Top Tens – History: Top 10 Wars (8) Mongol Conquests – Mongol Invasion of Europe

The Battle of Legnica (Liegnitz or Wahlstatt) on 9th April 1241 during the first Mongol invasion of Poland – copper engraving by Matthäus Merian the Elder 1630 (public domain image – Wikipedia “Mongol Invasions and Conquests”)

 

(8) MONGOL CONQUESTS –
MONGOL INVASION OF EUROPE (1236-1242)

The Mongols were essentially a horse blitzkrieg across Eurasia, achieving a mobility and speed on land, exceeded only by modern mobile warfare using the internal combustion engine.

The horse blitzkrieg was a recurring feature mounted (heh) by nomadic herding tribes, particularly by those from the steppes of central Asia, to such devastating effect against more sedentary or settled agricultural states throughout history. I can’t resist the memorable quote by the Pax Romana Youtube channel that “history is mostly a matter of hoping those psychos on horseback don’t attack this summer, steal the grain and take the slaves”.

None were more supremely effective at it than the Mongols, one of the most proficient and versatile military forces in history – one that was also supremely adaptable at coopting its conquered people for further conquests and for strategies of war beyond their horse blitzkrieg. It’s surprising how small the actual Mongol component was of their forces.

The founder of the Mongol Empire – Temujin, better known as Genghis Khan – was the best military and political leader of his era, or arguably any era. He succeeded in unifying the Mongol tribes as the nucleus of his empire, which at his death stretched from northern China through Central Asia to Iran and the outskirts of European Russia. In doing so, the Mongols conquered glittering states along the Silk Road in central Asia that barely anyone remembers because the Mongols wiped them out so thoroughly – the Khwaraziman Empire of Iran and the Qara Khitai.

However, it is the wars of his successors that are particularly fascinating to me as they advanced into almost every corner of Eurasia.

In the Middle East, they besieged and sacked Baghdad, the center of Islamic power for half a millennia, occupying as far as parts of Syria and Turkey, with raids advancing as far as Gaza in Palestine, where they were stopped in the battle of Ain Jalut by the Mamluks of Egypt.

In East Asia, the Mongols did not face a unified China but two warring states, the Jin in northern China and the Sung in southern China. Genghis had largely defeated the former – his successors finished it off and conquered the Sung as well. The latter was most famously by Kublai Khan – and in Xanadu did Kubla Khan a stately pleasure dome decree.

The Mongols also invaded Korea, Burma and Vietnam. It’s interesting to think of the Mongol Vietnam War, which as Vietnam Wars usually go, resulted in defeat for the Mongols. It’s also interesting, given the definitive horse blitzkrieg of the Mongols, that the Mongols launched naval invasions of Java and Japan, but perhaps not surprisingly neither did well – the latter giving rise to the Japanese word kamikaze or divine wind for the storms that scattered the Mongol invasion fleets.

However, I’m giving this entry to the campaigns of his successors most familiar to me from my Eurocentric perspective – the Mongol invasion of Europe, commanded in the field by one of the best Mongol generals, Subutai. The Mongols rolled over European Russia – over much of which they would remain ruling as the Golden Horde until the fifteenth century – and invaded central Europe, decisively defeating Poland and Hungary.

They were poised to strike into the heartland of Europe and the Holy Roman Empire, indeed raiding the latter (and the Balkans), with little to stop them but the English Channel – but fortunately for Europe, the Great Khan Ogedai died, so the Mongol armies withdrew back to Russia while their leaders returned to Mongolia to select the new Great Khan. Or so the story goes – historians vary on whether that was the true cause for the Mongols to desist from their invasion.

Even so, the Mongols continued to cast a long shadow of terror into Europe, reinforced by further raids in the thirteenth century (such that the raids of the 1280’s are sometimes styled as the second Mongol invasion) and fourteenth century.

And traumatizing Europeans with steak tartare, based on the popular legend of Mongol or ‘Tartar’ warriors tenderizing meat under their saddles and eating it at night after it had been ‘cooked’ by the heat and sweat from the horse.

ART OF WAR

Forget Sun Tzu – the true Art of War was written by Genghis Khan and the Mongols…in conquest. A friend and I used to observe the irony of Sun Tzu’s Art of War originating in China – a country that historically has gotten its ass kicked as often as not. (The same irony for Machiavelli’s The Prince originating in Italy – a country known for its political chaos).

But seriously – an army that conquered the world clearly excelled in the art of war. Ruling their conquests on the other hand…although in fairness any empire that size at that time was doomed to fragmentation.

WORLD WAR

The Mongol Conquests were nothing short of what should be described as a world war to create the largest contiguous land empire in history, and one that is still only exceeded by the British Empire – perhaps the most serious contender for the first true world war.

STILL FIGHTING THE MONGOL CONQUESTS

One of the few wars we’re not still fighting, even though we live in a Mongol-made world. The rising Russian state, with long memories of the Golden Horde, saw to that by conquering the steppes and various residual khanates (into the nineteenth century), but arguably inheriting their legacy and former territory as the new horde.

GOOD GUYS VS BAD GUYS

History has tended to overlook the positive or even progressive aspects of the Pax Mongolica – but it is also difficult to cast them as good guys, given the destruction they wrought, exceeding even the Second World War relative to world population.

RATINGS: 4 STARS****
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Top Tens – Mythology: Top 10 Subjects of Mythology

Free ‘divine gallery’ sample art from OldWorldGods

 

TOP 10 SUBJECTS OF MYTHOLOGY

 

So many topics for top tens, so little time – hence my top tens on the spot, shorter shallow dips as opposed to my longer deep dives.

