in the acculturation of their imperial subjects, so much so that there’s a whole litany of terms with the suffix “isation” or “ization” for it, such as Romanization for the Roman Empire, Americanization for  the global influence of American culture (including Coca-Cola and McDonalds), and so on.

To the extent that such acculturation is imposed by direct imperial diktat or policy, then it probably counts as cultural imperialism. Outside of that, it is less clear.

For example, cultural imperialism is usually defined in terms of “asymmetrical power” – that is, “it relies on economic, political, or military superiority rather than equal cultural exchange”.

Firstly, however, I’m not sure that “cultural exchange” is ever entirely “equal”, or even what would qualify a “cultural exchange” as “equal”. A better adjective might have been “free” rather than “equal”.

Secondly, and more fundamentally, cultural exchange itself may “rely” on – that is, be influenced or motivated by – “economic, political, or military superiority”, to emulate or achieve that superiority. Indeed, military “superiority” is one of the clearest examples of cultural exchange for such a purpose, particularly if that superiority is based on some technological or organizational development.

Also, as critics of the concept have pointed out, it oversimplifies how imperial subjects or other people interact with “foreign” or imported culture – they often “reinterpret, resist, or localize imported culture rather than passively absorbing it.”

It also overlooks “counter-flows” – that is, the culture imported by an imperial nation from its subjects. For that matter, it overlooks the extent to which imperial nations also routinely practice cultural laissez-faire or tolerance when it comes to their subjects – to minimize disruption and resistance, avoid unnecessary drain on their resources, co-opt local elites, or even from genuine love or respect for local culture among other reasons.

Top Tens – History: Top 10 Empires (Special Mention: Revised) (11) Venetian Republic

 

The Republic of Venice with its Domini de Terraferma and Stato da Mar – its main territories in Italy and overseas by Ariel196 for Wikipedia “Venice” licensed under https://creativecommons.org/licenses/by-sa/4.0/deed.en

 

(11) VENETIAN EMPIRE 

 

Technically it’s the Venetian Republic – La Serenissima or the Most Serene Republic of Venice – as it was another imperial republic in the style of Rome, indeed with quite a few parallels between them.

Of course, the world had moved on from the days that an Italian city-state could dominate the peninsula and then the Mediterranean (and beyond) in the style of Rome, but Venice took a damn good swing at it, punching remarkably above its weight.

The parallels with Rome extend to a similarly legendary founding – the Republic dated its founding back to 697 AD, albeit predated by Venice itself reputed to have been settled by refugees from the Huns and Germanic invaders of the Roman Empire seeking the safety of its islands.

The Republic was founded as the Duchy of Venetia within the eastern Roman Empire’s Exarchate of Ravenna – its leader’s title of Doge originating from the Latin for dux (or duke) as an imperial provincial title. It became increasingly independent as the exarchate crumbled, until effectively achieving de facto independence because of an agreement between the Holy Roman Empire and the eastern Roman Empire.

Its independence corresponded with its rise as an imperial republic in its own right. Venice relied on the tried-and-true methods of a smaller state – particularly city and island states – to punch above its weight, namely naval power fuelled by wealth from maritime trade, as well as cunning and sharp practice in diplomacy. That wealth was also fuelled by its art, craft and manufacture – historian Geoffrey Blainey’s observation that Venice was like the Silicon Valley of its time, in things like glassmaking, has always stuck in my mind.

Indeed, while it resembled Rome’s classical (and imperial) republic, it also followed the classical Greek model of a maritime colonial empire with a focus on its naval power and trade, while in many ways pre-empting the European colonial – and neocolonial – empires of which it was a predecessor.

And like all empires, even maritime or mercantile ones, it was in the business of territorial expansion – “During its history it annexed a large part of north-east Italy, Istria, Dalmatia, the coasts of present-day Montenegro and Albania as well as numerous islands in the Adriatic and eastern Ionian seas. At the height of its expansion, between the 13th and 16th centuries, it also governed the Peloponnese, Crete and Cyprus, most of the Greek islands, as well as several cities and ports in the Mediterranean”.

Of course, its rise as imperial republic caused it to come into conflict with rival Italian city-states, notably Genoa, but also the eastern Roman empire. Venice had a weird love-hate symbiotic-parasitic relationship with the eastern Roman Empire – evolving from an imperial province and vassal in the empire’s reconquest of Italy, to ally and close associate of the empire effectively as its navy and trading house, and ultimately to rival and perfidious adversary in the Fourth Crusade.

In some ways, that symbiosis involved Venice as almost the inversion of Constantinople – the heart of a mercantile empire which waxed and rose, sucking from the blood of the latter as it waned and fell. Although ironically, Venice found its fortune to be little more symbiotic with Constantinople than it would have liked after all – as the rival declining eastern Roman empire was replaced by the new rival rising Ottoman Empire.

Even then, its remarkable to think that Venice as a city-state held its own going toe-to-toe with the Ottoman superpower for four centuries or so of Ottoman-Venetian Wars (that commenced even before the fall of Constantinople), albeit inevitably losing territory to the Ottomans.

The rise of the Ottoman Empire also indirectly prompted one of the primary factors behind the decline (and fall) of the Venetian Republic and the Mediterranean in general – the decline of Mediterranean trade relative to the Atlantic as the latter opened in the European Age of Discovery and conquest of the Americas. Even so, the Venetian Republic endured until 1797 when it finally fell to the French under Napoleon.