Top Tens – Comics: Top 10 Comics (Special Mention) (8) Hellblazer

Classic Hellblazer art by Phil Hale depicting the character in his signature trenchcoat and smoking pose (fair use)

 

 

(8) HELLBLAZER (1988-2013, 2019-2020, 2024)

 

“I’m the one who steps from the shadows, all trenchcoat and cigarette and arrogance, ready to deal with the madness. Oh, I’ve got it all sewn up. I can save you. If it takes the last drop of your blood, I’ll drive your demons away. I’ll kick them in the bollocks and spit on them when they’re down and then I’ll be gone back into darkness, leaving only a nod and a wink and a wisecrack. I walk my path alone… who would walk with me?”

THE DC Vertigo series – and certainly longest running series – and virtual anthology of the best writers in comics, all writing the titular character, including my favorite writers from ‘British Invasion’ of American comics (and from 2000 AD).

The titular Hellblazer, John Constantine, originated with one such writer, Alan Moore, in his Swamp Thing – with the intended appearance and British nationality of Sting. TV Tropes sums him up best – a “con man, occult detective, gambler and magician of ill repute” who “tangled with Hell, Heaven, the police and the criminal underworld”. John Constantine may not have been the origin of the occult detective trope, but he codified it, particularly of the trenchcoat variety, and various other figures of contemporary fantasy have followed in his occult detective footsteps – Harry Dresden, John Taylor and Sandman Slim amongst others.

What more do you need to know? Read the damned thing, already!

Top Tens – Comics: Top 10 Comics (Special Mention) (7) Junji Ito – Tomie

Tomie complete hardcover deluxe edition published by VIZ Media LLC 10 January 2017 (fair use)

 

 

(7) JUNJI ITO –

TOMIE

 

Yes, I’m including manga in special mentions otherwise of American or European comics – just because of Junji motherfreaking Ito!

You never forget horror manga artist and writer Junji Ito once you’ve seen his work, either in their original form or in their screen adaptations. It’s horror that operates as horror because it is weird and disturbing.

“Ito’s work consists of many subgenres of horror, mainly being host to the subgenres of body horror and cosmic horror. Much of his work is based solely in them, with other themes including a relationship of predator to prey, a loss of humanity, apocalyptic scenarios, and obsession being common. The universe Ito depicts is cruel and capricious; his characters often find themselves victims of malevolent unnatural circumstances for no discernible reason or punished out of proportion for minor infractions against an unknown and incomprehensible natural order.”

If I am to pick one Ito work above all others, it has to be Tomie – the recurring immortal girl that drives men to madness and keeps coming back even if you kill her.

Top Tens – Comics: Top 10 Comics (Special Mention) (6) Morning Glories

 

 

(6) NICK SPENCER –

MORNING GLORIES (Image Comics 2010 – ?!)

 

“What did you see when your eyes were opened?”

Well, for one thing, I saw Morning Glories, an ongoing series from Image Comics that had me enraptured from the first issue I read. In the tagline of its writer Nick Spencer, it’s Runaways meets Lost (without the ending of the latter, or indeed any ending at present).

In my eyes, it’s as if the Illuminati had a high school – or perhaps more aptly, since it is referenced by name, as if Grant Morrison’s Invisibles had a high school. Or if Night Vale WAS a high school, given that it has one. Indeed, Nick Spencer shows a positively Morrisonesque flair for twists and turns of storyline, at times even coming close to Morrison’s unrivalled hand at those fabulous comics one-liners or that juxtaposition of word and image.

The Morning Glories (or just Glories) is the nickname for the protagonist group of six new students, selected for the prestigious Morning Glory Academy – selected, that is, for a very particular and peculiar set of selection criteria. Which may or may not explain that they all seem to manifest mysterious abilities or future selves, and that they all seem to have dark or strange pasts (including – perhaps – the occasional homicide).

It doesn’t explain why the location of the school is kept mysterious by drugging each new student before arrival – or why their parents don’t even seem to remember their very existence when they call them from the school (with one notable exception, which necessitates the most unfortunate consequences). It certainly doesn’t explain the “mysterious and shadowy purpose of this dizzying boarding school of horrors”, which remains mysterious and shadowy except only that it seems to be the tip of a global conspiracy – or conspiracies.

Not to mention the other paranormal phenomena or time travel within and without its walls. (In one of my favorite Morrisonesque one-liners from the series, a student enquires as to the trippy design of a time machine – “Who built it?” “You did” is the reply).

Nor does it explain the sadistic faculty staff, led by the unseen headmaster behind the scenes – who don’t hesitate to resort to progressive mind control techniques, extreme physical discipline and the occasional sacrifice.

After all, it’s “for a better future” and we all have to make sacrifices. Literally.

 

RATING: 

A-TIER (TOP TIER)

Top Tens – Comics: Top 10 Comics (Special Mention) (5) Bill Willingham – Fables

Wraparound cover art by Adam Hughes for the Fables spinoff Fairest in 2012, showcasing the female characters from the series (fair use)

 

 

(5) BILL WILLINGHAM –

FABLES (2002-2015 & 2022-2024)

 

The series is summed up by the title of its opening issue – Legends in Exile.

All myths are true. Characters from fairy tales and folklore, the titular Fables, are real – and are living in New York! New York City, that is, for the human Fables – non-human Fables (or those who can’t magically transform themselves into humans) are still in New York but upstate not the city, in “the Farm”. Refugees from their own story worlds or Homelands, driven into our non-magical or Mundane world to escape the inexorably expanding empire of the multiverse-conquering Adversary.

A little like the TV series Once Upon a Time for those who saw that series, only with more depth. There are some intriguing aspects that only get deeper the further you go. The Fables often use or weaponize their storied attributes as superpowers – including immortality and to some extent invulnerability based on the popularity of their stories, although whether the latter is the case is debated by the Fables themselves. My favorite aspect is how some Fable characters are the same recurring archetypal character across stories – such as Jack, representing all fairy tale or nursery rhyme Jacks, who as we see in his spinoff series Jack of Fables does deals with all the different devils of fairy tales and folklore.

 

RATING:

A-TIER (TOP TIER)

Top Tens – Comics: Top 10 Comics (Special Mention) (4) Pat Mills – Requiem Vampire Knight

Poster and cover art for the series showcasing the sumptuous art by Olivier Ledroit as well as everyone’s favorite character from the comic, Claudia, so much so that she got her own spinoff series (fair use)

 

 

(6) PAT MILLS –

REQUIEM VAMPIRE KNIGHT (2000 – PRESENT)

 

The Franco-British comic Requiem Vampire Knight – or French title Requiem Chevalier Vampire – by British writer Pat Mills and French artist Olivier Ledroit is exactly what is says on the tin – the protagonist Requiem is, ah, a vampire knight (or chevalier).

The intriguing part is that it is posthumous fantasy of the darkest kind – I am a fan of posthumous fantasy or fantasy set in the afterlife, and that’s before you throw in Mills’ characteristic blackly comic misanthropy. Life sucks and the afterlife sucks more. Literally. The protagonist, a German soldier from the Second World War, is killed on the Eastern Front only to find himself in the posthumous fantasy setting known as Resurrection – a literally hellish inversion of Earth in which land and sea are reversed (with seas of perpetual fire in the place of the terrestrial continents) and whose resurrected inhabitants age in reverse, growing younger into infancy (and beyond into non-existence) with fading memories. Worst of all, the more evil one was in life, the better they are rewarded in Resurrection as various classes of monster, with the vampires as the elite aristocracy (populated by such characters as the historical Dracula, Nero, Caligula and Attila the Hun) and former innocent victims as the lowly lemures, “outcasts at best and food or entertainment at worst”. The protagonist finds himself resurrected as the titular vampire knight – but still plagued by a conscience, particularly towards the love of his former life, the Jewish Rebecca, now a lemure (a term borrowed from Roman mythology) bent on her ticket out of Resurrection (‘expiring’ her former tormentor).

In the words of TV Tropes, “an age-old adage was that, if you were bad in life, when you died it generally got worse. Nowhere is this idea more assaulted, mugged, curb-stomped and left for dead face-down in a rancid gutter than in the world of Résurrection, the brainchild of Pat Mills and illustrated in excruciatingly loving and gory detail by Olivier Ledroit”.

 

RATING:

A-TIER (TOP TIER)

Top Tens – Comics: Top 10 Comics (Special Mention) (3) Calvin & Hobbes

Cover of Calvin and Hobbes, the first collection of comic strips published by Andrews McMeel Publishing in 1987 (fair use)

 

 

(3) BILL WATTERSON –

CALVIN & HOBBES (1985-1995)

 

Goddamn I love that tiger!

 

“One of the most (maybe the most) beloved newspaper comics of all time, that influenced, changed and thrilled an entire generation, all drawn and written by one man — Bill Watterson…Watterson reminded us that newspaper comics don’t have to be bland, crude drawings, funny animals can have deeper personalities and insights in life, and that it was still possible for a strip to successfully explore philosophical themes without feeling tacked on. And yes, comics about children can still be great”.

Also (as noted by TV Tropes) – unpredictable panel layouts, surreal nature, childhood fantasy elements, lush art, adventure, vivid characterization, satire, classic cartoon slapstick and a gently comedic look at the hard truths of life.

Calvin is a precocious 6-year-old, who lives in rich world of imagination – personified (or is that tiger-ified) by Hobbes, his (imaginary – or is he?) best friend, a “walking, talking tiger” to Calvin and an inanimate plush toy to everyone else (and intriguingly of different appearance from his animate appearance to Calvin).

Amusingly, Calvin and Hobbes were named for the sixteenth century theologian John Calvin and sixteenth century philosopher Thomas Hobbes respectively – pointing to the philosophical themes of the comic.

Arguably Calvin embodies the child in every adult, while Hobbes represents the adult in every child – particularly with the latter tending to act as the voice of reason and conscience to Calvin. Hobbes also has a thing for “babes”.

The fantasy – or reality – of Hobbes’ dual nature is one of the most appealing parts of the strip, as is the fantasy or reality of the titular duo’s many adventures and misadventures, but perhaps also (ironically) of least consequence – “Watterson has described the matter as being a non-question: This is not a strip about a young reality warper going on magical adventures with a stuffed animal that comes to life when no one else is looking, nor is it as simple as a boy with a stuffed tiger and an overactive imagination. This is a strip about the world seen through Calvin’s eyes. To Calvin, Hobbes is a real tiger, a cardboard box is a cloning device, a wagon driven off a ramp can fly to Mars, and mutant snowmen can stage a rebellion against their creator. And that is all that matters”.

I’m prompted to think of the play Harvey and its film adaptation as a spiritual predecessor, with its protagonist’s six-foot rabbit ‘imaginary friend’ Harvey playing the role of Hobbes:

“I’ve wrestled with reality for 35 years, Doctor, and I’m happy to state I finally won out over it. I always have a wonderful time, wherever I am, whoever I’m with”.

 

 

RATING: 5 STARS*****

S-TIER (GOD-TIER)

Top Tens – Comics: Top 10 Comics (Special Mention) (2) Asterix

Cover of the 1961 edition in English of Asterix the Gaul, the first volume in the series.

 

 

(2) RENE GOSCINNY & ALBERT UDERZO –

ASTERIX (1959-1979 – I’m only counting the ones written by both Goscinny and Uderzo up to Asterix in Belgium, the twenty-fourth volume in the series)

 

“The year is 50 B.C. Gaul is entirely occupied by the Romans. Well, not entirely… One small village of indomitable Gauls still holds out against the invaders. And life is not easy for the Roman legionaries who garrison the fortified camps of Totorum, Aquarium, Laudanum and Compendium…”

These Romans are crazy!

Asterix is the original source of my enduring love of comics – and my enduring fascination with the Roman Empire in classical or ancient history. It wouldn’t quite be true to say everything I know about the Roman world I learned from Asterix comics – as those comics inspired me to read more historical books on the Roman Empire and ancient history – but you could genuinely learn a lot about the Romans from them.

The basic premise is stated in the above introduction to each comic, accompanied by the famous map with a magnifying glass held up to show the titular protagonist’s village. (Asterix is also where I learned about the battle of Alesia, in which Julius Caesar defeated the Gallic chieftain Vercingetorix and conquered Gaul – a detail that recurs in a number of comics). This small but plucky village has withstood the vast numerical and military superiority of the Roman empire by virtue of a magic potion that bestows superhuman strength brewed by its resident druid. (Yes, technically it’s the Roman Republic at that time but it had gained imperial control over most of the same territory, hence I’ll use empire in lower case).

Each comic then introduced the major dramatis personae from the village – foremost among them our small but plucky titular protagonist Asterix, but also his generously proportioned fellow protagonist Obelix (who always has superhuman strength because he fell in a cauldron of magic potion as a baby), the aforementioned druid Getafix, village chieftain Vitalstatistix and ill-tuned bard Cacofonix. Oh – and Obelix’s cute dog Dogmatix. As you can tell, the names of Gauls in the comic had humorous puns or plays on the suffix “-ix” – the Romans similarly with “us” and so on with other groups within the empire. That was indicative of the general wordplay and puns in dialogue as well as visual gags that made each comic a delight – “part of the appeal of the series is probably the variety of humor, which includes slapstick fight scenes, plenty of wordplay, thinly-veiled social commentary, and Iron Age and Roman antiquity versions of just about every European (and beyond) stereotype you can imagine.

I must admit to having a soft spot for the Romans, even though they were generally the antagonists – although perhaps not quite to the point of rooting for the empire, as our protagonist and his village were just too damn charming. Generally the Romans weren’t cast as evil villains – indeed the hapless legionaries in the camps surrounding the village strove to serve out their time by quietly trying to avoid any contact with the Gauls – although they could also be effective antagonists in their schemes to conquer or undermine the village. And it helped that the Romans were also typically lovable idiots – indeed like almost everyone else in the comic, including the protagonist villagers themselves, except of course for Asterix, Getafix and flashes of brilliance among other characters (Gauls or otherwise). Interestingly, one character not played as an idiot – indeed, played as a worthy adversary – was Caesar himself.