And what better topic for shallow dip than the Top 10 Subjects of Mythology? Although that prompts the obvious retort that’ll be a shallow dip indeed – it’s mythology, innit? There – done!

Well, yeah nah – as mythology meaningfully overlaps with or includes many other subjects that are interesting in themselves.

So here we go all in one go – my Top 10 Subjects of Mythology.

 

(1) MYTH

 

Well, obviously – and such that it also obviously had to be in the top spot, although defining myth or mythology is less obvious, except perhaps at their core, for example as with the Olympian gods in classical mythology.

Partly that’s because of the extent that myth or mythology overlaps with other subjects – particularly with…

 

(2) LEGEND

 

Legendary!

A subject so intertwined with myth and mythology that it tends to be virtually synonymous with them – although funnily enough calling something a myth often is dismissive in contemporary usage while calling something a legend or legendary usually is a term of acclaim.

That might be because of the usual distinction drawn between myth and legend – that the main characters in myth are usually non-human, such as gods or other supernatural beings, while legends involve everyday humans in historical settings.

“Myths are sometimes distinguished from legends in that myths deal with gods, usually have no historical basis, and are set in a world of the remote past, very different from that of the present.”

So while we’re taking a step down from myths to legends as it were, that brings me to…

 

(3) FOLKLORE

 

In a sense you could say I’ve got this ass-backwards as myth and legend are more properly genres of folklore – and that I really should (or could) be doing a top ten subjects of folklore.

It’s just that folklore is so broad as to encompass the entirety of “the body of expressive culture shared by a particular group of people, culture or subculture” – including oral traditions of myth and legend as well as many more besides.

Also, I tend to see folklore (and legend) in a more ‘low church’ sense involving figures or narratives closer to humans and nature, as opposed to the ‘high church’ sense of myth or mythology involving divine beings or sacred narratives.

 

(4) RELIGION

 

Probably the most obvious overlapping subject with mythology apart from legend or folklore – and perhaps even more obvious than those.

“Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality”.

And while mythologies without a religion tend to come to mind – such as classical mythology, alas! – it is harder to think of a religion without its mythology, even such apparently atheistic religions as Buddhism or Taoism.

The link between mythology and religion brings me to…

 

(5) RITUAL

 

Given how much religion overlaps with or is comprised by ritual, it’s not surprising that mythology does as well.

For one thing, you have the depictions of ritual in mythology, which are then followed by the community that holds that mythology to heart.

For another, there’s the theory of mythology that holds that myth is tied to or even originates in ritual – to the extent “that every myth is derived from a particular ritual”. It even has a school of thought named for it – the “myth and ritual” school or “ritual school of myth”, based in Cambridge (and sometimes styled as the “Cambridge Ritualists”, conjuring up images of lurid secret societies in that university).

For example, animal-headed gods or beings like the Minotaur originate in masks worn by priests or priestesses – and so on

 

(6) HISTORY

 

Wait – what? Isn’t mythology the antithesis of history, as the latter is concerned with verifiable evidence of factual events?

Well yes – but also no.

For one thing, communities that hold mythologies also tend (or tended) to hold them to be true in a historical sense, at least in part – although fortunately for those communities myths also tend or tended to be ahistorical, as occurring in a realm outside historical time or space.

For another, legends as opposed to myths tend to have a historical setting – which have a surprising tendency to turn out to have more historical truth to them than skeptics give them credit. People believed Troy was a myth until they found it.

And for yet another, communities often have historical myths about themselves and their history – origin myths or national myths.

 

(7) POETRY

 

The gods speak in verse.

No, seriously.

From the Iliad and the Odyssey to substantial parts of the Bible, it’s striking how often myths or legends are written (or spoken or sung) in verse. Even when in prose, it often has a lyrical resonance to it.

Speaking of which…

 

(8) EPIC

 

“Do you have it in you to make it epic?”

Closely resembling legend in popular usage, originating from its origin in long poetic narratives, “typically one derived from ancient oral tradition, narrating the deeds and adventures of heroic or legendary figures of the past history of a nation”.

Obviously overlapping with poetry, it’s striking how much poetic epic is at the core or origin of myths and mythology. The Epic of Gilgamesh. The Iliad and the Odyssey. The Hindu epics. Much or even most of the Bible.

Speaking of poetry and epic, particularly in classical Greek literature, brings us to…

 

(9) DRAMA

 

Particularly that originating in classical Greece – most strikingly with tragedy, a name that literally translates from the original Greek as “goat song” and seems to originate in or overlap with religious festivals, especially for Dionysus, hence the goats (or satyrs). Don’t dismiss comedy however, which also originated in or overlapped with the same religious festivals, translating as (drunken) “revel song”. Funnily enough that prompts to mind something I always recall reading (in some sort of dictionary of Christian thought) that the gospels of Christianity are ultimately comedy, effectively reversing tragedy into a happy ending – further prompting to mind the Christian passion play, yet more mythic drama (albeit Greek drama might also be described as pagan passion plays – Euripide’s Bacchae for example).

It’s striking how much classical drama (or the passion play) reenacts mythology – to the extent that it might be regarded as similar to ritual as the reenactment of myth (or vice versa).

 

(10) FANTASY

 

On the one hand, the term that perhaps best reflects the pejorative contemporary usage of myth – dismissing myths as fantasy or fantastical.

On the other, the modern genre of fantasy comes closest to being like our original mythologies or their literal and figurative enchantment of original mythology – deliberately so with founding figures of literary fantasy such as Tolkien, who wrote The Lord of The Rings as a modern mythology for England.

