Top Tens – Top 10 Girls of Animation (Special Mention: Complete & Revised)

Screenshot excerpt from Australian animated TV series Pacific Heat from its IMDB profile

 

 

TOP 10 GIRLS OF ANIMATION (SPECIAL MENTION)

 

“Hellooo nurse!”

But wait – there’s more! Although counting down my Top 10 Girls of Animation was surprisingly challenging, there are enough candidates for my usual twenty special mentions I prefer for my top ten lists – with little tweaking of or eye for female figures in animation.

 

ART & COSPLAY

 

But first a note on the visual images used in these special mentions. Given the copyright in such images, I only use a visual image as fair use for the purposes of comment and review in each entry – an iconic feature image to identify the character, either in general or in their most iconic version as I review it to be (or both), as excerpted from the animation itself.

Iconic perhaps, but not my favorite as I usually prefer the style of fan art or cosplay for the characters – although the girls of Western animation have nowhere near the prolific art or cosplay of the girls of anime, particularly in these special mentions, with the occasional exception. Hence as usual I also include a special section in each entry under the subtitle of art and cosplay – not for any actual art and cosplay as such but instead where I nominate my favorite artists and cosplay models depicting the character, which you can look up for yourself. For art, I award a special ranking for any art by my two favorite artists – the two freelance digital artists Sciamano and Dandonfuga. For cosplay, I award a special ranking for any cosplay by my holy trinity of models – my favorite model Yummychiyo with her insane figure in top spot, followed by Hane Ame and Helly Valentine.

As for the iconic feature image I’ve chosen for this page itself, I went with an excerpt from an animated series (and characters) that I am reasonably confident almost no one will identify (or instead misplace as from Archer) – the Australian animated TV series Pacific Heat (and its leading female duo, Maddie Riggs voiced by Rebecca Massey, and Veronica ‘VJ’ Delaney voiced by Lucia Manstrantone) in one of the screenshot excerpts used for its IMDB profile. That series was widely panned and has almost completely disappeared into the memory hole of popular culture…but I liked it as a guilty pleasure.

 

A-TIER (TOP TIER)

 

 

Clip from Archer, Season 1, episode 1 “Mole Hunt” – Archer flashing back to how he spends his operational account

 

 

(1) GIRLS OF ARCHER

(2009)

 

“(This) isn’t your own personal travel agency. It doesn’t exist so you can jet off to wh0re island”

“That’s not…a real place”…

“Sterling?!”

“Sorry – I was just picturing wh0re island”.

 

Lana Kane may be the top female agent in the animated series Archer, second only to the titular spy himself – as well as third place in my Top 10 Girls of Animation…but there’s many more girls in the animated series, from major or recurring characters to one-off episode appearances, more than enough for their own top ten and special mentions.

I mean, what do you expect for a compulsive womanizer like Archer – known for it among his “many weaknesses” (and one of the reasons he’s my spirit animal) – modelled on James Bond in a dysfunctional spy agency?

 

ART & COSPLAY

 

And what else but an excerpt from the pilot episode Mole Hunt which flashes back to Archer’s use of his operational account for personal expenses, foremost of which is women as featured in this excerpt. My feature dialog – with his mother reviewing his account as head of the agency – follows shortly afterwards. Also when he hacks into his expense account – “How?! How did I spend so much money?!”

 

 

From left to right, Ty Lee, Azula, and Mai as they appear in a classic scene hunting the Avatar in the second season

 

 

(2) GIRLS OF AVATAR: THE LAST AIRBENDER & LEGEND OF KORRA

(2005)

 

Water. Earth. Fire. Air.

And girls, not least of which is the narrator of that opening sequence, water-bender Katara.

 

A Western animated series sometimes mistaken for anime due to its style and depiction consistent with an Asian fantasy world setting, it’s still lauded as one of the best animated series, maintaining an active fandom despite the passage of time since it originally aired. The central premise is a world in which certain individuals can magically “bend” or manipulate the four classical elements, with one individual – the perpetually reincarnating Avatar – able to bend all of them as a cosmic peacekeeper to maintain balance in the world. Although the series plays fast and loose at times with the rules of what each element includes and what is involved in bending them.

One of its strengths is its characterization – particularly its female characters, of which there are enough for their own top ten. And yes – I’m also counting characters from the sequel series Korra.

 

ART & COSPLAY

 

Well you can’t go past the Fire Nation trio of Azula, Ty Lee and Mai as the signature girls of Avatar, rivalled only by Katara for top spot. My iconic feature image is from one of their classic scenes introducing them as a trio hunting the Avatar and his companions.

As I said, the girls of Avatar get their own top ten – in which I also feature the art and cosplay for individual entries (and in which they are usually aged up to adults).

 

 

 

Beth Smith in Hellraiser Cenobite disguise in Amortycan Grickfitti, episode 5, season 5, Rick & Morty

 

 

 

(3) GIRLS OF RICK & MORTY

(2013)

 

I have to give special mention to the girls of Rick and Morty, given it’s my favorite animated series after Archer.

Hell, Hellraiser Beth probably deserves an entry of her own! Uh, if you’re into that sort of thing.

Anyway, the girls of Rick and Morty are prolific enough for their own special mention and top ten, albeit perhaps more by way of imagining them in a different art style than that of the series. Or like their voice actresses – as with Christina Hendricks as Unity. I’ll be absorbed into her hive mind any day!

 

ART & COSPLAY

 

My iconic feature image is a still image of Hellraiser Beth (and Rick) – that is, Beth in her Hellraiser Cenobite disguise from “Amortycan Rickfitti”, episode 5 of Season 5. There’s fan art and even cosplay out there of various characters, but sadly none from my favorites.

 

 

B-TIER (HIGH TIER)

 

 

The Flintstones series by DC Comics after acquiring the rights to Hanna-Barbera animated series and revamping them in comics – cover art by Amanda Conner for issue 2 “Buyer Beware” in October 2016

 

 

(4) WILMA FLINTSTONE & BETTY RUBBLE –

THE FLINTSTONES (1960)

 

Yabba dabba doo!

The first entry by chronology in my Top 10 Girls of Animation or special mentions – I did consider Betty Boop who would have ranked as even earlier given her first appearance in 1930 but thought that her animation style and profile just didn’t earn special mention.

The Flintstones proved surprisingly durable as a concept for an animated sitcom featuring archetypal American suburban family life from the 1950s (heavily inspired by The Honeymooners) transferred to the Stone Age, with animals substituted for the technological appliances or conveniences of modern life and the whole anachronism of it all being the running gag of the series.

Wilma Flintstone is the redhead wife of the titular married couple, while Barney and Betty Rubble are the married couple neighboring (and best friends of) the Flintstones. Wilma is “more intelligent and level-headed” than her husband Fred, serving as a “foil to his behaviour” and “a loyal wife to him” – while Betty in a similar role to Barney.

I’m going to give a shout-out to Pebbles Flintstone – who started off as Fred and Wilma’s baby daughter in the original series, but featured as grown up in spinoff series, obviously inheriting her redhead good looks from her mother (and exceeding them in my opinion, mainly due to the evolution of animation art style by the time of her spinoffs).

Speaking of which…

 

ART & COSPLAY

 

Yeah – Wilma and Betty wouldn’t earn much of a place based on their original animation art style, which was pretty basic although it served its purpose for the series as animated sitcom. They earn special mention more from various adaptations in art or fan art since, notably when DC Comics acquired the rights to the Hanna-Barbera animated series and revamped them in comics – the source of my iconic feature image from cover art by Amanda Conner for issue 2 “Buyer Beware” in October 2016.

There’s also art of both Wilma and Betty by Nathan Szerdy and Elias Chatzoudis. They occasionally pop up in cosplay but not by my favorite models.

 

 

Art of the Jetsons by Amanda Conner for the DC comics revamp series

 

(5) JANE & JUDY JETSON –

THE JETSONS (1962)

 

Well, you should have been expecting this one after The Flintstones, as The Jetsons is essentially the Flintstones IN SPACE.

Well, in the Space Age at least.

Obviously there are some differences but once again it was an animated sitcom featuring archetypal American suburban life from the 1950s or early 1960s, this time in an idealized twenty-first century with flying cars, robot maids and so on. Not as durable or iconic as The Flintstones.

Jane Jetson is the wife of the titular family, while Judy is the platinum blonde daughter.

I’m going to give a shout-out to robot maid Rosie, who occasionally gets a s€xbot makeover in art.

Speaking of which…

 

ART & COSPLAY

 

Yeah, again Jane and Judy wouldn’t earn much of a place based on their original animation art style, which was pretty basic although it served its purpose for the series as animated sitcom. They earn special mention more from various adaptations in art or fan art since, notably when DC Comics acquired the rights to the Hanna-Barbera animated series and revamped them in comics – the source of my iconic feature image from art by Amanda Conner for the comics.

There’s also art of Jane and Judy Jetson by Nathan Szerdy and Elias Chatzoudis – I haven’t seen them in cosplay.

 

 

A collage I compiled of Velma’s live-action film depiction as played by Linda Cardellini

 

(6) VELMA DINKLEY –

SCOOBY DOO (1969)

 

I can’t have Daphne Blake in my Top 10 Girls of Animation without special mention for the other female member of the Scooby Doo gang, Velma Dinkley.

Or perhaps I could have, if it was only a matter of her original animation design (or the infamous Velma animated series).

However, fortunately Velma as the brains of the Scooby Doo gang gets quite the makeover in art, cosplay and live action film adaptations, whether in a duo with Daphne or on her own, to the point that she, ah, equals or even out va-vooms Daphne at times.

Speaking of which…

 

ART & COSPLAY

 

For her iconic feature image, I compiled a collage of her live action depictions as played by Linda Cardellini, including THAT suit. “Who’s your mommy?” indeed.

As for art, Velma has been depicted, either in duo with Daphne or her own, by Elias Chatzoudis and Nathan Szerdy among my favorite artists. She has also been depicted in some sizzling cosplay, albeit not by my favorite models.

 

 

Cover art by Dan Panosian for the Dynamite Entertainment comic, adapted from the animated film

 

(7) TEEGRA –

FIRE & ICE (1983)

 

A female character sadly overlooked in popular culture, as indeed is her animated film Fire and Ice or for that matter the works of Ralph Bakshi in general – but here it was Bakshi combined with artist Frank Frazetta and Teegra was nothing but an archetypal Frazetta fantasy bikini girl.  That’s a princess bikini by the way, although it might be explained by the heat of her father’s volcano kingdom.

 

ART & COSPLAY

 

For iconic feature image, I chose the cover art by Dan Panosian for the Dynamite Entertainment comic, a prequel to the animated film. Sadly, there’s not too much Teegra art out there – apart from Josh Burns and sketch art by Elias Chatzoudis – and no cosplay, a result of being sadly overlooked

 

 

 

Cover art by Leirix for the Thundercats: Cheetara 3 comic by Dynamite Entertainment, adapted from the animated TV series

 

(8) CHEETARA –

THUNDERCATS (1985)

 

I’ve never seen Thundercats – whether in its original 1980s incarnation, its short-lived 2011 reboot version, or the 2020 parody version Thundercats Roar. It always struck me as He-Man with cat-people – which appears to be reasonably accurate according to the TV Tropes description of the original series:

“Somewhere in the depths of space, a group of aliens with feline-patterned skin (who happened to look like ’80s Glam Rock stars with a cat-like theme) flee their doomed homeworld of Thundera. Pursued by their enemies, the Mutants, their ship crash-lands on the planet of Third Earth…And if you ever wonder about what the show was actually like, remember that this was the ’80s, a time of six-pack superheroes, magical weaponry that could do absolutely anything, and villains who shared their wardrobes with death-metal bands, all powered by the Rule of Cool, and ThunderCats was no exception.”

Cheetara was the girl of the gang – with a cheetah design as her name suggests.

 

ART & COSPLAY

 

For iconic feature image, I chose the cover art by Leirix for the Thundercats: Cheetara 3 comic by Dynamite Entertainment, adapted from the animated TV series, as it showcases her cheetah appearance (updated to the style of modern comics). She’s also been featured by Elias Chatzoudis, Nathan Szerdy, and Lucio Parrillo among my favorite artists.

 

Kida as she appears in a shot from Atlantis: The Lost Empire, used in her character profile in the fan wiki

 

 

(9) KIDA –

ATLANTIS: THE LOST EMPIRE (2001)

 

Yes – this is a film from Disney and from its animated canon no less, albeit often overlooked, including by me as I haven’t seen it. What people haven’t overlooked – and what I have seen – is Kida, as one or two of my favorite artists seem quite taken with her.

And yes – that’s Princess Kida from the titular Atlantis of the film, voiced by Cree Summer. Kida is short for Kidagakash Nedakh…I can see why she shortens it. Also, to be technical, she does become Queen of Atlantis.

 

ART & COSPLAY

 

For her iconic feature image, I chose a shot of her from the film, extracted from the gallery in her character profile in the fan wiki.

 

ART  – DANDONFUGA

 

Whoa! The first of my special mentions to score a Dandonfuga ranking for art of her. Neoartcore has also done some art of her.

 

 

Promotional art for one of its seasons, featuring the trio of totally spies (fair use)

 

 

(10) SAM, CLOVER & ALEX –

TOTALLY SPIES! (2001)

 

Yes, this entry is for all three protagonists.

But let’s face it, it’s really for Sam. As I said for Gwen Tennyson, It’s the red hair and those green eyes – a recurring feature of girls in visual media (comics, video games, animation, and anime) but not so much in real life. Note to self – compile a top ten girls with red hair and green eyes. (Beware! Beware! Those flashing eyes! That floating hair!).

They’re all pretty cute, though. I don’t know much about this series, but after looking it up, I’ve seen it was a French animated TV series that ran for seven seasons and acquired a cult following. Despite it’s French production, the three protagonists are girls from Beverly Hills, who work as undercover agents for the World Organization of Human Protection (WOOHP). WOOHP, there it is!

Clover Ewing or Clover is the blond in the red spysuit, Alexandra Casoy or Alex is the brunette (apparently of mixed Asian and Latin American descent) in the yellow spysuit, and as we’ve established, Samantha Simpson or Sam is the redhead in the green spysuit (to match her eyes)

 

ART & COSPLAY

 

For my feature image, I’ve gone with standard seasonal promotion art.

Totally Spies came to my attention through Neoartcore artwork of Sam.

 

 

Kim and Shego as they appear in the animated TV series (in one of their numerous fights)

 

(11) KIM POSSIBLE & SHEGO (2002)

 

“It is impossible!”

“No—but real close.”

 

I haven’t seen Kim Possible – except in art and cosplay – so I’ll quote TV Tropes:

“Kim Possible is a Disney animated series that aired from 2002 to 2007. It features a redheaded action girl, her blond male sidekick, and a voice with an internet connection — they fight crime, mostly a sleek and s€xy woman with long black hair who turned to crime for the evulz…The premise is, at first glance, an interesting cross of Alias and Buffy the Vampire Slayer (with a little bit of Austin Powers — high school head cheerleader plus awkward male friend and naked mole rat stop global supervillains”.

Kim Possible is the titular heroine – as well as a green-eyed redhead rare in real life but beloved of comics artists and animators – and Shego is her green-themed raven-haired antagonist, nominally sidekick to the primary antagonist (Dr Drakken).

 

ART & COSPLAY

 

For their iconic feature images, I chose a shot from the animated series depicting the duo in one of their numerous fights.

 

ART – DANDONFUGA

 

That’s right – both Kim and Shego score Dandonfuga rankings, as well as art by Neoartcore.

 

Cover art from one of the DVD season collections

 

(12) DR. GIRLFRIEND / DR. MRS. THE MONARCH –

THE VENTURE BROS. (2003)

 

Special mention has to go to the top girl of The Venture Bros, given that it is one of my favorite animated series – which started as a parody of the Johnny Quest animated series before evolving into a virtually encyclopedic parody of every superhero or pulp action hero trope there is.

As her villain moniker indicates, Dr Girlfriend is the girlfriend of the primary antagonist to the Venture family, the Monarch. She’s drawn as attractive, clearly in the style of former US First Lady Jacqueline Kennedy – down to the hair and clothing, although she swaps out the latter for some pretty risque costumes, particularly upon becoming Dr. Mrs. The Monarch. Although…one of the gags of the series is her inexplicably husky masculine voice – not only is she voiced by male show creator Doc Hammer, but he lays it on thick with the deepest, huskiest voice he can muster, far more so than the male characters he voices.

I have to give a shoutout to their parody of the Black Widow Character, whose name I dare not feature here but is a play on Molotov cocktail.

 

ART & COSPLAY

 

For her iconic feature art, I chose the cover art from one of the DVD season collections (in her Dr. Mrs. The Monarch costume). Sadly, she has not drawn (heh) the attention of my favorite artists or cosplay models.

 

 

Astrid as she appears in the second film from her profile on the fan wiki (fair use)

 

 

(13) ASTRID HOFFERSON –

HOW TO TRAIN YOUR DRAGON (2010)

 

Technically, Astrid should rank in my girls of (literary) fantasy, as How to Train Your Dragon is a franchise that began as a series of children’s books, written by British author Cressida Cowell, but the animated films are only very loosely based on the series – and Astrid is adapted from a different character (from Book 3 onwards) with a different name, Camicazi.

