Top Tens – History: Top 10 Wars (Revamped): (1) Second World War

 

Taxis to Hell – and Back – Into the Jaws of Death, an iconic image of men of the 16th Infantry Regiment, US 1st Infantry Division wading ashore from their landing craft on Omaha Beach on the morning of D-Day, 6 June 1944, public domain image photographed by Chief Photographer’s Mate (CPHoM) Robert F. Sargent (and used in Wikipedia “Normandy landings”)

 

(1) SECOND WORLD WAR (1939-1945)

 

Yes – it’s the big one. The Cold War may have threatened to be bigger, but there are no world wars to rival the wars that are officially known as such, particularly the Second World War, which was more destructive, extensive and pervasive than the First, despite largely being a continuation of it.

The narrative of WW2 is worthy of its own top ten and is well known, even in popular culture and imagination, albeit often distorted or sensationalized. It featured almost every aspect of modern warfare, while remaining unique in others – not least being fought to a conclusive result and destruction of enemy states rarely paralleled in modern history.

My favorite historian of it – H.P. Willmott – has quipped that, paradoxically, WW2 might be regarded as the last war of the 19th century and WW1 was the first war of the 20th century. I understand that to mean WW2 was closer to 19th century wars, in part because the technology and technique of offensive mobility won out over defensive firepower and attrition – briefly and with waning effect through the war’s duration – while its predecessor was more characteristic of 20th century wars that followed it.

Or alternatively, WW2 was closer to the model of the Franco-Prussian War, at least in its European opening, or the Napoleonic Wars in its continuation within Europe. On the other hand, WW1 was closer to the American Civil War as the true precursor of twentieth century warfare, with the western front of the latter resembling the eastern theater of the latter, only with even more lethal firepower. Indeed, WW1 is sometimes dubbed a European Civil War. It’s a pity that European powers, particularly Germany, seemed to have reflected less on the American Civil War than the Franco-Prussian War for future wars.

Ironically, however, WW1 finished by armistice in a manner closer to the Franco-Prussian War except with France and Germany reversed, while the WW2 was fought to unconditional surrender like the American Civil War. For that matter, H.P. Willmott has also observed that the war of the United States against Japan in WW2 uncannily resembled the former’s war against the Confederacy.

And speaking of the United States, my own quip is that the Second World War is the American Iliad, while the Cold War is the American Odyssey. USA! USA! USA!

 

ART OF WAR

 

The theme of H.P. Willmott’s The Great Crusade – the best single-volume history of the war – is the refutation of the popular myth of German military excellence. As he paraphrased Oscar Wilde, to lose one world war may be regarded as misfortune, to lose both looks like carelessness.

Contrary to the art of war, Germany military genius lay in fighting, not in war. When it came to understanding war and waging it, Germany was hopelessly outclassed by the Allies – a situation shared by Germany’s ally Japan. All Germany managed to achieve in two world wars was its encirclement and attrition by enemies with superior resources.

 

WORLD WAR

 

Well, obviously.

 

FOREVER WAR – STILL FIGHTING THE SECOND WORLD WAR

 

Not so obviously – although the two world wars were essentially Europe’s new Thirty Years War 1914-1945. And of course beyond that, there was the cold war – such that some historians have classed both world wars and the Cold War as the Long War 1914-1991. And beyond that…

 

ALTERNATE WAR

 

Yes – it’s the big one for alternate war…and it isn’t.

Alternate history scenarios for German victory in the Second World War are the most prolific and popular of all alternate history scenarios – in fiction, such that it has whole anthologies and its own entry in the Encyclopedia of Science Fiction.

And yet, such alternate history scenarios seem so much less plausible than the actual historical outcome of Allied victory – so much so that German victory seems an incredible long shot from the outset, only getting longer the further you go into the war. Indeed, the more plausible alternate history scenarios would seem to involve the Allies doing better than they actually did, even posing the historical question of how the Germans were able to do anywhere near as well as they did – including how they were even able to get to the position they could start the war at all. For that matter, the most plausible alternate history scenarios of German “victory” are those that involve Germany not fighting the war in the first place.

There are alternate history scenarios for Japanese victory in the Second World War but they tend to be only as a consequence or side effect of German victory – often with things looking grim between the two of them after their shared victory (as in The Man in the High Castle, where Germany is planning to attack Japan).

As for alternate history scenarios for Italian victory…I’ll just leave it here like the joke it is. Come to think of it, the whole Axis seems like set-up for a joke, albeit with a black sense of humor for its casualties and destruction – “Germany, Italy, and Japan walk into a war…”

And really, Germany should not regard itself as all that different from Italy when it comes to alternate history victory scenarios – as I like to quip, paraphrasing the witticism that the Soviet Union was just Upper Volta with rockets in the Cold War, Nazi Germany was just Italy with rockets in the Second World War.

 

JUST WAR – GOOD GUYS VS BAD GUYS

 

Again, well obviously – with WW2 probably the closest example in history to an actual war in black and white moral terms. To quote Bart Simpson, there are no good wars, with the following exceptions – the American Revolution, World War Two and the Star Wars trilogy.

 

RATING: 5 STARS*****

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Top Tens – History: Top 10 Wars (Revamped) (2) Cold War

 

NATO vs Warsaw Pact 1949-1990 by Discombobulates for Wikipedia “Cold War” under licence https://creativecommons.org/licenses/by-sa/4.0/deed.en

 

(2) COLD WAR (1945-1991)

 

Cold War? Can I get a Cool War instead?

The Cold War between the United States and the Soviet Union that defined much of the twentieth century, where the logic of avoiding directly fighting each other was reinforced by the mutually assured destruction of nuclear weapons.

Cold wars are a recurring theme in history. Even before modern firepower or nuclear weapons, states often sought to avoid outright war with other states, particularly where they were evenly matched. Wars are costly and destructive, especially big or long wars of attrition, and even when you win, you often still lose. There’s a reason Pyrrhic victory is a term.

Of course, the majority of wars in history have been hot wars, in which states have actively fought each other, but even those have often been preceded or punctuated by periods of cold war, albeit where the participants often maneuvered against each other for advantage.

The period from 1933 to 1939 might be regarded as a three-sided cold war before the biggest hot war in history, in which Nazi Germany and other fascist states, the western democracies, and the Soviet Union all maneuvered with or against each other.

The Great Game between the British and Russian empires in the nineteenth to twentieth centuries might be regarded as another cold war. Indeed, in many ways the Cold War replayed much of the same territory, literally and metaphorically.

The Roman-Persian Wars obviously did not persist for six centuries entirely as active fighting or hot war, but were punctuated by cold war. Indeed, the Romans and Persians might well have paid more heed to cold war logic of avoiding directly fighting each other, since their exhaustion from war led to their defeat or conquest by the new antagonist of the Arabs under the banner of Islam.

The Greek-Persian Wars offer a better example of cold war, although there the cold war logic for the Persians arose from their costly defeats at the hands of the Greeks. Indeed, the Persians arguably did much better in their cold war strategy of supporting the Greek city states fighting each other.

Of course, that might be said of cold war strategies in general, with states doing better than they would directly fighting their antagonists. Imperial Germany would have done better if it had waged cold war rather than world war, as would have any successor that showed more restraint or strategy than the Nazi regime.

But of course, there’s no cold war like the Cold War.

The narrative of the Cold War could be the subject of its own top ten (or several) and is well known even through the lens of popular culture. Its origins extend all the way back to 1917 with the formation of the first communist regime that would remain one of its two principal antagonists, the Soviet Union.

However, its immediate origin and primary front was in Europe after the Second World War, once the defeat of Germany removed the common enemy of the two powers left standing as superpowers, the United States and the Soviet Union. The former allies preserved some of their wartime cooperation until the defeat of Japan, which then saw Asia open as the second and far more active front in the Cold War, particularly after the victory of the communist regime in China in 1949.

Ironically, while Europe remained the primary front, that took the form of the two rival alliances, NATO and the Warsaw Pact, besieging each other while deterred from making the cold war hot by the mutually assured destruction of nuclear war – that is, apart from the Soviet Union’s military intervention to suppress rebellions in or by its Warsaw Pact allies.

From Europe (and the Middle East) and Asia, the arenas of Cold War contest spread throughout the world, far more pervasively than the world wars ever did in every way but for direct and open military combat between the United States and the Soviet Union.

The Cold War might further be divided into phases, with one of the more common proposing the last part of the Cold War from the 1970s or 1980s as the Second Cold War. That last part, from the 1970s or 1980s to 1991 saw the United States regain the upper hand or superiority in the Cold War, not least by a de facto alliance with China after the Sino-Soviet split, ultimately to win it with the collapse of communist regimes throughout the Warsaw Pact as well as the collapse of the Soviet Union itself.

The upper hand of the United States at the end of the Cold War mirrored the upper hand or superiority it had at the start, broadly speaking from the 1940s to the early 1960s. The nadir of American Cold War fortunes came in the 1960s and 1970s, when the United States was at more of a disadvantage and the Soviet Union achieved strategic nuclear parity. Those decades were also the high-water mark for the Soviet Union and the extent or reach of its global influence.

 

ART OF WAR

 

Ironically, cold war strategy is the essence of the art of war of winning without fighting. Which the Americans and their allies did, although not without some lapses on their part – most notably land wars in Asia. Indeed, it might be said the Second World War and Cold War were the peak of the American art of war.