 

Friday Night Funk – Top 10 Music (Mojo & Funk): (9) The Weeknd – Can’t Feel My Face

 

MUSIC (MOJO & FUNK): TOP 10

(9) FUNK: THE WEEKND –
CAN’T FEEL MY FACE (2015)
B-Side: I Feel it Coming (2016)

 

“I’m a m***********g starboy!”

Of course, that’s the titular chorus from his song Starboy (featuring Daft Punk because they make everything funkier), but it encapsulates Abel Makkonen Tesfaye a.k.a The Weeknd. Also, it is funky – but my funk favorite still goes to this 2015 single from his Beauty Behind the Madness album, my introduction to The Weeknd.

The Weeknd has been so consistently funky through the 2010s to the 2020s – and so ubiquitously funky, as each time my ears prick up for any funk recently, it’s usually The Weeknd – that I’ve had no choice but to rank him in my Top 10 Mojo & Funk (and also ultimately compile my Top 10 Weeknd songs). And how can you not like the Weeknd? We all love the weekend!

“I can’t feel my face when I’m with you
But I love it, but I love it”

Anyway, I can’t resist this tagline for “Can’t Feel My Face” from Billboard – “The Weeknd’s irresistible, Michael Jackson-esque “Can’t Feel My Face” is so perfectly crafted that it’s impossible to imagine a world or alternative reality in which this song isn’t number one”. And it’s not every music video that ends in the immolation of its singer.

As for my B-side entry, I have a soft spot for “I Feel It Coming” (once again featuring Daft Punk, again making it funkier).

“You’ve been scared of love and what it did to you
You don’t have to run, I know what you’ve been through
Just a simple touch and it can set you free
We don’t have to rush when you’re alone with me”.

As for the balance of my Top 10 The Weeknd songs:

(3) Starboy (2015). Obviously
(4) Blinding Lights (2019)
(5) Take My Breath (2020)
(6) Ariana Grande / The Weeknd – Love Me Harder (2014)
(7) The Hills (2015)
( 8 ) Save Your Tears (2020)
(9) Swedish House Mafia ft The Weeknd – Moth to a Flame (2021)
(10) Sacrifice (2022)

 

RATING: 4 STARS****
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Top Tens – History: Top 10 Books (8) Felipe Fernandez-Armesto – Civilizations: Culture, Ambition & The Transformation of Nature

Cover 2002 Free Press edition

 

(8) FELIPPE FERNANDEZ-ARMESTO –

CIVILIZATIONS: CULTURE, AMBITION & THE TRANSFORMATION OF NATURE (2000)

 

A book on the suject of human civilization – or rather, civilizations, arranged by environment, consistent with the definition of civilization in the subtitle as the transformation of nature.

The book essentially treats all human societies as civilization, or at least a civilization – eschewing attempts at ‘checklist’ of criteria that define a civilization, given the problems of previous attempts to do so for any that are universally agreed, instead looking at human societies in classic Toynbee terms of challenge and response to their natural environments, at least in origin.

While such an approach may have flaws in its lack of distinction between a ‘civilization’ and other human societies, the book does have much to offer from its thematic history of human civilization from a geographic and environmental perspective.

Firstly, it vividly impresses on you the extent to which human history and societies have been shaped by nature, at least in origin – including the most basic or stark features which one might otherwise overlook from a different thematic perspective.

This is most striking when it looks at those environments it groups together as the wasteland, worlds of ice or sand deserts, which can only support the most minimalist societies – minimalist that is, beyond surviving in them, prompting to mind the lines from the poem “Australia” by A.D. Hope, about men whose boast is not “we live” but “we survive”. There’s a similar quality

Perhaps its most insightful feature – which it states in its introduction – was its comparative history of civilizations, “arranged environment by environment, rather than period by period or society by society”, thus yielding comparisons across time and space that might not otherwise occur to the reader.

The evocative part and chapter headings (or subheadings) illustrate those environmental classifications:

  • Part 1: The Wasteland – Ice Worlds & Tundra, Deserts of Sand
  • Part 2: Leave of Grass – Prairie & Grassy Savannah, the Eurasian Steppe (the Highway of Civilization)
  • Part 3: Under the Rain – Postglacial & Temperate Woodland, Tropical Lowlands
  • Part 4: The Shining Fields of Mud (alluvial or river floodplains in the ancient Near East, China and India)
  • Part 5: The Mirrors of Sky – the Highland Civilizations of the New World and the Old
  • Part 6: The Water Margins (Civilizations Shaped by the Sea) – Small Island Civilizations and Seaboard Civilizations such as the Seaboard Civilizations of Maritime Asia or the Greek and Roman Seaboards
  • Part 7: Breaking the Waves (the Domestication of the Oceans) – the Rise of Oceanic Civilizations, the Making of Atlantic Civilization, and from the Atlantic to the Pacific – from the Pacific to the World

I was particularly fascinated by its comparison of grassland societies – prompting to mind, as such things tend to do, whether other grasslands might have produced the horse blitzkriegs that the Eurasian steppes did in other circumstances.

Or its subject of the oceans – how maritime navigation has been shaped by the distinctive currents and wind patterns of each ocean, with the Indian Ocean proving the most ”precocious’ for long distance navigation (indeed from the dawn of human history), the Atlantic being somewhat more tricky, and the Pacific trickier still (Polynesian island-hopping aside).

 

RATING: 4 STARS****

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Top Tens – History: Top 10 Empires (9) China – Qing Empire

The Qing dynasty at its greatest extent in 1760, with claimed territory not under its control in light green – based by Aldermanseven on Albert Herrmann’s map in the 1935 History and Commercial Atlas of China for Wikipedia “Qing Dynasty” under license https://creativecommons.org/licenses/by-sa/4.0/

 

(9) CHINA – QING EMPIRE (1644 – 1912)

The last Chinese empire, lasting into the twentieth century with perhaps the most spectacular decline and fall on the world stage in modern history.