The protagonist of the film, as in the book series is Hiccup, is a young Viking on the island of Berk, who befriends one of the dragons that seemingly plague the village – hence the title. Astrid Hofferson is a female Viking warrior, initially rival to Hiccup as he threatens her status of ace of the next generation in training for dragon slaying, but adapts to his friendship with dragons – becoming his love interest, girlfriend and ultimately his wife (and hence “Chieftess” of Berk).

 

ART & COSPLAY

 

For her iconic feature art, I chose her profile image from the fan wiki – how she appears in the second film. Sadly, she has not drawn (heh again) little attention from my favorite artists – except Neoartcore – and none from my favorite cosplay models.

 

 

Mavis as she appears in her standard costume design in the Hotel Transylvania franchise. You can’t go wrong with a little black dress! Not to mention the striped stockings

 

(14) MAVIS DRACULA –

HOTEL TRANSYLVANIA (2012)

 

While the Hotel Transylvania film franchise is somewhat average fare (with diminishing returns), its leading female character – Dracula’s daughter, Mavis, voiced by Selena Gomez Adventure Time – stands out with her blue-eyed perky goth girl design, which has proved popular with fan artists and cosplay models.

 

ART & COSPLAY

 

For her iconic feature image, I’ve chosen an image of her in her standard costume design from the franchise. You can’t go wrong with a little black dress! The striped stockings are also doing it for me!

 

COSPLAY – HELLY

 

That’s right – she may not have art from my favorite artists but she scores a Helly ranking for Helly Valentine’s sizzling cosplay of her, literally down to those striped stockings…

 

 

Promotional image of Anna with sister Elsa from the Disney channel Frozen film profile

 

(15) ANNA –

FROZEN (2013)

 

I suppose technically Anna should rank in my Girls of Fantasy & SF, like her sister Elsa does as an adaptation of the fairy tale Snow Queen. Where Elas combines the characters of the titular Snow Queen and the boy Kai from the fairy tale by Hans Christian Andersen, Anna is adapted from Kai’s friend Gerda, who seeks Kai out to warm his frozen heart.

Of course, Elsa froze all our hearts in a good way – hence her top spot in my Top 10 Girls of Fantasy & SF – but Anna, voiced by Kristen Bell, is just adorable, much like her literary counterpart Gerda.

 

ART & COSPLAY

 

For her iconic feature image, I’ve chosen the promotional image of her with her sister Elsa from the Disney channel for the film.

 

ART – DANDONFUGA

 

Sadly, her art and cosplay is eclipsed by the far more prolific art and cosplay for her sister, but Anna does score a Dandonfuga ranking as Dandonfuga has done art of her as well as Elsa. Likewise for Neoartcore!

 

X-TIER (WILD TIER)

 

 

Iconic shot of the Woman (as she is credited) or the titular Witness in The Witness, episode 3, season 1, Love, Death + Robots

 

(16) THE WITNESS / THE WOMAN –

LOVE, DEATH + ROBOTS (2019)

 

Love, Death + Robots was and is something of a mixed bag, with standout episodes and episodes that, well, don’t stand out.

However the episode The Witness did stand out in the first season of the series, not least for its publicity. Surprisingly it’s not as short as I recalled it – twelve minutes or so – but boy did it have an impact, for its mind-bending twists, art and animation, the focus of which is the titular Witness, credited simply as the Woman. Despite her lack of a name and limited screen time (albeit as some sort of theatrical s*x worker), she also made an impact in art and cosplay at the time.

It was a close call between her and the siren in the third season – I saw art or cosplay of both – but the latter was just a little too freaky.

 

ART & COSPLAY

 

What else but the iconic shot of the Woman (as she is credited) or the titular Witness from the episode itself? The shot that was most commonly replicated in art and cosplay, albeit sadly not by any of my favorites.

 

 

Kacey as she appears in Supercrooks

 

(17) KASEY –

SUPERCROOKS (2021)

 

Technically anime – “capepunk heist anime” – but as it’s based on a comic by Mark Millar (and a spinoff of Jupiter’s Legacy) adapted for Netflix, I’m putting psychic supervillain Kasey here, because I make my own rules and break them anyway.

Although supervillain is a somewhat inaccurate term – the titular supercrook is better. They’re decent enough people but down on their luck and hence “drum up huge heists”, with their last big heist against a deserving target.  Johnny Bolt – named for his superpowered control over electricity – is the protagonist who aspired to use his powers as a hero but luck was not on his side. Kasey is his more sensibly ambitious (and somewhat long-suffering) girlfriend. Her psychic power is the ability to implant illusions in people’s minds, akin to the power of suggestion and implanting false memories – which allowed the gang to escape failed heists.

The title sequence showcased both Bolt and Kasey dancing provocatively on the streets, albeit separately from each other.

 

ART & COSPLAY

 

The Netflix series didn’t really have any impact in art and cosplay – it’s hard for animated characters to draw attention from the holy trinity of comics, video games and anime characters – so this entry only has my iconic feature image for her, in a scene from the series.

 

 

Martha Washington as she appears in a scene from the film

 

 

(18) MARTHA WASHINGTON –

AMERICA: THE MOTION PICTURE (2021)

 

Martha!

Why did you say that name?

This is why.

America: The Motion Picture may have been a decidedly average animated film on Netflix – although it had its moments – but its leading lady, a blonde buxom Martha Washington, definitely was anything but average.

It helps that she was voiced by Judy Greer – the voice of one of my favorite animated hot slices of crazy, Archer’s Cheryl Tunt. Martha has the hot but not the crazy – well, not before her brainwashed British version, although to be honest I kinda find her even hotter then. Well, with the exception of her Statue of Liberty form she has after that.

 

ART & COSPLAY

 

The Netflix film just lacked impact in art and cosplay so this entry only has my iconic feature image for her, in a scene from the film itself.

 

 

Vex (left) reassuring Kyleth (right) about her druidic tree portal spell in a scene from the series

 

 

(19) VEX & KEYLETH –

THE LEGEND OF VOX MACHINA (2022)

 

The best animated adaptation of Dungeons & Dragons – adapted from the first campaign of Critical Role, a weekly web video of voice actors playing the game – has a number of girls that could round out an entry for the Girls of Vox Machina, but lacks the profile for art and cosplay. So I’ll stick to the two leading ladies of the titular protagonist adventuring party (apologies to brash gnome cleric Pike) – insecure half-elf druid Keyleth and snarky half-elf ranger Vex (twin sister of rogue Vax).

Although it was a close call for their first season antagonist necromancer Delilah Blackwood – voiced by Grey DeLisle, who always does good villainess voice.

 

ART & COSPLAY

 

Another series that despite its quality lacks art and cosplay, at least from my favorite artists or models, so this entry only has my iconic feature image for her, in a clip from a scene featuring the duo together (with Vex reassuring Kyleth about the latter’s druidic spell).

 

 

Verosika Mayday as she appears in her profile image in the Helluva Boss fan wiki

 

 

(20) HAZBIN HOTEL / HELLUVA BOSS –

VEROSIKA MAYDAY

 

Who is the top girl of the Hazbin Helluvaverse and why is it Verosika Mayday?

Ah – she’s a literal succubus and you know they’re as hot as hell. I do like my devil girls and succubi tend to be the hottest of them.

Yes, yes – there are other female characters in the Hazbin Helluverse, not least the protagonist of Hazbin Hotel and Lucifer’s daughter, Charlie Morningstar.

It’s just that the art style of both series seems to favor the male characters, as do the creative teams and fans – the female characters, notably Charlie Morningstar, tend to be depicted better in fan art.

Verosika is the exception – “Verosika is notably well-endowed for the show’s art style” (with an impossibly hourglass figure) “which is fitting since she’s supposed to be attractive even by succubus standards, being a lust object in both Hell and Earth” (albeit in the latter she has a human form as a pop singer).

 

ART & COSPLAY

 

Despite a fandom that puts the fan into fanaticism, little of that trickles down to the mainstream popularity as a subject of art or cosplay by my favorite artists or models, so this entry again only has my iconic feature image using her profile image from the Helluva boss fan wiki.

Top Tens – Top 10 Girls of Animation

 

Erin Esurance, the animated spy girl mascot of American insurance company Esurance, as she appeared in her short (and short-lived) animated commercials (fair use)

 

“I’m not bad, I’m just drawn that way”.

Counting down my Top 10 Girls of Animation – which was surprisingly challenging as the pool of choice is reduced by the number of potential entries that I feature in other top tens. As a rule of thumb, I’ve given priority to their medium of origin.

For example, female characters from comics adapted to animation were among the leading potential entries but I’ve given priority to their entries in my Girls of Comics. Although ironically Harley Quinn should feature in my Girls of Animation for my rule of thumb of medium of origin – as she originated in an animated adaptation of Batman but proved so popular, she was then introduced into the comics (and also she arguably has arisen to new prominence with her current animated series). But I make my own rules and break them anyway – and she just seemed misplaced anywhere else than in the Girls of Comics.

Similarly, the Disney princesses were also among the leading potential entries, but I’ve given priority to them as Girls of Fantasy & SF for their fairy tales of origin (with the occasional exception in special mention for those characters that are essentially new or substantially adapted from their fairy tale origins).

And finally, this is for Western animation, so does not include any entries for the girls of anime – which has its own Top 10.

 

ART & COSPLAY

 

But first a note on the visual images used in this top ten. Given the copyright in such images, I only use a visual image as fair use for the purposes of comment and review in each entry – an iconic feature image to identify the character, either in general or in their most iconic version as I review it to be (or both), as excerpted from the animation itself.

Iconic perhaps, but not my favorite as I usually prefer the style of fan art or cosplay for the characters – although the girls of Western animation have nowhere near the prolific art or cosplay of the girls of anime, with the occasional exception. Hence as usual I also include a special section in each entry under the subtitle of art and cosplay – not for any actual art and cosplay as such but instead where I nominate my favorite artists and cosplay models depicting the character, which you can look up for yourself. For art, I award a special ranking for any art by my two favorite artists – the two freelance digital artists Sciamano and Dandonfuga. For cosplay, I award a special ranking for any cosplay by my holy trinity of models – my favorite model Yummychiyo with her insane figure in top spot, followed by Hane Ame and Helly Valentine.

As for the iconic feature image I’ve chosen for this page itself and girls of animation in general, I went with Erin Esurance, the spy girl animated mascot of American insurance company Esurance that featured in commercial shorts from 2005 to 2010. They ‘retired’ her in 2010, which some attributed to the zeal of fans making inappropriate art of her, and others to her not being a fit for the ‘brand’ of Allstate, the company that acquired Esurance.

 

X-TIER (WILD TIER) – BEST OF 2025

 

 

 

Rumi’s full body profile pic from the Kpop Demonhunters fan wiki (fair use)

 

 

 

(10) RUMI –

KPOP DEMONHUNTERS (2025)

 

Given my tenth place wildcard entry for Top 10 Animated Films went to Kpop Demon Hunters, who else could be the corresponding entry here but its lead girl with dark secret, Rumi?

“KPop Demonhunters is a 2025 American animated musical urban fantasy film…The story follows a K-pop girl group, Huntrix, who lead double lives as demon hunters. They face off against a rival boy band, the Saja Boys, whose members are secretly demons.”

And really it had to be Rumi, not only as the leader and lead vocalist of Huntrix (whose voice literally saves the world), but also as the film’s protagonist with the film’s defining story arc

It also had its tongue firmly in its cheek with its story. Even the demons laugh at the idea of a demon boy band until the latter strikes a pose – “oh yeah, totally gonna work”.

Also, you gotta love her impossibly long legs and hair in that distinctive braided style.

 

B-TIER (HIGH TIER)

 

 

Gwen in a shot from the series (fair use)

 

 

 

(9) GWEN TENNYSON – BEN 10 (2005)

 

What can I say? It’s the red hair and those green eyes. (Beware! Beware! Those flashing eyes! That floating hair!)

There certainly is a high representation of redheads in animation and comics (albeit not so much in their adaptations) – there’s two other redheads in this top ten (indeed, in the top three) – For that matter, there’s a whole trope in TV Tropes named for red-haired green-eyed girls.

Admittedly, I am not overly familiar with the Ben 10 franchise, having seen the occasional episode here and there in passing, apparently in the later series. It has five different incarnations – Ben 10, Ben 10 Alien Force, Ben 10 Ultimate Alien, Ben 10 Omniverse, and Ben 10 again – which they missed the chance to call just that, in 2016. However, it is an intriguing concept. The series follows a boy named Ben Tennyson who, on a summer road trip with his grandfather Max and his cousin Gwen, stumbles across an alien device known as the Omnitrix which bonds itself to his wrist like a watch. Ben finds that the device has alien DNA encoded in it, which allows him to transform to a variety of alien species – which he uses to take on any threats that come his way – usually other aliens. As he grows as a hero, Ben learns that he didn’t gain the Omnitrix by coincidence and finds that his family has been involved with aliens long before he has.

Gwendolyne “Gwen” Tennyson – as the Tennyson family obviously likes to rhyme – is Ben’s aforementioned cousin. At the start of the series, she is the same age as Ben (ten years), albeit much more capable than he is – a child prodigy, who can instantly master anything, be it athletics (including martial arts) or academics (and even the Omnitrix itself in an alternate universe). However, the series sees both of them mature into young adulthood (and a less antagonistic familial relationship between them), with Gwen attending college. It also sees Gwen acquire superpowers of her own, through – uh – magic? She discovers her own magical aptitude, which allows her to manipulate energy and be as formidable a hero as Ben himself.

 

ART & COSPLAY

 

For her iconic feature image, I used a clip of her from the Ben 10 Ultimate Alien series used as a feature image in the Ben 10 Ultimate Alien fan wiki.

She has also caught the attention of one of my favorite artists – Neoartcore.

 

 

Foxxy Love in her title card from the series (fair use)

 

 

 

(8) FOXXY LOVE – DRAWN TOGETHER (2004)

 

A sassy “1970s-style mystery-solving musician who parodies the Hanna-Barbera teen sleuth characters seen on Josie and the Pussycats and Scooby-Doo.”

Cult classic Drawn Together was a reality show parody (initially of The Real World), where eight cartoon characters from different animated genres – parodying both a specific style of animation or animated character and of the stock characters usually put together in reality shows – were forced to live under the one roof in the titular pun of being drawn together.

 

ART & COSPLAY

 

Yeah – there’s some but not too much art or cosplay out there, certainly none from my favorites. As usual for my girls of animation, my iconic feature image is a clip from the cartoon.

 

Stripperella as she appeared in her series – yes, it’s a cartoon Pamela Anderson (fair use)

 

 

 

(7) STRIPPERELLA (2003)

 

Stripper by night. Superhero later at night”.

As its title might suggest, Stripperella was an “adult-oriented animated television series” created by none other than Marvel Comics doyen Stan Lee.

The title character was the superheroine or secret agent alter ego of stripper Erotica Jones, voiced by none other than Pamela Anderson – and essentially an animated version of her as well, down to the tattoos. (So much so that she also played herself in the series, visiting Stripperella’s club Tender Loins with Kid Rock. Needless to say, Stripperella is a big fan and gushes how people compare them in appearance).

Clearly, the series had its tongue firmly in its, or at least someone’s, cheek, as a parody of the superhero and spy fiction genres. I particularly liked the recurring villain, Cheapo – the world’s cheapest supervillain.

As for Stripperella herself, she not only relied on her spy gadgetry, but also a number of inexplicable superpowers (including her luxuriant hair, which also doubled as a parachute) – “she has strength and agility far beyond that of a normal human, she is impervious to all temperatures and weather conditions, and her breasts have the ability to detect when somebody is lying”.

 

ART & COSPLAY

 

Yeah, again – there’s some but not too much art or cosplay out there, certainly none from my favorites. Disappointingly, not even any cosplay from Pamela Anderson herself. As usual for my girls of animation, my feature image is a clip from the cartoon.

 

 

Holli in a clip from her notorious dance scene in the film (fair use)

 

(6) HOLLI WOULD – COOL WORLD (1992)

 

HOLLI WOULD IF SHE COULD
…AND SHE WILL!

I do like my bad girls and Holli Would is the bad girl at the center of Ralph Bakshi’s 1992 film Cool World – a fantasy film combining live action and animation.

Center? Let’s face it – the only thing anyone ever remembers (or is aware of) from this movie is Holli. To be honest, I’m only aware of the film through my interest in the animation of Ralph Bakshi.

As for the film itself, similar to another more famous film (that just might happen to feature in this top ten), it involves the intersection of our real world with the eponymous animated ‘toon’ world, with the inhabitants of the latter known as ‘doodles’ (while humans are ‘noids’). In a nutshell, a cartoonist finds himself in a cartoon world which he thinks he created from his dreams, where he is seduced by the comic strip vamp Holli – all part of her plot to become a real human (including the inception of the dreams in the cartoonist). Of course, being a bad girl, she doesn’t flinch at murder – or the potential destruction of both worlds – to realize her aim.