I also have to admit to a soft spot – widely shared by other fans – for the cameo appearances by the recurring band of small but persistently unlucky pirates, a parody of another comic series Barbe-Rouge (Redbeard) – unlucky, that is, in persistently encountering our protagonist duo, the point that they would desperately try to avoid “the Gauls”, even sinking their own ship.

The series was also distinguished by some of the best translations in comics ever – from the original French (of course) by writer Rene Goscinny – as well as some of the best caricature art from artist Albert Uderzo. Goscinny sadly died in 1977 and Uderzo took over the writing as well, although not quite with the same superb quality of writing in the eyes of fans such as myself – until he too sadly passed away only in March 2020.

 

RATING: S-TIER (GOD-TIER – OR IS THAT BY TOUTATIS TIER!)

Top Tens – Comics: Top 10 Comics (Special Mention) (1) Mad Magazine

The literal face of Mad Magazine – Alfred E. Neumann – on the October 1982 magazine cover parodying Time Magazine’s Man of the Year

 

 

(1) MAD (1952 – PRESENT)

 

What, me worry?

Ah – Alfred E. Neuman with his iconic gap tooth grin and catchphrase as Mad Magazine’s fictional mascot and cover boy. According to Wikipedia, he actually preceded Mad as a visual image in advertisements and a presidential campaign postcard for Roosevelt, although the magazine named him and converted his original appearance as an idiotic figure to a more mischievous devil-may-care trickster – “someone who can maintain a sense of humor while the world is collapsing around him”. Amusingly – given his origins from a presidential campaign postcard – Mad Magazine has proffered him periodically as a joke presidential candidate from 1956 onwards with the slogan “You could do a lot worse…and always have!”

I was raised on Mad. Indeed, it was hereditary – I inherited it from my mother, who had classic collections of Mad from when she was a teenager and passed them on to me when I was a teenager. (I’m not too sure her parents – my grandparents – were impressed by this subversive publication – they were pretty straightlaced). And it has been a huge influence on my sense of humor and worldview ever since, mirroring its wider influence on parody and satire in popular culture. If you want to understand me, know that Mad Magazine is etched deep within my psyche (paired with Catch-22 and as part of an eclectic kaleidoscope with The Devil’s Dictionary and TV Tropes):

 

The film and television parodies – particularly as drawn by Mort Drucker, possibly the finest caricaturist ever (sadly passed away on 9 April 2020).

Spy vs Spy! Featuring the titular literal black and white Cold War-eque spies (drawn as, ah, bird-like people things?) outwitting each other with traps within traps

Don Martin – Mad’s Maddest Artist! And his recurring Fonebone character!

Dan Berg and his “The Lighter Side of” slice of life cartoons!

Sergio Aragones – with his “A Mad Look At’ recurring features and his marginal doodles (or “Drawn Out Dramas”)!

The classic Mad Fold-Ins!

 

And so on. Nothing was sacred for Mad’s subversive satire and sense of humor – sacred cows make the best hamburger – “Mad’s satiric net was cast wide. The magazine often featured parodies of ongoing American culture, including advertising campaigns, the nuclear family, the media, big business, education and publishing. In the 1960s and beyond, it satirized such burgeoning topics as the sexual revolution, hippies, the generation gap, psychoanalysis, gun politics, pollution, the Vietnam War and recreational drug use”.

Robert Boyd from the Los Angeles Times summed up Mad Magazine for me as well as himself and other fans, with the apt line “All I really need to know I learned from Mad magazine” – “Plenty of it went right over my head, of course, but that’s part of what made it attractive and valuable. Things that go over your head can make you raise your head a little higher. The magazine instilled in me a habit of mind, a way of thinking about a world rife with false fronts, small print, deceptive ads, booby traps, treacherous language, double standards, half truths, subliminal pitches and product placements; it warned me that I was often merely the target of people who claimed to be my friend; it prompted me to mistrust authority, to read between the lines, to take nothing at face value, to see patterns in the often shoddy construction of movies and TV shows; and it got me to think critically in a way that few actual humans charged with my care ever bothered to.”

And it forever tainted the way I view films and television – much as it did critic Roger Ebert:

“I learned to be a movie critic by reading Mad magazine … Mad’s parodies made me aware of the machine inside the skin—of the way a movie might look original on the outside, while inside it was just recycling the same old dumb formulas. I did not read the magazine, I plundered it for clues to the universe”.

 

RATING: 5 STARS*****

S-TIER (GOD-TIER)

Top Tens – Top 10 Girls of Comics (Special Mention)

Cover art of Batgirl 2011 / Vol 4 issue 35 by Cameron Stewart (published October 2014 by DC Comics)

 

Ah – the girls of comics, so many that I not only have my Top 10 Girls of Comics, but I’m spoilt for choice for my usual twenty special mentions I like to have for my top tens.

 

ART &  COSPLAY (MEDIA)

 

But first my standard note on the visual images used in these special mentions. Given the copyright in such images, I only use a visual image as fair use for the purposes of comment and review in each entry – a feature image to identify the character, either in general or in their most iconic version as I review it to be (or both), sourced only from published cover or feature art as cited, often which I review to be iconic of itself or which influenced my view of their most iconic version (or both).

I also include a special section in each entry under the subtitle of art and cosplay – not for any actual art and cosplay as such but instead where I nominate my favorite artists and cosplay models depicting the character, often as entries in a quick top ten on the spot, which you can look up for yourself. For art, I award a special ranking for any art by my two favorite artists – the two freelance digital artists Sciamano and Dandonfuga. For cosplay, I award a special ranking for any cosplay by my holy trinity of models – my favorite model Yummychiyo with her insane figure in top spot, followed by Hane Ame and Helly Valentine. I also have a ranking for appearances of the character in media if any – cinema and screen, noting my favorites. These may include further images as fair use for the purposes of comment and review of those media appearances.

As for the feature image I’ve chosen for this page, I chose the cover art of Batgirl – spoiler for one of my special mention entries – by Cameron Stewart for Batgirl 2011 / Volume 4 issue 35 published by DC Comics in October 2014. In my opinion, it’s become one of her most iconic cover art images, surprisingly demure while capturing something of her personality – and that of the girls of comics in general in this social media age.

 

 

Sheena Queen of the Jungle cover at by J.Scott Campbell

 

(1) JUNGLE GIRL & CAVEWOMAN

 

The Jungle Girl and Cavewoman are archetypal characters of fiction, particularly recurring in comics or fantasy – a female adventurer, superheroine or even damsel in distress in a jungle setting. Essentially, she’s the female equivalent of Tarzan.

She typically wears an animal fur bikini (leopard more often than not), the tropical equivalent of Red Sonja’s chain mail bikini (or female equivalent of Tarzan’s loincloth) and is armed with primitive weapons such as a knife or spear (instead of my jungle weapon of choice – a gun).

Interestingly, she also often tends to be blonde. She is also impossibly statuesque (like Tarzan) and even more impossibly well groomed (just like Tarzan always seems to be clean-shaven).

Very often, the Jungle Girl overlaps with the Cavewoman, finding herself in a prehistoric or ‘lost world’ setting, typically (and anachronistically) with dinosaurs, because everything’s cooler with dinosaurs – such as Shanna She-Devil, resident in the Savage Land, Marvel Comics’ bizarro tropical lost world within Antarctica (?!)

Jungle Girls were the first superheroines in comics, predating even Wonder Woman with characters such as Sheena, Queen of the Jungle, continuing through to character’s such as Marvel Comics’ Shanna She-Devil and beyond.

And there is also a titular Jungle Girl (published by Dynamite Comics), featuring its protagonist Jana Sky-Born, as well as a titular Cavewoman comic. In the latter, protagonist Meriam Cooper at least has an explanation for her superhuman statuesque form – narratively in that it was apparently a side effect of the time travel back to the age of dinosaurs, and less narratively in that her creator Budd Root was influenced by Playboy comics. Time travel – is there anything it can’t do?

 

ART &  COSPLAY (MEDIA)

 

For my iconic feature image, I’ve firstly chosen the original – and arguably archetypal – jungle girl of comics, Sheena Queen of the Jungle, albeit in her revamped Dynamite Entertainment series, and secondly chosen the iconic cover art by J. Scott Campbell for the first issue of that series in 2017, perhaps the most iconic cover art of the series (rivalled only by Lucio Parrillo’s cover art for the series) or of any Jungle Girl.

 

ART

 

Sadly no Sciamano or Dandonfuga art – but there’s certainly art by some of my favorite artists in comics. Campbell and Parrillo of course, but also two artists whose signature art is either jungle girls or cavewomen – Frank Cho and Budd Root, the latter not just any cavewoman but the Cavewoman comic of that title.

 

COSPLAY

 

No holy trinity but two words – Lindsay Pelas, for the finest jungle girl cosplay ever.

 

The iconic film poster of Racquel Welsh in 1 Million BC. (It also was the final poster on the cell wall of Andy Dufresne when he escapes in The Shawshank Redemption – in a series of posters back to Rita Hayworth, as per the original title of Stephen King’s short story “Rita Hayworth and the Shawshank Redemption”.

 

MEDIA

 

Racquel Welch in One Million Years BC. That is all.

Well, perhaps not quite all but definitely the best and most iconic cavewoman in film.

 

There’s so many Jungle Girls and Cavewomen that I’ve done a separate top ten and special mentions for them!

 

Top 10 Jungle Girls & Cavewomen

Top 10 Jungle Girls & Cavewomen (Special Mention)

 

RATING:
A-TIER (TOP TIER)

 

Cover art by Michael Turner for Superman Batman Vol 1 #13 October 2004

 

(2) SUPERGIRL (DC 1958)

 

Supergirl was originally a derivative character of Superman – created to be a female counterpart of Superman in 1959. After all, an opposite gender counterpart is an easy way to double the potential of a character.

Supergirl has had various incarnations in different costumes – enough for a Top 10 Supergirls (including Power Girl).

“The most popular and enduring version of the character being Kara Zor-El, Superman’s cousin, who shares his super powers and vulnerability to Kryptonite”.

To some extent, Supergirl represented the start of Superman’s Silver Age silliness, the first crack in the wall of Superman’s status as sole survivor of Krypton, which expanded to let in a whole flood of survivors – Supergirl, Krypto the Super-Dog, Beppo the Super-Monkey (I’m not kidding – there was a whole Legion of Super-Pets), General Zod and other Kryptonian criminals in the Phantom Zone, the bottled city of Kandor (again I kid you not), the entire city of Argo blown off-planet, and eventually the real parents of both Supergirl and Superman…

I mean – it gets to the point where I wonder if anyone actually died in the destruction of Krypton, or whether the entire population just moved to Earth. Or the Phantom Zone (come to think of it – why didn’t they just all move to the Phantom Zone, since it saved Zod and his colleagues?). Or Kandor, Argo and every other city or dimension DC Comics pulled out of its ass.

 

ART & COSPLAY (MEDIA)

 

As captioned, for my iconic feature image I’ve used the cover art of her by Michael Turner for Superman/Batman Vol 1 #13 – this and other art by Turner is among the most iconic art of her, if only for that steely blue gaze that he consistently depicted for her (and perhaps that distinctive midriff top).

 

ART – DANDONFUGA

 

Sadly no Sciamano art for her – as usual he tends to focus more on girls from video games or anime – but she does have Dandonfuga art, hence my Dandonfuga ranking.

Also art by comics artists Nathan Szerdy, J. Scott Campbell, David Nakayama and Artgerm among others, as well as art by Neoartcore.

AI shoutout to Naughty Neurals and Nho Eskape.

 

COSPLAY

 

There is an abundance of Supergirl cosplay given her popularity and distinctive costume – none by my holy trinity but fortunately recent cosplay by Kalinka Fox.

 

Australian actress Milly Alcock in a brief appearance as a drunk Supergirl at the end of James Gunn’s 2025 Superman film, setting up a larger role for her in the DC cinematic universe run by Gunn.

 

 

MEDIA

 

There have been a few Supergirl incarnations in film or television, with the highest profile one perhaps as that of Melissa Benoist in the 2015 Supergirl TV series which ran for six seasons. That is, until Australian actress Milly Alcock in her brief appearance as a drunk Supergirl at the end of James Gunn’s 2025 Superman film, setting up a larger role for her in the DC cinematic universe run by Gunn. What’s not to love?

 

 

Supergirl as she appears in the Harley Quinn animated series and her profile image in the fan wiki

 

 

I’m also a fan of her brief cameo in the Harley Quinn animated series, voiced by Lacey Chabert, where she uses her heat vision in a sideline of lasyk eye surgery.

 

 

RATING:
A-TIER (TOP-TIER)

 

Variant cover art of DC Comics Batgirl 31 by Artgerm (featuring the Barbara Gordon version of the character)

 

 

(3) BATGIRL (DC 1961)

 

Like Supergirl, Batgirl was originally a derivative character of Batman – and of similar vintage to Supergirl in 1961 as a female counterpart of him.

As Supergirl represented the start of Superman’s Silver Age silliness and proliferation of Kryptonian survivors, Batgirl similarly represented the start of Batman’s Silver Age silliness and proliferation of the so-called Batman Family or Bat Family. Batman readers have always had to deal with a proliferation of Robins (since the original Robin dated back almost as old as Batman himself, mainly to give Batman someone to talk to instead of interior monologues). Batgirl started to expand the Batman Family in a way that directly echoed the expansion of the Superman Family for obvious (and parallel) commercial reasons – Ace the Bat-Hound instead of Krypto the Super-Dog, and even Bat-Mite instead of Superman’s Mr Mxyzptlk. Just like Superman gets to the point where I wonder if everyone from Krypton moved to Earth, Batman gets to the point where I wonder if anyone in Gotham is not aware that Bruce Wayne is Batman.

Again like Supergirl, Batgirl has had various incarnations, enough for a Top 10 Batgirls (and yes – I’ll throw in Batwoman and Huntress), in different hair colors and costumes, with perhaps the former as more prominent. The most iconic Batgirl and certainly my Batgirl of choice is redhead Barbara Gordon, daughter of Batman’s ally Commissioner James Gordon.