Like India, China has seen the rise and fall of numerous empires over millennia that could well be the subject of their own top ten, although Chinese empires are probably better known to general history and more coherent imperial states than their Indian counterparts.

Similarly to India, there are a number of candidates for the top spot among Chinese empires – the Qin and Han empires were its definitive empires (giving their name to China itself and its predominant ethnicity respectively), while the Tang, Song and Ming empires all vie for status as classical Chinese empires or golden ages. The Ming empire is particularly reputed for being on the threshold of becoming a maritime empire with its fabled fleets and expeditions, before turning back to the usual landbound nature of Chinese empires.

The Yuan Empire – the dynasty of Kublai Khan and China’s Mongol conquerors – could also argue its claim for top spot, and depending on how you reckon it, may well qualify as China’s largest empire.

However, I award the top spot to the Qing Empire. Firstly, it is the Chinese empire of modern history, its last empire that survived until falling in the early twentieth century, as well as the empire that interacted most with European powers as they increasingly encroached upon it.

Secondly, my particular fascination with empires is with their decline and fall – and few things were as spectacular in modern history , or loom as large in the hindsight of a Chinese revolutionary regime succeeding it and adapting its imperial forms, as the decline and fall of the Qing Empire.

And by spectacular, I mean the grand spectacle playing out on the world stage of it desperately trying to fend off foreign powers it previously saw as barbarians or tributaries, but even more so fighting the endless rebellions within itself, until it was ultimately overwhelmed by the final one.

Of course, it didn’t start off that way – like every empire, it had its robust rise, essentially as a conquest of Ming China by one of those northern non-Chinese minorities that bubbled up occasionally to rule China, in this case the Manchus (for which Manchuria is named).

At its height in the 18th and early 19th centuries, it was the largest Chinese empire in history (depending on how you calculate the Mongol Yuan Empire) – and indeed fourth largest empire in history, as well as the most populous state and largest economy in the world.

And then came its decline and fall, in the so-called century of humiliation – usually reckoned to start with its defeat by Britain and France in the Opium Wars, which heralded ever more depredations by foreign powers, as well as ever more dangerous rebellions against the empire.

I’ve heard it said that the Qing Empire literally faced a peasant rebellion an average of every hour or so. I don’t know the truth of that assertion, which probably tallies up the hours in the numerous historical rebellions against the Qing, although I also suspect that many or most rebellions were too limited or localised to have any serious consequence.

Not so the Taiping Rebellion, in which a cult with a leader proclaiming himself the younger brother of Jesus and declaring his own Heavenly Kingdom, slogged it out with the Qing in the bloodiest civil war in history, with casualties to rival the First World War or even the Second World War.

Although it was in the Boxer Rebellion that China’s humiliation by foreign powers perhaps reached its nadir. That or its defeat by Japan in the Sino-Japanese War. It was one thing to lose to European powers – it was another to lose to another Asian state, a former Chinese tributary, that had been in a similar position to China vis-a-vis European powers only a generation or so previously

Qing China finally fell to rebellion or revolution in 1911, which abolished empires in China altogether (even if many of their features were to recur in their successors), with the last Qing emperor abdicating in 1912.

 

DECLINE & FALL

As the decline and fall of empires go, Qing China ranks up there with the most spectacular and tenacious of them, holding the line despite the odds – and when it did fall, at least it fell to internal revolution rather than conquest. Particularly as they did it on a shoestring – apparently they were never able to raise taxes above 2% of their economy.

“There are serious questions as to whether any government could’ve handled the gargantuan tasks the Qing faced, and they managed to survive a civil war that by all accounts should have destroyed them and would probably have taken down most lesser Chinese empires.”

Even then the Qing emperor at least managed to bounce back, although his empire did not – twice, albeit more by that adage of history repeating itself first as tragedy and then as farce. Firstly in 1917, when he was briefly crowned for a fortnight by a royalist warlord in the so-called Manchu Restoration, and secondly in 1932 as “emperor” of the Japanese puppet state of Manchukuo

It’s tempting to think what might have happened if the Qing could have pulled off the same trick as the defeated Nationalists and retreated to Taiwan – but unfortunately for the Qing, they had lost Taiwan to Japan in the Sino-Japanese War

If nothing else, they totally had a better flag than any of their successors.

THE QING EMPIRE NEVER FELL

On the other hand, the Qing Empire never fell. As the Soviet Union ironically replicated much of the nature and territorial claims of imperial Russia – with Stalin as the red Tsar – so too did Communist China with imperial China, particularly under Mao as red Emperor

THE SUN NEVER SETS

Although the Qing Empire was confined in physical extent to east Asia, it deserves its status as a world empire – its designation for itself as the Middle Kingdom or heart of the world not too far from the reality as a world unto itself, the world’s most populous state and largest economy

EVIL EMPIRE

While the modern view of Qing China tends to be closer to that of victim to Western powers, it can rank reasonably high as evil empire. Its original conquest of Ming China is estimated to have a death toll of at least 25 million. And it was seemingly indifferent to even higher death tolls to suppress the rebellions against it – although a casual indifference to loss of human life, even in the millions, was not unusual in either its predecessors or successors in China.

RATING: 4 STARS****
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Top Tens – History: Top 10 Wars (9) Spanish Conquest of the Americas – Spanish Conquest of the Aztec Empire

The 1521 Fall of Tenochtitlan by Spanish Conquistador Hernán Cortés, from the Conquest of México series – oil on canvas 17th century (public domain image)

 

(9) SPANISH CONQUEST OF THE AMERICAS –
CONQUEST OF THE AZTEC EMPIRE (1519-1521)

 

Remarkable for just how few Spanish forces conquered such a populous empire in such a short span of time (as it was with the conquest of the Inca Empire).