It’s even messier than it sounds and gets messier – the film was a commercial and critical failure, although it subsequently achieved something of a cult following.

But who cares? It’s all about Holli! Voiced by Kim Basinger, she was also drawn to resemble her voice actress (not surprisingly, given that Kim Basinger also played her in human form in the film). Her dancing scene was particularly notorious. Speaking of which…

 

ART & COSPLAY

 

Yes – I used a clip from that notorious dancing scene in the film for my iconic feature image. Sadly, although there is art and cosplay of her, there’s none I could find from my favorite artists or models.

 

 

Chel in one of her more expressive clips from the film (fair use)

 

 

(5) CHEL –
THE ROAD TO EL DORADO (2000)

 

Perhaps the most preeminent pre-Columbian pinup girl of popular culture – with the possible exception of Pocahontas – who throws her lot in with the protagonist Spanish con artist duo in the 2000 Dreamworks film The Road to El Dorado. And yes I know neither is technically pre-Columbian as both are set during European conquest or colonisation but close enough. I’ve certainly had a soft spot for Meso-American girls since – as well as that meme depicting Spanish colonialism being particularly…horny.

 

ART & COSPLAY

 

For my iconic feature image, I’ve chosen one of her more expressive clips from the film (helping the protagonist duo cheat at the native American ball game).

 

ART – DANDONFUGA

 

And finally we get to a girl of animation represented among my favorite artists, not least Dandonfuga – hence she scores my Dandonfuga ranking. There’s also art by Logan Cure, Neoartcore and Elias Chatzoudis.

 

 

She-Ra as she appeared in her original cartoon in the 80s (fair use)

 

 

(4) SHE-RA (1985)

 

She’s got the power!

“I am Adora, He-Man’s twin sister, and defender of the Crystal Castle. This is Spirit, my beloved steed. Fabulous secrets were revealed to me, the day I held aloft my sword and said, ‘For The Honor Of Grayskull! I AM SHE-RA!!!’

As TV Tropes notes, She-Ra Princess of Power is the sister series (literally) to He-Man and the Masters of the Universe, presumably because She-Woman and the Mistresses of the Universe sounds a little silly (or kinky). As noted, it is literally the sister series as the titular character is Adora, the twin sister of He-Man or Prince Adam of Eternia. Adora was apparently kidnapped as an infant to the planet Etheria and is subsequently given the power to become the superheroine She-Ra in order to form the planetary resistance against Etheria’s tyrannical ruler Hordak (although by invoking the honor rather than power of Greyskull, which sounds a little off to me).

Yeah, I’m not really up with the backstory of this one – or He-Man for that matter. I mean, come on – they were basically toy commercials! Not to mention vaguely fascistic…

However, they certainly were iconic figures, not least because the animation was to market the toys or so-called action figures for the Masters of the Universe.

Of course, She-Ra was designed to extend the market to the female demographic. To quote TV Tropes – “She-Ra was made specifically to appeal to girls, which explains the large number of mentally and physically strong female characters, like Adora, Glimmer, and Madame Razz, not to mention the vivacious, Zsa Zsa Gabor-like nature of several of them, daaaaaarling — and quite a number of female villains like Shadow Weaver, Scorpia and Catra” (the latter essentially a dark action girl version of She-Ra herself).

 

ART & COSPLAY

 

For my iconic feature image, I chose She Ra as she appeared in her original 1980s cartoon (from the feature image of the Grayskull fan wiki). There is a surprising amount of art and cosplay out there for her – including art from Nathan Szerdy and Elias Chatzoudis, as well as cosplay from another of my favorites, Tabitha Lyons.

 

 

A-TIER (TOP TIER)

 

 

 

Lana Kane in her iconic mini-sweater dress – I’m pretty sure this is from her very first appearance in the pilot episode (fair use)

 

(3) LANA KANE – ARCHER (2009)

 

“LAAAAAANAAAA!” Well, it was either that or Sterling Archer’s other favorite quote to her – “Danger zone!”.

Lana Kane is the top female agent in the animated series Archer, second only to the titular spy himself (although a large part of that is due to his mother running the agency), with whom she has a complicated love-hate relationship. She is also the most competent agent, although Archer tends to excel at the stereotypically active role of an agent, killing people and so forth (although a large part of THAT is due to his reckless childlike joy and disregard for his own mortality). However, she is not too different from Archer in that her competence is undermined on occasion by her own emotional or psychological insecurities – she just has less of them than Archer (and a large part of THAT is his mother Mallory).

In appearance, she is statuesque, both in height (six foot or so) and figure, and she dresses to accentuate the latter – her signature style consists of short turtleneck sweater dresses (in various colors but typically white) and thigh-high stiletto boots. Indeed, she always seems to wear heels, even in space. For that matter, even when not wearing outfits tailor made to accentuate her figure, she’ll almost invariably end up in a situation where she’ll be stripped down to her underwear.

Archer even comments on her stripperiffic wardrobe, when he finds himself distracted by her impressive, ah, jiggle physics in the middle of a gunfight, in an example of their characteristic repartee:

Lana: Now?! Really?!
Archer: Oh, right! Because you walked into Strippers Discount Warehouse and said “Help me showcase my intellect!”
Lana: Discount?! This is Fiocchi.

In fairness, every major character in the series commonly ends up in situations where they’ll be stripped down to their underwear or naked. It’s that kind of agency.

Indeed, her memetic attractiveness in the series is such that even the girls want her (most notably her fellow female employees, although they are not the most emotionally balanced individuals). Even the gay guys want her, as when her gay colleague Ray Gillette literally takes a number with the rest of her male employees for the opportunity to bed her – “Girl, please. Nobody’s THAT gay”.

 

ART & COSPLAY

 

I was tempted to use the promotional beach shoot art for her but I just had to go with her iconic mini-sweater dress appearance for my feature image – which I believe to be from her very first appearance in the first episode. There is Lana art and cosplay out there but none from my favorite artists or models. AI shoutout to Naughy Neurals featuring her as a recurring subject.

 

 

Daphne Blake as she appears in the Scooby Doo cartoon – feature image from the Warner Bros Entertainment fan wiki (fair use)

 

(2) DAPHNE BLAKE – SCOOBY DOO (1969)

 

We all know Scooby Doo, that enduring animated franchise centered on four teenage hippies and the titular talking Great Dane driving around in their “Mystery Machine” van, getting high and hallucinating monsters (not to mention their dog’s speech). “And I would have gotten away with it if it wasn’t for you meddling kids!” (Not likely, since the villainous plans always involved impersonating a supernatural being with basic special effects). It’s a cultural icon, man! Even the infamous Scrappy Doo couldn’t kill it, although he came close and became the ultimate archetype of unlikable characters in the process.

And Daphne Blake has been an enduring childhood crush within that franchise. It’s not hard to see why – with her shoulder-length red hair (once again demonstrating the striking prevalence of redheads in animation or comics), blue or violet eyes, hourglass figure – not to mention her distinctive purple skirt and pink tights. On second thoughts, her fashion choice was questionable, but then, so was that of the rest of the cast. I mean – who wears ascots, Fred? Although maybe there’s something in wearing an ascot after all, as Fred always seemed to end up with the girls or at least Daphne herself whenever the group split up to investigate (while Shaggy would invariably end up with Scooby as comic relief, like the sad dog food-eating hippy he was).

Of course, Daphne’s role within the group originally tended to be more decorative than functional – most likely to end up as damsel in distress, often while bound and gagged to boot (because, well, who wouldn’t?), and even nicknamed danger prone Daphne as a result. Fortunately, her character has become somewhat more developed over time – becoming more competent and even badass in various incarnations (interestingly, often in direct contrast to a converse decline in Fred’s competence or badassery).

 

ART & COSPLAY

 

As usual for my iconic feature image, I chose a clip image of her appearance in the animation.

The standout Daphne art from my favorite artists would be by Nathan Szerdy, Elias Chatzoudis, and Neoartcore. As for the standout cosplay by my favorite models, I’ll award that to Tabitha Lyons.

 

X-TIER (GODDESS TIER)

 

Jessica Rabbit as she appears in her animated film or shorts – in perhaps her most iconic appearance and pose (fair use)

 

(1) JESSICA RABBIT – WHO FRAMED ROGER RABBIT (1988)

 

“I’m not bad – I’m just drawn that way”

Like Wonder Woman for my Top 10 Girls of Comics, could there have been any doubt for the top spot? The top position has to go to THE animated sex symbol, even though her exposure is primarily limited to the animated film Who Framed Roger Rabbit? (and a few other shorts – notably as nurse and park ranger). I only vaguely remember the plot and characters of this film (including Roger himself) – but everyone remembers Jessica.

That is because she is designed as the ultimate fantasy figure drawn as a pinup cartoon – green-eyed and red-haired in that irresistibly rare combination (even more so in her signature pose of hair worn over one eye) and an impossibly accentuated hourglass figure in a slinky red dress. Indeed, she was modelled on classic screen sirens Lauren Bacall, Veronica Lake and Rita Hayworth – apparently face and voice (voiced by Kathleen Turner) on Lauren Bacall, hair on Veronica Lake and dress on Rita Hayworth (in the film Gilda).

As her name indicates, she is the human ‘toon’ wife of the titular Rabbit. Although she is a sultry nightclub singer literally drawn as a femme fatale of noir, she actually plays against the type in film (as opposed to the original book) – she is indeed a good girl deeply in love with her ‘honey bunny’. Why? He makes her laugh. (She also proudly lets slip that he’s a much better lover than driver).

 

ART & COSPLAY

 

Of course for my iconic feature image, I chose an image of her from her animation – in perhaps her most iconic appearance and pose (although I was tempted by her nurse or park ranger costumes).

 

ART – DANDONFUGA

 

And not surprisingly for my top spot we get to a girl of animation represented among my favorite artists, not least Dandonfuga – hence she scores my Dandonfuga ranking. There’s also art by Elias Chatzoudis, Sun Khamunaki, J. Scott Campbell, Logan Cure, and Neoartcore. AI shoutout to Naughty Neurals.

 

COSPLAY – HELLY

 

And also for my top spot we finally get to a girl of animation represented among my holy trinity of cosplay models, hence she scores my Helly ranking for cosplay by Helly Valentine.

 

 

 

 

 

GIRLS OF ANIMATION: TOP 10 (TIER LIST)

 

S-TIER (GODDESS TIER)

(1) JESSICA RABBIT – WHO FRAMED ROGER RABBIT

 

A-TIER (TOP TIER)

(2) DAPHNE BLAKE – SCOOBY DOO

(3) LANA KANE – ARCHER

 

B-TIER (HIGH TIER)

(4) SHE-RA

(5) CHEL – THE ROAD TO EL DORADO

(6) HOLLI WOULD – COOL WORLD

(7) STRIPPERELLA

(8) FOXXY LOVE – DRAWN TOGETHER

(9) GWEN TENNYSON – BEN 10

 

X-TIER (WILD TIER – BEST OF 2025)

(10) RUMI – KPOP DEMONHUNTERS

 

 

Top Tens – Top 10 Girls of Animation (Updated 2026)

 

Erin Esurance, the animated spy girl mascot of American insurance company Esurance, as she appeared in her short (and short-lived) animated commercials

 

“I’m not bad, I’m just drawn that way”.

Counting down my Top 10 Girls of Animation – which was surprisingly challenging as the pool of choice is reduced by the number of potential entries that I feature in other top tens. As a rule of thumb, I’ve given priority to their medium of origin.

For example, female characters from comics adapted to animation were among the leading potential entries but I’ve given priority to their entries in my Girls of Comics. Although ironically Harley Quinn should feature in my Girls of Animation for my rule of thumb of medium of origin – as she originated in an animated adaptation of Batman but proved so popular, she was then introduced into the comics (and also she arguably has arisen to new prominence with her current animated series). But I make my own rules and break them anyway – and she just seemed misplaced anywhere else than in the Girls of Comics.

Similarly, the Disney princesses were also among the leading potential entries, but I’ve given priority to them as Girls of Fantasy & SF for their fairy tales of origin (with the occasional exception in special mention for those characters that are essentially new or substantially adapted from their fairy tale origins).

And finally, this is for Western animation, so does not include any entries for the girls of anime – which has its own Top 10.

 

ART & COSPLAY

 

But first a note on the visual images used in this top ten. Given the copyright in such images, I only use a visual image as fair use for the purposes of comment and review in each entry – an iconic feature image to identify the character, either in general or in their most iconic version as I review it to be (or both), as excerpted from the animation itself.

Iconic perhaps, but not my favorite as I usually prefer the style of fan art or cosplay for the characters – although the girls of Western animation have nowhere near the prolific art or cosplay of the girls of anime, with the occasional exception. Hence as usual I also include a special section in each entry under the subtitle of art and cosplay – not for any actual art and cosplay as such but instead where I nominate my favorite artists and cosplay models depicting the character, which you can look up for yourself. For art, I award a special ranking for any art by my two favorite artists – the two freelance digital artists Sciamano and Dandonfuga. For cosplay, I award a special ranking for any cosplay by my holy trinity of models – my favorite model Yummychiyo with her insane figure in top spot, followed by Hane Ame and Helly Valentine.

As for the iconic feature image I’ve chosen for this page itself and girls of animation in general, I went with Erin Esurance, the spy girl animated mascot of American insurance company Esurance that featured in commercial shorts from 2005 to 2010. They ‘retired’ her in 2010, which some attributed to the zeal of fans making inappropriate art of her, and others to her not being a fit for the ‘brand’ of Allstate, the company that acquired Esurance.

 

 

 

Rumi’s full body profile pic from the Kpop Demonhunters fan wiki

 

 

 

(10) RUMI –

KPOP DEMONHUNTERS (2025)

 

Given my tenth place wildcard entry for Top 10 Animated Films went to Kpop Demon Hunters, who else could be the corresponding entry here but its lead girl with dark secret, Rumi?

“KPop Demonhunters is a 2025 American animated musical urban fantasy film…The story follows a K-pop girl group, Huntrix, who lead double lives as demon hunters. They face off against a rival boy band, the Saja Boys, whose members are secretly demons.”

And really it had to be Rumi, not only as the leader and lead vocalist of Huntrix (whose voice literally saves the world), but also as the film’s protagonist with the film’s defining story arc

It also had its tongue firmly in its cheek with its story. Even the demons laugh at the idea of a demon boy band until the latter strikes a pose – “oh yeah, totally gonna work”.

Also, you gotta love her impossibly long legs and hair in that distinctive braided style.

 

RATING:
X-TIER (WILD TIER)

 

 

 

(9) GWEN TENNYSON – BEN 10 (2005)

 

What can I say? It’s the red hair and those green eyes. (Beware! Beware! Those flashing eyes! That floating hair!)

There certainly is a high representation of redheads in animation and comics (albeit not so much in their adaptations) – there’s two other redheads in this top ten (indeed, in the top three) – For that matter, there’s a whole trope in TV Tropes named for red-haired green-eyed girls.

Admittedly, I am not overly familiar with the Ben 10 franchise, having seen the occasional episode here and there in passing, apparently in the later series. It has five different incarnations – Ben 10, Ben 10 Alien Force, Ben 10 Ultimate Alien, Ben 10 Omniverse, and Ben 10 again – which they missed the chance to call just that, in 2016. However, it is an intriguing concept. The series follows a boy named Ben Tennyson who, on a summer road trip with his grandfather Max and his cousin Gwen, stumbles across an alien device known as the Omnitrix which bonds itself to his wrist like a watch. Ben finds that the device has alien DNA encoded in it, which allows him to transform to a variety of alien species – which he uses to take on any threats that come his way – usually other aliens. As he grows as a hero, Ben learns that he didn’t gain the Omnitrix by coincidence and finds that his family has been involved with aliens long before he has.

Gwendolyne “Gwen” Tennyson – as the Tennyson family obviously likes to rhyme – is Ben’s aforementioned cousin. At the start of the series, she is the same age as Ben (ten years), albeit much more capable than he is – a child prodigy, who can instantly master anything, be it athletics (including martial arts) or academics (and even the Omnitrix itself in an alternate universe). However, the series sees both of them mature into young adulthood (and a less antagonistic familial relationship between them), with Gwen attending college. It also sees Gwen acquire superpowers of her own, through – uh – magic? She discovers her own magical aptitude, which allows her to manipulate energy and be as formidable a hero as Ben himself.

 

ART & COSPLAY

 

For her iconic feature image, I used a clip of her from the Ben 10 Ultimate Alien series used as a feature image in the Ben 10 Ultimate Alien fan wiki.

She has also caught the attention of one of my favorite artists – Neoartcore.

 

RATING: 4 STARS****
B-TIER (HIGH TIER)

 

 

 

 

(8) FOXXY LOVE – DRAWN TOGETHER (2004)

 

A sassy “1970s-style mystery-solving musician who parodies the Hanna-Barbera teen sleuth characters seen on Josie and the Pussycats and Scooby-Doo.”