 

ART & COSPLAY (MEDIA)

 

Hence as captioned my iconic feature image is the variant cover art of Barbara Gordon’s Batgirl by Artgerm for Batgirl 31, showcasing her distinctive costume and red hair. I understand he did at least a trilogy of such covers in this vein, featuring two other versions of Batgirl – the blonde Stephanie Brown and brunette Cassandra Cain.

 

ART – DANDONFUGA

 

Sadly no Sciamano art for her – as usual he tends to focus more on girls from video games or anime – but she does have Dandonfuga art, hence my Dandonfuga ranking. And how! Dandonfuga has done at least a couple of Batgirl pieces – and one of them is sizzling!

Also art by comics artists Nathan Szerdy, J. Scott Campbell, Keith Garvey, Mimi Yoon, Will Jack and Dawn McTeigue, as well as art by Neoartcore. Oh – and Cameron Stewart for the Batgirl cover art that is my feature image for this special mentions page itself.

 

COSPLAY

 

There is an abundance of Batgirl cosplay given her popularity and distinctive costume, but sadly none by my favorite cosplay models and certainly not my holy trinity of Yummychiyo, Hane Ame or Helly Valentine, alas!

 

 

Batgirl as she appears in the Harley Quinn animated series and her character profile image in the fan wiki

 

MEDIA

 

There have been a few Batgirl incarnations in film or television – perhaps most famously Yvonne Craig in the camp 60s TV series. I didn’t mind Alicia Silverstone as the character, although the less said about the film in which she played it the better. However the standout for me is the animated version of her in the Harley Quinn animated series, where she is voiced by Briana Cuoco, sister of Kaley Cuoco who of course plays the lead role of Harley Quinn.

 

RATING:
A-TIER (TOP TIER)

 

Hero Initiative charity auction art of Rogue and Psylocke, two of the most iconic and popular X-women, by J. Scott Campbell and David Nakayama respectively – auctioned off on bid for $15,100!

 

(4) X-WOMEN (Marvel 1963)

 

Special mention has to go to Marvel’s X-Women – the various female members of the X-Men and its offshoots.

Thanks to cinematic or screen adaptations, the premise of the X-Men is reasonably well known in popular culture – mutants living among us that became an analogy for civil rights in the 1960s when they were first written, with Professor X or Charles Xavier as Martin Luther King, and Magneto as Malcolm X (although I understand the parallel between Malcolm X’s moniker and the name of the X-men is just synchronicity).

And by mutants, we’re not talking mutations like a sixth finger or something, but dramatic and spectacular mutations in the nature of superpowers (and are essentially magic rather than anything resembling mutations in terms of scientific evolutionary theory). Also, as a general rule, no ugly mutations or mutations that detract from a supermodel appearance either, male or female, except (usually) for the more villainous side of the equation.

There is a bewildering proliferation of X-men teams and titles – starting when the original X-Men team was (mostly) replaced with new members in the 1970s, with the original team then becoming X-Factor or something. And then you have various offshoots or spinoffs – New Mutants, X-Force, Excalibur, Alpha Flight, Generation X (predictably), Exiles, X-Statix, and Deadpool to name only the higher profile or more prolific titles or teams. Not to mention solo adventures or titles for characters such as Wolverine, probably the most popular character from X-men continuity or at least the one most people know. It gets more bewildering yet with the proliferation of characters through the usual shenanigans of time travel in comics – with characters from the future (hello, Cable!) or effectively revived (or displaced) from the past.

Not surprisingly, there’s enough female characters or X-women for their own top ten (and some special mentions).

 

ART & COSPLAY (MEDIA)

 

As captioned my iconic feature image is art in collaboration by J. Scott Campbell and David Nakayama for the regular Hero Initiative charity auction raising money for comics creators or stores in need or trouble (via the Binc or Book Industry Charitable Foundation), selling for $15,100 on bid. It showcases two of the most popular and iconic X-women, Rogue by Campbell (one of the most iconic artists for X-men and X-women) and Psylocke by Nakayama – as well as the distinctive style of each artist, albeit I think Nakayama’s style is influenced by that of Campbell, like so many other artists in comics who have followed in Campbell’s footsteps.

Otherwise, I’ll note my favorite art and cosplay for each character in their individual entries.

I will however note my favorite incarnations of them collectively in media here, since it’s obvious and I’ve already made reference to it in the cinematic adaptation of them in the X-men films.

 

RATING:
A-TIER (TOP TIER)

 

Jessica Drew Spiderwoman art by J Scott Campbell for Marvel Comics

 

(5) SPIDERWOMAN & SPIDERGIRL (Marvel 1977)

 

There’s a few of them at Marvel…

Spiderwoman spun off (heh) from Spiderman – Marvel Comics’ major domo Stan Lee even admitted her creation was to secure the copyright for a Spiderwoman character. Like Supergirl (and Batgirl), Spiderwoman has had various incarnations – indeed, there has been a bewildering proliferation of Spiderwomen and Spidergirls, including alternate versions of both Spiderman’s most famous love interests, Mary Jane and Gwen Stacy. (Spider-Gwen! Obviously not her real superhero moniker – which is Ghost Spider – but her fan-name).

And yes – once again, there’s enough for a Top 10 Spiderwomen & Spidergirls.

 

ART & COSPLAY (MEDIA)

 

For my iconic feature image, I’ve used art of the original and arguably definitive Spiderwoman Jessica Drew by J. Scott Campbell for Marvel Comics – the art also showcases her costume, including a glimpse of the costume’s wings that it has like flaps (between arms and sides).

There’s not any notable live-action adaptations as yet – we do of course see animated versions in the Spiderverse films.

 

RATING:
A-TIER (TOP TIER)

 

 

Cover art by Marci Silvestri for Witchblade issue 68 published in September 2003 (and reused for Wizard World Conference art in 2006) – cropped for fair use (and they’re a little skimpy below the waist)

 

 

(6) GIRLS OF WITCHBLADE (Image / Top Cow 1995)

 

One of the signature ‘bad girl’ comics of the 1990’s and Image Comics’ Top Cow studio, relaunched in 2024.

The Witchblade is not a character but a thing – as per the name, a mystical (and sentient) gauntlet that ‘bonds’ with a female ‘host’ to become a magically powered ‘suit’.

With blades if you want. Or wings or whatever. But not too much actual suit to cover its female host’s body – because, you know, comics.

It’s bonded with various female figures throughout history – pretty much every badass female figure of note was a (secret) Witchblade. Not sure why Joan of Arc didn’t use it at the stake – or Cleopatra use it instead of the asp. (I’m not entirely sure Cleopatra was a Witchblade according to the comic lore – but Joan of Arc was).

For the original run of the comic, it was worn primarily by Sara Pezzini, NYPD’s most attractive homicide detective.

Not surprisingly, she scores top spot in my Girls of Witchblade but I’ll also give shoutout here to the Angelus as close second – again, not a character but a thing that bonds with a female host, essentially representing the power of light.

*

ART & COSPLAY (MEDIA)

 

It was a close call for art by Michael Turner – rest in peace – as one of her leading artists in her original comic in the 90s, not to mention the Eric Basaldua art I used as feature image for my Top 10 Girls of Comics or the J. Scott Campbell cover art for her 2024 relaunch.

However, I went with the iconic feature art by Marci Silvestri – from a variant cover for Witchblade issue 68 published in September 2003 (and reused for Wizard World Conference art in 2006) – for two reasons. One is that he was her creator (and the other leading artist along with Turner for the original comic in the 90s, with the two of them as arguably her best and most iconic artists). The other is that this art nicely showcased the two top girls of Witchblade – the Angelus (right – for whom Silvestri is also my favorite artist) and Sara Pezzini as the Witchblade (left).

 

ART

 

Sadly no Sciamano or Dandonfuga art but there’s enough art from my favorite comics artists for my top 10 on the spot Witchblade art (featuring the various girls of Witchblade but primarily Sara Pezzini and the Angelus) – the girls of Witchblade are not quite up there with Vampirella, Red Sonja or Lady Death as favorite subjects for pinup artists but they’re close:

 

1 – Marc Silvestri (as her creator and my iconic feature image, as well as particularly his art of Sara Pezzini and the Angelus)

2 – Michael Turner (as her leading artist in her original comic in the 90s)

3 – Eric Basaldua (for my iconic feature image – the one for my Top 10 Girls of Comics)

4 – J. Scott Campbell (for his relaunch cover art)

5 – Nathan Szerdy (as variant cover artist for the relaunch)

6 – Elias Chatzoudis (as yet another variant cover artist for the relaunch)

7 – David Nakayama (as cover artist)

8 – Stjepan Sejic (as another leading artist for her comic with it also being some of his best art – also notable for his art of Sara’s successor Danielle Baptiste)

9 – Frank Cho (for characteristic art)

10 – Randy Green (for some of my favorite portraiture art of Witchblade)

 

SPECIAL MENTION  – IMAGE (TOP COW)

 

All the cover art or artists for her Image Comics Top Cow title.

 

COSPLAY

 

Given the Witchblade costume for cosplay, it takes a certain quality to achieve it – and the only one of my favorite cosplay models to do so is Kalinka Fox, Witchblade and all.

Any one of my cosplay holy trinity could do it but sadly no cosplay from them.

 

Promotional concept art poster for a Witchblade film adaptation in 2008 for release in 2009 – sadly never produced

 

MEDIA

 

There was a television adaptation for two seasons in 2001-2002 (after a pilot film in 2000), as well as a 2006 anime adaptation with a new Witchblade character in a different style. The image I’ve used here was the promotional concept art poster for a 2008 film production scheduled for release in 2009 but sadly never produced – at least the poster art looked awesome!

 

RATING:
A-TIER (TOP TIER)

 

 

 

Liesel van Helsing and Robyn Hood in art by Keith Garvey for Zenescope

 

 

(7) GIRLS OF ZENESCOPE (Zenescope 2005)

 

Special mention has to go to the Girls of Zenescope Entertainment – Zenescope specializes in comics adapting public domain characters with a pinup art style for its covers, as with its flagship title Grimm Fairy Tales and its flagship cover girl Liesel Van Helsing. Close runners-up would be Robyn Hood and Sela Mathers, the latter as the flagship girl (and mysterious narrator) of Grimm Fairy Tales. But yes – there’s enough for a Top 10 Girls of Zenescope.

 

ART & COSPLAY (MEDIA)

 

Zenescope engages many of my favorite artists for its cover or post art, but perhaps the most iconic is Keith Garvey – hence my iconic feature image of Liesel van Helsing and Robyn Hood in their distinctive costumed appearance in art by Keith Garvey for Zenescope.

There is Zenescope cosplay but I’m not aware of any by my favorite models – nor any media adaptations.

 

RATING:
A-TIER (TOP TIER)

 

 

 

Cover of Empowered volume 1 by creator – artist and writer – Adam Warren

 

 

 

(8) GIRLS OF EMPOWERED (Dark Horse 2007)

 

In the words of artist and writer Adam Warren, “it’s a sexy superhero comedy (except when it isn’t)”

Empowered, the character and series, originated from commissioned ‘bondage’ sketches of a comics superheroine ‘damsel-in-distress’ – and to some extent continues as such, illustrated in Warren’s characteristic ‘manga’ influenced style. It’s a playful deconstruction of superhero comics tropes, particularly those involving female superheroes – with “healthy doses of bondage, fan-service and comedy”.

Empowered herself is a “plucky D-list superheroine”, who is precariously dependent on and constantly betrayed by the fragile, fickle source of her superpowers – her skin-tight ‘hypermembrane’ suit.

As a consequence, Empowered spends most of her time with her suit in tatters or various states of undress, bound and gagged by supervillains or even common criminals (in accordance with the unspoken code of conduct towards captured superheroines), a joke to her superhero peers and supervillains alike (albeit something of status symbol as arm candy to the latter).

As the series has progressed however, it has developed deeper, darker and longer story arcs – and Empowered has emerged as an increasingly formidable superheroine. And beyond Empowered, there are of course the other female characters in the comic. That’s right – a Top 10 Girls of Empowered!

 

ART & COSPLAY (MEDIA)

 

“Wait – it’s all Adam Warren?”

“Always has been”

 

Well, with the exception of the occasional guest artist – and even cosplay – but what do you expect given she was created by Adam Warren as artist and writer in his distinctive style from the outset? And what do you expect for my iconic feature image other than the first cover for Warren’s first volume of Empowered?

No media adaptation.

 

RATING:
A-TIER (TOP TIER)

 

 

Variant cover art by David Nakayma for volume 1 of Black Canary Best of the Best, a limited series published by DC Comics in 2024-2025

 

 

(9) BLACK CANARY (DC 1947)

 

The Canary Cry! Um, chirp – I guess?

It’s a little hard to take a superpower by the name of Canary Cry seriously – or for that matter a superheroine by the name of Black Canary, particularly when she’s part of a superheroine team by the name of the Birds of Prey. Has someone told DC Comics that canaries aren’t in fact raptors or birds of prey? I mean, canaries aren’t known for their fierceness – when I think of canaries, my first thought is of the proverbial canary in the coal mine, which is known for, you know, dying.

She was one of DC Comics earliest superheroines, with her debut in Flash Comics in 1947 – albeit as a backup character to a backup character, Johnny Thunder. Of course, she proved a lot more durable than Johnny Thunder. Who’s Johnny Thunder? Exactly.

From there, her history is convoluted – so convoluted that the character was effectively split between mother and daughter, Dinah Lance nee Drake and Dinah Laurel Lance respectively, However, apart from her romantic connection to Green Arrow, she has become most closely connected to Batman’s setting of Gotham and particularly the Gotham-based Birds of Prey.

You’ve got to admire a superhero who fights crime in a leotard and fishnet stockings, although she usually accessorizes with a jacket and occasionally has variant costumes. Of course, fighting crime in a leotard and fishnets is a little easier when you are a “prodigious hand-to-hand combatant”, as the modern Black Canary has been portrayed. She also has an actual superpower, the so-called Canary Cry – a high-powered sonic scream which can severely damage both inorganic and organic objects.

Chirp, indeed.

 

ART & COSPLAY (MEDIA) – DANDONFUGA

 

As captioned my iconic feature image is a variant cover by David Nakayama for for volume 1 of Black Canary Best of the Best, a limited series published by DC Comics – showcasing her classic costume of leotard and fishnets, as well as jacket and her sonic superpower.