Although I’m not sure what Sun Tzu would have thought of his art of war being applied from the logic of nuclear weapons and mutually assured destruction.

 

WORLD WAR

 

Not least in how pervasive it was, both in the forms of its conflict, including hot wars by proxy, and its extent (as well as its stakes, that threatened the world itself). The Cold War extended through more of the world than the Second World War, which had largely left sub-Saharan Africa and Latin America unaffected, although ironically not so much Europe, despite the masses of military force the opposing sides gathered there

 

FOREVER WAR – STILL FIGHTING THE WAR

 

We’re all Cold Warriors now. Not against the Soviet Union of course but pundits always seem to be declaring the new or next cold war.

Also the same logic of avoiding direct fighting has persisted even after the end of the Cold War, such that it might be regarded as the default standard of modern conflict. Of course it looms largest between nuclear-armed states, but also arises from just how costly it is to deploy modern firepower, or even to engage in low-level conflicts against insurgencies or guerilla combatants.

 

ALTERNATE WAR

 

The Cold War is something of an alternate history scenario paradox. On the one hand, its historical outcome of American victory also seems the most plausible, particularly with American superiority at the start and end of the Cold War.

On the other hand, the Cold War offers a plethora of alternative history scenarios. Even in terms of its outcome of American victory, in a conflict extending for half a century (or longer if you calculate it from the formation of the Soviet Union in 1917), there’s a lot of scope for American miscalculations or mistakes, more or greater than those that occurred in history, to potentially affect that outcome.

That’s particularly so for the middle of the Cold War in the 1960s and 1970s, when the United States was at its greatest disadvantage relative to the Soviet Union, but also applies even for American superiority at the start or end of the Cold War – at least as to whether the United States could have improved upon the historical outcome, or whether the Soviet Union could have avoided collapse.

Some pose the question of whether either or both the United States and Soviet Union could have avoided the Cold War altogether.

Uniquely among my top ten entries (and for all but a handful of wars in contemporary history), the Cold War also has those alternate history scenarios where everybody loses – the scenario of the Cold War turning hot with a nuclear exchange.

 

JUST WAR – GOOD GUYS VS BAD GUYS

 

I’ve always been a Cold Warrior – as in believing in the morality of its cause and the necessity of its purpose as a war that needed to be fought, although not necessarily in all aspects of the way that it was fought.

So…USA! USA! USA!

 

RATING: 5 STARS*****

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Top Tens – History: Top 10 Wars (Revamped) (3) Vietnam War

 

Excerpt from Apocalypse Now, one of the most iconic Vietnam War films – with the ubiquitous helicopters that were one of the most iconic visual images of the war itself

 

(3) VIETNAM WAR (1954-1975)

 

The iconic twentieth century war after 1945 – as visual image in popular culture or imagination, and as metaphor and archetype in history or politics.

In terms of visual image in popular culture or imagination, Vietnam is a war most people can see in their mind’s eye, whether accurate or not. I have a theory that we all have a mythic or psychic geography of cities and landmarks we can see in our mind’s eye or psyche – and so too we each have a mythic or psychic history. And Vietnam looms large in our modern mythology.

It originates from the modern proliferation of visual images that inform our mythic or psychic geography and history – predominantly on screen in film or television. For Vietnam, there was the prevalence of images from the war itself, often stylized as the first war fought on television, which was a substantial part of why the American civilian population and government turned against it, as well as fictional depictions of it in American mass media and popular culture.

The imagery from the war itself endured beyond the defeat of the Americans or of South Vietnam in those fictional depictions, including my favorite film of all time, Apocalypse Now. As such, Vietnam lent itself to the most enduring iconic images of war in the twentieth century – the ubiquitous choppers or helicopters, the Viet Cong or Charlie, napalm, fragging, My Lai, Tet, the fall of Saigon, and so on.

And the endurance of the Vietnam War in history is also in large part because of its historical significance, not least because it continues as an enduring historical Rorschach test or metaphor. President Kennedy famously quipped that while victory has a thousand fathers, defeat is an orphan. Ironically, however, that quip doesn’t apply to Vietnam, where almost everyone seems to claim it as vindication for their own ideas or ideologies – although the only ones who might do so unequivocally would be the Vietnamese themselves.

Our entry here is for the Vietnam War involving the United States in varying levels of engagement from about 1954, with the height of its military engagement from about 1965 to 1972. However, that war was also the Second Indochina War, following almost directly from the First Indochina War 1945-1954 against the French colonial regime – and in turn followed by the Third Indochina War 1975-1991, primarily between Vietnam and Cambodia but also the brief Sino-Vietnamese War against Vietnam’s former Chinese ally. And arguably these are part of a long line of Vietnam Wars, dating back to Vietnamese resistance to Imperial China and the Mongols.

American historiography of the war often poses the questions of whether the war was justifiable or moral, and whether it was winnable – with a tendency to answer both questions in the negative, although that is clouded by the historical reality of defeat on one hand and parallels with the Korean War on the other. It’s as much a part of that historical Rorschach test as the rest of the war.

At very least, the Americans should have queried how they could improve upon the French defeat, let alone double down on it. In this, ironically, they lapsed into similar errors of military judgement as Germany in both world wars in their failure to understand the nature of war, which involved understanding the limitations of military force in war and limitations of national power in the world.

I’ve seen arguments, with various degrees of persuasive force although I have yet to be persuaded by them, as to how the United States might have “won” – interestingly, these seem to cluster either near its starting point or its finishing point, with the former being more persuasive for obvious reasons, although with the obvious counterpoint that not starting it at all may have been better yet.

Finally, as a historical archetype, Vietnam seems to combine most of the predominant threads of war in the twentieth century – anti-colonial war or war of independence, civil war, proxy war, and most famously above all, guerrilla war or insurgency, perhaps the definitive type of war in the twentieth century (and beyond).

 

ART OF WAR

 

It’s been famously said that the Americans won all the battles but lost the war. However, almost as famous is the Vietnamese rejoinder (to Col. Harry Summers Jr) – “That may be so. But it is also irrelevant.” And so it was, as for the Vietnamese, the Vietnam War was not about battles but winning the war – which was a matter of endurance or outlasting their adversary.

It, along with other successful modern insurgencies, has often led to observations of guerrilla warfare as synonymous with, or even definitive of the art of war. Not so much in pre-modern history – although it did occur in the right circumstances, you don’t tend to hear too much of successful guerrilla warfare, because states were prepared to wipe out or displace entire populations to eliminate resistance.

However, counter-insurgency in modern warfare is notoriously tricky. There is arguably a modern, smart way of winning against insurgency, or there remains the more brutal way, but few modern states have demonstrated the means or above all patience to achieve the former without invariably lapsing into the latter or something resembling it. Just ask the Americans about the coup against Diem, My Lai, the bombing, napalm, Agent Orange or the Phoenix program.

Of course, insurgency can be tricky as well. After all, what do you do with all your forces while you are avoiding all those battles – but at the same time hoping to expand your political control? Insurgencies often default to a brutal answer – killing civilians. You know, those civilian collaborators or representatives of your enemy. Even those insurgencies seen as the “good” ones. Just ask the city of Hue during the Tet Offensive.

 

WORLD WAR

 

Vietnam as world war? Surely not? Although even in strict terms of combat, Vietnam was not that localized as a battlefield. It was after all the Indochina War – expanding to Laos and Cambodia, while also involving China and Thailand at its borders.

Beyond that, it evolved from being part of one world war to another. The Vietnamese resistance to French colonialism was caught up in the Second World War – involving Americans, Chinese, Japanese and British one way or another in Indochina. And after the Second World War, the Americans sponsored the French in the First Indochina War, before becoming involved more directly in the Second Indochina War after France was defeated. And that was part of the larger cold war – with the Soviet Union and China provided substantial aid or forces to North Vietnam, while Australia, South Korea and the Philippines all provided combat forces to support the Americans and South Vietnam.

 

FOREVER WAR – STILL FIGHTING THE VIETNAM WAR

 

The stereotypical Vietnam veteran is or was often depicted as “still fighting the Vietnam War” – I’m not sure to what extent that stereotype is accurate, such as whether they may have had disproportionately high rates of PTSD. Beyond that, the Vietnam War cast a long shadow, particularly with refugees and persistent allegations of MIAs or prisoners retained by Vietnam.

For the actual Vietnam War, we’re not still fighting it. If anything, Vietnam is probably more positive or even a potential ally towards the United States than it is to its former ally, China.

But for the Vietnam War as enduring imagery, metaphor and archetype, we’re still fighting the Vietnam War – with new wars constantly being compared to it.

 

ALTERNATE WAR

 

My top ten entry second only to the American Indian Wars for the seeming inevitability of its historical outcome, particularly with hindsight of American failures or defeats since, most notably the Afghanistan War that eerily echoed it.

Indeed, the more plausible alternative history scenarios usually propose the United States not being engaged or involved in it at all, or at least in lesser degrees of engagement or involvement. Military historian H.P. Willmott opines that fighting a limited war necessarily involves accepting the possibility of defeat as one of the limitations.

As I noted, some American historiography does pose the question of whether the war was winnable, usually overlapping with the question of whether it was justifiable or moral – and usually with a tendency to answer both questions in the negative. I’ve seen scenarios argued with various degrees of plausibility as to how the United States might have “won”, clustered either near its starting point or its finishing point, with the former being more persuasive for obvious reasons, although with the obvious counterpoint that not starting it at all may have been better yet.