Cult classic Drawn Together was a reality show parody (initially of The Real World), where eight cartoon characters from different animated genres – parodying both a specific style of animation or animated character and of the stock characters usually put together in reality shows – were forced to live under the one roof in the titular pun of being drawn together.

 

ART & COSPLAY

 

Yeah – there’s some but not too much art or cosplay out there, certainly none from my favorites. As usual for my girls of animation, my iconic feature image is a clip from the cartoon.

 

RATING: 4 STARS****
B-TIER (HIGH TIER)

 

 

 

(7) STRIPPERELLA (2003)

 

Stripper by night. Superhero later at night”.

As its title might suggest, Stripperella was an “adult-oriented animated television series” created by none other than Marvel Comics doyen Stan Lee.

The title character was the superheroine or secret agent alter ego of stripper Erotica Jones, voiced by none other than Pamela Anderson – and essentially an animated version of her as well, down to the tattoos. (So much so that she also played herself in the series, visiting Stripperella’s club Tender Loins with Kid Rock. Needless to say, Stripperella is a big fan and gushes how people compare them in appearance).

Clearly, the series had its tongue firmly in its, or at least someone’s, cheek, as a parody of the superhero and spy fiction genres. I particularly liked the recurring villain, Cheapo – the world’s cheapest supervillain.

As for Stripperella herself, she not only relied on her spy gadgetry, but also a number of inexplicable superpowers (including her luxuriant hair, which also doubled as a parachute) – “she has strength and agility far beyond that of a normal human, she is impervious to all temperatures and weather conditions, and her breasts have the ability to detect when somebody is lying”.

 

ART & COSPLAY

 

Yeah, again – there’s some but not too much art or cosplay out there, certainly none from my favorites. Disappointingly, not even any cosplay from Pamela Anderson herself. As usual for my girls of animation, my feature image is a clip from the cartoon.

 

RATING: 4 STARS****
B-TIER (HIGH TIER)

 

Holli in a clip from her notorious dance scene in the film

 

(6) HOLLI WOULD – COOL WORLD (1992)

 

HOLLI WOULD IF SHE COULD
…AND SHE WILL!

I do like my bad girls and Holli Would is the bad girl at the center of Ralph Bakshi’s 1992 film Cool World – a fantasy film combining live action and animation.

Center? Let’s face it – the only thing anyone ever remembers (or is aware of) from this movie is Holli. To be honest, I’m only aware of the film through my interest in the animation of Ralph Bakshi.

As for the film itself, similar to another more famous film (that just might happen to feature in this top ten), it involves the intersection of our real world with the eponymous animated ‘toon’ world, with the inhabitants of the latter known as ‘doodles’ (while humans are ‘noids’). In a nutshell, a cartoonist finds himself in a cartoon world which he thinks he created from his dreams, where he is seduced by the comic strip vamp Holli – all part of her plot to become a real human (including the inception of the dreams in the cartoonist). Of course, being a bad girl, she doesn’t flinch at murder – or the potential destruction of both worlds – to realize her aim.

It’s even messier than it sounds and gets messier – the film was a commercial and critical failure, although it subsequently achieved something of a cult following.

But who cares? It’s all about Holli! Voiced by Kim Basinger, she was also drawn to resemble her voice actress (not surprisingly, given that Kim Basinger also played her in human form in the film). Her dancing scene was particularly notorious. Speaking of which…

 

ART & COSPLAY

 

Yes – I used a clip from that notorious dancing scene in the film for my iconic feature image. Sadly, although there is art and cosplay of her, there’s none I could find from my favorite artists or models.

 

RATING: 4 STARS****
B-TIER (HIGH TIER)

 

Chel in one of her more expressive clips from the film

 

 

(5) CHEL –
THE ROAD TO EL DORADO (2000)

 

Perhaps the most preeminent pre-Columbian pinup girl of popular culture – with the possible exception of Pocahontas – who throws her lot in with the protagonist Spanish con artist duo in the 2000 Dreamworks film The Road to El Dorado. And yes I know neither is technically pre-Columbian as both are set during European conquest or colonisation but close enough. I’ve certainly had a soft spot for Meso-American girls since – as well as that meme depicting Spanish colonialism being particularly…horny.

 

ART & COSPLAY

 

For my iconic feature image, I’ve chosen one of her more expressive clips from the film (helping the protagonist duo cheat at the native American ball game).

 

ART – DANDONFUGA

 

And finally we get to a girl of animation represented among my favorite artists, not least Dandonfuga – hence she scores my Dandonfuga ranking. There’s also art by Logan Cure, Neoartcore and Elias Chatzoudis.

 

COSPLAY

 

Chel is also represented in cosplay – with cosplay by Nami, due to fan demand given her resemblance to Chel.

 

 

RATING: 4 STARS****
B-TIER (HIGH TIER)

 

She-Ra as she appeared in her original cartoon in the 80s

 

 

(4) SHE-RA (1985)

 

She’s got the power!

“I am Adora, He-Man’s twin sister, and defender of the Crystal Castle. This is Spirit, my beloved steed. Fabulous secrets were revealed to me, the day I held aloft my sword and said, ‘For The Honor Of Grayskull! I AM SHE-RA!!!’

As TV Tropes notes, She-Ra Princess of Power is the sister series (literally) to He-Man and the Masters of the Universe, presumably because She-Woman and the Mistresses of the Universe sounds a little silly (or kinky). As noted, it is literally the sister series as the titular character is Adora, the twin sister of He-Man or Prince Adam of Eternia. Adora was apparently kidnapped as an infant to the planet Etheria and is subsequently given the power to become the superheroine She-Ra in order to form the planetary resistance against Etheria’s tyrannical ruler Hordak (although by invoking the honor rather than power of Greyskull, which sounds a little off to me).

Yeah, I’m not really up with the backstory of this one – or He-Man for that matter. I mean, come on – they were basically toy commercials! Not to mention vaguely fascistic…

However, they certainly were iconic figures, not least because the animation was to market the toys or so-called action figures for the Masters of the Universe.

Of course, She-Ra was designed to extend the market to the female demographic. To quote TV Tropes – “She-Ra was made specifically to appeal to girls, which explains the large number of mentally and physically strong female characters, like Adora, Glimmer, and Madame Razz, not to mention the vivacious, Zsa Zsa Gabor-like nature of several of them, daaaaaarling — and quite a number of female villains like Shadow Weaver, Scorpia and Catra” (the latter essentially a dark action girl version of She-Ra herself).

 

ART & COSPLAY

 

For my iconic feature image, I chose She Ra as she appeared in her original 1980s cartoon (from the feature image of the Grayskull fan wiki). There is a surprising amount of art and cosplay out there for her – including art from one of my favorites, Elias Chatzoudis, as well as cosplay from another of my favorites, Tabitha Lyons.

 

 

RATING: 4 STARS****
B-TIER (HIGH TIER)

 

Lana Kane in her iconic mini-sweater dress – I’m pretty sure this is from her very first appearance in the pilot episode

 

(3) LANA KANE – ARCHER (2009)

 

“LAAAAAANAAAA!” Well, it was either that or Sterling Archer’s other favorite quote to her – “Danger zone!”.

Lana Kane is the top female agent in the animated series Archer, second only to the titular spy himself (although a large part of that is due to his mother running the agency), with whom she has a complicated love-hate relationship. She is also the most competent agent, although Archer tends to excel at the stereotypically active role of an agent, killing people and so forth (although a large part of THAT is due to his reckless childlike joy and disregard for his own mortality). However, she is not too different from Archer in that her competence is undermined on occasion by her own emotional or psychological insecurities – she just has less of them than Archer (and a large part of THAT is his mother Mallory).

In appearance, she is statuesque, both in height (six foot or so) and figure, and she dresses to accentuate the latter – her signature style consists of short turtleneck sweater dresses (in various colors but typically white) and thigh-high stiletto boots. Indeed, she always seems to wear heels, even in space. For that matter, even when not wearing outfits tailor made to accentuate her figure, she’ll almost invariably end up in a situation where she’ll be stripped down to her underwear.

Archer even comments on her stripperiffic wardrobe, when he finds himself distracted by her impressive, ah, jiggle physics in the middle of a gunfight, in an example of their characteristic repartee:

Lana: Now?! Really?!
Archer: Oh, right! Because you walked into Strippers Discount Warehouse and said “Help me showcase my intellect!”
Lana: Discount?! This is Fiocchi.

In fairness, every major character in the series commonly ends up in situations where they’ll be stripped down to their underwear or naked. It’s that kind of agency.

Indeed, her memetic attractiveness in the series is such that even the girls want her (most notably her fellow female employees, although they are not the most emotionally balanced individuals). Even the gay guys want her, as when her gay colleague Ray Gillette literally takes a number with the rest of her male employees for the opportunity to bed her – “Girl, please. Nobody’s THAT gay”.

 

ART & COSPLAY

 

I was tempted to use the promotional beach shoot art for her but I just had to go with her iconic mini-sweater dress appearance for my feature image – which I believe to be from her very first appearance in the first episode. There is Lana art and cosplay out there but none from my favorite artists or models.

 

 

RATING: 4 STARS****
A-TIER (TOP TIER)

 

Daphne Blake as she appears in the Scooby Doo cartoon – feature image from the Warner Bros Entertainment fan wiki

 

(2) DAPHNE BLAKE – SCOOBY DOO (1969)

 

We all know Scooby Doo, that enduring animated franchise centered on four teenage hippies and the titular talking Great Dane driving around in their “Mystery Machine” van, getting high and hallucinating monsters (not to mention their dog’s speech). “And I would have gotten away with it if it wasn’t for you meddling kids!” (Not likely, since the villainous plans always involved impersonating a supernatural being with basic special effects). It’s a cultural icon, man! Even the infamous Scrappy Doo couldn’t kill it, although he came close and became the ultimate archetype of unlikable characters in the process.

And Daphne Blake has been an enduring childhood crush within that franchise. It’s not hard to see why – with her shoulder-length red hair (once again demonstrating the striking prevalence of redheads in animation or comics), blue or violet eyes, hourglass figure – not to mention her distinctive purple skirt and pink tights. On second thoughts, her fashion choice was questionable, but then, so was that of the rest of the cast. I mean – who wears ascots, Fred? Although maybe there’s something in wearing an ascot after all, as Fred always seemed to end up with the girls or at least Daphne herself whenever the group split up to investigate (while Shaggy would invariably end up with Scooby as comic relief, like the sad dog food-eating hippy he was).

Of course, Daphne’s role within the group originally tended to be more decorative than functional – most likely to end up as damsel in distress, often while bound and gagged to boot (because, well, who wouldn’t?), and even nicknamed danger prone Daphne as a result. Fortunately, her character has become somewhat more developed over time – becoming more competent and even badass in various incarnations (interestingly, often in direct contrast to a converse decline in Fred’s competence or badassery).

 

ART & COSPLAY

 

As usual for my iconic feature image, I chose a clip image of her appearance in the animation.

The standout Daphne art from my favorite artists would be by Nathan Szerdy, Elias Chatzoudis, and Neoartcore. As for the standout cosplay by my favorite models, I’ll award that to Tabitha Lyons.

 

RATING: 4 STARS****
A-TIER (TOP TIER)

 

Jessica Rabbit as she appears in her animated film or shorts – in perhaps her most iconic appearance and pose

 

(1) JESSICA RABBIT – WHO FRAMED ROGER RABBIT (1988)

 

“I’m not bad – I’m just drawn that way”

Like Wonder Woman for my Top 10 Girls of Comics, could there have been any doubt for the top spot? The top position has to go to THE animated sex symbol, even though her exposure is primarily limited to the animated film Who Framed Roger Rabbit? (and a few other shorts – notably as nurse and park ranger). I only vaguely remember the plot and characters of this film (including Roger himself) – but everyone remembers Jessica.

That is because she is designed as the ultimate fantasy figure drawn as a pinup cartoon – green-eyed and red-haired in that irresistibly rare combination (even more so in her signature pose of hair worn over one eye) and an impossibly accentuated hourglass figure in a slinky red dress. Indeed, she was modelled on classic screen sirens Lauren Bacall, Veronica Lake and Rita Hayworth – apparently face and voice (voiced by Kathleen Turner) on Lauren Bacall, hair on Veronica Lake and dress on Rita Hayworth (in the film Gilda).

As her name indicates, she is the human ‘toon’ wife of the titular Rabbit. Although she is a sultry nightclub singer literally drawn as a femme fatale of noir, she actually plays against the type in film (as opposed to the original book) – she is indeed a good girl deeply in love with her ‘honey bunny’. Why? He makes her laugh. (She also proudly lets slip that he’s a much better lover than driver).

 

ART & COSPLAY

 

Of course for my iconic feature image, I chose an image of her from her animation – in perhaps her most iconic appearance and pose (although I was tempted by her nurse or park ranger costumes).

 

ART – DANDONFUGA

 

And not surprisingly for my top spot we get to a girl of animation represented among my favorite artists, not least Dandonfuga – hence she scores my Dandonfuga ranking. There’s also art by Elias Chatzoudis, Sun Khamunaki, J. Scott Campbell, Logan Cure, and Neoartcore.

 

COSPLAY – HELLY

 

And also for my top spot we finally get to a girl of animation represented among my holy trinity of cosplay models, hence she scores my Helly ranking for cosplay by Helly Valentine.

 

RATING: 5 STARS*****
S-TIER (GODDESS TIER)

 

 

 

 

GIRLS OF ANIMATION: TOP 10 (TIER LIST)

 

S-TIER (GODDESS TIER)

(1) JESSICA RABBIT – WHO FRAMED ROGER RABBIT

 

A-TIER (TOP TIER)

(2) DAPHNE BLAKE – SCOOBY DOO

(3) LANA KANE – ARCHER

 

B-TIER (HIGH TIER)

(4) SHE-RA

(5) CHEL – THE ROAD TO EL DORADO

(6) HOLLI WOULD – COOL WORLD

(7) STRIPPERELLA

(8) FOXXY LOVE – DRAWN TOGETHER

(9) GWEN TENNYSON – BEN 10

 

X-TIER (WILD TIER – BEST OF 2025)

(10) RUMI – KPOP DEMONHUNTERS

 

 

Top Tens – Film: Top 10 Animated Films (Complete & Revised 2026)

“Steamboat Willie” – the animated short film that was the debut film distributed for Disney’s Mickey Mouse and one of the first cartoons with synchronized sound – now in public domain!

 

 

TOP 10 ANIMATED FILMS

 

Animation is my favorite medium, albeit more for TV series than film – my favorite TV series are always animated TV series. However, animated films aren’t far behind as there’s something about the animated medium that seems to retain creativity beyond the point where live-action medium counterparts exhausts it.

Of course, part of that might be the advantage the animated medium has in being able to depict things on screen through its definitive animation of art, which can only be replicated in the live-action medium, if at all, through practical or CGI effects. For me, live-action CGI effects still lag behind their animated counterparts, even that of digital animation – ironically both in terms of realism seamlessly with the live action components on screen and the emotional expressiveness of depiction. An example of the latter is that of animals, where animated art can depict them with more human-like features or expressions. For me, that was one of the issues with the recent Disney trend of live action remakes of their animated films. If your live action remake needs to be substantially or predominantly CGI to replicate the original animation or its characters, then you are essentially substituting one form of animation for another – and an inferior one at that.

Another part of my enjoyment of animated films – and hence my separate top ten for them – following from the above is their versatility for depicting fantasy or science fiction. The medium of animation seems ideally suited to fantasy or SF, perhaps even more so than the live-action film medium – except for the human attachment to seeing the human actors on screen, rather than hearing their voices from their animated avatars. Hence, my Top 10 Animated Films is effectively a subset of my Top 10 Fantasy & SF Films, as each entry is either fantasy or SF and I will note the extent of each entry as such. As a general rule, animated films lean towards fantasy, while films adapted from comics (for which I have a separate top ten) lean towards SF.

They also tend to be comedic in nature, with the animated medium being ideal for visual as well as verbal humor – such that they might also effectively be a subset of my Top 10 Comedy Films and again I will note the extent of each entry as comedy.

Anyway, these are my Top 10 Animated Films.

 

Screenshot of the protagonist K-pop demonhunter or Huntrix trio from the opening sequence song “How It’s Done” – “Golden” may have (deservedly) got the airplay but this song and its sequence are up there!

 

 

(10) KPOP DEMONHUNTERS

(SONY / NETFLIX 2025)

 

I tend to reserve my tenth place as a wildcard entry for the best of the present or previous year – and for 2025, what else could that be but KPop Demon Hunters, as “the most-watched original title in Netflix history with over 500 million views”?

I am as surprised as you are. Initially, I had seen it in my Netflix menu and skipped over it, inferring (correctly) that I was not the target demographic. I watched it at the suggestion of a work colleague who was the target demographic – a young mother of young girls. And you know what – it transcended its target demographic. It was fun, it was slick animation, it had some banger tunes, and I liked it.

“KPop Demonhunters is a 2025 American animated musical urban fantasy film…The story follows a K-pop girl group, Huntrix, who lead double lives as demon hunters. They face off against a rival boy band, the Saja Boys, whose members are secretly demons.”

