Top Tens – Film: Top 10 Comics Films (4) Guardians of the Galaxy

 

 

(4) GUARDIANS OF THE GALAXY

(2014-2023: GUARDIANS OF THE GALAXY 1-3)

 

Marvel Comics got cosmic, baby, with The Guardians of the Galaxy.

 

And it’s particularly striking that this film works as well as it does – given that it takes an ensemble from Marvel Comics C-list roster into its equally bizarre and eclectic cosmic setting. I tend to stay aware of a wide range of comics (albeit more so outside the DC / Marvel mainstream) and I hadn’t heard of the Guardians (although I was aware of elements of Marvel’s cosmic setting).

How does it work so well?

Well, there’s that cosmic setting with its visual effects.

There’s the funky sixties and seventies soundtrack on its protagonist’s impossibly durable mixtape (and for which he is prepared to risk death)

There’s Chris Pratt’s charismatic and comedic performance as the protagonist Peter Quill or Star-Lord (although the latter doesn’t quite catch on as well as he would like, much to his disappointment) – with such highlights as dancing off the villain.

There’s Zoe Saldana’s Gamora, with my personal favorite highlights including when she proclaims their heroism “we’re just like Kevin Bacon” (from a reference by Quill to Footloose) – and when she dances, ever so slightly, at the end (after rejecting the idea of dancing – prompting Quill’s Footloose reference).

There’s Dave Batista’s incredibly literal-minded Drax the Destroyer. (“Nothing goes over my head – my reflexes are too fast”).

There’s Bradley Cooper’s voiced (and spotlight-stealing) Rocket Racoon.

And then there’s Groot. Just Groot. I love Groot. Vin Diesel-voiced three-worded vocabulary tree-thing Groot. While the rest of the Guardians start off as rogues at best, Groot is the innocent and true hero amongst them – with a heart at big as he is.

And it’s turned into a cosmic comics space operatic franchise with two sequels in 2017 and 2023 – perhaps not as fresh as the first, but more psychedelic

 

RATING:

A-TIER (TOP TIER)

Top Tens – Mythology: Top 10 Mythologies (Special Mention: Revised) (9) Giants

David and Goliath, 1888 lithograph by Osmar Schindler – public domain image

 

 

(9) GIANTS

 

“There were giants on the earth in those days” – Genesis 6:4

Giants, titans or cyclopes, oni or Fomorians. The archetypal fire and frost giants of Norse mythology – to which Dungeons and Dragons added hill, stone, cloud and storm giants. The Biblical Nephilim as well as Goliath. Overlapping with ogres and trolls.

If you’re picking up a parallel with my special mention for dragons, that’s because giants and ‘giant-kin’ (a term borrowed from Dungeons and Dragons) are similarly ubiquitous or near universal in myth and folklore, typically as monstrous antagonists to humanity or even the gods themselves. Indeed, giants loom larger (heh) as the latter than dragons – hence the Gigantomachy or Gigantomachia or war between the giants and the gods in classical mythology, escalating to giants as apocalyptic beings in Norse mythology.

“Legendary creatures that resemble human beings but super-sized and often incredibly strong…these creatures may range in size from around 7 feet (the average size of the tallest real life humans), to truly colossal proportions.”

Similarly to dragons, giants in myth or folklore could well be the subject of their own top ten list, including their various elements, tropes and types – not to mention the elements, tropes and types of those important divine and human interactions with them, divine gigantomachy and human giant-killers.

However, giants differ somewhat from dragons, with the latter’s broad dichotomy between ‘western’ and ‘eastern’ dragons, with the former tending towards malevolence or demonic entities, and the latter towards benevolence or divine entities. For giants, the dichotomy between benevolent and malevolent giants occurs within ‘western’ giants (and indeed I only have superficial knowledge of giants in non-western or eastern myth or folklore), albeit leaning heavily towards the latter.

And again as with dragons, even their theories for their origin and ubiquitous presence in myth and folklore are fascinating and diverse.

The usual psychological theory is that “the profusion of Giants in mythology is usually attributed to memories of childhood (when adults tower over you), to the rivalry between young men and old men, and to medical conditions like gigantism that cause unusually tall stature”.

The more mundane archaeological or paleontological theory is tracing their origins to explaining (or mistaking) the bones of extinct megafauna or dinosaurs as those of giant humanoids. Along those lines, there’s the Gigantopithecus, “an extinct cousin of the orangutan” and “the largest primate to ever exist” standing at three meters tall on its hind legs, which did actually coexist with early humans.

Perhaps related to the above, “it wasn’t uncommon for cultures to describe the imposing ruins of older civilizations as having been built by bygone giants” – as with monumental or megalithic structures, as with the legends of the Giant’s Dance for Stonehenge. And of course monumental structures were often sculpted or drawn as giant figures. Sometimes the same legendary logic was used for natural structures as shaped by or originating from giants.

Yet again like dragons, a less obvious source for giants is that of the symbolism of natural or elemental forces – “gigantic peoples often feature as primeval creatures associated with chaos and the wild”.

Of course, truly gigantic humanoids in real life “would fall victim to the Square-Cube Law”.

 

RATING:

A-TIER (TOP TIER)

Top Tens – Tropes & Other: Top 10 Ape Theories & Theses of Human Evolution (Special Mention) 1-5

Ape skeletons – public domain image in Wikipedia “Human Evolution”

 

 

TOP 10 APE THEORIES & THESES OF HUMAN EVOLUTION (SPECIAL MENTION)

 

I’ve compiled my Top 10 Apes – not for my top ten species or types of apes, but for the use of the word ape as a trope, for which humans are the ape. That is, a trope used for naming theories or theses of human evolution – an idea for a top ten which struck me when I realized just how many had ape in their name or title.

 

And yes – I had to stretch my subject of ape theories and theses for human evolution to round out my top ten, but I’ll stretch it out even more for my usual twenty special mentions for various aspects of human evolution.

 

 

(1) WALKING APE (BIPEDALISM)

 

My ape title for human bipedalism, which has been the subject of several theories for its evolution – “There are at least twelve distinct hypotheses as to how and why bipedalism evolved in humans, and also some debate as to when”.

 

(2) RUNNING APE (ENDURANCE & PERSISTENCE)

 

As the saying goes, you have to walk before you can run – and the walking ape leads naturally to the running ape or the endurance running hypothesis – “a series of conjectures which presume humans evolved anatomical and physiological adaptations to run long distances…proponents of this hypothesis assert that endurance running served as a means for hominins to effectively engage in persistence hunting”

 

(3) GRASPING APE (POWER & PRECISION GRIP)

 

Alternatively, the gripping ape – the evolved power and precision grip of the human hand (including the ulnar opposition or contact between the thumb and little finger), “underlying all the skilled manipulations”, as well as the act of throwing.

In tabletop game terms, humans maxed their dexterity and intelligence stats.

 

(4) GAZING APE (COOPERATIVE EYE)

 

My ape title for the cooperative eye hypothesis – “a proposed explanation for the appearance of the human eye…that the eye’s distinctive visible characteristics evolved to make it easier for humans to follow another’s gaze while communicating or while working together on tasks.”

That is, humans have eyes with white or unpigmented sclera (for distinct color contrast between the sclera and the iris or pupil), as well as eyes that are larger in proportion to body size – “among primates, humans are the only species where the outline of the eye and the position of the iris can be clearly seen in each individual”.

 

(5) CHATTERING APE (COMPLEX LANGUAGE)

 

It’s not for nothing that the final episode (and chapter) of David Attenborough’s Life on Earth for humanity is called The Compulsive Communicators – with the evolution of complex language as the distinctive feature of humans.