 

JUST WAR – GOOD GUYS AND BAD GUYS

 

Defeat may be more an orphan – and never more so than in terms of morality for the defeated. Not many people these days tend to argue for the Americans as the good guys, although that begs the question of how one distinguishes it from, say, the Korean War, which tends not to be seen in the same terms.

 

RATING: 5 STARS*****

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Monday Night Mojo – Top 10 Music (Mojo & Funk): Special Mention (Mojo) (4) Dandy Warhols – Bohemian Like You

 

Promotional photo of band

 

(4) DANDY WARHOLS – BOHEMIAN LIKE YOU (2000)

B-side: We Used to Be Friends (2003)

“Cause I like you,

Yeah, I like you,

And I’m feelin’ so bohemian like you,

Yeah, I like you,

Yeah, I like you,

And I feel, whoa whoo!”

 

The Dandy Warhols are an American four-piece band, formed in Portland, Oregon in 1994. They are usually styled as ‘alternative rock’ but in the words of TV Tropes – “they’ve run the gamut from psychedelic rock to power pop, with the occasional rockabilly tune thrown in”. Wikipedia also throws in such genres as neo-psychedelia, garage rock, synthpop, shoegaze (?!) and dream pop.

In 2000, the band achieved more widespread popular success with their third studio album, Thirteen Tales from Urban Bohemia. While the album is a personal favorite of mine and I have a soft spot for the opening trio of songs (Godless, Mohammed and Nietzsche – hmm, something of a theme going on there), the standout (and breakout) single was this power pop entry, which also featured in other media (including Buffy the Vampire Slayer). The video was a playful spoof of karaoke music videos (complete with lyrics shown on-screen), as well as some more controversial pixelated nudity.

As for my B-side, I can’t go past the power pop of “We Used to Be Friends”, lead single from their next album, colorfully titled “Welcome to the Monkey House” (courtesy of Kurt Vonnegut)

 

RATING: 

A-TIER (TOP TIER)

Top Tens – History: Top 10 Wars (Revamped) (4) Alexander’s Conquest of the Persian Empire

 

Alexander the Great on his horse Bucephalus in the Battle of Issus against Darius III – from the Alexander mosaic in the House of the Faun, Pompeii (public domain image)

 

(4) ALEXANDER’S CONQUEST OF THE PERSIAN EMPIRE (336-323 BC)

 

The Macedonian-Persian Wars of my namesake, Alexander the Great – the one exception to actually defeat and conquer the Persian Empire among the various Persian Wars, those recurring definitive wars of classical history fought by Greeks and Romans against successive Persian Empires over a millennium.

Of course, that was because Alexander’s conquest of the Persian Empire involved one of the finest fighting forces in history, the Macedonian phalanx, led by one of finest military leaders of history, without a defeat to his name, usually against numerical odds. That’s right – I’m an Alexander the Great and Gaugamela fanboy.

In fairness, Alexander was lucky, particularly in the opening of his campaign against the Persian Empire – narrowly escaping death at the Battle of the Granicus River. As the saying goes however, fortune favors the bold and Alexander was certainly bold, indeed to the point of personal recklessness, while the Persians were unlucky with their emperor, Darius III, who seemed cautious to the point of cowardly, notoriously fleeing his two big set-piece battles with Alexander at Issus and Gaugamela.

In fairness, Alexander was also legendary. Unable to untie the legendary insoluble Gordian knot of which it was prophesied that whoever untied it would conquer Asia? No problem – just cut it with your sword and go on to conquer Asia.

Faced with threat of the Persian navy which can strike at Greece behind your lines? No problem – just conquer the coastline of the Persian empire. Where’s your navy now, Persia?

Darius offers to surrender half his empire to you and your wimpy general Parmenion says you should accept? Sneer at him “I would too, if I were you”, then proceed to demonstrate you’re Alexander the Great by conquering the other half as well, while showing the Persian emperor he can run but he can’t hide.

Alexander’s conquest of the Persian Empire is also one of those wars that I style as adventurous wars – wars that resemble or evoke a tale of epic adventure, charismatic leaders and small heroic bands of warriors fighting against the odds to win. Indeed, Alexander and his conquests became just that – a historical and legendary source for tales of epic adventure

“Alexander became legendary as a classical hero in the mould of Achilles, featuring prominently in the historical and mythical traditions of both Greek and non-Greek cultures. His military achievements and unprecedented enduring successes in battle made him the measure against which many later military leaders would compare themselves, and his tactics remain a significant subject of study”.

Other wars in my Top 10 Wars that might be similarly styled as ‘adventurous’ wars are the Mongol Conquests and the Spanish Conquest of the Americas – to which one might also add my special mentions for the Arab Conquests and Viking Invasions.

Of course, this sets aside the distinctly unadventurous nature of wars to those at the pointed end of their destruction, usually on the other side, but also those who end up as casualties on the same side. Alexander’s conquests were no exception – infamously, he personally killed Cleitus the Black in a drunken altercation, the man who had saved his life at Granicus.

Of those wars I’ve styled as adventurous wars, I’d have to rank the Spanish conquest the highest in terms of just how lopsided or overwhelming the numerical odds were against it (for the Aztecs and even more so the Incas), victories unparalleled in history, even by Alexander. That said, Alexander did face overwhelming odds against him and his Greek or Macedonian forces, both in individual battles and the conquest of the Persian Empire as a whole.

In fairness, Alexander also probably started in the best position of all the leaders in those adventurous wars, having inherited the Macedonian state and its phalanxes honed to one of the finest fighting forces in history by his father Philip – although on the other hand, it is hard to imagine that Philip or any other Macedonian leader had the audacity or acumen to achieve Alexander’s conquest of the whole Persian Empire.

 

ART OF WAR

 

Let’s face it – Alexander the Great would have kicked Sun Tzu’s ass, cutting through all that mystic Taoist poetry like the Gordian knot. I know it and you know it. Did I mention this as an Alexander the Great fan account?

 

WORLD WAR

 

I think it would be overstating to it to claim that Alexander the Great fought and won the first world war, but you know he would have kept going through India if his army hadn’t wimped out on him.

 

FOREVER WAR – STILL FIGHTING THE PERSIAN WARS

 

Alexander’s conquests might be done and dusted – indeed, pretty much after he died as so much relied on his personal charisma. However, the Persian empire was replaced by Greek kingdoms founded by Alexander’s generals, which would cast a long shadow in history even as they ultimately crumbled and the Persian empire rebooted against the Romans.

 

ALTERNATE WAR

 

Alexander’s Conquest of the Persian Empire combines the alternate history extravaganza of those wars that hinge on one man as commander or conqueror, with those where the actual outcome seems the implausible alternative history scenario by winning against impossible odds.

Although both should not be overstated – Alexander was more fortunate than some of his fellow conquerors by inheriting his father’s kingdom and even more so the army his father had forged into the instrument of hegemonic power.

Stil, it is hard to imagine anyone other than Alexander with the audacity or ability to achieve the same conquests. What if there was no Alexander? There almost wasn’t, with his lucky escape from death in the Battle of Granicus River, which would have seen his historic conquests nipped in the bud.

At the other end, there is the alternative history scenarios of what Alexander might have achieved if he had not died at only 32 years of age at the height of his achievements.

 

JUST WAR – GOOD GUYS VS BAD GUYS

 

Sorry Persia – I know you’re one of the great civilizations of ancient history, but the Greeks and Alexander the Great will always be the good guys to me.

 

RATING: 4 STARS*****
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Top Tens – History: Top 10 Wars (Revamped) (5) Mongol Conquests – Mongol Invasion of Europe

 

The Battle of Legnica (Liegnitz or Wahlstatt) on 9th April 1241 during the first Mongol invasion of Poland – copper engraving by Matthäus Merian the Elder 1630 (public domain image – Wikipedia “Mongol Invasions and Conquests”)

 

(5) MONGOL CONQUESTS –
MONGOL INVASION OF EUROPE (1236-1242)

 

The Mongols were essentially a horse blitzkrieg across Eurasia, achieving a mobility and speed on land, exceeded only by modern mobile warfare using the internal combustion engine.

The horse blitzkrieg was a recurring feature mounted (heh) by nomadic herding tribes, particularly by those from the steppes of central Asia, to such devastating effect against more sedentary or settled agricultural states throughout history. I can’t resist the memorable quote by the Pax Romana Youtube channel that “history is mostly a matter of hoping those psychos on horseback don’t attack this summer, steal the grain and take the slaves”.

None were more supremely effective at it than the Mongols, one of the most proficient and versatile military forces in history – one that was also supremely adaptable at coopting its conquered people for further conquests and for strategies of war beyond their horse blitzkrieg. It’s surprising how small the actual Mongol component was of their forces.

The founder of the Mongol Empire – Temujin, better known as Genghis Khan – was the best military and political leader of his era, or arguably any era. He succeeded in unifying the Mongol tribes as the nucleus of his empire, which at his death stretched from northern China through Central Asia to Iran and the outskirts of European Russia. In doing so, the Mongols conquered glittering states along the Silk Road in central Asia that barely anyone remembers because the Mongols wiped them out so thoroughly – the Khwaraziman Empire of Iran and the Qara Khitai.

However, it is the wars of his successors that are particularly fascinating to me as they advanced into almost every corner of Eurasia.