It may have been an American film but it wore its Korean origin on its sleeve, and of course in its title. The writer Maggie Kang “wanted to create a story inspired by her Korean heritage, drawing on elements of mythology, demonology, and K-pop to craft a visually distinct and culturally rooted film” and “the visuals were influenced by concert lighting, editorial photography, music videos, and anime and Korean dramas”.

It also had its tongue firmly in its cheek with its story. Even the demons laugh at the idea of a demon boy band until the latter strikes a pose – “oh yeah, totally gonna work”.

“KPop Demon Hunters received acclaim for its animation, visual style, voice acting, story, and music” – as I said, I don’t know so much about the story which it playfully subverts but that’s boosted by all the other elements that are, dare I say it, popping.

 

FANTASY OR SF

 

If the demonhunters of the title didn’t give it away as fantasy…

 

COMEDY

 

Part of its charm – lyrical, verbal and visual comedy!

 

RATING:

X-TIER (WILD TIER) – BEST OF 2025

 

 

 

Poster art of the film’s extensive character cast

 

 

(9) ZOOTOPIA

(2016 – with sequel in 2025)

 

Who doesn’t love anthropomorphic animals? Of course, Zootopia is a whole world exclusively of anthropomorphic animals (and it won’t be the only such world in my top ten animated films), a world very much like ours but with every other mammal in our place.

Although…when you take it too seriously (and I take my fictional worlds way too seriously), Zootopia is not quite the utopia its name suggests. As Cracked has pointed out, for the sake of a few rabbit sex jokes, Zootopia is about to go post-apocalyptic from total ecological collapse – in about a week or so. “Zootopia is a movie about the brief halcyon days of an imperious city as it remains wilfully blind to its inevitable doom”.

Alternatively, as I have mused before, is The Island of Doctor Moreau the grim backstory of Zootopia? You know, after he unleashed his army of beast-men and women on an unsuspecting humanity…

But enough of that – Zootopia is a film that is equally cute, funny and heartwarming, a “3D computer animated buddy cop comedy mystery adventure film” as cute protagonist rabbit police officer Judy Hopps, pairs up with slick fox con artist Nick Wilde.

The animation is lush and visually spectacular – they developed fur-controlling software (iGroom) – with thoughtful themes for the contemporary society the animal world reflects.

I’m looking forward to the sequel film coming out in 2025.

 

FANTASY OR SF

 

Well perhaps SF with some extensive genetic engineering but I’m going to rank this as fantasy – classic beast fable mode!

 

COMEDY

 

Definitely a comedy – from the odd couple protagonists to gags on animal characteristics as adapted to what would otherwise be an human urban environment.

 

RATING:

B-TIER (HIGH TIER)

*

 

 

(8) INSIDE OUT

(2015 – with sequel in 2024)

 

The depiction of a mental landscape may not have been an entirely original concept, but it was executed superbly in Pixar’s Inside Out.

The first film was set in the mind of a young girl Riley, dominated by a console or control panel run by five personified emotions – Joy, Sorrow, Fear, Anger and Disgust (color-coded for your convenience!)

The control room overlooks an imaginative mental landscape, primarily consisting of islands of memory or personality about the memory dump – which is a literal memory abyss or hole (or a metaphorical Lethe of forgetfulness). The plot revolves around a typical odd couple pairing of Joy and Sadness, as the two are accidentally sucked into Riley’s long-term memories and try to return to the control room, as the mental landscape deteriorates into outright collapse around them in something akin to emotional breakdown (due to Riley’s family moving from Minnesota to San Francisco). Of course, while Joy is paired with Sorrow (and helped by Riley’s imaginary friend), it leaves only Fear, Anger and Disgust to run her psyche (or as Honest Trailers quipped, leaving her psyche to be run by “your average YouTube comments section”. Or any internet comment section for that matter, as well as the X formerly known as Twitter).

Although now that I think about it, it would be interesting to see the (adult) Freudian version of the film, particularly with the superego, ego and id. (But then again, I am my own id. I’m all id, baby!). Or perhaps, the Jungian version, with all those mythic archetypes…

There was the sequel film in 2024 which added a few more adolescent emotions headed by Anxiety to Riley’s mental landscape.

 

FANTASY OR SF

 

Given it’s the emotional or psychological landscape, it probably evades easy genre distinctions but I’m going with fantasy.

 

COMEDY

 

Comedic – but not surprisingly it has many emotional (heh) moments.

 

RATING:

B-TIER (HIGH TIER)

*

 

 

(7) WRECK-IT RALPH

(2012 – I’ve decided to discount the sequel film even if it had its moments)

 

Disney film Wreck-It Ralph took us inside video games with its protagonist as the eponymous villain in a 1980’s 8-bit video game (reminiscent of Donkey Kong, with Ralph as Kong), who rebels against his role and dreams of being a hero ‘off-screen’. He sees his opportunity in another game of Hero’s Duty (a more modern first-person shooter game in the style of Halo and Call of Duty among others) – unfortunately, his efforts lead to one of its self-replicating alien bug antagonists escaping to yet another game, Sugar Rush (a kart racing game in the style of Super Mario). And things get worse from there…

The plot is fun but the true delight of Wreck-It Ralph is the exuberant abundance of video game references – in visual gags and characters. These are introduced from the outset – Ralph’s support group of video game antagonists (Bad-Anon) includes Bowser from the Mario franchise and Doctor Eggman from Sonic the Hedgehog, as well as M. Bison and Zangief from the Street Fighter. That’s just for starters – there’s Tapper (from the Tapper game, who runs an off-screen bar in the same style as his game for video game characters), Sonic the Hedgehog, other characters from Street Fighter, Pac-Man and ghosts (Blinky, Pinky and Inky), Dig Dug, Frogger, Q-bert and more. Even that most basic original video game, Pong. There are video game references in the most amazing (and fleeting) details, such as sound effects and graffiti – “Aerith lives”, “Shen Long was here” and “All your base are belong to us” among others.

Ralph returned for a sequel breaking (surely that should have been wrecking?) the internet but it just didn’t have the same clever play on its subject that the original film had for video games.

 

FANTASY OR SF

 

I’m saying fantasy – but technofantasy, given the premise is based on computer game characters, not unlike the programs in Tron.

 

COMEDY

 

Definitely a comedy – including many gaming in-jokes.

 

 

RATING: 

B-TIER (HIGH TIER)

 

Screenshot from its standout opening sequence – which includes its iconic song Fearless Hero

 

 

(6) PUSS IN BOOTS: THE LAST WISH

(2022)

 

“Who is your favorite fearless hero?”

I would never have thought I’d have ranked this Shrek spinoff series in my top ten, at least based on the first film – until it hit it out of the park with the second film.

“The film’s voice cast includes Antonio Banderas and Salma Hayek reprising their respective roles as the titular character and Kitty Softpaws…The story follows Puss in Boots…(teaming up with Kitty Softpaws) to find the Last Wish of the fallen Wishing Star to restore eight of his nine lives. They race against other fairy tale characters seeking the same treasure, while a sinister wolf hunts Puss himself.”

Firstly, there’s the film’s visual style, diverging from previous films in the Shrek franchise (including the first Puss in Boots film) for “a painterly style to resemble a fairy-tale story”, as well as the most vivid animation I’ve seen outside the Spiderverse films.

Secondly, there’s the surprising darker tone and depth from, well, death – Puss’ mortality and fear of death, as he is relentlessly pursued for his last life by one of the most terrifying villains in animated film.

 

FANTASY OR SF

 

Fairytale fantasy!

 

COMEDY

 

Like all films in the Shrek franchise, it leans heavily into comedy but has some serious emotional beats along with its darker tone, including one of the most genuine depictions of a panic attack in film.

 

RATING:

A-TIER (TOP TIER)

 

 

 

 

(5) MEGAMIND

(2010)

 

“Oh you’re a villain alright, just not a super one!”

“Yeah, what’s the difference?”

“PRESEN-TATION!”

 

And how! Now THAT’S how you do a supervillain protagonist in a superhero comics movie.

Megamind is an inversion, subversion and deconstruction of superhero mythos, particularly Superman. In the words of TV Tropes:

“What happens when you take the Superman mythos and give the point of view (and ultimate victory) to Lex Luthor/Brainiac instead?”

Megamind (voiced by Will Ferrell) – as indicated, an alien supervillain combination of Superman villains Lex Luthor and Brainiac, but more resembling a blue Brainiac in appearance – consistently fails in his plots against Metro Man (voiced by Brad Pitt), the film’s Superman counterpart (based in Metro City), usually by kidnapping Lois Lane counterpart, the equally alliterative Roxanne Ritchi (voiced by Tina Fey). For what it’s worth, Megamind is helped by his hordes of robots as well as Minion, his – ah – minion, a sapient talking alien fish in a somewhat inexplicable robot gorilla costume.

However, in their last confrontation, Megamind actually manages to destroy his nemesis, much to his own surprise, although he doesn’t waste much time celebrating his victory by taking over Metro City.

After initially gloating over his victory, Megamind soon realizes that winning isn’t all it’s cracked up to be. And so he dreams up the creation of a new superhero adversary, only for it to go horribly wrong when his new nemesis doesn’t play by the same rules as Metro Man…

“So what’s the plan?”

“Well, it mostly involves not dying!”

“I like that plan!”

Hmm – sounds like most of my plans…

 

FANTASY OR SF?

 

One of the rare SF entries in my Top 10 Animated Films, albeit on the softer side in the same vein as Superman.

 

COMEDY

 

One of the more comedic entries, not surprisingly given its voice cast but also its premise of superhero parody.

 

RATING: 

A-TIER (TOP-TIER)

*

In this undated animated still frame released by Pixar, The Incredibles family: speedy 10-year old Dash, left, shy teenager Violet, second from left, the strong and heroic Mr. Incredible, center, and ultra-flexible Elastigirl appear in this scene from “The Incredibles.”

 

 

(4) THE INCREDIBLES

(2004-2018: INCREDIBLES 1-2)

 

“You sly dog! You got me monologuing!”

This is how you do a Fantastic Four film. Yes, my fourth place entry, Pixar’s The Incredibles, is not actually a Fantastic Four film, but it deftly handles a similar superhero family or team ensemble with almost the same powers. In the words of TV Tropes, “it’s an affectionately parodic Decon-Recon Switch of the superhero genre, happily hanging lampshades on many conventions”.

Superheroes have been forced into government-sponsored retirement, due to public liability lawsuits. Damn lawyers! Of course, financial issues for superheroes are not often addressed in comics – or indeed, in many fictional narrative in popular culture. One exception is writer Grant Morrison, with his characteristic deconstruction or subversion of superhero tropes – as a female bystander wails while her car is totaled in a superhero battle in Morrison’s Animal Man, “I don’t have superhero insurance!’

Anyway, super-strong Mr. Incredible and rubber woman Elastigirl are now just Bob and Helen Parr, trying to live a quiet suburban life with their superpowered children, Dash (who has super-speed), (shrinking) Violet (who can project force fields as well as become invisible – essentially the same power set as Sue Storm in the Fantastic Four) and baby Jack-Jack (who doesn’t seem to have manifested any superpowers). Trying being the operative word – particularly as Bob finds his employment and suburban life chafing. And so he jumps at the chance offered by a mysterious woman Mirage to use his superpowers – only to find himself in more trouble than he can handle on his own at the hands of a new supervillain with ties to his past.

Just remember – no capes!

And there was a long-awaited sequel in 2018, which although it did not quite live up to the original, maintained much of the same spirit.

 

FANTASY OR SF?

 

Like Megamind with its origin in Superman, I’m going to go with SF for this one, consistently with its origin in The Fantastic Four (although FF leans more into SF, what with the space travel and all). Even if some of those superpowers push the boundaries into fantasy.

 

COMEDY

 

And also like Megamind with its affectionate superhero parody, The Incredibles also leans to the more comedic end of the scale – also with its affectionate superhero parody – although not at much as Megamind with its outright comedic cast.

 

RATING:

A-TIER (TOP-TIER)

*

 

(3) KUNG FU PANDA

(2008-2016: KUNG FU PANDA 1-3. Yeah…I just can’t bring myself to count the fourth film)

 

“Legend tells of a legendary warrior whose kung fu skills were the stuff of legend”

What’s not to love about Dreamwork’s Kung Fu Panda, or for that matter, the rest of the trilogy (discounting the fourth film)?

It’s set in an anthropomorphic animal version of pre-modern China – that alone would be enough to make it awesome.

And then there’s the story, deftly balanced between comedy and epic magical or wuxia martial arts action, with CGI animation and beautiful art – for even more awesome, such that will make your enemies go blind from overexposure to pure awesomeness. And just like the titular Panda, I love kung fu, or more precisely, my kung fu movies ever since seeing Bruce Lee’s Enter the Dragon

The eponymous panda, Po, is a hopeless fanboy of the kung fu masters, particularly the Furious Five, composed of animal homages to kung fu styles (Tiger, Monkey, Crane, Viper and Mantis) – hopeless, that is, until he is thrust, by fate and fireworks, into the position of the legendary Dragon Warrior. Worse, he has to fight the dangerous snow leopard Tai Lung (awesomely voiced, as always, by Ian McShane), who seeks the title of Dragon Warrior for himself…

However, my favorite kung fu panda in the film trilogy is not Po, but the red panda Master Shifu – voiced by Dustin Hoffman, who combines just the right amount of wise mysticism with worldly exasperation (usually at Po).

 

FANTASY OR SF

 

Very much the fantasy side of the scale – combining both wuxia fantasy and animal fable.

 

COMEDY

 

Very much the comedic side of the scale as well.

 

RATING: 5 STARS*****

S-TIER (GOD-TIER)

*

 

 

(2) SHREK

(2001-2010: SHREK 1-4. Yeah, the third film is lackluster but I didn’t mind the fourth)

 

“I’m not the monster here, you are. You and that fairy tale trash poisoning my perfect world”

What’s not to love about Dreamworks 2001 film Shrek? Or its 2004 sequel for that matter?

The ultimate fractured fairy tale, the film has all the ingredients of the fairy tale – an adventurer on a quest to save a princess in a castle guarded by a dragon – except that the adventurer is the eponymous green-skinned ogre, who just wants to regain the solitude of his swamp from the fairy tale creatures who have been exiled there by (ahem) Lord Farquaad. To do so, he undertakes to save the princess Fiona for marriage to Farquaad, accompanied by the obnoxiously conversational talking donkey, named Donkey of course. And that’s where things go even further astray from your traditional fairy tale.

“Notorious for its humor, both witty and slapstick, for turning everything we knew from fairy tales upside-down, and for a ridiculously modern feel of its medieval fantasy setting”, it was the winner of the first Academy Award for Animated Feature.

Some would argue that the sequel Shrek 2 was even better than the original – even if that would make it an exception to my Stark Law of Sequels that the original is always the best. On the other hand, I just can’t resist Antonio Banderas’ purringly-voiced Puss in Boots.

No one argues the third film compares to the first two but I don’t mind the fourth. We’ll have to see how the fifth film turns out.

 

RATING: 5 STARS*****

S-TIER (GOD-TIER)

*

 

 

(1) TOY STORY

(1995-2010: TOY STORY 1-3 and beyond?)

 

“To infinity and beyond!”

The flagship of Pixar Animation Studios and of course my top ten animated films, Toy Story was the first computer animated film (and therefore an extraordinarily influential part of what TV Tropes labels the Renaissance Age of Animation). It also was the flagship of the Toy Story franchise, with two film sequels that maintain the quality of the original (although Stark’s Law of Sequels still gives first place to the original) – I particularly like the interpretation that the third Toy Story film is about the afterlife, with a metaphorical representation of every major version of the afterlife in Western popular culture.

Toy Story itself, both film and franchise, needs little introduction – a story about toys that come to life when their owners are not around. The film introduces us to a group of toys belonging to a boy named Andy, led by Andy’s favorite toy – Woody, a classic cowboy doll with a pull-string vocalizer. (“Reach for the sky!”). Unfortunately for Woody, Andy acquires a new favorite for his birthday – in the form of Buzz Lightyear of Star Command. To complicate things further, Buzz believes that he is actually an astronaut adventurer rather than a toy. What ensues is a buddy comedy adventure film, as Buzz and Woody have to work together to overcome mutual perils.

Terry Gilliam praised the film as “a work of genius” – “It got people to understand what toys are about. They’re true to their own character. And that’s just brilliant. It’s got a shot that’s always stuck with me, when Buzz Lightyear discovers he’s a toy. He’s sitting on this landing at the top of the staircase and the camera pulls back and he’s this tiny little figure. He was this guy with a massive ego two seconds before… and it’s stunning. I’d put that as one of my top ten films, period.”

And as you can see, I’ve put it at the top of my top ten animated films, albeit I’ve confined this entry to the classic trilogy of films from Toy Story 1 to 3. The franchise does include other works, notably the fourth film in 2019 and the fifth film in 2025 – I actually think the fourth film is decent but I just couldn’t compare it to that original trilogy of Toy Story 1-3 as a near perfect trilogy.