She scores my Dandonfuga ranking for quite a few works of her by Dandonfuga. As usual for girls of comics, there’s no Sciamano art – but there is some art of her by Nathan Szerdy and Artgerm, as well as Nakayama.

There is cosplay of her but none by my holy trinity or other favorites (that I could find).

She has been adapted in film and television, but none that grab my fancy.

 

RATING:

B-TIER (HIGH TIER)

 

 

Sue Storm variant cover art by Stanley ‘Artgerm’ Lau for Fantastic Four #1 in the series relaunched by Marvel in August 2018 – he did one for each member of the team but I suspect Sue’s was the most popular (fair use)

 

 

(10) SUE STORM – FANTASTIC 4 (Marvel 1961)

 

The Fantastic Four was the first superhero team of Marvel Comics in 1961 (predating the X-men in 1963) and still remains one of their most iconic teams, although sadly without the successful cinematic adaptation of other Marvel titles (unless you count The Incredibles). Sue Storm is of course the leading lady of the Fantastic Four – and arguably, by extension, of Marvel Comics itself.

Like the rest of the Fantastic Four, Sue acquired her superpowers through a cosmic radiation storm, as opposed to dying horribly as in real life, but that’s superpowers in comics for you. Her superpower was originally a somewhat passive one of invisibility (by manipulating light) but subsequently extended to the more active one of projecting powerful energy fields.

Sue has recently received a big boost – not so much from yet another cinematic adaptation in 2025 but from the Marvel Rivals video game released at the end of the previous year, which featured her and other girls of Marvel in different styles. Hence, many girls of Marvel receive a big boost but some more than others – with Sue in the latter category, in art and cosplay from the game. Which brings me to…

 

ART & COSPLAY (MEDIA)

 

ART – SCIAMANO & DANDONFUGA

 

As captioned, my iconic feature image was the Sue Storm variant cover art by Stanley ‘Artgerm’ Lau for Fantastic Four #1 in the series relaunched by Marvel in August 2018 – it showcases her classic costume and power of invisibility.

Thanks to Marvel Rivals, she scores both Sciamano and Dandonfuga rankings for art of her from the game, the former a rare treat for girls of comics as Sciamano tends to focus more on girls of video games and anime. My other favorites for art of her are by Nathan Szerdy, Kikol Draws, Shannon Maer, and Blushy & Spicy.

AI shoutout to Penguih.

 

COSPLAY – HELLY

 

Marvel Rivals has also seen her score my Helly Valentine cosplay ranking, as well as cosplay of her by Tabitha Lyons.

 

 

Jessica Alba as Sue Storm cropped from a promotional image for the Fantastic Four film

 

MEDIA

 

Although I’m not particularly a fan of any of the cinematic adaptations, I was a fan of Jessica Alba as Sue Storm.

 

RATING:

B-TIER (HIGH TIER)

 

 

J Scott Campbell always drew the definitive Black Widow – as here on the variant cover of Black Widow 1 published by Marvel Comics 8 January 2014

 

(11) BLACK WIDOW (Marvel 1964)

 

International Woman of Mystery!

Everyone’s favorite black leather skintight catsuit clad heroine of Marvel Comics – the Soviet femme fatale equivalent of Captain America.

Originally a Soviet spy and antagonist to Iron Man (who in turn originated as a cool capitalist anti-communist superhero), but she subsequently defected and joined the Avengers.

However, Black Widow is actually a spy codename for more than one character in Marvel Comics, although redhead Natalia Romanova / Natasha Romanov is better rather than her blonde successor Yelena Belova.

 

ART & COSPLAY (MEDIA)

 

J Scott Campbell always did drew the definitive Black Widow – as he did for women in catsuits in general as well as the variant cover of Black Widow 1 published by Marvel Comics 8 January 2014 for my iconic feature image.

 

ART – DANDONFUGA

 

Like Zatanna in my previous special mention entry, we’re out of top ten on the spot territory but we’re still in Dandonfuga ranking territory – she’s just too iconic for Dandonfuga not to have featured her! Apart from J. Scott Campbell and Dandonfuga, there’s art of her by some of my favorite artists – Artgerm, Neoartcore, Shannon Maer, Logan Cure, and Ayyasap. Hemm – that’s not too far off top ten on the spot territory!

AI shoutout to Naughty Neurals.

 

COSPLAY

 

As for cosplay, I’d love to see them in the catsuit but no Black Widow cosplay from my holy trinity as far as I know – Yummychiyo, Hane or Helly. There is some knockout cosplay from Kalinka Fox – also from models Katyuska Moonfox, Giorgia Cosplay, and Alodia Gosiengfiao in classic pose.

 

Classic Black Widow – also peak Black Widow. Black Widow as played by Scarlett Johansson in Iron Man 2

 

MEDIA

 

Scarlett Johansson’s portrayal of her in the Marvel Cinematic Universe raised her profile outside comics circles – with Black Widow in Iron Man 2 as classic or peak cinematic Black Widow.

Hence why people are more familiar with Johansson’s redhead Natalia Romanova / Natasha Romanov rather than her blonde successor in comics, Yelena Belova. In the MCU, Natasha even went blonde before they introduced Yelena as her own character played by Florence Pugh in the Black Widow film.

 

RATING:
B-TIER (HIGH TIER)

 

J Scott Campbell cover art for Amazing Spider-Man 601 published by Marvel Comics in 2009

 

(12) MARY JANE (Marvel 1965)

 

Lois Lane may be the most iconic female love interest of a superhero in comics, but not as prolific in art and cosplay as another superhero love interest – Mary Jane “MJ” Watson, ultimately Mary Jane Parker or Mrs Spiderman. It helps earn her special mention that she’s a recurring model for Marvel cover artists or comics artists in general.

Of course, it helps further that Mary Jane is canonically a model (and actress) by profession – and perhaps even more that comics artists seem to be enamored of redheads.

What cements her place in this special mention is her famous catchphrase, possibly the most famous line of any female character in comics, which was her very first line to Spiderman himself as Peter Parker when he sees her for the first time and is stunned by her striking appearance:

“Face it, Tiger! You’ve just hit the jackpot!”

 

ART & COSPLAY (MEDIA)

 

J. Scott Campbell is the definitive Mary Jane artist and never more so than in his cover art for Amazing Spider-Man 601, the definitive Mary Jane cover – although the definitive Mary Jane panel remains “Face it, Tiger! You’ve just hit the jackpot!”. Campbell has returned to Mary Jane as his definitive subject again and again – including a special series of Mary Jane in her different styles – but Amazing Spider-Man 601 will always remain the iconic cover art of her, both by Campbell and in general, so much so that it has become a recurring source for homage and meme, including by Campbell himself who revisiting it. So of course it’s my choice for her iconic feature image.

 

ART – DANDONFUGA

 

And yes – she gets a Dandonfuga ranking as another iconic girl of comics drawn by Dandonfuga. Apart from J. Scott Campbell and Dandonfuga, there’s art of her by some of my favorite artists – Nathan Szerdy, David Nakayama, Neoartcore, and Shannon Maer.

 

COSPLAY

 

Sadly no cosplay by my holy trinity – but there is cosplay by Kalinka Fox

 

MEDIA

 

As for media, she’s been portrayed by Kristen Dunst in the Sam Raimi film trilogy and Zendaya with Tom Holland’s Spiderman in the Marvel Cinematic Universe collaboration with Sony.

 

RATING:
B-TIER (HIGH TIER)

 

Cover art by Amanda Conner for Starfire 1 – the first issue of Starfire Volume 2 – published by DC Comics August 2015

 

 

(13) TEEN TITANS – STARFIRE & RAVEN (1980)

 

Special mention has to go to the top girl of the Teen Titans, everyone’s favorite alien princess – Starfire.

Starfire is everyone’s favorite alien princess.

She’s not unlike Superman – an alien princess of the planet Tamaran, fled to Earth to join the Teen Titans (after complicated interstellar war and politics involving her rivalry with her sister). Her alien physiology absorbs ultraviolet light energy for use in various powers – like Superman, come to think of it. Is there any DC Comics alien that isn’t superpowered by sunlight?

But then – who doesn’t like an orange-skinned alien space babe?

Shoutout to the other girl of Teen Titans, everyone’s favorite dark goth girl and half-demon princess – Raven. However, her costume doesn’t quite lend itself to pinup cover art like Starfire, whose usual costume is in the style of a swimsuit or cheerleading outfit – but she is a favorite for fan artists.

 

ART & COSPLAY (MEDIA)

 

For my iconic feature image, I chose Amanda Conner’s cover art for the first issue of Starfire Volume 2, released by DC Comics in August 2015, which forever defined the character for me thereafter – and was the one of a number of playful and stunning covers Conner did for the series.

 

ART – DANDONFUGA

 

Starfire gets a Dandonfuga ranking – indeed, she’s been a recurring subject of Dandonfuga art. There’s also art of her by other favorite artists – Michael Turner (with perhaps the classic art of Starfire to rival that of the Amanda Conner cover art in my feature image), Nathan Szerdy, Artgerm, Neoartcore, Logan Cure, Will Jack, Aroma Sensei, and REIQ. Hmm…getting close to a top ten on the spot. AI shoutout to Naughty Neurals, Penguih and End of Line – the first two feature both characters together as well as Raven separately.

Raven also gets a Dandonfuga ranking with a number of artworks of her – other favorite fan art versions of her include Neoartcore, Logan Cure and Aroma Sensei (the last as a recurring subject and some of my favorite art of Raven).

 

COSPLAY – HELLY

 

As for cosplay, Kalinka Fox has suddenly risen to claim the title for my favorite cosplay of Starfire (usurping glamor model Abigail Ratchford) and Raven. The latter also scores my Helly ranking for Helly Valentine’s cosplay of her.

Both have appeared in media adaptations – foremost in animated versions – but none for my preference to include here.

 

RATING:
B-TIER (HIGH TIER)

 

 

Danger Girl / GI Joe crossover issue 3 cover art by J. Scott Campbell – released 19 September 2012

 

(14) BARONESS – G.I. JOE (1981)

 

And now you know (and knowing is half the battle) – Baroness is the femme fatale villain in Cobra, the antagonist organization to G.I. Joe. Of course, with their serpentine title (as well as the various names within their organization), they’re hardly going to be good guys.

GI Joe is more distinctive for being a line of toys but the franchise has extended into comics (initially as a series by Marvel Comics), animated TV series and live-action movies. Baroness actually originated in the Marvel Comics series – which is appropriate for a special mention in my top ten girls of comics – although she has also featured in other media (and as an action figure).

Baroness serves as Cobra’s intelligence officer and lieutenant to its Cobra Commander, as well as being in a romantic (and presumably kinky) relationship with its resident metalhead, Destro. She began as Anastasia, the spoiled offspring of European aristocrats, who drifted from student radicalism into international terrorism (as you do).

Of course she wears the obligatory form-fitting black leather catsuit of female comics characters – in the style of Catwoman, Black Cat or perhaps her closest counterpart, Black Widow. Well, if it ain’t broke, don’t fix it! Although she does mix it up a little with glasses.

She even has a trope named for her in TV Tropes as the Baroness, although she is not so much the origin of the trope as she is a striking example of it (and inspiration for the name) – “a female baddie with a chilly disposition and more than a touch of the dominatrix about her”, with the latter often tending to sadism. Needless to say, Baroness is the s€xpot style of the trope.

Hail Cobra, indeed!

 

ART & COSPLAY (MEDIA)

 

Yes – J. Scott Campbell is often the go-to artist for iconic (cover) art of a character and few draw a figure filling out a catsuit quite like him, so I’ve used his cover art for the third issue of the Danger Girl / GI Joe crossover released on 19 September 2012 for my iconic feature image. It showcases her distinctive costume and raven-haired girl with glasses thing she’s got going.

 

ART

 

Surprisingly no Dandonfuga ranking – surprisingly, that is, because Dandonfuga is usually drawn (heh) to a girl in a catsuit. Apart from J. Scott Campbell, there’s art of her by some of my favorite artists – Nathan Szerdy, Elias Chatzoudis, Artgerm, and Eric Basaldua.

 

COSPLAY

 

Few have a figure to fill out a catsuit like Australian cosplay model Katyuska Moonfox and she does so for Baroness.

 

Sienna Miller as Baroness in the promotional poster art for the 2009 film G.I. Joe: The Rise of Cobra

 

MEDIA

 

As for media, there may have not been anything else memorable about the G.I. Joe live action film franchise except for Baroness played by Sienna Miller in the first film in 2009, G.I. Joe: The Rise of Cobra

 

RATING:
B-TIER (HIGH TIER)

 

 

(15) APRIL O’NEIL –
TEENAGE MUTANT NINJA TURTLES (1984)

 

In these days when the Teenage Mutant Ninja Turtles have been an enduring media franchise for two decades, it is easy to forget that they originated in comics in 1984. Although she is understandably overshadowed by the protagonist Turtles, April O’Neil originated with them in the comics, but she wasn’t as recognizable as in subsequent media adaptations. She was a computer programmer – and worked for their adversary Baxter Stockman programming his robots, although she was not aware of his villainy (until she did find out and fled, pursued by the robots into the sewers, where she was saved by the Turtles).

But who knows about any of that? No one knows about April (and few know about the Turtles for that matter) from the comics – the April we all know is from the animated TV series (hence her special mention), where she was a television news reporter for Channel 6 News (in New York City), in her distinctive yellow jumpsuit. Once again rescued by the Turtles – this time from street punks working for their most iconic adversary, Shredder – she became one of their closest allies and collaborators.

 

ART & COSPLAY (MEDIA)

 

As I said, April’s appearance in the original comics has been eclipsed by her iconic adaptation in the (original) animated TV series, so naturally I’ve gone with a cropped image of her appearance from the latter for my iconic feature image.

 

ART

 

Again surprisingly no Dandonfuga ranking – I would have thought that she was iconic enough for Dandonfuga art. However, at least there’s art of her by some of my favorites – Nathan Szerdy, Neoartcore, Dan Panosian (always good for redhead art) and Logan Cure.