In the Middle East, they besieged and sacked Baghdad, the center of Islamic power for half a millennia, occupying as far as parts of Syria and Turkey, with raids advancing as far as Gaza in Palestine, where they were stopped in the battle of Ain Jalut by the Mamluks of Egypt.

In East Asia, the Mongols did not face a unified China but two warring states, the Jin in northern China and the Sung in southern China. Genghis had largely defeated the former – his successors finished it off and conquered the Sung as well. The latter was most famously by Kublai Khan – and in Xanadu did Kubla Khan a stately pleasure dome decree.

The Mongols also invaded Korea, Burma and Vietnam. It’s interesting to think of the Mongol Vietnam War, which as Vietnam Wars usually go, resulted in defeat for the Mongols. It’s also interesting, given the definitive horse blitzkrieg of the Mongols, that the Mongols launched naval invasions of Java and Japan, but perhaps not surprisingly neither did well – the latter giving rise to the Japanese word kamikaze or divine wind for the storms that scattered the Mongol invasion fleets.

However, I’m giving this entry to the campaigns of his successors most familiar to me from my Eurocentric perspective – the Mongol invasion of Europe, commanded in the field by one of the best Mongol generals, Subutai. The Mongols rolled over European Russia – over much of which they would remain ruling as the Golden Horde until the fifteenth century – and invaded central Europe, decisively defeating Poland and Hungary.

They were poised to strike into the heartland of Europe and the Holy Roman Empire, indeed raiding the latter (and the Balkans), with little to stop them but the English Channel – but fortunately for Europe, the Great Khan Ogedai died, so the Mongol armies withdrew back to Russia while their leaders returned to Mongolia to select the new Great Khan. Or so the story goes – historians vary on whether that was the true cause for the Mongols to desist from their invasion.

Even so, the Mongols continued to cast a long shadow of terror into Europe, reinforced by further raids in the thirteenth century (such that the raids of the 1280’s are sometimes styled as the second Mongol invasion) and fourteenth century.

And traumatizing Europeans with steak tartare, based on the popular legend of Mongol or ‘Tartar’ warriors tenderizing meat under their saddles and eating it at night after it had been ‘cooked’ by the heat and sweat from the horse.

 

ART OF WAR

 

Forget Sun Tzu – the true Art of War was written by Genghis Khan and the Mongols…in conquest. A friend and I used to observe the irony of Sun Tzu’s Art of War originating in China – a country that historically has gotten its ass kicked as often as not. (The same irony for Machiavelli’s The Prince originating in Italy – a country known for its political chaos).

But seriously – an army that conquered the world clearly excelled in the art of war. Ruling their conquests on the other hand…although in fairness any empire that size at that time was doomed to fragmentation.

 

WORLD WAR

 

The Mongol Conquests were nothing short of what should be described as a world war to create the largest contiguous land empire in history, and one that is still only exceeded by the British Empire – perhaps the most serious contender for the first true world war.

 

FOREVER WAR – STILL FIGHTING THE MONGOL CONQUESTS

 

One of the few wars we’re not still fighting, even though we live in a Mongol-made world. The rising Russian state, with long memories of the Golden Horde, saw to that by conquering the steppes and various residual khanates (into the nineteenth century), but arguably inheriting their legacy and former territory as the new horde.

 

ALTERNATE WAR

 

The Mongol Conquests are an alternate history extravaganza, so incredibly exploding out of nowhere.

Well, perhaps not out of nowhere. The Mongols and the nomadic herding tribes on horseback in the Eurasian steppes consistently punched far above their weight in wealth or population until recently – as noted by military historians Azar Gat and John Keegan, as well as historian Walter Scheidel referring to this steppe effect.

Still, the Mongol Conquests are one of a select elite of wars of imperial conquest that seem to hinge on one man as commander or conqueror, begging the alternate history question of the great man theory of history – what if that great man didn’t happen? Without Temujin or Genghis Khan to unite them and lead them to empire, would the Mongol Conquests have ever begun?

And then there’s the other end of the Mongol Conquests, when the Mongols seem an unstoppable juggernaut, particularly in their invasions of Europe – could the Mongols have conquered Europe?

 

JUST WAR – GOOD GUYS VS BAD GUYS

 

History has tended to overlook the positive or even progressive aspects of the Pax Mongolica – but it is also difficult to cast them as good guys, given the destruction they wrought, exceeding even the Second World War relative to world population.

 

RATINGS: 4 STARS****
A-TIER (TOP TIER)

Top Tens – History: Top 10 Wars (Revamped) (6) Greek-Persian Wars

 

Spartans fighting against Persians at the Battle of Plataea – illustration in Cassell’s Illustrated Universal History 1882 (public domain image)

 

(6) GREEK-PERSIAN WARS (499-449 BC)

 

The classical Persian Wars – when the Greeks fought for their very existence as independent states against the imperial Persian superpower of the Achaemenid Empire, as an uneasy coalition of Greek city states fighting off two Persian invasions of Greece against the odds in the archetypal battles of classical Greek heroism.

That is not to overlook the Macedonian conquest of the Persian Empire featured in another top ten entry, or the longer Roman-Persian wars – through to the twilight of classical history, for nearly seven centuries from 54 BC to 628 AD, when the Romans fought their relentless slogging match against two successive Persian empires, the Parthians and the Sassanids.

Ultimately, however, the Roman-Persian Wars lack the existential significance of the Persian invasions of Greece, both to the classical Greeks and by extension Western civilization itself. It is difficult to imagine the shape of Western civilization, had the Persians succeeded in their invasions of Greece, particularly their second invasion, but it would have been immeasurably different.

Greek victories in the Persian Wars were certainly a defining moment for Athens and its democracy, as well as the Greeks as a whole – “their victory endowed the Greeks with a faith in their destiny that was to endure for three centuries, during which western culture was born”.

The Persian wars were also among the first wars in history to be written as history – by the creators of history as a genre, foremost among them Herodotus, styled as the father of history. They might also be argued to be the origin of Western military strategy and tactics – or at least the feature that was to recur so decisively as part of Western military superiority, the drilled formation, in this case the hoplite phalanx.

They also featured two of the landmark battles of history, won against the odds – Marathon and the naval battle of Salamis – as well as the heroic last stand of Thermopylae, the Spartan Alamo. Of course, as an Athenian loyalist, I’d point out that Marathon and Salamis were Athenian victories, as opposed to all that pro-Spartan agitprop of the 300 film, in which Leonidas breezily dismissed Athens.

Salamis was a particularly impressive Athenian victory, since they won it from exile after evacuating Athens itself, which was captured and razed by the Persians – choosing to carry on fighting from exile rather than submit to the Persians. This feat might be compared to the scenario if France had not surrendered to Germany in 1940, but had fought on with its fleet from north Africa – and won.

In terms of historical narrative, the first Persian invasion from 492 BC to 490 BC, under Darius the Great, was inconclusive with their defeat in the battle of Marathon…for the time being. Darius had to postpone a further invasion of Greece to fight strife within his own empire. When he died, his son and successor Xerxes took the second swing at Greece in earnest in an invasion from 480 to 479 BC, which was ultimately defeated at the battles of Plataea and Mycale.

After that, the Greeks were able to go on the offensive against the Persians in the Persian Empire itself, particularly in its formerly Greek fringes, but the Greek-Persian wars largely fizzled out from there with a return to the pre-war status quo by 449 BC, not unlike the persistent stalemate of the subsequent Roman-Persian Wars, although Greece was freed from the threat of Persian invasion. Of course, a lot of that was undone as the Persian Empire then learned to sit back and exploit the Greek city-states fighting among themselves, most notably in the Peloponnesian Wars.

 

ART OF WAR

 

The Greeks in the Persian Wars were almost exact contemporaries of Sun Tzu on the other side of the world, as the Persian Wars commenced a few years before the traditional date given to Sun Tzu’s death in 496 BC – and I’m inclined to favor the Greeks over Sun Tzu when it came to demonstrated art of war in actual history. Winning without fighting is all very well, but sometimes you have little choice but to fight – and to fight in desperate defence against numerically superior forces.

Hence the genius of Greek strategy, consistently fighting at geographical bottlenecks or chokepoints, including the straits of Salamis. Beyond that, the Greeks won because “they avoided catastrophic defeats, stuck to their alliance, took advantage of Persian mistakes” and possessed tactical superiority with their hoplite forces.

 

WORLD WAR

 

Sadly, I think it would be stretching things too far to call the Greek-Persian Wars a world war, even though the Greeks often styled it as the war of one continent against another or East against West, harking back to the legendary Trojan War as its predecessor – a continental front line that was replayed in the Roman-Persian Wars and beyond, as the Persians were replaced by Arabs and Turks.

 

FOREVER WAR –  STILL FIGHTING THE PERSIAN WARS

 

Well perhaps not in the style of the Greek or Macedonian Persian Wars, but Americans might feel they’ve been replaying the Roman-Persian Wars since 1979…

 

ALTERNATE WAR

 

Yet another war where the actual outcome seems the implausible alternate history scenario or just outright miraculous – we all know the god Pan won the Battle of Marathon. Io Pan! Io Pan Pan!

I mean, the world’s largest empire in territorial extent at the time – as well as the largest empire by percentage of world population ever – against the small and fractious Greek city states…?