 

 

RATING: 5 STARS*****

S-TIER (GOD TIER)

 

 

 

 

 

TOP 10 ANIMATED FILMS (TIER LIST)

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S-TIER (GOD TIER)

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(1) TOY STORY

Yes – I’ll count the first three films as a near perfect film trilogy, with the second film as perhaps the best. The fourth film was decent but just doesn’t compare to the first three films.

(2) SHREK

Again – I’ll count the franchise, although I’d swap out the lackluster third film for the fourth, with again the second film as perhaps the best.

(3) KUNG FU PANDA

Like Toy Story, I’ll count the first three films – but with the first film as best. The fourth film is lackluster.

*

If Toy Story is my Old Testament of animated films, then Shrek and Kung Fu Panda are my New Testament.

*

A-TIER (TOP TIER)

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(4) THE INCREDIBLES

I’ll include both films but the original shines over the sequel.

(5) MEGAMIND

Sticking with the superhero parody theme from the previous entry, I just have a soft spot for this underrated gem.

(6) PUSS IN BOOTS: THE LAST WISH

I had not expected such a stunning performance from what is a sequel to a Shrek spinoff – but there you have it.

*

B-TIER (HIGH TIER)

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(7) WRECK-IT RALPH

Yes – I’m only counting the first film

(8) INSIDE OUT

(9) ZOOTOPIA

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X-TIER (WILD TIER – BEST OF 2025)

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(10) K-POP DEMONHUNTERS

Top Tens – TV: Top 10 Animated TV Series (Complete & Revised 2026)

 

Iconic image of two of the most iconic animated characters – Wile E Coyote and Roadrunner

 

TOP 10 ANIMATED TV SERIES

 

I’ll be blunt – my favorite TV series are always animated TV series. It was that way when I was a child, watching animated series for children, and now it is that way as an adult, watching animated series for adults.

Hence, my top animated TV series would also tend to be my top TV series in general – as well as ones that I can (and do) watch repeatedly. I look forward to new series or seasons of my favorite series. And whatever the animated series, whether for children or adults, I’ll usually enjoy checking it out, at least for an episode or so.

That said, my Top 10 Animated TV list is more fluid than most of my top ten lists. The top one or two entries may be set in stone, at least for the foreseeable future, but there tends to be a high turnover of entries below them as I tend to turn older series (or series that have run past my enduring interest in them) into special mentions and replace them with newer series at a high rate.

Note also that while I dabble in anime on occasion, it’s nowhere near the extent to which I watch ‘western’ animation on TV – so I keep anime TV series in their own separate lists.

 

 

Netflix promotional poster art

 

 

(10) HAUNTED HOTEL

(NETFLIX 2025: SEASON 1)

 

 

“This hotel has a dark history, Ms. Freeling. Murders, suicides, disappearances. Before it was a hotel, this was an asylum. Before that, a prison. Before that, a different asylum! Evil is drawn to this place, and legends say these grounds hold one of the six gates to hell.”

I usually reserve my tenth place in my top ten lists as a wildcard entry for the best entry from the present or previous year – that is, in the case of TV series, a series with its first season in the present or previous year.

There were a couple of contenders for animated TV series with its first season in 2025. I considered Creature Commandos for this entry but as at this time I’ve only seen the first three episodes – in the limited time that they were available free on Youtube, so the wildcard winner was this series which premiered on Netflix in 2025.

I mean, the horror genre just screams out for comedic parody or satire skewering its tropes and I’ve always had a soft spot for the latter, such as the Halloween specials on The Simpsons – still arguably the best and most enduring episodes of that series (which features in my special mentions). Sometimes the genre even does it to itself but more usually it’s done by animated TV series like this.

Although I’d never quite thought about how many ghost or horror stories are set in, well, haunted hotels, before I was prompted by this series. Of course, the most famous or archetypal is Stanley Kubrick’s film adaptation of Stephen King’s The Shining – the most obvious source of inspiration and reference for this series, not least in the name of the hotel as The Undervale mirroring that of The Overlook in the Shining.

Indeed, haunted hotels tend to be fantasy kitchen sinks for horror – that is, the trope in TV Tropes as a punning quip on throwing in everything but the kitchen sink. In the case of haunted hotels, the whole hotel seems to be a hellmouth for haunting or evil supernatural forces, and not just a haunted single room or so.

And that’s pretty much the premise of Haunted Hotel, but with the comedic twist that the ghosts can’t actually do anything threatening being, you know, ghosts – except financially, as the female protagonist struggles to make a business out of the hotel she inherited from her deceased brother, who is foremost among the hotel’s ghosts and in fairness tries to be helpful. You’d think that an actual haunted hotel would be a thriving attraction, particularly when the ghosts can’t hurt you – although there are some supernatural entities other than ghosts that can be threatening.

As per the precis on TV Tropes (without the voice cast names) – “The series follows Katherine, a single mother who inherited a hotel called the Undervale in upstate New York from her late brother Nathan, and is now stuck trying to turn a profit from a hotel filled with ghosts, demons, poltergeists, and pretty much any spooky weirdos you can imagine. Thankfully (or not) Nathan’s ghost has been added to the hauntings of the hotel, providing some dubious assistance. Meanwhile, Katherine’s hormone-addled 13-year old son Ben and scheming, magically savvy daughter Esther adjust to living in the hotel, along with Abaddon, an ancient demon possessing a little boy from the 18th century.”

 

RATING:

X-TIER (WILD TIER)

 

 

Promotional poster art

 

 

(9) BLUE EYE SAMURAI
(NETFLIX 2023 – PRESENT: SEASON 1+)

 

Who doesn’t like a roaring rampage of revenge?

I liked it as film with Kill Bill. I liked it as (live action) TV series with My Name. And I like it here as animated TV series with Blue Eye Samurai.

So now I have a holy trinity of roaring rampages of revenge. Well, those and John Wick, but John Wick is more my Hail Mary (or Ave Maria) of roaring rampages of revenge. (And yes – that’s a somewhat lapsed Catholic joke about squeezing in a fourth person when you already have three people in a trinity, particularly when that fourth person has their own complicated mythos going on).

Kill Bill even used the phrase – its protagonist Bride stating that she “went on what the movie advertisements refer to as a roaring rampage of revenge” (which Tarantino characteristically borrowed from the tagline to a 1972 film Bury Me an Angel).

Interestingly, all my holy trinity are either east Asian (My Name is Korean) or a fusion of east Asian and Western popular culture. Japanese and Korean film or TV are growing influences in Western popular culture – and they certainly do roaring rampages of revenge well.

This animated series is set in the seventeenth century Japanese shogunate that had isolated itself from the world, in what is called the Edo period, albeit a somewhat alternate historical version given some of the plot details or events.

That makes life even more difficult for our protagonist, the titular blue eye samurai – whose blue eyes immediately mark mixed-race ancestry. That’s on top of another problem for the protagonist in sixteenth century Japanese society, which is something of a spoiler, albeit one easy to guess by the voice (and voice actor) and soon revealed in any event.

Which makes for yet another interesting characteristic of my holy trinity of roaring rampages of revenge – the sex of their protagonist. It’s also interesting to compare the different sources for the roaring rampage of revenge in each case – the Bride is seeking to avenge herself on her ex-lover, the protagonist in My Name is seeking to avenge her father, and the Blue Eye Samurai is seeking to avenge herself on her father.

Its standout feature – consistently noted by reviewers – is “its breathtaking animation quality” and never more so than for its exquisitely crafted fight scenes. Our Blue Eye Samurai is almost supernaturally skilled with a blade (consistent with just a hint of fantasy to the series) but does take a beating from time to time. It’s not just the fight scenes – it’s the visual attention to detail with character and background design.

It’s also not just the visual quality, as important as that is to animation. It has a compelling storyline, with twists and turns, as well as immersion into its setting. And it’s not just the Blue Eye Samurai whose story is engaging – almost every other character, major and minor, including the adversaries or antagonists, are also engaging or intriguing, boosted by the stellar voice cast.

 

RATING:
B-TIER (HIGH TIER)

 

 

Season 1 promotional art

 

 

(8) THE LEGEND OF VOX MACHINA
(PRIME 2022 – PRESENT: SEASONS 1-3+)

 

“We’re Vox Machina – we f**k sh*t up!”

Yes – it’s Dungeons & Dragons, the animated adaptation of the first campaign of Critical Role, a weekly web video of voice actors playing the game. And it would seem surprisingly effective condensing the story out of what is presumably much messier game play. Let’s just say the alignments tend towards chaotic

So yes – it features its ensemble cast as a classic D & D adventuring party: ax-crazy goliath barbarian Grog, insecure half-elf druid Keyleth, aristocratic human gunslinger Percy, brash gnome cleric Pike, snarky half-elf twins ranger Vex and rogue Vax, and of course everyone’s favorite lecherous comic relief, gnome bard Scanlon.

Because everyone loves bards! Does anyone not play bards as lovable sex maniacs? I’m pretty sure it’s a class feature

The first season also featured a superb antagonist necromancer-vampire duo in Sylas and Delilah Blackwood, the latter voiced by Grey DeLisle, who always does good villainess voice.

And again – Rings of Power take note this is how you do it…

 

RATING:
B-TIER (HIGH TIER)

 

 

Promotional art for the series, similar to the opening title credits

 

 

 

(7) SOLAR OPPOSITES

(2020-2025: SEASONS 1-6)

 

“Planet Shlorp was a perfect utopia… until the asteroid hit. 100 adults and their replicants were given a pupa and escaped into space, searching for new and uninhabited worlds. We crash landed on Earth stranding us on an already overpopulated planet. That’s right, I’ve been talking the whole time, I’m the one holding the Pupa, my name’s Korvo. This is my show. Bollocks! I just dropped the Pupa! Ugh, this is ridiculous! I hate Earth, it’s a horrible home! People are stupid and confusing…”

I’ve been able to catch this series now it’s on Netflix (except for the final sixth season) – essentially Rick & Morty crossed with Third Rock from the Sun, with epic fantasy drama thrown in the segments involving “the Wall”. That’s particularly so as voice actor Justin Roiland essentially replayed Rick as the leading alien Korvo, although he was replaced by Dan Steven as voice actor for…reasons. I’m a fan of Dan Stevens so I didn’t mind, particularly as they explain it in series by their recurring gag of “SF stuff””.

 

RATING:

B-TIER (HIGH TIER)

 

 

 

Yes – it’s that girl from The Witness, one of the episodes from the first season.

 

 

(6) LOVE DEATH + ROBOTS
(NETFLIX 2019 – PRESENT: SEASONS 1-4)

 

“Heavy Metal for millennials”

Love, Death, and Robots is an adult – very adult (or perhaps adolescent) – experimental animated SF and fantasy anthology series on Netflix produced by Tim Miller and David Fincher.

And it is very much an anthology series – consisting of stand-alone or self-contained episodes, usually 10-20 minutes (with the occasional shorter episodes) and produced by different casts and crews in different styles. It’s genre-bending (and blending) between science fiction, fantasy and horror, although leaning towards science fiction (particularly cyberpunk) – hence the robots of the title. Episodes tend toward the themes of – well – love, death and robots, albeit the former two are very broad (and often leaning more towards sex and violence). Most of them are adaptions of short stories from notable SF (or fantasy) writers – including Peter F. Hamilton, John Scalzi, Alastair Reynolds and Joe Lansdale.

And the tagline comes from its – ah – heavy influence or inspiration from the comic / magazine Heavy Metal, which highlighted original science fiction stories and art, mixed in with erotica, and the “raunchy, absurd 1981 film of the same name which took viewers a step beyond science fiction.”

As an anthology, it’s something of a mixed bag, but there’s bound to be something you like by way of “a striking or exciting style of animation” or “a genuinely shocking twist”.

 

RATING:
B-TIER (HIGH TIER)

 

Season 1 promotional poster art

 

(5) PRIMAL
(2019 – PRESENT: SEASONS 1-3)

 

Spear and Fang – a Neanderthal and his tyrannosaur. Or is that a tyrannosaur and her Neanderthal?

Those names – Spear and Fang – are never given in the episodes themselves, which are a marvel of mute mood, only in the titles or credits. Mute in that Spear, our Neanderthal protagonist, does not speak any language as such – although he can be very vocal in grunts or bellows and is otherwise extremely expressive in face and body language. Fang, the tyrannosaur is no slouch in expression either. Primal’s creator, Genndy Tartakovksy, is famous for being light on dialog in his work, but in Primal he has achieved an animated masterpiece with no dialog.

The unlikely but powerful bond between Spear and Fang is the beating heart of the series – unlikely in that it arises in very particular circumstances and endures beyond them, but of course in the context of our world where they are tens of million years apart. It soon becomes apparent that, while the creatures of Primal seem drawn (heh) from models in our own, that this is not our world as we knew it – as the waning age of dinosaurs seemingly overlaps much more with the rising age of mammals. And oh boy – how they are drawn, with lush beautiful animation particularly for its creatures and their landscapes, as well as evocative music or sound.

The world of Primal diverges even more from our own as it becomes an increasingly fantastic setting, dramatically so from episode 4 Terror Under the Blood Red Moon or episode 5 Rage of the Ape Men (with its heartbreaking cliffhanger climax).

In my opinion, this leads to the three episodes that are my personal highlights of the first season – with Spear and Fang facing off against, and typically having little choice but to flee from, their most dangerous and fantastic opponents in sequences of genuine horror or terror. A plague zombie dinosaur in episode 7 Plague of Madness, dark magic in episode 8 Coven of the Damned, and a mysterious invisible creature that seemingly kills for sport in episode 9 The Night Feeder.

However, the most dramatic change of all occurs in its final episode of the first season, when the world of Primal changes radically again to something very different from all preceding episodes – as we see in the second season.

 

RATING:
A-TIER (TOP TIER)

 

 

 

Scene from first episode Season 1

 

 

(4) HARLEY QUINN
(2019-PRESENT: SEASONS 1-5+)

 

“No way! It’s got comedy, action, incredibly gratuitous violence, and unlike that Deadpool cartoon, it’s actually coming out!”

Now this is how you do Harley Quinn! (Well that and The Suicide Squad film – the one by James Gunn in 2021, not the other one).

Harley Quinn has split off from the Joker and aspires to become the criminal queenpin of Gotham with best friend Poison Ivy and a motley crew of henchmen – Doctor Psycho, Clayface and King Shark. Of course, setting out to become queenpin isn’t going to be easy – but it does make for a fun f-bomb-dropping adult animated series that is by turns “crude, raunchy, violent and completely shameless about all of it”, not to mention a blackly comic parody of the DC comics and cinematic universes.

Add in a stellar voice cast (led by Kaley Cuoco, who voices Harley Quinn to perfection matched only by Margot Robbie in hot pants) and you’ve got a winning formula, particularly in its “grasp of what makes its titular antiheroine so beloved”. As per Caroline Framke of Variety – “Most importantly, Harley gets to be an entire person all her own, as heartbreakingly naive as she is wickedly strange and funny”. It also demonstrates that she’s more than just eye candy – although she plays that to her advantage – but also surprisingly effective in combat and crime with her gymnastic ability, as well as smart and indeed insightful into her own state of mind (when she chooses to be).

 

RATING:
A-TIER (TOP-TIER)

 

 

 

Season 1 promotional art

 

 

(3) INVINCIBLE
(PRIME 2021 – PRESENT: SEASONS 1-3+)

 

“Look what they need to mimic a fraction of our power!”

Beware the Superman!

It often seems that the deconstruction of superheroes – particularly along the lines of the trope beware the superman – is more popular these days than the more straightforward narratives of them as heroic figures.

Certainly that seems to be the case for two of the most popular series on Amazon Prime – live-action series The Boys, and this animated series, each adapted from a comic of the same name. In the case of Invincible, it was adapted from a comic series that ran from 2003 to 2018, by none other than Robert Kirkman of The Walking Dead fame – although I prefer Invincible, both for the comic and its adaptation. For that matter, I tend to prefer Invincible to The Boys for the breadth and depth of its superhero universe, which features a more DC or Marvel style universe with aliens, parallel dimensions and supernatural beings – although usually with a twist in the tropes.

We are introduced to the titular superhero as Mark Grayson, pretty much your typical high school student, except that he is the son of Omni-Man, the most powerful superhero on the planet – and just maturing into his own superhero powers, inherited from his father.

And that’s where things start to get complicated, as he quickly learns there is much more to this world than meets the eye – with some jaw-dropping twists and turns along the way, particularly concerning his own father – including a season finale montage which indicates things are just starting to heat up for Invincible.

The animated adaptation has an all-star voice cast, most notably with J.K. Simmons as its Superman character, Omni-Man (or Nolan Grayson as he is in his everyday suburban life).

 

RATING:
A-TIER (TOP TIER)

 

 

Season 2 promotional art

 

 

(2) RICK AND MORTY
(2013 – PRESENT: SEASONS 1-8+)

 

“SHUT UP AND LISTEN TO ME!! It’s fine! Everything is fine! There’s an infinite number of realities, Morty! And a few dozen of those, I got lucky and turned everything back to normal! I just had to find one of those realities in which we also happen to both die around this time. Now we can just slip into the place of our dead selves in this reality, and everything’ll be fine. We’re not skipping a beat, Morty. Now help me with these bodies”.