The Spanish Conquest of the Americas – la Conquista by the conquistadors – falls within the broader native American wars. Indeed, it and the American Indian Wars might be regarded as the two poles of native American wars – whereas the American Indian Wars fall at the tail end of them, the Spanish Conquest is at their very head.

It also propelled Spain, something of a peninsular backwater in Europe that had only just reconquered all its territory from Islamic conquest to the first world maritime superpower.

As for which Spanish conquest to nominate for this entry, I’ve gone with the conquest led by Hernan Cortes of the Aztec Empire. After all, it was either that or the close second for the conquest by Francisco Pizarro of the Inca Empire – and the conquest by Cortes was the influence and model for the latter, as well as effectively the springboard of the whole Conquest of the Americas, at least on the mainland.

Population estimates of the Aztec Empire prior to its conquest vary but generally seem to be about 10 million people, while Cortes had 508 soldiers in his expedition.

And he was lucky to get away even with that, as he set sail only just evading the Governor of Spanish Cuba revoking his commission, as it had become obvious that Cortes had something far more audacious in mind than mere exploration or trade. Cortes also famously scuttled his ships after arriving in Mexico, so that his forces could not retreat and had no other option but to fight.

Of course, Cortes’ forces did have some qualitative advantage of technological superiority. It is tempting to see it purely in terms of the first element of Jared Diamond’s titular trinity of guns, germs and steel – guns.

The Spanish certainly had guns, even cannon, and while the latter gave a useful advantage to the Spanish, I’m not sure I’d want to face down a fanatical horde of Aztec warriors in close combat with my inaccurate sixteenth century muzzle-loading single-shot musket, let alone whatever an arquebus is.

Far more useful were the Spanish crossbows and of course the third element of trinity – steel, in their armor and weapons, which the Aztecs lacked. More useful yet were the 16 horses of the expedition, as the Aztecs (and the Americas) were utterly without and therefore unfamiliar with horses, so that the Spanish cavalry had a real impact of shock and awe on the Aztecs. Probably with less impact but fascinating to me was the Spanish use of war dogs.

Another qualitative advantage was leadership. While Cortes had no experience, he proved himself a capable and charismatic military commander, while the Aztec emperor Moctezuma or Montezuma was generally perceived as weak or hesitant, even by the Aztecs.

Cortes was so capable and charismatic, that he defeated the larger Spanish force sent to retrieve him and then talked its soldiers and cavalry around to joining his conquest. However, this expanded Spanish force was still pitifully small compared to the Aztecs, even with its technological and tactical superiority

Which is where the second element of Jared Diamond’s trilogy was probably decisive – germs. The Aztecs are estimated to have lost almost half their population to smallpox from the Spaniards by the last year of the conquest and Cortes’ assault on their capital.

God and the gods also played their part. Faith in God was an important part of motivation and morale for the Spanish and not least Cortes himself in their conquests, coming as they did on the heels of the Reconquista of Islamic Spain.

One factor may or may not have played a part, reported by Cortes himself, was that he was seen as the return of the Aztec god Quetzalcoatl – but it is disputed as to whether or what extent the Aztecs actually believed this, and impossible to know its effect on them even if they did.

Another factor that certainly did play its part was that of the old saying that behind every great man is a woman. Malintzin, a slave-woman “gifted” to the Spanish with her own gift for languages, who became Cortes’ interpreter, diplomatic adviser and mistress – and who might well be hailed as co-conquistador.

Malintzin was an instrumental part in the true reason for the Spanish victory other than disease – that the Spanish force didn’t win it as such, but rather led the much larger winning force consisting predominantly of their native American allies against the Aztecs.

The Aztecs had their own bloody sacrificial empire that was still new and expanding just prior to the Spanish conquest – for which they were absolutely hated by many or most of their imperial subjects, at least some of whom were all too happy to ally themselves with the Spanish to overthrow the Aztecs.

ART OF WAR

Well obviously when your forces of a few hundred (or few thousand with reinforcements) defeat an empire of millions in a few years, you’re doing something right in the art of war.

And partly this would seem to be down to factors you can’t plan or even predict according to Sun Tzu – good fortune, and even more so, the boldness it favors. Say what you will about Cortes but he had cojones.

Of course, partly this would seem to be down to factors you can draw from Sun Tzu – subterfuge, diplomacy or alliances, and capturing enemy leaders or holding them hostage

WORLD WAR

The Spanish Conquest was the decisive landmark in what might be described, in its total scope, of a world war as the powers of one continent commenced their conquest of two others – the world war that started all the world wars of European maritime empires.

Even more as the Spanish conquest extended beyond the Americas to Asia (where the Spanish conquered the Philippines) and Africa, not least in the slave trade to the Americas.

STILL FIGHTING THE SPANISH CONQUEST

While the Spanish empire in the Americas fought for and (mostly) won its independence, the Spanish conquest casts a long shadow in Latin America – with native American resistance persisting even today, as with the Zapatistas in Mexico.

GOOD GUYS VS BAD GUYS

Modern historical perspective tends not to favor the Spanish as the good guys, although this is often disputed as a continuation of so-called Black Legend of anti-Spanish history – with some fairness. On the other hand, of all people the Spanish conquered, the Aztecs qualify the least as good guys, although again often disputed as historical propaganda against them – with some fairness.

Probably the only people who unambiguously qualify as the good guys are the indigenous population of Mexico caught between the two empires as one conquered the other.