 

JUST WAR – GOOD GUYS VS BAD GUYS

 

Sorry Persia – I know you’re not the weird mutant army featured in the film 300 and indeed one of the great civilizations of ancient history, but the Greeks will always be the good guys to me

 

RATING: 4 STARS****
A-TIER (TOP TIER)

Top Tens – History: Top 10 Wars (Revamped) (7) Punic Wars – Second Punic War

 

Hannibal crossing the Alps into Italy, 1881 or 1884 book engraving used as public domain image Wikipedia “Hannibal’s crossing of the Alps”

 

(7) PUNIC WARS –
SECOND PUNIC WAR (218-201 BC)

 

“Carthago delenda est” – Carthage must be destroyed!

The wars that defined the Roman Republic and its empire.

Also the most famous historical duel between two rival powers, with the stakes of supremacy to the victor and destruction to the vanquished.

Also arguably the most fiercely fought of Rome’s wars – and the closest it came to defeat in its rise to empire under the republic, with one of its worst defeats in battle of Cannae.

Also a nice polar opposite to the Hunnic Wars in my previous entry (even down to the resonance of their names) – with the rising republic of the Punic Wars at one pole and the falling empire of the Hunnic Wars at the other.

As for the Punic Wars defining the Roman republic and its empire, I know the Punic Wars took place well before the formal Roman empire, but they defined the Roman Republic as an imperial power and laid the foundations for the Empire in its most famous duel for Mediterranean supremacy.

As for that duel, such was its historical fame and potency of its imagery that the Punic Wars have continued to provide metaphors for modern history. “The wars lasted for more than a hundred years (264-146) and were analogous in many respects to later great hegemonic rivalries like the Anglo-French rivalry of the 18th Century and the Cold War, filled as it is with military arms-races, proxy-wars, attacks on regional states, at the end of which there was only a unipolar political landscape”.

Or in other words, the Mediterranean wasn’t big enough for the two of them.

Even in its defeat and destruction by Rome, Carthage provided the metaphor of Carthaginian peace – for “any brutal peace treaty demanding total subjugation of the defeated side” or terms that “are overly harsh and designed to accentuate and perpetuate the inferiority of the loser”, even more so for the subsequent legend that Rome salted the earth. Most famously, it was used by John Maynard Keynes for the Treaty of Versailles after the First World War – inaccurately in my view as a Versailles fan, and dangerously so as it undermined enforcement of the treaty. It’s a pity the term didn’t prompt more like one wry response to Keynes’ usage of it – “Funny thing, you don’t hear much from the Carthaginians these days”.

“Carthage must be destroyed” was the famous catchphrase of Roman senator Cato the Elder, who concluded all his speeches with it, whether it was relevant or not. It’s certainly an icebreaker. I’m thinking of throwing it into all my conversations as well, or hijacking other people’s conversations with it.

Of course, by the time Cato was using it, it was really kicking a man when he was down. Rome had soundly defeated Carthage in the Second Punic War, essentially reducing Carthage to a small harmless shadow of its former territory – and a satellite state under the Roman thumb.

But to Cato, grumpy old curmudgeon that he was, the Carthaginians didn’t have the decency to be poor after their defeat, having far too much wealth when he visited it as a member of a senatorial embassy. And eventually he got his way with the Third Punic War (149-146 BC) and Rome crushed Carthage completely.

The Third Punic War was the somewhat anti-climactic conclusion to the trilogy of Punic Wars. The First Punic War (264-241 BC) was obviously not decisive but certainly interesting with the Romans wrestling Sicily from Carthage – as well as their impressive feat of throwing together a navy mostly from scratch, laying the foundations for Roman naval supremacy, even if that was mostly done through the neat trick of using ships as boarding platforms for infantry combat.

The Second Punic War (218-201 BC) was the big one . You know, the one with the elephants – in the famous crossing of the Alps into Italy, although only one elephant survived.

So while the elephants may not have loomed as large as had been hoped, what did loom large was the Carthaginian invasion of Italy , striking fear into the heart of Rome itself, and even more so the legendary Carthaginian general Hannibal, one of the greatest military commanders in history, with his textbook victory against the Romans at Cannae.

Sadly for Carthage, however, Hannibal was one of my top 10 great military leaders who were actually losers, because he didn’t know to go hard or go home – or rather, to go Rome or to go home, instead wasting his dwindling time and army d*cking around Italy, something of a running theme in that top ten.

Of course, it’s a lot more nuanced than that (particularly when it comes to the role of Hannibal’s leadership) but the Roman general Quintus Fabius avoided major battles and chipped away at Hannibal’s forces in Italy through attrition, while Hannibal’s rival and nemesis, Roman general Scipio Africanus, pulled a Hannibal in reverse by attacking the Carthaginians in Spain and Africa itself.

The Second Punic War also features some of the most famous battles in history – Cannae of course, but also the battles of Trebinia and Lake Trasimene for Carthaginian victories, as well as the battles of the Metaurus, Ilipa and Zama for Roman victories.

 

 

 

 

ART OF WAR

 

Obviously the Romans excelled in the art of war in their empire as a whole, perhaps even more so the Byzantines in Sun Tzu’s definition of the art of war as winning without fighting. An empire doesn’t survive a millennium without a few tricks of political diplomacy or playing enemies against each other up its sleeve.

However, facing Hannibal on their home territory in Italy was not their finest demonstration of the art of war. Reading Roman military history often prompts me to see the Romans as the Soviet Union of ancient history – winning through the manpower to replace one lost legion after another – and never more so than in the Second Punic War against Hannibal, which is eerily reminiscent of a Roman parallel for the Soviets in Barbarossa. Just ask Pyrrhus – who gave the world the term Pyrrhic victory because the Romans could just soak up their losses and keep coming.

This is something of a caricature for the Romans as well as the Soviets winning through brute force of manpower – both of which were as capable of finesse in the right circumstances, usually a combination of good leadership combined with well maintained or experienced forces. And the Roman legion was the finest fighting force of its time, with a discipline and tactical superiority that allowed it to outfight opponents that outnumbered it – as in the Battle of Alesia or Battle of Watling Street. Although one of the greatest strengths of the Roman legion was not so much its skill in fighting but in engineering, again as at Alesia.

 

WORLD WAR

 

It’s a bit hard to label the Punic Wars as a world war, even if was fought between two continents and had global consequences in the rise of the Roman Empire. However, as mentioned before, it had parallels to subsequent global hegemonic conflicts between rival powers.

 

FOREVER WAR – STILL FIGHTING THE PUNIC WARS

 

Well if there’s one thing a Carthaginian peace is good for, it’s for not fighting any more Punic Wars.

 

ALTERNATE WAR

 

The Punic Wars seem to offer tantalizing glimpses of an alternate history of Carthaginian victory, mostly from Hannibal’s tactical military genius in the Second Punic War – although perhaps the better Carthaginian prospect of victory was in the First Punic War, had Rome not adapted itself to Carthaginian naval superiority.

Ultimately however, such glimpses are illusory, given Rome’s adaptability and unmatched ability to raise armies, with even Hannibal’s military genius just a flash in the pan. As I said, reading Roman military history often prompts me to see the Romans as the Soviet Union of ancient history – winning through the manpower to replace one legion after another.

 

JUST WAR – GOOD GUYS AND BAD GUYS

 

Who were the good guys? The Romans obviously! Yes, it’s a bit more nuanced than that – with perhaps not too much to distinguish one from the other, and much to admire about Hannibal. But to quote the Youtube channel Pax Romana, child sacrificer says what? There’s a reason that the name for Moloch has passed into English as a pejorative term – and part of that reason is Carthaginian child sacrifice. No more Moloch!

 

RATING: 4 STARS****
A-TIER (TOP TIER)

Top Tens – Top 10 Girls of Animation (Updated 2026)

 

Erin Esurance, the animated spy girl mascot of American insurance company Esurance, as she appeared in her short (and short-lived) animated commercials

 

“I’m not bad, I’m just drawn that way”.

Counting down my Top 10 Girls of Animation – which was surprisingly challenging as the pool of choice is reduced by the number of potential entries that I feature in other top tens. As a rule of thumb, I’ve given priority to their medium of origin.

For example, female characters from comics adapted to animation were among the leading potential entries but I’ve given priority to their entries in my Girls of Comics. Although ironically Harley Quinn should feature in my Girls of Animation for my rule of thumb of medium of origin – as she originated in an animated adaptation of Batman but proved so popular, she was then introduced into the comics (and also she arguably has arisen to new prominence with her current animated series). But I make my own rules and break them anyway – and she just seemed misplaced anywhere else than in the Girls of Comics.

Similarly, the Disney princesses were also among the leading potential entries, but I’ve given priority to them as Girls of Fantasy & SF for their fairy tales of origin (with the occasional exception in special mention for those characters that are essentially new or substantially adapted from their fairy tale origins).

And finally, this is for Western animation, so does not include any entries for the girls of anime – which has its own Top 10.

 

ART & COSPLAY

 

But first a note on the visual images used in this top ten. Given the copyright in such images, I only use a visual image as fair use for the purposes of comment and review in each entry – an iconic feature image to identify the character, either in general or in their most iconic version as I review it to be (or both), as excerpted from the animation itself.

Iconic perhaps, but not my favorite as I usually prefer the style of fan art or cosplay for the characters – although the girls of Western animation have nowhere near the prolific art or cosplay of the girls of anime, with the occasional exception. Hence as usual I also include a special section in each entry under the subtitle of art and cosplay – not for any actual art and cosplay as such but instead where I nominate my favorite artists and cosplay models depicting the character, which you can look up for yourself. For art, I award a special ranking for any art by my two favorite artists – the two freelance digital artists Sciamano and Dandonfuga. For cosplay, I award a special ranking for any cosplay by my holy trinity of models – my favorite model Yummychiyo with her insane figure in top spot, followed by Hane Ame and Helly Valentine.