As its second place entry indicates, Rick & Morty is the best animated series bar one, ever since its premiere in 2013 – “If you haven’t watched Rick and Morty, a cartoon about the adventures of a mad scientist and his hapless grandson, teleport to the nearest screen and shove every episode into your eyes as soon as possible.”

Rick and Morty was inspired by Back to the Future, if Doc Brown was a caustic alcoholic sociopath and Marty his ever more progressively traumatized grandson – and instead of travelling through time, they hop dimensions throughout the multiverse. It plays with, parodies, satirizes, subverts and deconstructs tropes across the range of popular science fiction and fantasy.

The focus is of course on the titular characters (both of whom voiced by co-creator Justin Roiland) and their bizarre misadventures – as mad scientist (and maternal grandfather) Rick Sanchez constantly pulls Morty Smith, a hapless high school student (whom Roiland voices with the perfect distressed wail), and increasingly, Morty’s older sister Summer, out of their normal lives to go on abstract trips across the multiverse for purposes that are never usually expressed. However, the rest of the Smith family is also comedy gold – particularly Morty’s harried and insecure father Jerry (perfectly voiced by Chris Parnell), who is also increasingly (and often unwillingly) dragged into the duo’s adventures. As such, the general formula consists of the juxtaposition of two conflicting scenarios – the intergalactic or interdimensional adventures of the eponymous duo, intercut with family drama. (Co-creator Dan Harmon has referred to it as a cross between The Simpsons and Futurama, balancing family life with heavy science fiction). At the center of it all is Rick, who drinks and behaves like a jerk most of the time – although he has saved the Earth at least once by getting schwifty.

 

RATING: 5 STARS*****
S-TIER (GOD-TIER)

 

Promotional art referencing perhaps the titular protagonist’s most iconic phrase (ahem – phrasing!)

 

 

(1) ARCHER
(2009 – 2023: SEASONS 1-14)

 

“Every single noun and verb in that sentence totally arouses me!”

Indeed, as does every episode of my favorite animated TV series Archer, still running strong from its debut in 2009. Although perhaps a more descriptive tagline might be that used by TV Tropes from this exchange between the titular character, Sterling Mallory Archer (codenamed Duchess) and his mother:

“Most secret agents don’t tell every harlot from here to Hanoi that they are a secret agent!”

“Then why be one?”

Aptly described as James Bond meets Arrested Development, the series is about the title protagonist, a dysfunctional spy, working for a dysfunctional spy agency headed by his mother, in which virtually everyone and everything is dysfunctional. Even the time setting of the series is dysfunctional – it is “comically anachronistic, deliberately mixing technology, clothing styles and historical backdrops of different decades”, not to mention the Soviet Union. (“How are you a superpower?”):

“What year is this?”
“I know, right?”

Archer has a reputation, certainly in his own mind, as the world’s most dangerous spy – and he might well be, but for his negligence or incompetence fuelled by one of his many vices and his tendency to remain oblivious to everything but himself. “His primary interest in the job is the opportunity to enjoy a jet-setting lifestyle full of sex, alcohol, thrills, lacrosse, fast cars, designer clothing, and spy gadgets” – hence, my adoption of him as my spirit animal. (After all, who doesn’t want to go on a cobra whiskey bender in Thailand?)

However, he is proficient in field work or stereotypical spy skills – weapons (including an uncanny ability to keep track of every shot fired), combat and driving – although in large part this is driven by the complete lack of any sense of his own mortality or ability to take situations seriously (accompanied by a childlike or adolescent delight in them).

Archer is one of the few (or perhaps only) animated series I recommend to people who are not otherwise a fan of animated series, because in style (including its realistic art style) resembles a live action series – indeed, with a few cosmetic changes, it could be a live-action series. (Well, if only H. Jon Benjamin resembled the appearance of Archer as well as providing his voice – man, I love his voice!). It certainly is a series that improves with watching it (in sequence) over time – as TV Tropes notes, the series’ humor “relies heavily on call backs and running gags alongside a large ensemble cast”, many of whom are recurring and as much a source of character humor as Archer himself.

 

RATING: 5 STARS*****
S-TIER (GOD-TIER)

 

 

 

 

TV – ANIMATION: TOP 10 (TIER LIST)

 

S-TIER (GOD-TIER)

 

(1) ARCHER
(2) RICK & MORTY

If Archer is my Old Testament of TV animation, Rick and Morty is my New Testament.

And as an exception to the rule of the highly fluid nature of my TV top tens, Archer has good prospects of enduring in top spot (and my interest) beyond its peak quality and final Season 14, particularly as it’s a series I rewatch with pleasure. After all, Archer is my spirit animal!

 

A-TIER (TOP-TIER)

 

(3) INVINCIBLE
(4) HARLEY QUINN
(5) PRIMAL

 

B-TIER (HIGH TIER)

 

(6) LOVE DEATH + ROBOTS
(7) SOLAR OPPOSITES
(8) THE LEGEND OF VOX MACHINA
(9) BLUE EYE SAMURAI

 

X-TIER (WILD TIER – BEST OF 2025)

 

(10) HAUNTED HOTEL

 

 

 

 

 

 

Top Tens – Film: Top 10 Animated Films (Complete Top 10)

“Steamboat Willie” – the animated short film that was the debut film distributed for Disney’s Mickey Mouse and one of the first cartoons with synchronized sound – now in public domain!

 

 

TOP 10 ANIMATED FILMS

 

Animation is my favorite medium, albeit more for TV series than film – my favorite TV series are always animated TV series. However, animated films aren’t far behind as there’s something about the animated medium that seems to retain creativity beyond the point where live-action medium counterparts exhausts it.

Of course, part of that might be the advantage the animated medium has in being able to depict things on screen through its definitive animation of art, which can only be replicated in the live-action medium, if at all, through practical or CGI effects. For me, live-action CGI effects still lag behind their animated counterparts, even that of digital animation – ironically both in terms of realism seamlessly with the live action components on screen and the emotional expressiveness of depiction. An example of the latter is that of animals, where animated art can depict them with more human-like features or expressions. For me, that was one of the issues with the recent Disney trend of live action remakes of their animated films. If your live action remake needs to be substantially or predominantly CGI to replicate the original animation or its characters, then you are essentially substituting one form of animation for another – and an inferior one at that.

Another part of my enjoyment of animated films – and hence my separate top ten for them – following from the above is their versatility for depicting fantasy or science fiction. The medium of animation seems ideally suited to fantasy or SF, perhaps even more so than the live-action film medium – except for the human attachment to seeing the human actors on screen, rather than hearing their voices from their animated avatars. Hence, my Top 10 Animated Films is effectively a subset of my Top 10 Fantasy & SF Films, as each entry is either fantasy or SF and I will note the extent of each entry as such. As a general rule, animated films lean towards fantasy, while films adapted from comics (for which I have a separate top ten) lean towards SF.

They also tend to be comedic in nature, with the animated medium being ideal for visual as well as verbal humor – such that they might also effectively be a subset of my Top 10 Comedy Films and again I will note the extent of each entry as comedy.

Anyway, these are my Top 10 Animated Films.

 

 

 

(10) THE WILD ROBOT

(2024)

 

The Wild Robot is my wildcard tenth place entry for top animated film of 2024.

I mean, it’s essentially Robinson Crusoe with a robot as protagonist, isn’t it? Or is that Tarzan with a robot protagonist, given that Robinson Crusoe doesn’t interact with the animals of his island as peers (and is more Puritan)?

There’s something about the premise of shipwreck or similar circumstances returning us to a state of nature. The Wild Robot goes one step further returning our technological doppelganger to that state of nature, although I have questions with respect to what seems to be a significant problem with robot supply chains in the film.

It also has the added charm of a machine effectively becoming one of the animals on her new island home – which to me has the surprising philosophical depth of combining the two main counterpoints to humanism of comparing (or contrasting) humans to animals and to our machines. (As I like to quip, I’ve got the body of an animal and the mind of a machine).

Anyway, robot Robinson Crusoe is essentially the premise of the film in a nutshell – service robot Roz (voiced by Lupita Nyong’o) is shipwrecked or washed up on an island and learns to survive in the wilderness among the local wildlife.

It was commercially and critically successful – “praised for its story, themes, animation, score, emotional depth, and voice acting” while apparently Dreamworks’ most nominated film at the Academy Awards.

I was surprised when looking up the film to learn that it was based on a book (for children and teenagers) – indeed a book trilogy, so it was not surprising to also learn that a sequel film is in development.

 

FANTASY OR SF

 

Well, the robot in the title gives it away as SF, although it has elements of animal fable.

 

COMEDY

 

Mostly of the fish out of water variety – or robot on the island variety in this case.

 

RATING:

X-TIER (WILD TIER) – BEST OF 2024

 

 

Poster art of the film’s extensive character cast

 

 

(9) ZOOTOPIA

(2016 – with sequel in 2025)

 

Who doesn’t love anthropomorphic animals? Of course, Zootopia is a whole world exclusively of anthropomorphic animals (and it won’t be the only such world in my top ten animated films), a world very much like ours but with every other mammal in our place.

Although…when you take it too seriously (and I take my fictional worlds way too seriously), Zootopia is not quite the utopia its name suggests. As Cracked has pointed out, for the sake of a few rabbit sex jokes, Zootopia is about to go post-apocalyptic from total ecological collapse – in about a week or so. “Zootopia is a movie about the brief halcyon days of an imperious city as it remains wilfully blind to its inevitable doom”.

Alternatively, as I have mused before, is The Island of Doctor Moreau the grim backstory of Zootopia? You know, after he unleashed his army of beast-men and women on an unsuspecting humanity…

But enough of that – Zootopia is a film that is equally cute, funny and heartwarming, a “3D computer animated buddy cop comedy mystery adventure film” as cute protagonist rabbit police officer Judy Hopps, pairs up with slick fox con artist Nick Wilde.

The animation is lush and visually spectacular – they developed fur-controlling software (iGroom) – with thoughtful themes for the contemporary society the animal world reflects.

I’m looking forward to the sequel film coming out in 2025.

 

FANTASY OR SF

 

Well perhaps SF with some extensive genetic engineering but I’m going to rank this as fantasy – classic beast fable mode!

 

COMEDY

 

Definitely a comedy – from the odd couple protagonists to gags on animal characteristics as adapted to what would otherwise be an human urban environment.

 

RATING:

B-TIER (HIGH TIER)

*

 

 

(8) INSIDE OUT

(2015-2024: INSIDE OUT 1-2)

 

The depiction of a mental landscape may not have been an entirely original concept, but it was executed superbly in Pixar’s Inside Out.

The first film was set in the mind of a young girl Riley, dominated by a console or control panel run by five personified emotions – Joy, Sorrow, Fear, Anger and Disgust (color-coded for your convenience!)

The control room overlooks an imaginative mental landscape, primarily consisting of islands of memory or personality about the memory dump – which is a literal memory abyss or hole (or a metaphorical Lethe of forgetfulness). The plot revolves around a typical odd couple pairing of Joy and Sadness, as the two are accidentally sucked into Riley’s long-term memories and try to return to the control room, as the mental landscape deteriorates into outright collapse around them in something akin to emotional breakdown (due to Riley’s family moving from Minnesota to San Francisco). Of course, while Joy is paired with Sorrow (and helped by Riley’s imaginary friend), it leaves only Fear, Anger and Disgust to run her psyche (or as Honest Trailers quipped, leaving her psyche to be run by “your average YouTube comments section”. Or any internet comment section for that matter, as well as the X formerly known as Twitter).

Although now that I think about it, it would be interesting to see the (adult) Freudian version of the film, particularly with the superego, ego and id. (But then again, I am my own id. I’m all id, baby!). Or perhaps, the Jungian version, with all those mythic archetypes…

There was the sequel film in 2024 which added a few more adolescent emotions headed by Anxiety to Riley’s mental landscape.

 

FANTASY OR SF

 

Given it’s the emotional or psychological landscape, it probably evades easy genre distinctions but I’m going with fantasy.

 

COMEDY

 

Comedic – but not surprisingly it has many emotional (heh) moments.

 

RATING:

B-TIER (HIGH TIER)

*

 

 

(7) WRECK-IT RALPH

(2012 – I’ve decided to discount the sequel film even if it had its moments)

 

Disney film Wreck-It Ralph took us inside video games with its protagonist as the eponymous villain in a 1980’s 8-bit video game (reminiscent of Donkey Kong, with Ralph as Kong), who rebels against his role and dreams of being a hero ‘off-screen’. He sees his opportunity in another game of Hero’s Duty (a more modern first-person shooter game in the style of Halo and Call of Duty among others) – unfortunately, his efforts lead to one of its self-replicating alien bug antagonists escaping to yet another game, Sugar Rush (a kart racing game in the style of Super Mario). And things get worse from there…

The plot is fun but the true delight of Wreck-It Ralph is the exuberant abundance of video game references – in visual gags and characters. These are introduced from the outset – Ralph’s support group of video game antagonists (Bad-Anon) includes Bowser from the Mario franchise and Doctor Eggman from Sonic the Hedgehog, as well as M. Bison and Zangief from the Street Fighter. That’s just for starters – there’s Tapper (from the Tapper game, who runs an off-screen bar in the same style as his game for video game characters), Sonic the Hedgehog, other characters from Street Fighter, Pac-Man and ghosts (Blinky, Pinky and Inky), Dig Dug, Frogger, Q-bert and more. Even that most basic original video game, Pong. There are video game references in the most amazing (and fleeting) details, such as sound effects and graffiti – “Aerith lives”, “Shen Long was here” and “All your base are belong to us” among others.

Ralph returned for a sequel breaking (surely that should have been wrecking?) the internet but it just didn’t have the same clever play on its subject that the original film had for video games.

 

FANTASY OR SF

 

I’m saying fantasy – but technofantasy, given the premise is based on computer game characters, not unlike the programs in Tron.

 

COMEDY

 

Definitely a comedy – including many gaming in-jokes.

 

 

RATING: 

B-TIER (HIGH TIER)

 

Screenshot from its standout opening sequence – which includes its iconic song Fearless Hero

 

 

(6) PUSS IN BOOTS: THE LAST WISH

(2011-2022: PUSS IN BOOTS 1-2)

 

“Who is your favorite fearless hero?”

I would never have thought I’d have ranked this Shrek spinoff series in my top ten, at least based on the first film – until it hit it out of the park with the second film, so much so that it’s boosted both films. (I just didn’t think I could rank the sequel film without the first).

“The film’s voice cast includes Antonio Banderas and Salma Hayek reprising their respective roles as the titular character and Kitty Softpaws…The story follows Puss in Boots…(teaming up with Kitty Softpaws) to find the Last Wish of the fallen Wishing Star to restore eight of his nine lives. They race against other fairy tale characters seeking the same treasure, while a sinister wolf hunts Puss himself.”

Firstly, there’s the film’s visual style, diverging from previous films in the Shrek franchise (including the first Puss in Boots film) for “a painterly style to resemble a fairy-tale story”, as well as the most vivid animation I’ve seen outside the Spiderverse films.

Secondly, there’s the surprising darker tone and depth from, well, death – Puss’ mortality and fear of death, as he is relentlessly pursued for his last life by one of the most terrifying villains in animated film.

 

FANTASY OR SF

 

Fairytale fantasy!

 

COMEDY

 

Like all films in the Shrek franchise, it leans heavily into comedy but has some serious emotional beats along with its darker tone, including one of the most genuine depictions of a panic attack in film.

 

RATING:

A-TIER (TOP TIER)

 

 

 

 

(5) MEGAMIND

(2010)

 

“Oh you’re a villain alright, just not a super one!”

“Yeah, what’s the difference?”

“PRESEN-TATION!”

 

And how! Now THAT’S how you do a supervillain protagonist in a superhero comics movie.

Megamind is an inversion, subversion and deconstruction of superhero mythos, particularly Superman. In the words of TV Tropes:

“What happens when you take the Superman mythos and give the point of view (and ultimate victory) to Lex Luthor/Brainiac instead?”

Megamind (voiced by Will Ferrell) – as indicated, an alien supervillain combination of Superman villains Lex Luthor and Brainiac, but more resembling a blue Brainiac in appearance – consistently fails in his plots against Metro Man (voiced by Brad Pitt), the film’s Superman counterpart (based in Metro City), usually by kidnapping Lois Lane counterpart, the equally alliterative Roxanne Ritchi (voiced by Tina Fey). For what it’s worth, Megamind is helped by his hordes of robots as well as Minion, his – ah – minion, a sapient talking alien fish in a somewhat inexplicable robot gorilla costume.

However, in their last confrontation, Megamind actually manages to destroy his nemesis, much to his own surprise, although he doesn’t waste much time celebrating his victory by taking over Metro City.

After initially gloating over his victory, Megamind soon realizes that winning isn’t all it’s cracked up to be. And so he dreams up the creation of a new superhero adversary, only for it to go horribly wrong when his new nemesis doesn’t play by the same rules as Metro Man…

“So what’s the plan?”

“Well, it mostly involves not dying!”