RATING: 4 STARS****
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Top Tens – History: Top 10 Books (9) Adrian Goldsworthy – How Rome Fell: Death of a Superpower

Cover – 2010 Yale University Press edition

 

(9) ADRIAN GOLDSWORTHY –

HOW ROME FELL: DEATH OF A SUPERPOWER (2009)

 

 

Adrian Goldsworthy has risen to the status of my favorite historian of the classical Roman empire, mostly on the back of this book although his 2023 book The Eagle and the Lion: Rome, Persia and an Unwinnable Conflict was a leading contender for my wildcard tenth place entry for best history book of 2023.

 

I’ve used the American title for the book because I prefer it as more catchy – and it also prompts to mind one of my personal highlights of the book in its introduction, dismissing the cliché of comparing the decline and fall of the Roman Empire to the modern United States (a cliché with which Goldsworthy entertainingly relates that he is routinely accosted at dinner parties when he informs someone of his historical speciality).

 

As to the question in the book’s title, in a nutshell Goldsworthy answers that they did it to themselves. It’s a little like the twist in Fight Club, with the Romans revealed as the protagonist beating himself up, to the bemusement of the barbarian onlookers – and their delight when picking up the pieces.

 

I think it’s a solid answer. Goldsworthy does not dismiss the various barbarian invasions as the reason for the empire’s demise but that looks to the question of how they did so, given that the empire’s adversaries were not fundamentally different from when the empire successfully resisted them – and in the case of the various German tribes, so surprisingly small compared to the empire.

 

As Goldsworthy memorably observes, no matter who won their seemingly endless civil wars or wars of imperial succession, the losses were all Roman, weakening the empire as a whole against its external adversaries. Another memorable observation is how the Romans never really left the crisis of the third century, just muted it to fewer civil wars and usurpations.

 

Also, the Romans ultimately played a losing game enlisting German tribes as allies or foederati in its own territory – in that the territory occupied by the Germans was no longer Roman territory, with the Romans losing any revenue from those territories, or any manpower beyond that provided by the Germans. Thanks a lot, Theodosius – you empire killer.

 

As for the history itself, Goldsworthy takes the same starting point as that of Gibbon’s famous History of the Decline and Fall of the Roman Empire – itself following on from Roman historian Cassius Dio who marked it as their descent from “a kingdom of gold to one of rust and iron” – the death of Marcus Aurelius and accession of Commodus in 180 AD.

 

However, he pulls up stumps well before Gibbon’s finishing point, wrapping up the book aptly enough with the reign of Heraclius and the empire’s territory lost to the Arabs.

 

 

RATING: 4 STARS****

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Top Tens – History: Top 10 Empires (10) India – Maurya Empire

India under Maurya rule c. 250 BCE (based on map p. 69 of Kulke, H.; Rothermund, D. (2004), A History of India, 4th, Routledge) by Avantiputra7 for “Maurya Empire” Wikipedia and licensed under https://creativecommons.org/licenses/by-sa/3.0/

 

 

(10) INDIA – MAURYA EMPIRE (322 – 184 BC)

The Maurya or Mauryan Empire ranks in top spot among Indian empires, mostly due to my fandom of its emperor Ashoka, held in semi-legendary regard as one of India’s (and history’s) greatest emperors, as well as the first state to rule almost the entire Indian subcontinent (except the southernmost part that consistently held out against other Indian empires except their own and the British).

The Indian subcontinent has seen the rise and fall of numerous empires that could well be the subject of their own top ten, even if most are little known outside Indian history – reflecting that they almost never extended beyond the subcontinent, at least in direct territorial extent. In fairness, the Indian subcontinent has always been virtually a world of its own, particularly as a proportion of world population and economy (the latter at least until the ascent of Europe).

There are a number of candidates for top spot among Indian empires. There’s the Gupta Empire, from the fourth to later sixth century (and therefore contemporary to the declining west Roman empire), often considered the golden age empire of classical Hindu India.

There’s the early modern Islamic Mughal (or Mogul or Moghul) Empire, which might well be considered the height of empire in pre-British India as well as that best known in general history, not least because it gave India its most iconic landmark, the Taj Mahal.

And of course there was the crown jewel of the British Empire that was the British Raj – although that is usually not ranked among Indian empires as such.

However there can only be one empire for this entry and that is the Maurya empire, which one might consider the Roman Empire of India, or at least the equivalent of the rising imperial Roman republic with which it was a contemporary.

And its founder for which it was named, Chandragupta Maurya, ranks almost as highly in legendary esteem as Ashoka – or Rome’s Romulus for that matter – rising from humble origins from a cowherd and essentially to bandit leader to defeat the Nanda Empire (which had faced off none other than Alexander the Great) and forge his own empire instead.

Back to Ashoka, he extended the empire to its greatest extent before, as it is told, being sickened by the violence of the Kalinga War (against the Kalinga state on the Bay of Bengal), he converted to Buddhism and pacifism, thereafter ruling with legendary benevolence.

Although his empire extended only throughout the subcontinent, its influence extended well beyond that through his patronage of Buddhism and Buddhist missionaries, which arguably played the same role expanding that religion as Roman imperial state patronage did for Christianity.

One of Ashoka’s edicts proclaimed the territories “conquered by the Dhamma”, from the Buddhist term Dharma and reflecting the moral law or sphere of influence within Buddhism, to extend to the west through the Hellenistic kingdoms to Greece itself

The empire declined and fell within fifty years of his death, which shows you where pacifism gets you as an empire. In fairness, that was due as much to the subsequent line of succession, although it hasn’t stopped some historians alleging that Ashoka’s pacifism undermined the “military backbone” of the empire – while others assert that the extent or impact of his pacifism was “greatly exaggerated”.