 

COSPLAY – HELLY

 

My first Helly ranking – or indeed for any of my holy cosplay trinity – in these special mentions! Yes – Helly Valentine has done April cosplay, animated series jumpsuit and all. Close runners-up are Octokuro and Tabitha Lyons.

 

Megan Fox as April O’Neil in the 2014 live-action film

 

MEDIA

 

Yes – I know I used an excerpt of April’s appearance from the original animated TV series for my iconic feature image…but how I could resist Megan Fox as her in the 2014 live-action film? Even if she did ditch the iconic yellow jumpsuit for a more subdued yellow jacket.

 

RATING:
B-TIER (HIGH TIER)

 

Atom Eve as she appears in the Invincible animated TV series adapted from the comic – page feature image from the Invincible fan wiki)

 

(16) ATOM EVE – INVINCIBLE (Image 2003)

 

Invincible did not come to my attention when originally published as a comic (by Robert Kirkman – of The Walking Dead fame – for Image Comics in 2003) but boy did it ever in its animated television adaptation for Amazon Prime in 2021. Well, me and quite a few others, given it has been renewed for three more seasons and counting (as at 2026) following widespread acclaim from critics and audiences. Which all led to me chasing up the comics.

The premise is essentially what they call a bildungsoman in literary circles – except the teenager coming of age, Mark Grayson, just happens to be the son of the most powerful superhero on the planet, Omni-Man. And as Mark comes into his own superpowers, he assumes the role of the titular superhero Invincible:

“However, an unthinkable tragedy soon strikes the superhero community, and Mark is forced into a dangerous position that he doesn’t fully understand. With his new superhero allies, Mark quickly learns that there is much more to the world that he’s inherited than meets the eye — and that there are twists and turns that will make him question the true nature of his role on the planet”.

And some of those twists and turns may just happen to involve his father.

Anyway, special mention has to go to Invincible’s pinup girl, Samantha Eve Wilkins or Atom Eve – the archetypal redhead green-eyed girl of comics, as well as a superheroine who manipulates matter and energy, with a costume that is essentially a pink leotard with a cape and the female symbol on her chest.

 

ART & COSPLAY (MEDIA)

 

Given that I came to Invincible through the animated TV series, naturally I chose my iconic feature image of her as she appears in the series (from the page image in the Invincible fan wiki).

 

ART – DANDONFUGA

 

She even has a Dandonfuga ranking – for Dandonfuga art of her. She also has art by David Nakayama and Nathan Szerdy.

Sadly no cosplay, at least by my holy trinity or other favorites.

 

RATING:
B-TIER (HIGH TIER)

 

The many faces of Starlight as she appears in The Boys TV series played by Erin Moriarty

 

 

(17) STARLIGHT – THE BOYS
(DC Wildstorm – Dynamite 2006)

 

Although I knew of it, I was introduced to this comic by its television adaptation with its 2019 debut – the first season is widely recognized as its best, albeit it may have fizzled after that (which season depends on taste, although perhaps the widest agreement is that the series finale was disappointing). That inspired me to read the comic series by Garth Ennis – with whom I was familiar from 2000 AD and even more so his, ah, confrontational comic series Preacher. Ennis quipped that The Boys would out-Preacher Preacher, presumably in terms of its profanity, sex and violence. I’m not sure that anything could out-Preacher Preacher, but The Boys certainly gives it a shot. And ultimately it may be for the best, as I prefer The Boys. It told a better story and seemed less purely gratuitous for its own sake than Preacher (albeit only just barely).

The series takes place in a world where superheroes exist, although such that you prefer they didn’t. On the superhero side, you have the Seven, the world’s leading superhero team – sponsored by the powerful corporation Vought International – and mostly copies of the Justice League, led by its equivalent of Superman (with some Captain America thrown in), Homelander, who more than earns the description of diabolical and invokes the trope Beware the Superman. And on the other side, you have the titular Boys, vigilante cape-busters forced to use their smarts, skills and willingness to fight dirty (including some of the superheroes’ own weapons) against their adversaries – led by Billy Butcher, perhaps the series’ most compelling character to rival his primary adversary, Homelander.

And stuck between them is Annie January or Starlight – girlfriend of Hughie, one of the Boys, with whom she’s a covert ally, and at the same time the newest member of the Seven, initially starry-eyed but rapidly disillusioned about her fellow superheroes, not least from her abusive initiation into their ranks. Whatever one’s reaction to the TV series adaptation, Starlight retains her special mention here – if only from the first season or so, the comics, and her popularity in art and cosplay. Speaking of which…

 

ART & COSPLAY (MEDIA)

 

Given that I came to The Boys through the TV series, I chose my iconic feature image of her as she appears in the series played by Erin Moriarty.

Sadly no Dandonfuga ranking – but there is art of her by three of my favorite artists, Nathan Szerdy, Elias Chatzoudis and Neoartcore.

There’s also cosplay of her by two of my favorite cosplay models – Kalinka Fox (who rocks it) and Tabitha Lyons (who also rocks it).

 

RATING:
B-TIER (HIGH TIER)

 

Bill McKay cover art for Dan Mendoza’s Zombie Tramp – cropped for fair use and because she’s a little too buxom in her bikini!

 

(18) ZOMBIE TRAMP (2008)

 

Zombie Tramp earns her special mention mostly thanks to her treasure trove of cover art by guest artists invited by her creator Dan Mendoza, particularly Bill McKay as the most prolific cover artist.

Also, it’s nice to see the attractive zombie trope in action – usually vampires (and to some degree ghosts) are the only undead that are traditionally sexed up, although that is more a modern cinematic or screen tradition as it varies in folklore. However, other undead have joined vampires in the posthumous pinup stakes – mummies as seductive Egyptian figures for example, and more recently, zombies, enough for an actual trope listing for attractive zombie in TV Tropes.

Of course, we’re generally not talking your average archetypal zombie of zombie apocalypse here, but rather zombies not so much different from humans – drawn less from the Romero style zombie and more from older undead archetypes such as the pale undead beauties of legend or Gothic fantasy, voodoo zombies and revenant zombies. In its most general sense, zombie may apply to any living dead being that is not a ghost, vampire or mummy.

Zombie Tramp – an independent comic by Dan Mendoza, originally in a series of self-published graphic novels and then by Action Lab Comics – does seem to feature a protagonist in the Romero style of flesh-eating apocalyptic zombie, but one that otherwise retains her former centerfold appearance, just green-skinned and white-eyed.

The titular zombie tramp is Janey Belle – a high class Hollywood call girl to the stars turned zombie after being bitten and infected by one, albeit retaining her former intelligence (and seemingly an adept hand at magic) who then seeks out vengeance on those responsible, to hell and back if necessary

However, like other comics characters, there is more than one Zombie Tramp – with a new blonde zombie tramp Angel Lynch stepping up from issue 57 or so. The queen is dead – long live the queen!

 

ART & COSPLAY (MEDIA)

 

As I discovered her through Bill McKay’s cover art for her comic, I naturally chose my iconic feature image of her from that cover art, nicely showcasing the bite that infected her on her arm – although I’d also argue that Bill McKay’s cover art of her comprises both the most iconic versions of the character as well as Bill McKay’s most iconic art.

She’s a little too niche for a Sciamano or Dandonfuga ranking, but apart from Bill McKay’s art of her, there is other guest cover or fan art of her by some of my favorite artists – Sun Khamunaki, Nathan Szerdy, and Elias Chatzoudis. Not bad for an indie comic heroine.

Also too niche or indie for cosplay or media adaptations.

 

RATING:
X-TIER (WILD TIER)

 

Cover art by Stanley Lau or ‘Artgerm’ for the Gun Honey and Heat Seeker titles – I particularly like how he put the literal honey into Gun Honey

 

 

(19) GUN HONEY & HEAT SEEKER (2021)

 

My special mention entry for Gun Honey (2021) has expanded from the titular heroine Joanna Tan to include spinoff Heat Seeker (2023) and its heroine Dahlia Racers.

The title of publisher Hard Case Crime – an imprint of Titan Comics – sums up their pinup pulp noir nature.

“She’ll get you the weapon you need, when you need it, where you need it – no matter how impossible.”

Joanna Tan is the titular gun honey – a fantastically attractive female gun runner blackmailed into serving the US government to clean up one of her messes from a former client.

“If the heat is on, Dahlia Racers can help you disappear – for a price”

Marked for death by a U.S. intelligence agency, Gun Honey Joanna Tan turns to Dahlia Racers (ah – the titular Heat Seeker?) to help her pull a vanishing act. But there’s a killer hot on Joanna’s tail.

 

ART & COSPLAY (MEDIA)

 

I’m pretty sure I discovered Gun Honey through the honey-dripped cover art by Stanley ‘Artgerm’ Lau, literally putting the honey into the Gun Honey title – so naturally I chose his cover art for both characters as their iconic feature art to represent them.

Again a little too niche for a Sciamano or Dandonfuga ranking, or my cosplay holy trinity – but for art and cosplay you can’t go past the covers. For art, there’s the Artgerm covers of course, but also Nathan Szerdy, David Nakayama, Warren Louw, Derrick Chew and Will Jack among others. For cosplay, Tabitha Lyons sizzles in her cover cosplay of Gun Honey.

Also too niche or media adaptations, although they would seem eminently suited to screen adaptation.

 

RATING: 4 STARS****
X-TIER (WILD TIER)

 

 

Kickstarter promotional art

 

(20) DEADLY TRIO (Coffin 2024)

 

From Coffin Comics – the home of one of my leading top ten entries – comes this comic being launched on Kickstarter in November 2024 and hence my twentieth special mention as most recent entry.

I just can’t resist a team-up of Brian Pulido, Billy Tucci, Jimmy Palmiotti, and Amanda Conner – a team-up I had never imagined but apparently originates from a longstanding friendship.

From the Kickstarter blurb – “In this deep space misadventure, the evil warlord Kalissa Gore and her vast armies are unstoppable.  And yet, there is a DEADLY TRIO who dares the impossible: DORIAN, a planet-hopping mechanic; REANN-REANN, a fighter pilot with unmatched skills; and GARGA, the cult leader sister of Kalissa Gore herself! Can THE DEADLY TRIO overcome insurmountable odds (and each other) or is the universe doomed to extinction?”

I’m not sure which character is which in the Kickstarter promotional image but they would appear to follow the order in the blurb from left to right – Dorian, Reann-Reann, and Garga. I’m particularly impressed that Garga leads a galactic cult in a costume that is essentially lingerie – I can only hope her sister and the antagonist pulls off her galactic conquest in a similar outfit.

 

ART & COSPLAY (MEDIA)

 

This entry will be something of a departure from my usual rules with respect to art, cosplay, and media – except to note that my feature image is the promotional Kickstarter art for the comic, which unfortunately does not attribute the artist (but looks like that of Amanda Conner).

I anticipate that there will be more art with guest cover artists when the comic is launched, although it may be too niche for cosplay or media.

 

RATING:
X-TIER (WILD TIER)

 

Top Tens – Girls of Comics: Top 10 Girls of Comics (Revised 2026)

Witchblade 55 released by Image Comics (Top Cow) May 2002 – special cover art by Eric Basaldua

 

 

TOP 10 GIRLS OF COMIC

 

Ah – the girls of comics! There’s a reason that they’re first among my fantasy girls.

Indeed, there’s any number of reasons – I’ll resist the obvious gag of two reasons – such as literally embodying what TV Tropes jokingly labels the most common superpower (as part of the buxom beauty standard…or any number of  other tropes). Indeed, it’s so common it’s easier to simply nominate exceptions rather than the rule (or as in the actual trope entry in TV Tropes, the examples that are justified or ‘lampshaded’ in-universe, setting aside that other trope world of buxom). That’s compounded by costumes that are more in the nature of bodysuits, latex, lingerie or swimsuits – what TV Tropes jokingly labels ‘stripperiffic’.

I could debate whether such depictions are gratuitous, such as the argument that it reflects the American art style of depicting superheroes, male and female, as ‘larger than life’ or the tendency of media to default towards physical attractiveness, even for supposedly average or unattractive characters (most notably with what TV Tropes labels as Hollywood homely). For example, Spiderman is meant to be an average teenager – indeed a gawky or nerdy one, something of a loser – but just look at him. Ditto Wolverine – short and homely in comics but ends up being portrayed by Hugh Jackman.

I could debate it, but I’d prefer to count down my Top 10 Girls of Comics instead.

 

ART & COSPLAY (MEDIA & MODELS)

 

But first a note on the visual images used in this top ten. Given the copyright in such images, I only use visual images as fair use for the purposes of comment or review in each entry – a feature image to identify the character, either in general or in their most iconic version as I review it to be (or both), sourced only from published cover art as cited, often which I review to be iconic of itself or which influenced my view of their most iconic version (or both).

I also include a special section in each entry under the subtitle of art and cosplay – not for any actual art and cosplay as such but instead where I nominate my favorite artists and cosplay models depicting the character, which you can look up for yourself. If there’s enough of them, I’ll often compile a top ten on the spot. For art, I award a special ranking for any art by my two favorite artists – the two freelance digital artists Sciamano and Dandonfuga. For cosplay, I award a special ranking for any cosplay by my holy trinity of models – my favorite model Yummychiyo with her insane figure in top spot, followed by Hane Ame and Helly Valentine. I also have a ranking for appearances of the character in media if any – cinema and screen that is – as well as those select few characters who have official models portray them, noting my favorites. These may include further images as fair use for the purposes of comment and review of those media appearances or models.

As for the title feature image I’ve chosen for this page, it is one of the most iconic images – if not the most iconic image – not only for the Witchblade comic but for girls in comics in general, virtually a showcase of the girls of comics and the tropes I highlighted in my opening, by an artist that has given us so many such iconic images, Eric Basaldua, although this is perhaps his most famous. You can see his distinctive signature – Ebas – on the cover, although it appears to be dated 2003, presumably for this special cover release after the original release. And you can’t argue with that t-shirt – not that she normally wears it as part of her costume although she probably wouldn’t mind one given how little her Witchblade armor actually covers. Who doesn’t love comics, particularly the girls of comics when they’re drawn like this?