“I like that plan!”

Hmm – sounds like most of my plans…

 

FANTASY OR SF?

 

One of the rare SF entries in my Top 10 Animated Films, albeit on the softer side in the same vein as Superman.

 

COMEDY

 

One of the more comedic entries, not surprisingly given its voice cast but also its premise of superhero parody.

 

RATING: 

A-TIER (TOP-TIER)

*

In this undated animated still frame released by Pixar, The Incredibles family: speedy 10-year old Dash, left, shy teenager Violet, second from left, the strong and heroic Mr. Incredible, center, and ultra-flexible Elastigirl appear in this scene from “The Incredibles.”

 

 

(4) THE INCREDIBLES

(2004-2018: INCREDIBLES 1-2)

 

“You sly dog! You got me monologuing!”

This is how you do a Fantastic Four film. Yes, my fourth place entry, Pixar’s The Incredibles, is not actually a Fantastic Four film, but it deftly handles a similar superhero family or team ensemble with almost the same powers. In the words of TV Tropes, “it’s an affectionately parodic Decon-Recon Switch of the superhero genre, happily hanging lampshades on many conventions”.

Superheroes have been forced into government-sponsored retirement, due to public liability lawsuits. Damn lawyers! Of course, financial issues for superheroes are not often addressed in comics – or indeed, in many fictional narrative in popular culture. One exception is writer Grant Morrison, with his characteristic deconstruction or subversion of superhero tropes – as a female bystander wails while her car is totaled in a superhero battle in Morrison’s Animal Man, “I don’t have superhero insurance!’

Anyway, super-strong Mr. Incredible and rubber woman Elastigirl are now just Bob and Helen Parr, trying to live a quiet suburban life with their superpowered children, Dash (who has super-speed), (shrinking) Violet (who can project force fields as well as become invisible – essentially the same power set as Sue Storm in the Fantastic Four) and baby Jack-Jack (who doesn’t seem to have manifested any superpowers). Trying being the operative word – particularly as Bob finds his employment and suburban life chafing. And so he jumps at the chance offered by a mysterious woman Mirage to use his superpowers – only to find himself in more trouble than he can handle on his own at the hands of a new supervillain with ties to his past.

Just remember – no capes!

And there was a long-awaited sequel in 2018, which although it did not quite live up to the original, maintained much of the same spirit.

 

FANTASY OR SF?

 

Like Megamind with its origin in Superman, I’m going to go with SF for this one, consistently with its origin in The Fantastic Four (although FF leans more into SF, what with the space travel and all). Even if some of those superpowers push the boundaries into fantasy.

 

COMEDY

 

And also like Megamind with its affectionate superhero parody, The Incredibles also leans to the more comedic end of the scale – also with its affectionate superhero parody – although not at much as Megamind with its outright comedic cast.

 

RATING:

A-TIER (TOP-TIER)

*

 

(3) KUNG FU PANDA

(2008-2016: KUNG FU PANDA 1-3. Yeah…I just can’t bring myself to count the fourth film)

 

“Legend tells of a legendary warrior whose kung fu skills were the stuff of legend”

What’s not to love about Dreamwork’s Kung Fu Panda, or for that matter, the rest of the trilogy (discounting the fourth film)?

It’s set in an anthropomorphic animal version of pre-modern China – that alone would be enough to make it awesome.

And then there’s the story, deftly balanced between comedy and epic magical or wuxia martial arts action, with CGI animation and beautiful art – for even more awesome, such that will make your enemies go blind from overexposure to pure awesomeness. And just like the titular Panda, I love kung fu, or more precisely, my kung fu movies ever since seeing Bruce Lee’s Enter the Dragon

The eponymous panda, Po, is a hopeless fanboy of the kung fu masters, particularly the Furious Five, composed of animal homages to kung fu styles (Tiger, Monkey, Crane, Viper and Mantis) – hopeless, that is, until he is thrust, by fate and fireworks, into the position of the legendary Dragon Warrior. Worse, he has to fight the dangerous snow leopard Tai Lung (awesomely voiced, as always, by Ian McShane), who seeks the title of Dragon Warrior for himself…

However, my favorite kung fu panda in the film trilogy is not Po, but the red panda Master Shifu – voiced by Dustin Hoffman, who combines just the right amount of wise mysticism with worldly exasperation (usually at Po).

 

FANTASY OR SF

 

Very much the fantasy side of the scale – combining both wuxia fantasy and animal fable.

 

COMEDY

 

Very much the comedic side of the scale as well.

 

RATING: 5 STARS*****

S-TIER (GOD-TIER)

*

 

 

(2) SHREK

(2001-2010: SHREK 1-4. Yeah, the third film is lackluster but I didn’t mind the fourth)

 

“I’m not the monster here, you are. You and that fairy tale trash poisoning my perfect world”

What’s not to love about Dreamworks 2001 film Shrek? Or its 2004 sequel for that matter?

The ultimate fractured fairy tale, the film has all the ingredients of the fairy tale – an adventurer on a quest to save a princess in a castle guarded by a dragon – except that the adventurer is the eponymous green-skinned ogre, who just wants to regain the solitude of his swamp from the fairy tale creatures who have been exiled there by (ahem) Lord Farquaad. To do so, he undertakes to save the princess Fiona for marriage to Farquaad, accompanied by the obnoxiously conversational talking donkey, named Donkey of course. And that’s where things go even further astray from your traditional fairy tale.

“Notorious for its humor, both witty and slapstick, for turning everything we knew from fairy tales upside-down, and for a ridiculously modern feel of its medieval fantasy setting”, it was the winner of the first Academy Award for Animated Feature.

Some would argue that the sequel Shrek 2 was even better than the original – even if that would make it an exception to my Stark Law of Sequels that the original is always the best. On the other hand, I just can’t resist Antonio Banderas’ purringly-voiced Puss in Boots.

No one argues the third film compares to the first two but I don’t mind the fourth. We’ll have to see how the fifth film turns out.

 

RATING: 5 STARS*****

S-TIER (GOD-TIER)

*

 

 

(1) TOY STORY

(1995-2010: TOY STORY 1-3 and beyond?)

 

“To infinity and beyond!”

The flagship of Pixar Animation Studios and of course my top ten animated films, Toy Story was the first computer animated film (and therefore an extraordinarily influential part of what TV Tropes labels the Renaissance Age of Animation). It also was the flagship of the Toy Story franchise, with two film sequels that maintain the quality of the original (although Stark’s Law of Sequels still gives first place to the original) – I particularly like the interpretation that the third Toy Story film is about the afterlife, with a metaphorical representation of every major version of the afterlife in Western popular culture.

Toy Story itself, both film and franchise, needs little introduction – a story about toys that come to life when their owners are not around. The film introduces us to a group of toys belonging to a boy named Andy, led by Andy’s favorite toy – Woody, a classic cowboy doll with a pull-string vocalizer. (“Reach for the sky!”). Unfortunately for Woody, Andy acquires a new favorite for his birthday – in the form of Buzz Lightyear of Star Command. To complicate things further, Buzz believes that he is actually an astronaut adventurer rather than a toy. What ensues is a buddy comedy adventure film, as Buzz and Woody have to work together to overcome mutual perils.

Terry Gilliam praised the film as “a work of genius” – “It got people to understand what toys are about. They’re true to their own character. And that’s just brilliant. It’s got a shot that’s always stuck with me, when Buzz Lightyear discovers he’s a toy. He’s sitting on this landing at the top of the staircase and the camera pulls back and he’s this tiny little figure. He was this guy with a massive ego two seconds before… and it’s stunning. I’d put that as one of my top ten films, period.”

And as you can see, I’ve put it at the top of my top ten animated films, albeit I’ve confined this entry to the classic trilogy of films from Toy Story 1 to 3. The franchise does include other works, notably the fourth film in 2019 and the fifth film in 2025 – I actually think the fourth film is decent but I just couldn’t compare it to that original trilogy of Toy Story 1-3 as a near perfect trilogy.

 

 

RATING: 5 STARS*****

S-TIER (GOD TIER)

 

 

 

TOP 10 ANIMATED FILMS (TIER LIST)

*

S-TIER (GOD TIER)

*

(1) TOY STORY

Yes – I’ll count the first three films as a near perfect film trilogy, with the second film as perhaps the best. The fourth film was decent but just doesn’t compare to the first three films.

(2) SHREK

Again – I’ll count the franchise, although I’d swap out the lackluster third film for the fourth, with again the second film as perhaps the best.

(3) KUNG FU PANDA

Like Toy Story, I’ll count the first three films – but with the first film as best. The fourth film is lackluster.

*

If Toy Story is my Old Testament of animated films, then Shrek and Kung Fu Panda are my New Testament.

*

A-TIER (TOP TIER)

*

(4) THE INCREDIBLES

I’ll include both films but the original shines over the sequel.

(5) MEGAMIND

Sticking with the superhero parody theme from the previous entry, I just have a soft spot for this underrated gem.

(6) PUSS IN BOOTS: THE LAST WISH

I had not expected such a stunning performance from what is a sequel to a Shrek spinoff – but there you have it.

*

B-TIER (HIGH TIER)

*

(7) WRECK-IT RALPH

Yes – I’m only counting the first film

(8) INSIDE OUT

(9) ZOOTOPIA

*

X-TIER (WILD TIER – BEST OF 2024)

*

(10) THE WILD ROBOT

Top Tens – Film: Top 10 Animated Films (1) Toy Story

 

 

(1) TOY STORY

(1995-2010: TOY STORY 1-3 and beyond?)

 

“To infinity and beyond!”

The flagship of Pixar Animation Studios and of course my top ten animated films, Toy Story was the first computer animated film (and therefore an extraordinarily influential part of what TV Tropes labels the Renaissance Age of Animation). It also was the flagship of the Toy Story franchise, with two film sequels that maintain the quality of the original (although Stark’s Law of Sequels still gives first place to the original) – I particularly like the interpretation that the third Toy Story film is about the afterlife, with a metaphorical representation of every major version of the afterlife in Western popular culture.

Toy Story itself, both film and franchise, needs little introduction – a story about toys that come to life when their owners are not around. The film introduces us to a group of toys belonging to a boy named Andy, led by Andy’s favorite toy – Woody, a classic cowboy doll with a pull-string vocalizer. (“Reach for the sky!”). Unfortunately for Woody, Andy acquires a new favorite for his birthday – in the form of Buzz Lightyear of Star Command. To complicate things further, Buzz believes that he is actually an astronaut adventurer rather than a toy. What ensues is a buddy comedy adventure film, as Buzz and Woody have to work together to overcome mutual perils.

Terry Gilliam praised the film as “a work of genius” – “It got people to understand what toys are about. They’re true to their own character. And that’s just brilliant. It’s got a shot that’s always stuck with me, when Buzz Lightyear discovers he’s a toy. He’s sitting on this landing at the top of the staircase and the camera pulls back and he’s this tiny little figure. He was this guy with a massive ego two seconds before… and it’s stunning. I’d put that as one of my top ten films, period.”

And as you can see, I’ve put it at the top of my top ten animated films, albeit I’ve confined this entry to the classic trilogy of films from Toy Story 1 to 3. The franchise does include other works, notably the fourth film in 2019 and the fifth film in 2025 – I actually think the fourth film is decent but I just couldn’t compare it to that original trilogy of Toy Story 1-3 as a near perfect trilogy.

 

 

RATING: 5 STARS*****

S-TIER (GOD TIER)

Top Tens – Film: Top 10 Animated Films (2) Shrek

 

 

 

(2) SHREK

(2001-2010: SHREK 1-4. Yeah, the third film is lackluster but I didn’t mind the fourth)

 

“I’m not the monster here, you are. You and that fairy tale trash poisoning my perfect world”

What’s not to love about Dreamworks 2001 film Shrek? Or its 2004 sequel for that matter?

The ultimate fractured fairy tale, the film has all the ingredients of the fairy tale – an adventurer on a quest to save a princess in a castle guarded by a dragon – except that the adventurer is the eponymous green-skinned ogre, who just wants to regain the solitude of his swamp from the fairy tale creatures who have been exiled there by (ahem) Lord Farquaad. To do so, he undertakes to save the princess Fiona for marriage to Farquaad, accompanied by the obnoxiously conversational talking donkey, named Donkey of course. And that’s where things go even further astray from your traditional fairy tale.

“Notorious for its humor, both witty and slapstick, for turning everything we knew from fairy tales upside-down, and for a ridiculously modern feel of its medieval fantasy setting”, it was the winner of the first Academy Award for Animated Feature.

Some would argue that the sequel Shrek 2 was even better than the original – even if that would make it an exception to my Stark Law of Sequels that the original is always the best. On the other hand, I just can’t resist Antonio Banderas’ purringly-voiced Puss in Boots.

No one argues the third film compares to the first two but I don’t mind the fourth. We’ll have to see how the fifth film turns out.

 

RATING: 5 STARS*****

S-TIER (GOD-TIER)

Top Tens – Film: Top 10 Animated Films (3) Kung Fu Panda

 

(3) KUNG FU PANDA

(2008-2016: KUNG FU PANDA 1-3. Yeah…I just can’t bring myself to count the fourth film)

 

“Legend tells of a legendary warrior whose kung fu skills were the stuff of legend”

What’s not to love about Dreamwork’s Kung Fu Panda, or for that matter, the rest of the trilogy (discounting the fourth film)?

It’s set in an anthropomorphic animal version of pre-modern China – that alone would be enough to make it awesome.

And then there’s the story, deftly balanced between comedy and epic magical or wuxia martial arts action, with CGI animation and beautiful art – for even more awesome, such that will make your enemies go blind from overexposure to pure awesomeness. And just like the titular Panda, I love kung fu, or more precisely, my kung fu movies ever since seeing Bruce Lee’s Enter the Dragon

The eponymous panda, Po, is a hopeless fanboy of the kung fu masters, particularly the Furious Five, composed of animal homages to kung fu styles (Tiger, Monkey, Crane, Viper and Mantis) – hopeless, that is, until he is thrust, by fate and fireworks, into the position of the legendary Dragon Warrior. Worse, he has to fight the dangerous snow leopard Tai Lung (awesomely voiced, as always, by Ian McShane), who seeks the title of Dragon Warrior for himself…

However, my favorite kung fu panda in the film trilogy is not Po, but the red panda Master Shifu – voiced by Dustin Hoffman, who combines just the right amount of wise mysticism with worldly exasperation (usually at Po).

 

FANTASY OR SF

 

Very much the fantasy side of the scale – combining both wuxia fantasy and animal fable.

 

COMEDY

 

Very much the comedic side of the scale as well.

 

RATING: 5 STARS*****

S-TIER (GOD-TIER)

Top Tens – Film: Top 10 Animated Films (4) The Incredibles

In this undated animated still frame released by Pixar, The Incredibles family: speedy 10-year old Dash, left, shy teenager Violet, second from left, the strong and heroic Mr. Incredible, center, and ultra-flexible Elastigirl appear in this scene from “The Incredibles.”

 

 

(4) THE INCREDIBLES

(2004-2018: INCREDIBLES 1-2)

 

“You sly dog! You got me monologuing!”

This is how you do a Fantastic Four film. Yes, my fourth place entry, Pixar’s The Incredibles, is not actually a Fantastic Four film, but it deftly handles a similar superhero family or team ensemble with almost the same powers. In the words of TV Tropes, “it’s an affectionately parodic Decon-Recon Switch of the superhero genre, happily hanging lampshades on many conventions”.

Superheroes have been forced into government-sponsored retirement, due to public liability lawsuits. Damn lawyers! Of course, financial issues for superheroes are not often addressed in comics – or indeed, in many fictional narrative in popular culture. One exception is writer Grant Morrison, with his characteristic deconstruction or subversion of superhero tropes – as a female bystander wails while her car is totaled in a superhero battle in Morrison’s Animal Man, “I don’t have superhero insurance!’

Anyway, super-strong Mr. Incredible and rubber woman Elastigirl are now just Bob and Helen Parr, trying to live a quiet suburban life with their superpowered children, Dash (who has super-speed), (shrinking) Violet (who can project force fields as well as become invisible – essentially the same power set as Sue Storm in the Fantastic Four) and baby Jack-Jack (who doesn’t seem to have manifested any superpowers). Trying being the operative word – particularly as Bob finds his employment and suburban life chafing. And so he jumps at the chance offered by a mysterious woman Mirage to use his superpowers – only to find himself in more trouble than he can handle on his own at the hands of a new supervillain with ties to his past.

Just remember – no capes!

And there was a long-awaited sequel in 2018, which although it did not quite live up to the original, maintained much of the same spirit.

 

FANTASY OR SF?

 

Like Megamind with its origin in Superman, I’m going to go with SF for this one, consistently with its origin in The Fantastic Four (although FF leans more into SF, what with the space travel and all). Even if some of those superpowers push the boundaries into fantasy.

 

COMEDY

 

And also like Megamind with its affectionate superhero parody, The Incredibles also leans to the more comedic end of the scale – also with its affectionate superhero parody – although not at much as Megamind with its outright comedic cast.

 

RATING:

A-TIER (TOP-TIER)