As for the iconic feature image I’ve chosen for this page itself and girls of animation in general, I went with Erin Esurance, the spy girl animated mascot of American insurance company Esurance that featured in commercial shorts from 2005 to 2010. They ‘retired’ her in 2010, which some attributed to the zeal of fans making inappropriate art of her, and others to her not being a fit for the ‘brand’ of Allstate, the company that acquired Esurance.

 

 

 

Rumi’s full body profile pic from the Kpop Demonhunters fan wiki

 

 

 

(10) RUMI –

KPOP DEMONHUNTERS (2025)

 

Given my tenth place wildcard entry for Top 10 Animated Films went to Kpop Demon Hunters, who else could be the corresponding entry here but its lead girl with dark secret, Rumi?

“KPop Demonhunters is a 2025 American animated musical urban fantasy film…The story follows a K-pop girl group, Huntrix, who lead double lives as demon hunters. They face off against a rival boy band, the Saja Boys, whose members are secretly demons.”

And really it had to be Rumi, not only as the leader and lead vocalist of Huntrix (whose voice literally saves the world), but also as the film’s protagonist with the film’s defining story arc

It also had its tongue firmly in its cheek with its story. Even the demons laugh at the idea of a demon boy band until the latter strikes a pose – “oh yeah, totally gonna work”.

Also, you gotta love her impossibly long legs and hair in that distinctive braided style.

 

RATING:
X-TIER (WILD TIER)

 

 

 

(9) GWEN TENNYSON – BEN 10 (2005)

 

What can I say? It’s the red hair and those green eyes. (Beware! Beware! Those flashing eyes! That floating hair!)

There certainly is a high representation of redheads in animation and comics (albeit not so much in their adaptations) – there’s two other redheads in this top ten (indeed, in the top three) – For that matter, there’s a whole trope in TV Tropes named for red-haired green-eyed girls.

Admittedly, I am not overly familiar with the Ben 10 franchise, having seen the occasional episode here and there in passing, apparently in the later series. It has five different incarnations – Ben 10, Ben 10 Alien Force, Ben 10 Ultimate Alien, Ben 10 Omniverse, and Ben 10 again – which they missed the chance to call just that, in 2016. However, it is an intriguing concept. The series follows a boy named Ben Tennyson who, on a summer road trip with his grandfather Max and his cousin Gwen, stumbles across an alien device known as the Omnitrix which bonds itself to his wrist like a watch. Ben finds that the device has alien DNA encoded in it, which allows him to transform to a variety of alien species – which he uses to take on any threats that come his way – usually other aliens. As he grows as a hero, Ben learns that he didn’t gain the Omnitrix by coincidence and finds that his family has been involved with aliens long before he has.

Gwendolyne “Gwen” Tennyson – as the Tennyson family obviously likes to rhyme – is Ben’s aforementioned cousin. At the start of the series, she is the same age as Ben (ten years), albeit much more capable than he is – a child prodigy, who can instantly master anything, be it athletics (including martial arts) or academics (and even the Omnitrix itself in an alternate universe). However, the series sees both of them mature into young adulthood (and a less antagonistic familial relationship between them), with Gwen attending college. It also sees Gwen acquire superpowers of her own, through – uh – magic? She discovers her own magical aptitude, which allows her to manipulate energy and be as formidable a hero as Ben himself.

 

ART & COSPLAY

 

For her iconic feature image, I used a clip of her from the Ben 10 Ultimate Alien series used as a feature image in the Ben 10 Ultimate Alien fan wiki.

She has also caught the attention of one of my favorite artists – Neoartcore.

 

RATING: 4 STARS****
B-TIER (HIGH TIER)

 

 

 

 

(8) FOXXY LOVE – DRAWN TOGETHER (2004)

 

A sassy “1970s-style mystery-solving musician who parodies the Hanna-Barbera teen sleuth characters seen on Josie and the Pussycats and Scooby-Doo.”

Cult classic Drawn Together was a reality show parody (initially of The Real World), where eight cartoon characters from different animated genres – parodying both a specific style of animation or animated character and of the stock characters usually put together in reality shows – were forced to live under the one roof in the titular pun of being drawn together.

 

ART & COSPLAY

 

Yeah – there’s some but not too much art or cosplay out there, certainly none from my favorites. As usual for my girls of animation, my iconic feature image is a clip from the cartoon.

 

RATING: 4 STARS****
B-TIER (HIGH TIER)

 

 

 

(7) STRIPPERELLA (2003)

 

Stripper by night. Superhero later at night”.

As its title might suggest, Stripperella was an “adult-oriented animated television series” created by none other than Marvel Comics doyen Stan Lee.

The title character was the superheroine or secret agent alter ego of stripper Erotica Jones, voiced by none other than Pamela Anderson – and essentially an animated version of her as well, down to the tattoos. (So much so that she also played herself in the series, visiting Stripperella’s club Tender Loins with Kid Rock. Needless to say, Stripperella is a big fan and gushes how people compare them in appearance).

Clearly, the series had its tongue firmly in its, or at least someone’s, cheek, as a parody of the superhero and spy fiction genres. I particularly liked the recurring villain, Cheapo – the world’s cheapest supervillain.

As for Stripperella herself, she not only relied on her spy gadgetry, but also a number of inexplicable superpowers (including her luxuriant hair, which also doubled as a parachute) – “she has strength and agility far beyond that of a normal human, she is impervious to all temperatures and weather conditions, and her breasts have the ability to detect when somebody is lying”.

 

ART & COSPLAY

 

Yeah, again – there’s some but not too much art or cosplay out there, certainly none from my favorites. Disappointingly, not even any cosplay from Pamela Anderson herself. As usual for my girls of animation, my feature image is a clip from the cartoon.

 

RATING: 4 STARS****
B-TIER (HIGH TIER)

 

Holli in a clip from her notorious dance scene in the film

 

(6) HOLLI WOULD – COOL WORLD (1992)

 

HOLLI WOULD IF SHE COULD
…AND SHE WILL!

I do like my bad girls and Holli Would is the bad girl at the center of Ralph Bakshi’s 1992 film Cool World – a fantasy film combining live action and animation.

Center? Let’s face it – the only thing anyone ever remembers (or is aware of) from this movie is Holli. To be honest, I’m only aware of the film through my interest in the animation of Ralph Bakshi.

As for the film itself, similar to another more famous film (that just might happen to feature in this top ten), it involves the intersection of our real world with the eponymous animated ‘toon’ world, with the inhabitants of the latter known as ‘doodles’ (while humans are ‘noids’). In a nutshell, a cartoonist finds himself in a cartoon world which he thinks he created from his dreams, where he is seduced by the comic strip vamp Holli – all part of her plot to become a real human (including the inception of the dreams in the cartoonist). Of course, being a bad girl, she doesn’t flinch at murder – or the potential destruction of both worlds – to realize her aim.

It’s even messier than it sounds and gets messier – the film was a commercial and critical failure, although it subsequently achieved something of a cult following.

But who cares? It’s all about Holli! Voiced by Kim Basinger, she was also drawn to resemble her voice actress (not surprisingly, given that Kim Basinger also played her in human form in the film). Her dancing scene was particularly notorious. Speaking of which…

 

ART & COSPLAY

 

Yes – I used a clip from that notorious dancing scene in the film for my iconic feature image. Sadly, although there is art and cosplay of her, there’s none I could find from my favorite artists or models.

 

RATING: 4 STARS****
B-TIER (HIGH TIER)

 

Chel in one of her more expressive clips from the film

 

 

(5) CHEL –
THE ROAD TO EL DORADO (2000)

 

Perhaps the most preeminent pre-Columbian pinup girl of popular culture – with the possible exception of Pocahontas – who throws her lot in with the protagonist Spanish con artist duo in the 2000 Dreamworks film The Road to El Dorado. And yes I know neither is technically pre-Columbian as both are set during European conquest or colonisation but close enough. I’ve certainly had a soft spot for Meso-American girls since – as well as that meme depicting Spanish colonialism being particularly…horny.

 

ART & COSPLAY

 

For my iconic feature image, I’ve chosen one of her more expressive clips from the film (helping the protagonist duo cheat at the native American ball game).

 

ART – DANDONFUGA

 

And finally we get to a girl of animation represented among my favorite artists, not least Dandonfuga – hence she scores my Dandonfuga ranking. There’s also art by Logan Cure, Neoartcore and Elias Chatzoudis.

 

COSPLAY

 

Chel is also represented in cosplay – with cosplay by Nami, due to fan demand given her resemblance to Chel.

 

 

RATING: 4 STARS****
B-TIER (HIGH TIER)

 

She-Ra as she appeared in her original cartoon in the 80s

 

 

(4) SHE-RA (1985)

 

She’s got the power!

“I am Adora, He-Man’s twin sister, and defender of the Crystal Castle. This is Spirit, my beloved steed. Fabulous secrets were revealed to me, the day I held aloft my sword and said, ‘For The Honor Of Grayskull! I AM SHE-RA!!!’