 

 

Kickstarter cover art by Derrick Chew – cropped for fair use and because the full version is too hot to handle!

 

 

(10) SERAPHINA – DEVASTATION (Worthy Chaos 2024)

 

My wildcard tenth place entry for best of 2025 comes from Worthy Chaos Comics & Cryptids with Kickstarter cover art by Derrick Chew.

In their Redemption series, “the forbidden love between Angel Seraphina & Demon Draven unfolds as they battle to survive in a realm of monsters”.

Devastation is a Western prequel or spinoff – “travel to the 1880s with our Angel & Demon soulmates where they are forced to hunt down cryptids such as the Wendigo, Bigfoot, Mothman, Chupacabra, and many more!”

 

ART & COSPLAY (MEDIA)

 

This entry will be something of a departure from my usual rules with respect to art, cosplay, and media – except to note that my feature image is promotional Kickstarter cover art by Derrick Chew for the comic, cropped for fair use and also because the full cover is too hot to handle here!

I anticipate that there will be more art with guest cover artists when the comic is launched, although it may be too niche for cosplay or media.

 

RATING:
X-TIER (WILD TIER)

 

 

Mary Jane & Black Cat 4 – 8 March 2023 (variant cover by Russell Dauterman)

 

(9) BLACK CAT (Marvel 1979)

 

Meow!

Spiderman’s catgirl – platinum blond feline-themed femme fatale Felicia Hardy. ‘Bad luck’ powers of her namesake in superstition. Sadly, yet to appear in film but for a brief cameo for her alter ego in the Amazing Spider-Man films.

 

ART & COSPLAY

 

For her iconic feature image, I chose the variant cover from the fourth issue of Mary Jane & Black Cat. It was a close call as I regard J. Scott Campbell as the iconic cover artist for her – and Stanley ‘Artgerm’ Lau was also a close runner-up with my single favorite Black Cat art image of all time – but artist Russell Dauterman showcased her different costumes here.

Of course, her classic costume is front and center where it belongs!

 

ART – DANDONFUGA

 

Sadly no Sciamano ranking as usual for my girls of comics, but oh boy does she have a Dandonfuga ranking, as Dandonfuga has done some sizzling art of her, including one with her getting frisky with Catwoman!

As for my top ten on the spot for Black Cat art:

1 – Dandonfuga (did you not see my reference to sizzling art, particularly that one with Catwoman?)

2 – Artgerm (for his cover art of Black Cat as my single favorite image of her – and one of my favorites of his art)

3 – J. Scott Campbell (as the iconic cover artist for her)

4 – David Nakayama (for Black Cat cover art in a similar style to J. Scott Campbell)

5 – Nathan Szerdy (for his art of her as a recurring subject)

6 – Elias Chatzoudis (for his fine Black Cat art)

7 – Neoartcore (for his cute Black Cat art)

8 – Shannon Maer (for some gorgeous Black Cat cover art)

9 – Logan Cure (for some sensuous Black Cat art)

10 – REIQ (for some distinctive Black Cat art)

 

SPECIAL MENTION

1 Marvel – for their cover and other art, including in their Black Cat title

2 Russell Dauterman of course, for the iconic cover art that I used for my feature image.

3 Straban for one particularly striking image of her

AI shoutout to Naughty Neurals!

 

COSPLAY – HELLY

 

And oh boy do we have a Helly ranking for her – Helly Valentine is the standout for Black Cat cosplay. No Yummychiyo or Hane ranking, sadly.

Close runner-up is Vampy Bit Me’s cosplay of her.

 

Collage of photograph Sydney Sweeney and Black Cat pinup art by Stanley ‘Artgerm’ Lau used on Facebook, Youtube and elsewhere as headline image to report speculation of Sweeney’s casting

 

 

 

MEDIA

 

She actually has appeared in an uncostumed cameo as her alter ego in the Amazing Spiderman 2 film, played aptly enough given the name by Felicity Jones – with her role as Black Cat planned for future films…but those plans fizzled with the rest of that film.

This may be cheating but I’m going with the persistent rumors of Sydney Sweeney being offered the role. By the way, that’s the Artgerm cover compared against Sydney in my media feature image.

 

RATING:
A-TIER (TOP TIER)

 

 

Poison Ivy 1 – June 2022 (variant cover by Nathan Szerdy)

 

 

(8) POISON IVY (DC 1966)

 

Since her debut, Poison Ivy (originally Pamela Isley in the present incarnation of the character) has been one of Batman’s most enduring adversaries in his rogues gallery – and one of the most powerful, as one of the few with actual superpowers.

Ivy is not so much a straightforward villain, as a well-intentioned extremist – she is depicted as one of the world’s most notorious eco-terrorists and her criminal activities revolve around the protection of the natural environment, reflecting her love or obsession with plants, botany and environmentalism. Her powers also revolve botanical – or biochemical – themes, such as toxins and mind-control pheromones, typically through her touch – or kiss. The latter has led to her as a love interest or source of romantic tension for Batman.

Her powers also extend to manipulation of plants to an extremely powerful degree – manipulating their growth and abilities or modifying their traits, even animating, hybridising or mutating them. Indeed, she even embodies them – her skin tinted green with chlorophyll and plant toxins (although she can consciously control its extent when required), with some versions even having her almost more plant than human, breathing carbon dioxide or needing sunlight. She even has been identified with an elemental mystical component, part of the force identified as the Green or as the May Queen.

 

ART & COSPLAY

 

For her iconic feature image, I’ve chosen the variant cover from the first issue of her solo title by Nathan Szerdy. Ivy has sported different styles over the years but this remains her iconic style – and indeed her classic one, which has consistently featured with variations from her Silver Age introduction, albeit with green skin tone from time to time.

Shoutout to the cover artist Nathan Szerdy – who has done some of my favorite Poison Ivy art as she is one of the most prolific subjects for his art. Also shoutout to the solo title series for some fine cover art from artists such as David Nakayama, Will Jack, Josh Burns, and Dan Panosian.

 

ART (DANDONFUGA)

 

Sadly no Sciamano ranking as usual for the girls of comics but she does score a Dandonfuga ranking.

As for my top ten on the spot for Poison Ivy art:

1 – Dandonfuga (for my Dandonfuga ranking)

2 – Nathan Szerdy (for my iconic feature image and many more – one of his best recurring subjects and my favorite art of Ivy)

3 – Sun Khamunaki (for some rocking Ivy images – including a version of the Batman and Robin film Ivy that improves upon the film version)

4 – Artgerm (for Ivy cover art)

5 – David Nakayama (for some interesting variations on Ivy art)

6 – Dan Panosian (Dan does good redhead!)

7 – Will Jack (for a particularly charming Ivy cover art)

8 – Shannon Maer (for some gorgeous cover art)

9 – Neoartcore (for art in Neoartcore’s usual style)

10 – Derrick Chew (for some playful art of Ivy)

 

SPECIAL MENTION – DC COMICS (for cover and other art, including in their Poison Ivy title)

AI art shoutout also to Naughty Neurals

 

COSPLAY

 

No Yummychiyo, Hane or Helly ranking – there’s some excellent Ivy cosplay out there, but none from my favorite models of choice. I’ll nominate Claire Ana (collaborating with her usual photographer Jeff Zoet Visuals) for her Poison Ivy cosplay.

 

 

Ivy as she appears in characteristic pose (and her favorite jacket!) in the Harley Quinn animated TV series – profile image from the fan wiki

 

MEDIA

 

The less said about the Batman & Robin film the better, even if Uma Thurman’s Poison Ivy was arguably the best thing in that film – but who doesn’t love the version of Ivy (voiced by Lake Bell) in the Harley Quinn animated TV series?

Rounding out third place for media appearances (after the Harley Quinn animated series Ivy and Uma Thurman’s Ivy), I have a soft spot for the version of Ivy in yet another animated TV series, DC Super Hero Girls – where she is strangely cute as her student alter ego, even before glamming up (and strangely elfin) when going full Ivy.

 

RATING:
A-TIER (TOP TIER)

 

 

Variant cover by Ariel Diaz for Zatanna: Bring Down the House (volume 2 of 5) published by DC Comics 24 July 2024

 

(7) ZATANNA (DC 1964)

 

I’m not going to lie – it’s that outfit that does it for me!

DC Comics occasionally defaults to outright magic as a superpower and its magical superheroine of choice is Zatanna Zatara. She first appeared in 1964, as the daughter of magician Giovanni Zatara from the earlier so-called Golden Age of Comics.

Zatanna is both a stage magician (or illusionist) and a real magician (of the mystical or magical branch of humanity or so-called ‘homo magi’ as opposed to ‘homo sapiens’). She is one of the most powerful users of magic in the world of DC Comics, a sorceress casting her spells through the focus of speaking backwards – so that potentially there would seem to be little limit to her magic and indeed she has used it to manipulate the fabric of space or time.

Interestingly, Zatanna is a character that has been given some real depth, by two of my favorite writers of comics – Neil Gaiman used her (albeit in a blonde version) in The Books of Magic, an exploration of DC Comics’ magical universe (which has always fascinated me), and Grant Morrison used her as one of his Seven Soldiers, a characteristically Morrisonesque revamping of more minor DC Comics characters.

 

ART & COSPLAY (MEDIA)

 

For my iconic feature image, I chose the variant cover by Ariel Diaz for Zatanna: Bring Down the House (volume 2 of 5) published by DC Comics 24 July 2024 – which showcases her classic costume (and fishnets!). She has had various costumes but this will always be definitive Zatanna for me.

 

ART – DANDONFUGA

 

She does score a Dandonfuga ranking – indeed, Dandonfuga has done a few variants of artwork for her.

As for my top 10 on the spot for Zatanna art

1 – Dandonfuga (for my Dandonfuga ranking)

2 – Ariel Diaz (for my iconic feature cover art image as well as other spectacular Zatanna cover art)

3 – Nathan Szerdy (for one of his recurring and best subjects)

4 – J Scott Campbell (for Zatanna art in his usual style, including one of my favorite cover art images of her)

5 – David Nakayama (for Zatanna art in his usual style, including cover art)

6 – Artgerm (for Zatanna art in his usual style, including cover art)

7 – Neoartcore (always reliable to find art by him of almost any subject and he shines with Zatanna)

8 – Shannon Maer (for art in his usual gorgeous style)

9 – Derrick Chew (for art in his usual style)

10 – Prywinko (for art in their cheeky style)

 

SPECIAL MENTION – DC COMICS (for their cover art under their Zatanna title)

1 – Brian Bolland (He always does good fishnet stocking art)

2 – Ed Benes (He also always does good fishnet stocking art – for Zatanna with Black Canary)

3 – Shikarii (in their usual pinup style)

AI shoutout to Naughty Neurals

 

Sadly no cosplay by my favorite models.

 

 

Serina Swan as Zatanna in the Smallville TV series – 8th season 17th episode. This was perhaps the most iconic shot of her from the episode (perhaps because it has her name on a sign) although unfortunately you don’t see the fishnet stockings.

 

MEDIA

 

There’s her portrayal by Serinda Swan in the Smallville TV series, fishnet stockings and all

 

 

 

Zatanna in one of her brief non-speaking roles (so far as at Season 4) in the Harley Quinn animated TV series – profile image from the fan wiki

 

There’s also her brief cameo non-voiced appearances in the Harley Quinn animated series – hopefully she’ll have a larger (and speaking) role at some point in that series.

 

RATING:
A-TIER (TOP TIER)

 

“Catwoman: Nine Lives of a Feline Fatale” – DC trade paperback collection June 2004 (cover art by Brian Bolland)

 

 

(6) CATWOMAN (DC 1940)

 

“I am Catwoman. Hear me roar!”

Meow!

No surprises here – Batman’s feline fatale Selina Kyle is one of the original bad girls of comics. With her criminal tastes limited to upmarket cat-burglary, she oscillated between (anti-)hero and villain.

With nine lives of costume changes – and her signature whip or cat o’ nine tails – but perhaps most memorably clad in a skin-tight black catsuit.

 

ART & COSPLAY

 

Despite the plethora of superb Catwoman cover art for her own titular comics and elsewhere, there could only be one choice for my iconic feature image – Brian Bolland’s cover art for the “Catwoman: Nine Lives of a Feline Fatale” collection, showcasing in one cover her different styles over the decades in comics, albeit I don’t think it’s exhaustive, particularly if you add in her media appearances.

Just some quick notes on the cover. Firstly, my favorite style – and what I would consider to be her definitive style, the modern or classic catsuit created by Darwyn Cooke – is front and center, as it should be, although I am also partial to the different catsuit styles that appear on the left. (Clockwise from bottom left – Jim Balent’s purple catsuit from the 90s, Frank Miller’s Year One grey catsuit in the 80s, and Bruce Timm’s catsuit design for Batman: The Animated Series in the 90s).

Secondly, Brian Bolland deserves a shoutout for his art in general – originating in Britain as my favorite artist for Judge Dredd among other things, he was part of the so-called ‘British Invasion’ of American comics, where his covers were and are legendary.

Thirdly, the different styles of Catwoman in this cover also prompts a shoutout for J. Scott Campbell, also legendary for his cover (and other) art – but in particular a series of eight covers for Catwoman’s anniversary, each showcasing a different individual style of Catwoman in gorgeous detail, including five of the costumes in Bolland’s cover. One of the other covers featured the post-Rebirth catsuit design by Joelle Jones (which in the 2010s postdated Bolland’s cover), while the remaining two covers featured her catsuit from the 1960s Batman TV series (which rivals the Cooke catsuit as my favorite) and her catsuit as worn by Michelle Pfeiffer from the Batman Returns film.

 

ART – DANDONFUGA

 

Surprisingly no Sciamano ranking –  I would have thought that Catwoman might have been one of the few girls of comics to draw (heh) his eye – but as usual Catwoman scores a Dandonfuga ranking, indeed with some of the most sizzling Dandonfuga art.

