Top Tens – History (WW2): Top 10 Second World Wars (Special Mention) (15) Philippines – War of Occupation & Resistance

US propaganda poster 1942-1943, Franklin D. Roosevelt Presidential Library and Museum / US National Archives & Records Administration – public domain image

 

 

(15) PHILIPPINES – WAR OF OCCUPATION & RESISTANCE

(1941-1945)

 

The fighting Filipinos!

The role of the Philippines in the Pacific War has always struck me as similar to that of Poland in Europe. While not playing the same role as casus belli – which is more properly assigned to Pearl Harbor – it was effectively the front line or ground zero for commencement of the war, and then a center of resistance behind the lines of occupation in that war.

Indeed, the parallel with Poland continues in that, similar to the Anglo-French planning that effectively foresaw writing off Poland to liberate it after German defeat, so too did American planning effectively to write off the Philippines.

As I understand it, particularly from my reading of Ronald Spector’s The Eagle Against the Sun, while War Plan Orange – the original American plan for war against Japan which was largely followed in the actual war – did not explicitly plan to abandon American and Filipino forces in the Philippines, its hope for those forces to hold out on their own until relieved by the American naval counter-offensive was unrealistic.

As it turned out, whatever hope there was of the forces in the Philippines holding out on their own, it was dashed first by the naval losses at Pearl Harbor and then, through bad luck and timing, the loss of US aircraft at Clark Field from Japanese attack in the Philippines itself. The loss of air cover forced the retreat of the American Asiatic Fleet from the Philippines, so that American forces were effectively left stranded without air or naval support except for the limited use of American submarines.

The doomed American campaign from 8 December 1941 to 8 May 1942 to defend the Philippines from the Japanese invasion, with its famous landmarks of Bataan (with the infamous Bataan Death March of American prisoners by Japan that followed) and Corregidor, may be the stuff of heroism but is more properly considered as part of the Pacific War.

Equally, the victorious American campaign from 20 October 1944 to 15 August 1945 to return to and liberate the Philippines is also more properly considered part of the Pacific War.

However, in the two and a half years between those two campaigns was the war of resistance in the Philippines. Indeed, the war of resistance in the Philippines overlapped with both. Significant parts of the resistance came from American or Filipino forces that escaped or did not surrender in the 1941-1942 campaign and instead led or fought as guerillas against Japanese occupation.

Among other American commanders, General MacArthur, who had been ordered to leave his command in the Philippines by submarine, maintained a keen interest in the maintaining or supplying the resistance there, consistent with his declaration that he would return – and indeed, the resistance would also play its part in preparing the ground by sabotage and other means for the 1944-1945 campaign.

The resistance in the Philippines was of no more small scale or effect. “Postwar studies estimate that around 260,000 people were organized under guerilla groups, and that members of anti-Japanese underground organizations were more numerous”. Also, such was their effectiveness that Japan only controlled the key or major islands in their occupation, with their control of the countryside or smaller towns often tenuous at best – “of the 48 provinces, only 12 were in firm control of the Japanese”.

Ironically, some Japanese soldiers took a leaf from the Filipino resistance, with the notorious Japanese holdouts on more remote islands throughout former occupied territory after the Japanese surrender. Many of them, as individuals or in groups, were in the Philippines. Only in Indonesia did one confirmed Japanese soldier endure longer – holding out to 1974! – but unconfirmed reports persisted after that in the Philippines, with  the last report taken seriously by Japanese officials in 2005.

As for the Philippines, while their resistance received mixed or belated recognition from the US government, it at least bore fruit with the US honoring its commitment from 1935 for the independence of the Philippines in 1946.

 

RATINGS: 4 STARS****

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Top Tens – TV: Top 10 Fantasy & SF TV (6) SF: Black Mirror

 

(6) SF: BLACK MIRROR
(2011 – PRESENT: SEASONS 1-6)

*

Black Mirror – the cyberpunk Twilight Zone of the twenty-first century!

Okay, that cyberpunk label may be overstating it, but it certainly is a series of dark and satirical twists in the tale of the unanticipated or unintended consequences of technology and social media in modern society – or, in the words of series creator Charlie Brooker, “the way we might be living in 10 minutes’ time if we’re clumsy.”

It is an anthology series with no continuity between episodes – each episode has a different cast, a different setting or even a different reality, so you don’t have to watch them in order. Personally, I’d recommend starting with the later seasons and working your way backwards – particularly as the very first episode doesn’t extrapolate so much on technology or social media and can be a little confronting (although unforgettable – let’s just say you won’t feel about pork the same way again).