As TV Tropes notes, She-Ra Princess of Power is the sister series (literally) to He-Man and the Masters of the Universe, presumably because She-Woman and the Mistresses of the Universe sounds a little silly (or kinky). As noted, it is literally the sister series as the titular character is Adora, the twin sister of He-Man or Prince Adam of Eternia. Adora was apparently kidnapped as an infant to the planet Etheria and is subsequently given the power to become the superheroine She-Ra in order to form the planetary resistance against Etheria’s tyrannical ruler Hordak (although by invoking the honor rather than power of Greyskull, which sounds a little off to me).

Yeah, I’m not really up with the backstory of this one – or He-Man for that matter. I mean, come on – they were basically toy commercials! Not to mention vaguely fascistic…

However, they certainly were iconic figures, not least because the animation was to market the toys or so-called action figures for the Masters of the Universe.

Of course, She-Ra was designed to extend the market to the female demographic. To quote TV Tropes – “She-Ra was made specifically to appeal to girls, which explains the large number of mentally and physically strong female characters, like Adora, Glimmer, and Madame Razz, not to mention the vivacious, Zsa Zsa Gabor-like nature of several of them, daaaaaarling — and quite a number of female villains like Shadow Weaver, Scorpia and Catra” (the latter essentially a dark action girl version of She-Ra herself).

 

ART & COSPLAY

 

For my iconic feature image, I chose She Ra as she appeared in her original 1980s cartoon (from the feature image of the Grayskull fan wiki). There is a surprising amount of art and cosplay out there for her – including art from one of my favorites, Elias Chatzoudis, as well as cosplay from another of my favorites, Tabitha Lyons.

 

 

RATING: 4 STARS****
B-TIER (HIGH TIER)

 

Lana Kane in her iconic mini-sweater dress – I’m pretty sure this is from her very first appearance in the pilot episode

 

(3) LANA KANE – ARCHER (2009)

 

“LAAAAAANAAAA!” Well, it was either that or Sterling Archer’s other favorite quote to her – “Danger zone!”.

Lana Kane is the top female agent in the animated series Archer, second only to the titular spy himself (although a large part of that is due to his mother running the agency), with whom she has a complicated love-hate relationship. She is also the most competent agent, although Archer tends to excel at the stereotypically active role of an agent, killing people and so forth (although a large part of THAT is due to his reckless childlike joy and disregard for his own mortality). However, she is not too different from Archer in that her competence is undermined on occasion by her own emotional or psychological insecurities – she just has less of them than Archer (and a large part of THAT is his mother Mallory).

In appearance, she is statuesque, both in height (six foot or so) and figure, and she dresses to accentuate the latter – her signature style consists of short turtleneck sweater dresses (in various colors but typically white) and thigh-high stiletto boots. Indeed, she always seems to wear heels, even in space. For that matter, even when not wearing outfits tailor made to accentuate her figure, she’ll almost invariably end up in a situation where she’ll be stripped down to her underwear.

Archer even comments on her stripperiffic wardrobe, when he finds himself distracted by her impressive, ah, jiggle physics in the middle of a gunfight, in an example of their characteristic repartee:

Lana: Now?! Really?!
Archer: Oh, right! Because you walked into Strippers Discount Warehouse and said “Help me showcase my intellect!”
Lana: Discount?! This is Fiocchi.

In fairness, every major character in the series commonly ends up in situations where they’ll be stripped down to their underwear or naked. It’s that kind of agency.

Indeed, her memetic attractiveness in the series is such that even the girls want her (most notably her fellow female employees, although they are not the most emotionally balanced individuals). Even the gay guys want her, as when her gay colleague Ray Gillette literally takes a number with the rest of her male employees for the opportunity to bed her – “Girl, please. Nobody’s THAT gay”.

 

ART & COSPLAY

 

I was tempted to use the promotional beach shoot art for her but I just had to go with her iconic mini-sweater dress appearance for my feature image – which I believe to be from her very first appearance in the first episode. There is Lana art and cosplay out there but none from my favorite artists or models.

 

 

RATING: 4 STARS****
A-TIER (TOP TIER)

 

Daphne Blake as she appears in the Scooby Doo cartoon – feature image from the Warner Bros Entertainment fan wiki

 

(2) DAPHNE BLAKE – SCOOBY DOO (1969)

 

We all know Scooby Doo, that enduring animated franchise centered on four teenage hippies and the titular talking Great Dane driving around in their “Mystery Machine” van, getting high and hallucinating monsters (not to mention their dog’s speech). “And I would have gotten away with it if it wasn’t for you meddling kids!” (Not likely, since the villainous plans always involved impersonating a supernatural being with basic special effects). It’s a cultural icon, man! Even the infamous Scrappy Doo couldn’t kill it, although he came close and became the ultimate archetype of unlikable characters in the process.

And Daphne Blake has been an enduring childhood crush within that franchise. It’s not hard to see why – with her shoulder-length red hair (once again demonstrating the striking prevalence of redheads in animation or comics), blue or violet eyes, hourglass figure – not to mention her distinctive purple skirt and pink tights. On second thoughts, her fashion choice was questionable, but then, so was that of the rest of the cast. I mean – who wears ascots, Fred? Although maybe there’s something in wearing an ascot after all, as Fred always seemed to end up with the girls or at least Daphne herself whenever the group split up to investigate (while Shaggy would invariably end up with Scooby as comic relief, like the sad dog food-eating hippy he was).

Of course, Daphne’s role within the group originally tended to be more decorative than functional – most likely to end up as damsel in distress, often while bound and gagged to boot (because, well, who wouldn’t?), and even nicknamed danger prone Daphne as a result. Fortunately, her character has become somewhat more developed over time – becoming more competent and even badass in various incarnations (interestingly, often in direct contrast to a converse decline in Fred’s competence or badassery).

 

ART & COSPLAY

 

As usual for my iconic feature image, I chose a clip image of her appearance in the animation.

The standout Daphne art from my favorite artists would be by Nathan Szerdy, Elias Chatzoudis, and Neoartcore. As for the standout cosplay by my favorite models, I’ll award that to Tabitha Lyons.

 

RATING: 4 STARS****
A-TIER (TOP TIER)

 

Jessica Rabbit as she appears in her animated film or shorts – in perhaps her most iconic appearance and pose

 

(1) JESSICA RABBIT – WHO FRAMED ROGER RABBIT (1988)

 

“I’m not bad – I’m just drawn that way”

Like Wonder Woman for my Top 10 Girls of Comics, could there have been any doubt for the top spot? The top position has to go to THE animated sex symbol, even though her exposure is primarily limited to the animated film Who Framed Roger Rabbit? (and a few other shorts – notably as nurse and park ranger). I only vaguely remember the plot and characters of this film (including Roger himself) – but everyone remembers Jessica.

That is because she is designed as the ultimate fantasy figure drawn as a pinup cartoon – green-eyed and red-haired in that irresistibly rare combination (even more so in her signature pose of hair worn over one eye) and an impossibly accentuated hourglass figure in a slinky red dress. Indeed, she was modelled on classic screen sirens Lauren Bacall, Veronica Lake and Rita Hayworth – apparently face and voice (voiced by Kathleen Turner) on Lauren Bacall, hair on Veronica Lake and dress on Rita Hayworth (in the film Gilda).

As her name indicates, she is the human ‘toon’ wife of the titular Rabbit. Although she is a sultry nightclub singer literally drawn as a femme fatale of noir, she actually plays against the type in film (as opposed to the original book) – she is indeed a good girl deeply in love with her ‘honey bunny’. Why? He makes her laugh. (She also proudly lets slip that he’s a much better lover than driver).

 

ART & COSPLAY

 

Of course for my iconic feature image, I chose an image of her from her animation – in perhaps her most iconic appearance and pose (although I was tempted by her nurse or park ranger costumes).

 

ART – DANDONFUGA

 

And not surprisingly for my top spot we get to a girl of animation represented among my favorite artists, not least Dandonfuga – hence she scores my Dandonfuga ranking. There’s also art by Elias Chatzoudis, Sun Khamunaki, J. Scott Campbell, Logan Cure, and Neoartcore.

 

COSPLAY – HELLY

 

And also for my top spot we finally get to a girl of animation represented among my holy trinity of cosplay models, hence she scores my Helly ranking for cosplay by Helly Valentine.

 

RATING: 5 STARS*****
S-TIER (GODDESS TIER)

 

 

 

 

GIRLS OF ANIMATION: TOP 10 (TIER LIST)

 

S-TIER (GODDESS TIER)

(1) JESSICA RABBIT – WHO FRAMED ROGER RABBIT

 

A-TIER (TOP TIER)

(2) DAPHNE BLAKE – SCOOBY DOO

(3) LANA KANE – ARCHER

 

B-TIER (HIGH TIER)

(4) SHE-RA

(5) CHEL – THE ROAD TO EL DORADO

(6) HOLLI WOULD – COOL WORLD

(7) STRIPPERELLA

(8) FOXXY LOVE – DRAWN TOGETHER

(9) GWEN TENNYSON – BEN 10

 

X-TIER (WILD TIER – BEST OF 2025)

(10) RUMI – KPOP DEMONHUNTERS

 

 

Top Tens – Top 10 Subjects of History

Franz Luyckx paining ca 16601677 – Still life with a globe, books, shells and corals resting on a stone ledge

 

 

TOP 10 SUBJECTS OF HISTORY

 

 

It’s another top ten on the spot, a shorter shallow dip as opposed to a longer deep dive – and in this case intentionally reminiscent of my Top 10 Subjects of Mythology.