My top ten on the spot for Catwoman art

1 – Dandonfuga (for my Dandonfuga ranking)

2 – J. Scott Campbell (particularly for those covers of her iconic costumes)

3 – David Nakayama (who’s been knocking it out of the park lately with his Catwoman covers)

4 – Nathan Szerdy (ditto his Catwoman covers)

5 – Sun Khamunaki (with a superb art version of Michelle Pfeiffer’s Catwoman)

6 – Artgerm (for standout Catwoman covers, including the Michelle Pfeiffer version)

7 – Elias Chatzoudis (for standout Catwoman art, including the Michelle Pfeiffer version)

8 – Shannon Maer (for some gorgeous Catwoman art)

9 – Will Jack (also for some gorgeous Catwoman art)

10 – Ayyasap (yeah – for some fine Catwoman art)

 

SPECIAL MENTION

1 DC Comics (for all the Catwoman cover art and artists)

2 Brian Bolland (for that cover!)

3 Jim Balent (for his iconic 90s Catwoman art)

4 Jonatas Ferreira (for one of my favorite images of Catwoman)

5 Boo Sweeney (for a fine leggy Catwoman variant cover)

AI shoutout to Naughty Neurals!

 

COSPLAY

 

There’s some excellent Catwoman cosplay out there but none from my holy trinity or favorite models of choice – with the exception of honorable mention for Leeanna Vamp, who did a fine set of Catwoman in the Cooke catsuit.

 

MEDIA

 

Catwoman has more notable (and favorite) media adaptations for me than any of my other Top 10 Girls of Comics.

 

From left to right – Lee Merriweather (film), Julie Newmar (the GOAT in seasons 1-2), and Eartha Kitt (season 3) from the 1966 Batman TV series and film

 

 

First, there’s the slinky suited Catwoman from the 1960s Batman TV series, played by no less than three different actresses – Julie Newmar (Seasons 1 and 2), Lee Merriweather (film), and Eartha Kitt (Season 3). Look – the latter two were good but Julie Newmar rocked that catsuit best.

 

Michelle Pfeiffer as Catwoman in the 1992 Batman Returns film directed by Tim Burton

 

Second, there’s Michelle Pfeiffer’s Catwoman in her slinky and distinctively stitched catsuit from the 1992 Batman Returns film directed by Tim Burton. As per her most famous quote from the film – Meow!

 

Anne Hathaway as Catwoman in the 2012 Batman film The Dark Knight Rises, directed by Christopher Nolan as the third film in his Batman trilogy

 

Third, there’s Anne Hathaway’s Catwoman in her slinky catsuit in the more realistic style of the Batman film trilogy directed by Christopher Nolan, although we had to wait to the third film to get her.

 

Zoe Kravitz as Catwoman in the 2022 film The Batman directed by Matt Reeves

 

Fourth, there’s Zoe Kravitz zipping up in her Catwoman suit in the 2022 film The Batman directed by Matt Reeves.

 

 

Catwoman (voiced by Sanaa Lathan) as she appears in the Harley Quinn animated TV series – profile image from the fan wiki

 

Finally – fifth, Catwoman has appeared in a number of animated versions. I have a soft spot for her as drawn by Bruce Timm but my favorite animated version is in the Harley Quinn Animated TV series, voiced by Sanaa Lathan. Which come to think of it, makes Catwoman not only my top ten place entry with the most media adaptations but also the most diverse media adaptations – with three black versions of her, including those portrayed by Eartha Kitt and Zoe Kravitz.

 

 

RATING:
A-TIER (TOP TIER)

 

 

 

Harley Quinn’s Villain of the Year – November 2019 (variant cover D by J. Scott Campbell)

 

(5) HARLEY QUINN (DC 1993)

 

Hot slice of crazy. Perky female minion. Pin-up girl for crazed co-dependency.

Psychiatric intern at Arkham Asylum who became infatuated with the Joker – a relationship as unhealthy as one might expect for her and Gotham City.

Originated in the Batman: The Animated Series, but proved so popular she was imported into the comics.

 

ART & COSPLAY

 

For her iconic feature image, I’ve chosen the art by iconic cover artist J. Scott Campbell for his variant cover D from the one-shot Harley Quinn: Villain of the Year comic, as it nicely juxtaposes her moden and classic costumes – my two favorite costumes for her.

 

ART – DANDONFUGA

 

No Sciamano ranking as usual for girls of comics but she has a mighty fine Dandonfuga ranking!

As for my favorite Harley Quinn art, she’s a popular subject for artists so almost all of my favorite artists have tried their hand at her – so here’s my top ten on the spot for Harley Quinn art.

1 – Dandonfuga (for my Dandonfuga ranking

2 – J Scott Campbell (for my iconic feature image – and more! Particularly his covers for her as Villain of the Year)

3 – Nathan Szerdy (as one of the best and most recurring subjects of his art)

4 – David Nakayama (for standout Harley Quinn cover art)

5 – Artgerm (for sensational Harley Quinn cover art)

6 – Neoartcore (for Harley Quinn fan art)

7 – Kikol Draws (for one of my favorite images of Harley fan art)

8 – Derrick Chew (for playful Harley Quinn art in different styles)

9 – Shannon Maer (for gorgeous Harley Quinn cover art)

10 – Will Jack (for cute Harley Quinn cover art)

 

SPECIAL MENTION

1 – DC Comics, for their covers and art for Harley Quinn in her own title and others

2 – Sun Khamunaki, for her rare Harley Quinn art

3 – Keith Garvey, for his art in the style of the Harley in her film adaptation

4 – Lucio Parrillo, for painted art of Harley to resemble her film actress (and with her pet hyenas)

5 – Amanda Conner, for her signature style art of Harley

6 – Warren Louw, for some striking Harley art

7 – Logan Cure (for some sumptuous Harley art)

AI shoutout to End of Line, Naughty Neurals and Sakura.

 

COSPLAY – HELLY

 

No Yummychiyo or Hane ranking but she scores a Helly ranking with some standout Harley cosplay by Helly Valentine – and in her modern costume (or a latex adaptation of it) to boot.

 

Margot Robbie in her signature (and her most iconic) pose as Harley Quinn in the 2016 Suicide Squad film – as opposed to Margot Robbie as Harley Quinn in The Suicide Squad film in 2021

 

MEDIA

 

Harley Quinn’s adaptation in three live-action films may have been a mixed bag – with the only good one as The Suicide Squad in 2021, as opposed to Suicide Squad (without the definite article in the title) in 2016 – but Australia’s Margot Robbie shone in the role throughout all three films. And although the film in which she was introduced – Suicide Squad in 2016 – was lacklustre apart from her in the role, the costume in which she was introduced proved an enduring favorite among fans and cosplayers.

 

The girl herself as she appears in her own animated TV series (well, after her costume change in the first episode) – profile image fan wiki

 

 

And of course Harley Quinn starring in her own animated TV series, voiced to (surprising) perfection by Kaley Cuoco – my favorite version of the character in any media.

 

 

RATING: 5 STARS*****
S-TIER (GOD TIER)

 

 

Lady Death Pin Ups 1 – Naughty Conquest edition July 2014 (art by Paolo Pantalena)

 

(4) LADY DEATH (CHAOS – COFFIN 1991)

 

The definitive 1990’s comics ‘bad girl’. The female embodiment (in every sense of the word) of the nineties antihero in the ‘Dark Age of comics’ – typically dark action girls or avengers, anti-heroic or villainous in nature, with supernatural or occult themes, and above all, voluptuously statuesque and stripperiffic.

Written by Brian Pulido, she originated as an outright villainous figure, a supernaturally pale beautiful female personification of death, but subsequently took shape as an anti-hero or hero

Her story has repeatedly changed as she has bounced between publishers and reboots, but essentially it involved been damned to hell (or somewhere like it) through magic (hence her appearance), only to rise to reign or wage war in hell.

Sadly, such a potentially promising story has been consistently let down by her plots – mostly cat-fights with other demon girls.

It is tempting to think what other writers might have made of Lady Death and her mythic underworld setting – thic sensibilities, Grant Morrison or Mark Millar with their subversive humor, Mike Carey with his play on infernal power politics (particularly as Morrison, Millar and Carey wrote for Vampirella)

Hell, even Frank Miller would have offered up something interesting a la his anti-heroic underworld in Sin City – or at least been outrageously fun about it.

So alas – she might have ranked even higher, but she earns her place in my top ten as befits any girl confident enough to wage war in hell and rule it in a g-string and high-heeled thigh-high boots.

 

ART & COSPLAY

 

If there’s one thing Lady Death is known for – well one more thing than the two obvious things – it’s her covers or pinups (essentially the same thing), many of which would serve as iconic feature image but I’ve chosen this pinup art by Paola Pantalena, one of her recurring artists, as it just seems to me a visual encapsulation of the character.

 

 

ART – SCIAMANO & DANDONFUGA

 

Sadly no Sciamano ranking – his Lady Death would rock going by his Atago Race Queen art or Azur Lane art in general – but she does score a Dandonfuga ranking, albeit not as much or to the usual Dandonfuga standout standard.

When it comes to Lady Death art, the best showcase is arguably the Coffin Comics website, her present publisher. As I said, if there’s one thing Lady Death is known for, it’s her prolific art of high quality in covers or pinups that one is spoilt for choice. Essentially, if there’s an artist known for their pin-up art, they’ll have done Lady Death.

 

My Lady Death art top ten on the spot  – drawn (heh) from my favorite artists

1 – Dandonfuga (for my usual top Dandonfuga ranking)

2 – Elias Chatzoudis (for excellent recurring cover art)

3 – Sun Khamunaki (also for excellent recurring cover art)

4 – Nathan Szerdy (for characteristic pinup style art)

5 – Keith Garvey (also for characteristic pinup style art)

6 – J. Scott Campbell (for art in distinctive style)

7 – David Nakayama (for art in distinctive style – influenced by or very similar to J. Scott Campbell)

8 – Artgerm (for his go-to Lady Death cover art)

9 – Shannon Maer (for his go-to Lady Death cover art)

10 – Mike Krome (Australian artist known for his Lady Death covers)

 

SPECIAL MENTION

1 – Coffin Comics

2 – Paolo Pantalena

And all the stable of artists for Coffin Comics who have not previously been mentioned. The top artists nominated by Coffin Comics themselves in their site include Paolo Pantalena of course – the artist for my iconic feature image – but also Eric Basaldua, Dawn McTeigue, and Mike DeBalfo.

Also AI shoutout to Naughty Neurals.

 

COSPLAY

 

As for Lady Death cosplay, that’s a different story as it takes a certain statuesque quality in lingerie to pull it off. (And presumably a lot of white body paint, as well as white contacts and wig). One such model was Tabita Lyons (or Artyfakes) – so much so that Coffin Comics used her for one of their pinup covers. Alas Octokuro is another such model but has not done it. Dutch glamor model (and Playmate) April Eve was another model who rocked Lady Death.

Yummychiyo could absolutely pull it off with her insane figure but like Sciamano she tends to focus on characters from video games or anime. So too could Hane or Helly, but sadly no ranking from them either.

 

MEDIA

 

Apparently there was an animated film in 2004 but it didn’t rock.

 

RATING: 5 STARS*****
S-TIER (GODDESS-TIER)

 

Red Sonja 4 Dynamite Entertainment 2005 variant cover art by Marc Silvestri – also used as the cover for the Art of Red Sonja collected volume 2011

 

 

(3) RED SONJA (MARVEL-DYNAMITE 1973)

 

She-devil with a sword.

Archetypal barbarian babe – the scantily-clad voluptuous warrior or sword maiden that has emerged as a stock figure in fantasy art, down to her utterly impractical chainmail bikini.

She has shown off her she-devil swordplay ever since her 1973 debut in Marvel Comics’ Conan the Barbarian – earning her own title, like Xena to Conan’s Hercules.

Loosely based on an earlier character, Red Sonya, in a short story by Conan’s creator Robert E. Howard – but not one of his actual Conan stories.

She acquired her legendary skill in combat from the red goddess Scathach. Hence her chainmail bikini – she relies on her uncanny fighting skill, athleticism and (perhaps) divine protection rather than armor.

I have a particular soft spot for her as an embattled fantasy figure, striving against numerous foes, symbolic of the battles of life itself . And of course for that chainmail bikini.

 

ART & COSPLAY

 

For her iconic feature image, what else could I choose but the Marc Silvestri cover art that was also selected by Dynamite Entertainment as cover for their Art of Red Sonja collection? It’s also a classic pose by her in her classic chainmail bikini. Although it was a close call as one is spoilt for choice for fantastic Red Sonja art – really you could just scroll through her Dynamite covers.

 

ART – DANDONFUGA

 

As for my favorite Red Sonja art, that chainmail bikini is irresistible to pinup artists – if an artist is known for pinup art, they’ve probably done some Red Sonja at some point. A special shoutout has to go to Lucio Parrillo for his gorgeous painted Red Sonja cover art – she’s probably his most prolific subject with the possible exception of my second place entry.

Sadly no Sciamano ranking – I’d love to see his Red Sonja given his Rebecca from One Piece with her similar bikini armor – but fortunately she gets a Dandonfuga ranking as Dandonfuga steps up as usual for the top girls of comics.

As for my Red Sonja art top ten on the spot

1 – Dandonfuga (for my mandatry top Dandonfuga ranking)

2 – Lucio Parrillo (for regular outstanding cover art)

3 – Elias Chatzoudis (for regular outstanding cover art!)

4 – Sun Khamunaki (for distinctive Red Sonja art)

5 – Nathan Szerdy (for distinctive Red Sonja art!)

6 – Shannon Maer (for gorgeous cover art)

7 – J. Scott Campbell (for some of the most distinctive Red Sonja art)

8 – David Nakayama (for Red Sonja cover art in a modern style)

9 – Dan Panosian (Dan does good redhead art!)

10 – Josh Burns (for glorious painted Red Sonja art, often coupled with Vampirella)

 

SPECIAL MENTION

1 – Dynamite Entertainment (just scroll through those covers)

2 – Marc Silvestri (for my iconic feature image)

3 – Ed Benes (for his Red Sonja art as my personal favorite of all his art)

4 – Wagner Reis (for his Red Sonja cover art as a close call for feature image)

5 – Adam Hughes (for his standout art featuring Red Sonja’s shock at seeing herself in Slayboy – and the Slayboy centerfold as well)

6 – Amanda Conner (for her distinctive art)

AI shoutout to Nho Eskape, End of Line and Naughty Neurals.