 

Art of the Samath Lion Capital statue for Ashoka – the closest thing to a flag I could find for the Maurya Empire

DECLINE & FALL

Nothing to see here – it all fell apart quickly after Ashoka. That’s where pacifism gets you – I guess it’s a Darwinian world after all

THE MAURYA EMPIRE NEVER FELL

On the other hand, the Maurya Empire never fell – arguably having the most enduring influence of any Indian empire through its patronage of Buddhism.

THE SUN NEVER SETS

The sun obviously set on the Maurya Empire, which was limited in physical extent, as almost all Indian Empires were, to the Indian subcontinent. However, I think it might properly be reckoned as a world empire, particularly in its “territory conquered by the Dhamma” or influence through Buddhism – a world religion on which the sun does not set.

EVIL EMPIRE

One of the few empires, at least under Ashoka’s legendary benevolence, that avoids the tag of evil empire, albeit arguably at the cost of its endurance.

In The Outline of History, H.G. Wells wrote “Amidst the tens of thousands of names of monarchs that crowd the columns of history, their majesties and graciousnesses and serenities and royal highnesses and the like, the name of Ashoka shines, and shines, almost alone, a star.”

RATING: 4 STARS****
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Top Tens – History: Top 10 Wars (10) American Indian Wars – Sioux Wars

Custer’s Last Charge – entered according to act of Congress in the year 1876 by Seifert Gugler & Co. with the librarian of Congress at Washington D. C. (public domain image – “Sioux Wars” Wikipedia)

 

(10) AMERICAN INDIAN WARS –
SIOUX WARS (1854-1891)

The wars that defined the American West and ‘manifest destiny’ of the United States. The wars that put the frontier into Turner’s frontier thesis, as its literal frontier – or front line.

In origin they predate the United States itself, extending to the European colonial powers or American states prior to independence (or union). The American Revolutionary War and War of 1812 were also American Indian Wars, as the British and Americans each had their native American allies.

They were of existential importance to the native American nations or tribes, given that they ceased to exist as independent polities outside of reservations or territories within the United States, if at all. They were also of fundamental importance to the United States as well, given its “acquisition” of territory from those same tribes or nations.

Hence the span, scale and scope of the American Indian Wars in total extends for centuries across a continent. So as for which American Indian War to nominate for this entry, I’ll go with the archetypal or definitive entry, particularly from their place in the culture, history and mythology of the American West – the Sioux Wars.

Even those extended for almost half a century from the First Sioux War in 1854 to the Ghost Dance War in 1891 (and through the Great Plains but as also as far as Minnesota, Missouri and Colorado), with the most definitive Sioux War as the Great Sioux War of 1876 fought by two of the most famous native American war leaders, Sitting Bull and Crazy Horse.

The Sioux Wars feature the archetypal or definitive image of the American Indian Wars fought by mounted native American warriors as well as many of the landmarks of the American Indian Wars – from Colonel Chivington and the Sand Creek Massacre, through the Battle of Little Bighorn and General Custer’s Last Stand, to the Ghost Dance and the Wounded Knee Massacre.

However, the American Indian Wars take their place as wars within even wider themes – indeed, among the widest and oldest in human history.

Firstly, there is the theme of wider native American wars, which the native American nations or tribes found themselves fighting in for half a millennium throughout both American continents against the European colonial powers or their settler successor states, including my next entry.

Secondly there is the theme of wars against tribal nations or tribes, not only in the Americas but worldwide. I’ve heard it said that the basic political states are empires and tribes (or tribal confederacies). That seems somewhat overstated, but certainly tribes or tribal nations throughout the world found themselves under fire in the same period – in the Americas, in Africa, in Siberia and Central Asia, and in Australasia or Oceania.

Thirdly – and overlapping with the previous theme – is the longest theme or war of all, spanning millennia, the wars of sedentary agricultural societies or states against nomadic hunter-gatherers. And it is a war that, despite setbacks at the hands of mounted nomadic herding tribes, has been overwhelmingly won by agricultural states – riding roughshod over the nomadic hunter-gatherers at their frontiers, through their weight of numbers and the things that come with it, the titular “guns, germs and steel” of Jared Diamond.

Even the ghost dance falls within those wider themes over millennia – and millennialism. Of course, I tend to think of all religion as a ghost dance, but particularly so when societies face overwhelming material odds against them and essentially resort to magic to win wars.

And it’s not always tribal societies. The Boxer Rebellion was essentially the Chinese ghost dance – as was the Taiping Rebellion before it, a conflict that tends to be strangely overlooked in history, despite more casualties than the First World War. Of course, the Taiping or Boxer Rebellions show that the ghost dance can get a few good punches (heh) in before it goes down, but it is almost universally doomed to go down, except in fantasy.

Although occasionally even in history the ghost dance wins its weird victories. One tribal confederacy or kingdom that popped up during a power vacuum in its region, but then found itself progressively overwhelmed by successive empires until it existed at the whim of a final one, also resorted to a ghost dance that increasingly substituted heavenly victory for an earthly one.

That of course was the Jewish tribal confederacy or kingdom and its great messianic ghost dance, existing at the whim of the Roman Empire. The Jewish kingdom itself did not survive the Roman Empire, but its ghost dance did – ultimately succeeding first to the imperial cult of the Roman Empire, and then to the remnants of the imperial state itself.

ART OF WAR

The Sioux tactically demonstrated the speed, surprise and shock that is part of the art of war – indeed, similarly to the mounted horse tribes of central Asian steppes that were so effective elsewhere, not surprisingly given the geography of the Plains.