And like that top ten, it prompts the obvious retort that’ll be a shallow dip indeed – it’s history, innit? Historical events, people, and places. Historical wars and empires.

 

Or historical babes in the excellent words of Bill and Ted –

“Bill: We gotta go, this is a history report, not a babe report!

Ted: But Bill, those are historical babes!”

 

Setting aside that I do indeed have a historical babe report, history has more permutations than that. I’m not just talking subjects within history, such as the Roman Empire or the Second World War, but getting meta with subjects of history – as history meaningfully overlaps with or includes many other subjects that are interesting of themselves.

The subject of history in its broadest sense is perhaps straightforward enough – “the systematic study and documentation” of the human past or past events. Beyond that, it gets a little tricky with all the permutations of the various subjects of history or even the concept of history itself – so many permutations that, well, you get this top ten.

 

History repeats itself – the first time as tragedy, the second time as farce.

History does not repeat but sometimes it rhymes.

History is just one damned thing after another.

 

I was tempted to add repetition or rhyme, tragedy or farce, and one damned thing after another to the subjects of history from these three of my favorite quotes about it – although I kind of do for one thing after another in my first entry. Speaking of which…

 

 

(1) CHRONOLOGY (TIME)

 

 

It may be basic but chronology – placing events, people, and places in time – is the foundation of history, its skeleton or bare bones.

It can lapse into, as Toynbee quipped, just one damned thing after another – rote repetition of dates, or as Toynbee intended it as criticism, historians who simply seek to chronicle history rather than analyze it.

But it’s hard to analyze history if you don’t chronicle it first – that is, place it in time or in chronological sequence. It’s hard to identify the themes of history – cycles and pattern, plot and rhythm, cause and effect, or in the famous phrase of Toynbee, challenge and response – if you don’t have it in chronological sequence first.

 

 

(2) GEOGRAPHY (SPACE)

 

 

History is as much a matter of placing things in space as it is in time – geography as much as chronology.

I’m not just talking physical geography, the geography of “natural features such as landforms, climates, soils, water, and ecosystems” – although that is surprisingly significant as a recurring factor in history.

I’m talking human geography, the interaction of physical geography with humanity – “human societies, cultures, economies, and political systems, and how they interact with the environment”. You can write whole global histories essentially of human geography, as Felipe Fernandez-Armesto did in “Civilizations: Culture, Ambition and the Transformation of Nature”.

Just to illustrate geography as a subject of history, one need only think of the prevalence of maps in history, extending to entire historical narratives depicted through the medium of a historical atlas or map animation.

 

 

(3) PHILOSOPHY (MIND)

 

 

“History is philosophy teaching by examples.”

The third dimension of history – after placing things in space and time, history is a matter of placing them…in mind.

That is, placing them in thematic narrative – history for which the central theme is identifying, well, the themes of history, its cycles and patterns, its plot and rhythm. History never repeats but sometimes it rhymes.

“History is an academic discipline which uses a narrative to describe, examine, question, and analyze past events, and investigate their patterns of cause and effect. Historians debate which narrative best explains an event, as well as the significance of different causes and effect. Historians debate the nature of history as an end in itself, and its usefulness in giving perspective on the problems of the present.”

Ultimately thematic narratives involve philosophy, particularly political philosophy or ideology, as a subject of history – or history as a subject of philosophy.

When it comes to philosophy and history, I have a soft spot for one of the big three classical philosophers, Aristotle, in his “Poetics” proposing “the superiority of poetry over history because poetry speaks of what ought or must be true rather than merely what is true.”

 

 

(4) DEMOGRAPHICS (PEOPLE)

 

“Birth, and copulation, and death

That’s all the facts when you come down to brass tacks”

 

Well that along with numbers and movement of people and populations. Historical nations or states mostly seem fleeting crystallizations among amorphous tribal migrations until overwhelmed by one invasion or another. History also seems to flow to tides of fertility and mortality.

Of course, actually doing demographics for historical periods or populations tends to be highly approximate estimates – indeed, even for our own with all our censuses and other instruments of demographics.

 

 

(5) ECONOMICS (MONEY)

 

“Some men worship rank, some worship heroes, some worship power, some worship God… but they all worship money.”

You could say that history is basically just economics with the first states based on grain agriculture and writing originating as their ledgers or records, ultimately giving rise to written history.

That is only more so with the development of money – indeed, it’s striking how often money in the form of coins is literally an important historical source – and even more so with modern industrialization, coinciding with economics itself as a field of study.

Of course, most pre-modern historical states seem to have only the most rudimentary grasp of economics, such as the Roman Empire and the constant debasement of its currency, and achieving economic growth only through higher population or sacking other states.

Historian Arnold Toynbee “made the case for combining economics and history in his study of the Industrial Revolution” – “I believe economics today is much too dissociated from history…We see abstract propositions in a new light when studying them in relation to historical facts. Propositions become more vivid and truthful…The habits of mind it instils are even more valuable than the knowledge of principles it gives. Without these habits, the mass of their materials can overwhelm students of historical facts.”

Like demographics, however, actually doing economics for historical periods or states tends to be highly approximate estimates.

 

 

(6) ARCHAEOLOGY

 

“You call this archaeology?”

Arguably the archetypal subject of history, although sadly almost entirely unlike its most famous cinematic version, Indiana Jones – fewer Arks of the Covenant or Holy Grails and more painstakingly putting together pieces of pottery. Also, it is as much the province of prehistory as well as history – or even more so since by definition prehistory precedes written records, extending all the way back to the origin of homins.

Where history tends towards the study of written records, archaeology is the study of physical remains or ruins, recovered from or in the locations that preserved them, typically subterranean or underground.

“Archaeology…is the study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, architecture, biofacts or ecofacts, sites, and cultural landscapes”.

As such, archaeology supplements history nicely, confirming historical records, or even supplants it altogether, where historical records are deficient or entirely absent.

In looking up archaeology for this entry, I was amused to find out that the first archaeology and archaeologist are now themselves archaeological – Nabonidus, the last king of the Neo-Babylonian Empire, discovering and analyzing in 550 BC the foundation deposit of Naram-Sin, ruler of the Akkadian Empire, from 2200 BC.

 

 

(7) ANTHROPOLOGY

 

“Anthropology is a very important field of study.”

“(Laughs) I’m pretty sure someone’s named all the different spiders…”

“That’s arachnology!”

“(Laughs even more) I know – equally huge waste of time.”

 

The cruel jibes of Archer at anthropology aside, you can argue for it as a subject of history to rival archaeology – or vice versa, history as a specialized subset of anthropology.

“Anthropology is the scientific study of humanity…concerned with human behavior, human biology, cultures, societies, and linguistics, in both the present and past”. The overlap with history is obvious, particularly when it comes to the past.

 

 

(8) SOCIOLOGY

 

From anthropology to sociology – the latter seems as much a subject of history to rival the former, or vice versa, history seems as much a specialized subset of sociology as of anthropology.

After all, a description of sociology is almost identical to that of anthropology, except with social used as recurring adjective – “Sociology is the scientific study of human society that focuses on society, huma social behavior, patterns of social relationships, social interaction, and aspects of culture associated with everyday life”.

 

(9) PSYCHOLOGY

 

History is just psychology writ large, isn’t it?

The only question is whether it is Freudian or Jungian…

I mean, some of Freud’s books read not so much as individual psychology but collective or historical psychology, most notably Civilization and Its Discontents. Einstein even corresponded with Freud as to the psychological explanation for war. Jung’s concepts are arguably even more so for collective rather than individual psychology – he even coined the collective unconscious as one of his central concepts.

You can take that further by proposing the “psychology” of nations and states, as some historians seem to lapse into doing, or even of entire cultures and civilizations as Oswald Spengler did.

And then there’s historical movements and periods as psychological states. I’ve always had a fascination for mass hysteria in history – and they don’t call it the Great Depression for nothing!

It prompts to mind the (science) fictional psychohistory of Isaac Asimov’s Foundation series, capable of predicting future events down to their precise timing, through mathematics and statistical analysis applied to collective human psychology on a social scale.

Interesting, psychohistory is proposed as a real life field of study – “blending psychology and history to analyze unconscious motives in historical events”.

On the other hand, in the absence of any clinical or formal assessment, psychoanalysis of historical figures can only be estimations or projections, even for those figures with extensive biographical documentation.

 

 

(10) ECOLOGY

 

Arguably a permutation of geography as a subject of history (and vice versa) or placing things in space as well as time – history as a matter of placing things in nature or the natural world.

Alternatively styled as environmental history – “the study of human interaction with the natural world over time, emphasising the active role nature plays in influencing human affairs and vice versa”.

For me, the most interesting aspect of ecology as a subject in history is “the environment as an active agent in history, not just a passive stage, studying phenomena like natural disasters, climate change, and resource depletion”.

And the environment can be an active agent in history, indeed – for example, Kyle Harper’s The Fate of Rome proposes that Rome fell from climate and pandemic, adversaries entirely different and far more destructive than Rome’s human adversaries to which the fall is usually attributed.

“The subject matter of environmental history can be divided into three main components” – the first as nature itself and its change over time or impact on humans, the second as the human use of and impact on nature, and the third as how people think about nature over time, “the way attitudes, beliefs and values influence interaction with nature, especially in the form of myths, religion and science”.