As for the premise and title of the series, it’s back to Charlie Brooker:

“If technology is a drug – and it does feel like a drug – then what, precisely, are the side effects? This area – between delight and discomfort – is where Black Mirror, my new drama series, is set. The ‘black mirror’ of the title is the one you’ll find on every wall, on every desk, in the palm of every hand: the cold, shiny screen of a TV, a monitor, a smartphone.”

 

FANTASY OR SF?

 

SF, as per its title premise – among the least fantasy of my Top 10 Fantasy & SF TV Series.

 

HORROR

 

As is typical for dystopian SF, it has a few borderline horror elements.

 

RATING: 4 STARS****
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Top Tens – History (WW2): Top 10 Second World Wars (Special Mention) (14) Anglo-Soviet Invasion of Iran & Iran Crisis

Map legend shows origins and direction of Russian and British attacks as the two nations invade Iran to protect oil fields from sabotage by German agents who they claim have infiltrated there – Iowa City Press Citizen Newspaper Archives August 26, 1941 Page 1 (public domain image)

 

 

(14) ANGLO-SOVIET INVASION OF IRAN & IRAN CRISIS

(1941-1946)

 

Another part of the Middle Eastern theater that everyone forgets about when it comes to the Second World War. Following on the heels of Britain’s successful campaigns in Iraq and Syria, as well as the new Anglo-Soviet alliance in the wake of Operation Barbarossa, Britain and the Soviet Union jointly invaded and occupied the neutral state of Iran in the six days from 25 August 1941 to 31 August 1941.

Britain invaded from Iraq to the west while the Soviet Union invaded from its border to the north. Hopelessly outmatched, Iran largely did not oppose the Anglo-Soviet invasion and surrendered on 31 August 1941.

Its primary purpose was to secure Allied supply lines to the Soviet Union – and indeed the so-called Persian Corridor turned out to be the most reliable route for Lend-Lease aid to the Soviets.

Other purposes included securing the Iranian oilfields – although the Middle East in general had a lot less prominence for oil during the war than it was to have later – as well as blocking German influence in Iran (understandably enough from the Iranian perspective of a history of being stood over by Britain and Russia) or pre-empting an Axis through Turkey (and later the Caucasus), albeit unlikely.

Not pictured among those purposes – concern for what was, after all, a neutral nation, or for the effects of the occupation on Iran, which manifested primarily in that recurring handmaiden of both British and Soviet empires, famine, with the disruption of food supplies and transport.

For their part, the Soviet Union and Britain signed a treaty with Iran ruling that Iran was not to be considered occupied by the Allies, but in alliance with them. They also declared that they would remain in Iran until six months after the end of the war. Once in the war, the Americans were also drawn into Iran, helping to man the Persian Corridor (and providing Lend-Lease to Iran itself) while effectively guaranteeing the Anglo-Soviet withdrawal from Iran after the war.

That led to the Iran Crisis in 1946 – the first crisis of the Cold War and one in which the Americans succeeded in forcing the Soviets to back down. While the British withdrew according to schedule after the war, the Soviets did not – refusing to relinquish their occupied territory, and worse, supporting pro-Soviet separatist states of the Azerbaijan’s People’s Government and the Kurdish Republic of Mahabad.

Those states actually fought against Iran, but ultimately intense pressure from the United States forced Soviet withdrawal and the dissolution of the Azerbaijani and Kurdish separatist states.

 

RATINGS: 4 STARS****

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Top Tens – Film: Top 10 Fantasy & SF Films (6) Fantasy: Excalibur

Nigel Terry as King Arthur in the 1981 film Excalibur directed by John Boorman – still the best cinematic adaptation of Arthurian legend

 

 

(6) FANTASY: EXCALIBUR

(1981)

 

“Forged by a god

Foretold by a wizard

Found by a king…

Excalibur!”

 

Yes – that’s the cheesy blurb from the theatrical release poster.

Yes – the film itself can be cheesy at points, or messy, reflected by Roger Ebert calling it both a wondrous vision and a mess.

Yes – it conflates various elements of Arthurian legend, although perhaps necessarily so for adaptation to film and not unlike the adaptations made by the various texts of Arthurian legend. In particular Perceval does some heavy lifting here, conflating in his character (at least) the roles of Galahad and Bedivere in Arthurian legend. He’s not the only one – the film also conflates Morgana and Morgause.

I know all these things but I still love it anyway. I can trace my fascination for and love of Arthurian legend directly to this one film.