The only problem was they were too little and too late – a few centuries too late, against an industrial adversary that used the true strategic art of war (for winning without fighting) – picking curb stomp battles from a position of overwhelming material superiority.

It also demonstrates something of an issue for guerilla warfare. Guerilla warfare is often touted as the ultimate expression of the art of war – and it often is, avoiding pitched battles to outlast the adversary, but it had one limitation, particularly in pre-modern history.

Mao Tse-Tung wrote that “the guerilla must move amongst the people as a fish swims in the sea” – which is all very well unless your opponent is willing and able to drain the sea, displacing or eliminating the whole people (or at least enough of them).

WORLD WAR

Not of themselves, but the Sioux Wars and the American Indian Wars were part of a wider world war in its total scope, the native American wars as one continent descended on two others

STILL FIGHTING THE AMERICAN INDIAN WARS

We’re still fighting the American Indian Wars – or rather their legacy, although in some cases native American wars are still being fought in the Americas. The American Indian Wars persisted in actual warfare until 1924 (!) – and subsequently in the form of the new and more effective ghost dance of political activism.

GOOD GUYS VS BAD GUYS

Ah USA – although it’s difficult to imagine the contemporary United States without the American Indian Wars, it’s equally difficult to see the US as the good guys from our modern perspective

RATING: 4 STARS*****
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Top Tens – History: Top 10 Books (10) Anthony Kaldellis – The New Roman Empire: A History of Byzantium

 

(10) ANTHONY KALDELLIS –

THE NEW ROMAN EMPIRE: A HISTORY OF BYZANTIUM (2023)

 

 

My wildcard tenth place entry as best history book of 2023 is this history of the eastern Roman Empire – from founding to fall of Constantinople, with more than a millennium of history in between them.

 

By the fall of Constantinople to the Ottomans in 1453 AD– on the threshold of the Spanish discovery of the Americas and marking the start of the early modern period – the empire was effectively reduced to the city itself with some spare change left behind in the couch in the Peloponnese.

 

It had come a long way – and fallen so far – from its glorious founding as new imperial capital from the former city of Byzantium by Constantine in 330 AD, reigning as sole emperor over the whole classical Roman empire. From that point the empire was almost inevitably destined to be divided (again) into western and eastern halves, with the latter ruled from Constantinople and almost inevitably destined to outlast the former.

 

The founding of Constantinople and its rule over the eastern empire that became the sole empire once its western counterpart fell prompts consideration of what to call that empire, which is addressed from the outset of the book – and in its title.

 

It was of course, as they considered themselves to be, the continuation of the Roman Empire, but it also had important distinctions from the former classical empire – distinctions that allowed it to endure as long as it did and not merely as a “pale facsimile of classical Rome” but “a vigorous state of its own, inheritor of many of Rome’s features, and a vital node in the first truly globalized world”.

 

Western history has borrowed from Constantinople’s former title Byzantium – as indeed does the book’s subtitle and its author as self-described Byzantist – to call it the Byzantine empire, often to the detriment of the empire’s continuity with the Roman Empire. I guess Constantinopolitan Empire doesn’t exactly roll off the tongue.

 

That is something which this book resists, advocating persuasively against that usage. While it is no doubt a term with an unfortunate history of usage, much like the general usage of Byzantine as a pejorative adjective, I think the title of Byzantine Empire may well be too ingrained in common usage to shake.

 

The common alternative has been to call it the Eastern Roman Empire – a usage similar to that of various Chinese dynasties to distinguish their geographical extent at different times, such as the Southern Song dynasty.

 

The book makes a persuasive case for a title as the New Roman Empire but then doesn’t really use that beyond the book’s title and introduction, instead preferring to use Romania – a usage that I don’t think will catch on for potential confusion with the modern nation of that name. Also come on – neo-Roman Empire was right there!

 

As for the book’s history of that thousand-year empire, it’s pretty much summed up by that earlier quote about it as a “vigorous state of its own” – one which endured through “innovative institutions and a bottomless strategic playbook”, the latter including what in modern parlance is called soft power and set out in one of the book’s many engaging points.

 

Another engaging point is that the book plays into my preference for thematic history, not simply chronicling what happened but asking how and why it did – above all, the question of how and why the empire “lasted so long lies at the heart of the book”.

 

That can be broken down into further questions, which the book engages. How and why did it survive when the western empire didn’t? How and why did it almost succumb to enemies after that, notably the Persians and Arabs when it came within a heartbeat of falling? How and why did it then rebound after those and other occasions of decline?

 

As to the book’s big question of how and why it lasted so long, a fundamental part of the answer is reflected in its preferred usage of Romania – that the empire transformed itself to resemble not so much subjects under imperial rule as participants in a Roman nation state.

 

A further engaging point is that the author doesn’t shrink on occasion from laying down some snide snark – such as when channelling his inner Procopius, he lets the occasional barb slip that he really doesn’t like Justinian. He quips that the Plague of Justinian was the only thing the emperor didn’t want to name after himself – ooo, sick imperial burn! Of course, in this house, Justinian is a hero – although even I have to admit he overextended the empire.

 

Less engaging for me is when he detours into the endless theological disputes in the broader history of Christianity within the empire. Yes, yes – I know the history of the empire is intimately caught up with the history of Christianity within it but my eyes mostly glazed over when the book went there.

 

Except for the dispute over icons – that kept my interest, although I suppose it helped it just involved the simply use (or prohibition from use) of images and not some mindbogglingly pedantic semantics. Also, there was the book’s insight that the iconoclasts were not as, well, iconoclastic as they were made out to be.

 

Even so, I preferred the book’s more straightforward political and military history of when the empire was kicking ass or having its ass kicked.

 

 

RATING: 4 STARS****

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