 

COSPLAY

 

As for cosplay, it’s a big chainmail bikini to fill but Octokuro and Tabitha Lyons are more than up to the task, the latter for cosplay cover art for the Red Sonja comic itself.

Sadly no Yummychiyo, Hane or Helly ranking – all of whom would rock that chainmail bikini.

 

 

Promotional “coming soon” art for the 2025 Red Sonja film with Matilda Lutz in the title role

 

MEDIA

 

Yes – there was a 1985 Red Sonja film with Brigitte Nielsen in the title role but it didn’t have any impact. Although at least it was actually made, as opposed to the Red Sonja film in development in the 2010s with Rose McGowan (or Amber Heard) in the title role, albeit it gave us some good concept art posters. Things looked more promising for the 2025 Red Sonja film with Matilda Lutz as Red Sonja but had the same lack of impact as the film forty years beforehand.

 

RATING: 5 STARS*****
S-TIER (GODDESS-TIER)

 

Two variant Vampirella covers by Roberto Castro for Dynamite Entertainment – “homaging two legendary artists and covers for Vampi”, with the one on the right homaging her very first cover with art by Frank Frazetta for Warren Publishing in September 1969

 

(2) VAMPIRELLA (WARREN – DYNAMITE 1969)

 

The original classic ‘bad girl’ of comics.

Also a precursor of that modern fantasy figure, the good vampire who hunts other vampires, although with tongue firmly in cheek in Vampirella’s case.

In her deliberately campy origin story, she is an alien vampire – part of a race that evolved on the planet Drakulon, a world in which the water was blood (just go with it, ok?).

And she came to Earth, obviously packing only her holiday swimwear and boots.

She has been immortal ever since, albeit with different publishers and ever changing origin story (as a daughter of Lilith and Drakulon as part of Hell but, you know, a good part?). She’s still a good vampire hunting evil vampires.

She’s had her pick of top writers of comics – Grant Morrison, Mark Millar, Mike Carey, Alan Moore, Warren Ellis and Kurt Busiek

She’s iconic enough to be portrayed by promotional models and even a cameo in-joke in television’s Buffy the Vampire Slayer (sadly only a toy figurine).

Not bad for a vampire girl from Drakulon.

 

ART & COSPLAY (MEDIA & MODELS)

 

For her iconic feature image, there was any number of classic cover images that suggested themselves but I went with an image featuring two recent variant Vampirella covers by Roberto Castro for Dynamite Entertainment – “homaging two legendary artists and covers for Vampi”, with the one on the right homaging her very first cover with art by Frank Frazetta for Warren Publishing in September 1969

 

ART – DANDONFUGA

 

Her swimsuit costume seems even more irresistible to artists than Red Sonja’s chainmail bikini, although it’s probably too close to call as to which of the two of them is the greater muse to artists in comics, particularly as they are now both published by Dynamite Entertainment and have even crossed over with each other, although my favorite crossover between them was actually also a crossover with Betty and Veronica in Archie.

Sadly no Sciamano ranking – I’d love to see it as I think she would rock her swimsuit and boots in his art – but fortunately she gets a Dandonfuga ranking with Dandonfuga stepping up as usual for the girls of comics.

I’m spoilt for choice even more than for Red Sonja but here’s my top ten on the spot for Vampirella art:

1 – Dandonfuga (for my mandatory top Dandonfuga ranking)

2 – Sun Khamunaki (for art of Vampirella as one of her best and most recurring subjects)

3 – Nathan Szerdy (for art of Vampirella as one of his best and most recurring subjects, particularly for use of blood, light and shading)

4 – Elias Chatzoudis (for recurring cover art of Vampirella)

5 – Lucio Parrillo (for gorgeous recurring painted cover art of Vampirella)

6 – Shannon Maer (for gorgeous recurring cover art of Vampirella)

7 – Artgerm (for some of the most classic cover art of Vampirella)

8 – J. Scott Campbell (for one of the most classic cover art images of Vampirella)

9 – Keith Garvey (for his signature pinup art)

10 – Josh Burns (for gorgeous painted cover art of Vampirella)

 

SPECIAL MENTION

1 – Dynamite Entertainment (Just scroll through their covers – featuring most of the artists I’ve listed here and more)

2 – Roberto Castro (for my feature image, homaging two classic covers for Vampirella – including her very first cover! Speaking of which…)

3 – Frank Frazetta (the classic first cover of Vampirella)

4 – Dan Panosian (he does good Red Sonja so no surprise he does good Vampirella as well)

5 – Derrick Chew (for some great Vampirella art with other characters – my favorite Vampirella art with Purgatori)

6 – Amanda Conner (for classic Vampirella cover art)

7 – Dawn McTeigue (for some exotic Vampirella art)

8 – Mike Krome (for one cover in particular – which inspired some awesome cosplay)

9 – Luis Royo (who excels in fantasy art, particularly dark fantasy art vampire or other women – so not surprisingly he has done Vampirella)

10 – Kyu Yong Eom (for some reason Luis Royo prompts to mind Kyu Yong Eom – who has also done fantasy art of Vampirella)

11 – Mimi Yoon (for similarly exotic Vampirella art to that of Dawn McTeigue)

12 – Randy Green (for one of my favorite facial portraits of Vampirella)

13 – BTG (for some of my favorite digital art of Vampirella)

Shout-out to Vampirella in AI – Naughty Neurals for their images of Vampirella, Nho Eskape for their inventive images of Vampi (as images of Vampirella are apparently hard to prompt), and End of Line for their composite digital art image of Vampirella.

 

COSPLAY – HELLY

 

As for cosplay, like Red Sonja’s chainmail bikini, it’s a big swimsuit and boots to fill. Sadly no Yummychiyo or Hane ranking – both of whom would rock the swimsuit and boots since they have sported similar swimsuit designs for other cosplay – but Vampirella certain scores a Helly ranking, with one of my favorite cosplays by Helly Valentine.

Just as they filled out Red Sonja’s chainmail bikini to perfection, so too not surprisingly do Octokuro and Tabitha Lyons fill out Vampirella’s legendary swimsuit in the same way – to which we can add Kalinka Fox for her Vampirella cosplay. Also Lada Lyumos for cosplay of that Mike Krome cover.

 

Kitana Baker model photo cover – Vampirella: Southern Gothic 4, Dynamite Entertainment, November 2013

 

 

MEDIA & MODELS

 

Where is the screen Vampirella adaptation?!

Well yes, other than the 1996 film with Bond girl Talisa Soto in the lead role which…did not have much of an impact, although Talisa is cute enough.

However, Vampirella has a long history of official cover models portraying her – enough for a top ten or twenty – including her present models (Joanie Brosas, Faces by Rachie, and Rachel Hollon), but the standout model for me will always be Kitana Baker. I will accept no debate on this topic.

 

And for more Vampirella top tens…

Top 10 Girls of Vampirella
Top 10 Girls of Vampirella (Special Mention)

 

RATING: 5 STARS*****
S-TIER (GODDESS-TIER)

 

Wonder Woman cover art by Ed Benes

 

 

(1) WONDER WOMAN (DC 1941)

 

Could there be any doubt? The top position has to go to THE most famous, THE most iconic and THE most enduring superheroine in comics.

Visually striking – blue-eyed, raven-haired and voluptuous in her star-spangled costume, with her golden lariat of truth and her bullet-deflecting bracelets.

With a story drawn from classical mythology, the Amazon Princess Diana of Themyscira was created by American psychologist William Moulton Marston, who also invented the polygraph lie detector – hence the lariat.

Marston also had a keen interest in bondage, hence the recurring bondage theme of his comics. And also the lariat.

Anyway, along with Catwoman, she was my other earliest childhood crush.

“Wonder Woman! Wonder Woman!
All the world is waiting for you and the power you possess
In your satin tights, fighting for your rights
And the old red, white and blue!”

 

ART & COSPLAY (MEDIA & MODELS)

 

For her iconic feature image, I’ve chosen the New 52 cover art by Ed Benes, featuring her in what I consider to be her classic costume (except for the cape) – and Ed Benes does damn fine art.

 

ART – DANDONFUGA

 

Sadly no Sciamano ranking – despite Sciamano’s focus on characters from video games or anime, I still find it surprising that he has not done any art of Wonder Woman at least. However, she does score a Dandonfuga ranking with some of my favorite art of Wonder Woman, particularly in her modern costume.

 

As for my Wonder Woman art top ten on the spot

1 – Dandonfuga (for my usual Dandonfuga ranking in top spot)

2 – Sun Khamunaki (for consistently good art)

3 – Nathan Szerdy (for Wonder Woman as one of his best recurring subjects)

4 – J. Scott Campbell (for my favorite series of Wonder Woman covers for her anniversary, with her holy trinity of vintage, classic and modern costumes)

5 – David Nakayama (for some of the best recent Wonder Woman comics covers)

6 – Stanley “Artgerm” Lau (for his signature cover art)

7 – Warren Louw (for one of my favorite images of Wonder Woman)

8 – Keith Garvey (for his signature pinup art)

9 – Elias Chatzoudis (also for his signature pinup art)

10 – Neoartcore (for art of Wonder Woman by one of my favorite – and most prolific – digital artists)

 

SPECIAL MENTION

1 – DC Comics (for their Wonder Woman comics cover art in general, including most of the artists in this top ten or these special mentions)

2 – Ed Benes (for my feature image)

3 – David Finch (who came very close to scoring my iconic feature image with his cover art)

4 – Michael Turner (with yet another contender for iconic feature image)

5 – Nicola Scott (Australian artist for whom Wonder Woman is one of her best subjects – including a collage of the different costumes)

6 – Shannon Maer (for art in his characteristic style)

7 – Will Jack (for art in his characteristic style)

8 – Greg Horn (for art in his chacteristic style)

9 – Dan Panosian (for his Wonder Woman cover art)

 

Shoutout to her as a recurring subject for AI imagery – Nho Eskape, End of Line and Naughty Neurals

 

COSPLAY

 

As for cosplay, she is sadly under-represented among my favorite cosplay models – no Yummychiyo, Hane, or Helly, all of whom would rock the most iconic girl of comics. My favorite Wonder Woman cosplay is by fitness model Denise Milani, whose statuesque proportions were shaped by the Olympians themselves for it. Kalinka Fox and Tabitha Lyons are close runners up.

 

Collage of matching poses by Lynda Carter as Wonder Woman in the 1976 TV series and Gal Gadot as Wonder Woman in the DC Extended Universe films

 

 

MEDIA & MODELS

 

As for her media appearances, two come to mind foremost for Wonder Woman – Lynda Carter in the 1970s TV series and Gal Gadot in the DCEU films.

 

“Ugh, how does she pull off those clunky bracelets?” Diana or Wonder Woman as she appears in the Harley Quinn animated TV series (voiced by Vanessa Marshall) – profile image from the fan wiki

 

Animation honorable mention for her depiction in the Harley Quinn animated series voiced by Vanessa Marshall. Although let’s face it – Wonder Woman will look good in almost any live-action or animated appearance.

 

 

Collage of Australian models Megan Gale as Wonder Woman (left) and Miranda Kerr as Wonder Woman (right) for her Australia Day photo shoot with Grazia fashion magazine

 

And here’s my top ten on the spot for models or celebrities who have donned the Wonder Woman costume:

1 – Megan Gale

Australian model who almost played her for a Justice League film to be directed by none other than…George Miller. Oh – what could have been! Well at least Miller had her show up naked in Mad Max Fury Road (as the bait in the “that’s bait” scene since immortalized in meme)

2- Miranda Kerr

Speaking of Australian models, this Aussie supermodel donned the Wonder Woman costume and waved the Australian flag for her Australia Day photo shoot with Grazia fashion magazine. Come to think of it, it’s not just the American flag that matches the star-spangled red white and blue of Wonder Woman’s costume – the Australian flag could do just as well for Wonder Woman’s costume!

3 – Rachel Bilson

I can literally tell you nothing else about TV series The OC other than that Rachel Bilson dons the Wonder Woman costume in it as a present for her boyfriend. And everyone else, not least the audience

4 – Olivia Munn

It’s Olivia Munn. ‘Nuff said – hot nerd alert. (She’s a fan of comics so naturally has worn the Wonder Woman costume)

5- Kaley Cuoco

Speaking of Harley Quinn, Kaley Cuoco donned the costume in The Big Bang Theory

6 – Sarah Michelle Gellar

Buffy does Wonder Woman! I think it was for a SNL skit.

7 – Adrianne Palicki

Another model and actress who was cast as Wonder Woman – in this case in an unaired 2011 TV pilot

8 – Kim Kardashian

9 – Kendall Jenner

I suppose I’ll open it up to celebrity Halloween costumes or cosplay – and as usual, these two made headlines.

10 – Anissa Kate

Ahem. Yes of course Wonder Woman has been a favorite subject for depiction in, ah, adult films. Indeed, I could have compiled this top ten purely from adult film stars cast in the role but I’ll go with Anissa Kate as the best (and also from the images I found compiling this top ten the one modelled most closely on Gal Gadot’s depiction in the DCEU).

 

And as for more Wonder Woman top tens…

 

RATING: 5 STARS*****
S-TIER (GODDESS-TIER)

 

 

 

 

FANTASY GIRLS –
GIRLS OF COMICS: TOP 10 (TIER LIST)

 

S-TIER (GODDESS TIER)

(1) WONDER WOMAN

Yeah – she pretty much defined girls in comics for me.

(2) VAMPIRELLA

(3) RED SONJA

(4) LADY DEATH

(5) HARLEY QUINN

If Wonder Woman is my Old Testament of girls in comics, then Vampirella, Red Sonja, Lady Death and Harley Quinn are my New Testament.

 

A-TIER (TOP TIER)

(6) CATWOMAN

(7) ZATANNA

(8) POISON IVY

(9) BLACK CAT

 

X-TIER (WILD TIER)

(10) SERAPHINA

Finally my wildcard tenth place entry as best of 2025 is Seraphina.