 

For mine is the grail quest –

round table & siege perilous

fisher king & waste land

bleeding lance & dolorous stroke

adventurous bed & questing beast

 

And most of it is here. Well, except for the questing beast. Arthur Pendragon himself, the once and future king. His flawed father Uther. The wizard Merlin, played by Nicol Williamson in arguably the film’s best performance. The Lady in the Lake. The titular Excalibur, conflated here with the sword in the stone. Queen Guinevere. The enchantress Morgan Le Fay, conflated with Morgause as the mother of usurper Mordred. The knights of the Round Table – most famously Lancelot but also Gawain and Perceval. The Holy Grail. Avalon – and so on.

That’s of course just the characters – despite its limited budget, the film’s cast is a veritable who’s who of actors who would rise to stardom. Helen Mirren. Liam Neeson. Patrick Stewart. Gabriel Byrne. Ciaran Hinds.

Then there’s its visual style and lighting, used to best effect to convey the ethereal nature of the mythic (and mystical) otherworld that overlaps with our own throughout Arthurian legend. Apparently there’s a study by Jean-Marc Elsholz that “demonstrates how closely the film Excalibur was inspired by the Arthurian romance tradition and its intersections with medieval theories of light, most particularly in the aesthetic/visual narrative of Boorman’s film” – and I’d say it shows.

And the music! It’s again used to much the same effect for the ethereal otherworld, but also for the heroic scenes of battle – I can trace my love of Carl Orff’s Carmina Burana to this film, even if I was disappointed to subsequently learn that work is essentially about drunk monks singing.

Intriguingly, the film apparently started as an unproduced adaptation of The Lord of the Rings – and it makes me wonder what director John Boorman might have done with that property. Perhaps not quite as good as the Jackson film trilogy but I’d be prepared to bet it would have been the next best thing.

As it is, the film is still the single best cinematic or screen adaptation of Arthurian legend, although Monty Python and the Holy Grail comes in a close second. Although that may also say something about the adaptability of Arthurian legend, particularly to the sensibilities of modern directors or producers of film and television – and that it takes something like lightning in a bottle for a director such as Boorman (who after all made films such as Zardoz) to make it work.

 

FANTASY OR SF?

 

Fantasy obviously. The film that is most fantasy in my top ten fantasy or SF films – not a shred of SF to be seen here.

 

HORROR

 

As with much mythology or legend, there’s elements reminiscent of horror, although perhaps less so than in the Arthurian legend from which it was adapted. .

 

RATING: 4 STARS****

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Top Tens – History (WW2): Top 10 Second World Wars (Special Mention) (13) Anglo-Iraqi War

Map of Iraq during WWII by Kirrages for Wikipedia “Anglo-Iraqi War” under license https://creativecommons.org/licenses/by-sa/3.0/deed.en

 

 

(13) ANGLO-IRAQI WAR

(1941)

 

Everyone forgets about the Middle Eastern theater in the Second World War. Granted, it wasn’t much of a theater in terms of actual fighting, but that was because Britain moved quickly behind the scenes to secure the Middle East under its control – behind the scenes that is, of Britain’s defeats fighting Germany elsewhere in the Mediterranean at the same time.

One part of that was the British taking over Syria from the Vichy French government in the successful Syrian campaign in June-July 1941. However, before that was the Anglo-Iraqi war in May 1941 which was the central part or ground zero of the Middle Eastern theater – not least because it then enabled (and led to) both the Syrian campaign as well as my next special mention entry.

Britain had taken over Iraq from the former Ottoman Empire, ostensibly as a mandate under the League of Nations, but effectively in real terms as a colony or protectorate. Iraq nominally became independent in 1932 but the British had been careful to lock in a pro-British government with the Anglo-Iraqi Treaty of 1930.

Iraqi nationalists as well as the Axis nations of Germany and Italy saw the opportunity of the war for a coup to oust the pro-British government in April 1941. As usual, German political diplomacy and material support counted for little beyond the effective projection of its military power, although it (and Italy) did supply material and even aircraft through Vichy French Syria (hence the subsequent Syrian campaign).

If it’s one thing Britain could still do well, even at this late stage of empire, it was to crush colonial revolts – which it did by quickly mobilizing forces from the neighboring parts of its empire, notably including Indian troops, and stamping out the Iraqi coup in four weeks from 2 May 1941 to 31 May 1941.

Thereafter, Iraq served Britain as its base of operations within the Middle Eastern Theater.

 

RATING: 4 STARS****

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