Top Tens – Miscellany: Top 10 Youtube (9) Robot Head

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(9) ROBOT HEAD (AUSTRALIA 2018)

 

“I’m a guy that’s been lucky enough to create a Youtube channel that people seem to actually like. My YouTube videos are highly edited and draw on many years of watching movies to point out how some films are very good while others are very, very bad. (I’m looking at you, Last Jedi). Cheers!”

He’s Australian, with that Aussie accent proudly on display in his videos – and he’s an Archer fan, borrowing Archer’s cartoon likeness (from Archer’s ‘space’ season) for his video avatar at one point. What’s not to love?

He’s also on Twitter X, where he has the occasional epic battle in replies.

The first but hardly the last caustic critic in my top ten – with a particular focus on the Star Wars franchise, particularly for his more caustic criticism.

Also the first of two antipodean popular culture critics in my top ten – yes, I have a New Zealander entry to add to this Australian one.

 

RATING: 4 STARS****

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Top Tens – Mythology: Top 10 Mancy (8) Pyromancy

Free ‘divine gallery’ sample art – OldWorldGods

 

(8) PYROMANCY

 

Burn, baby, burn!

But seriously, we come to the first of the four classical elements, with pyromancy as divination by fire or flames.

Similarly to somatomancy and theriomancy, it is likely that pyromancy was one of the first methods of divination in human history or prehistory, reflecting the importance of fire itself in human prehistory.

Fire was the first major human tool or technology – game-changing in the power it gave humans to change or shape their environment (and indeed themselves, by the ability to cook or prepare food), such that it might be compared to the Industrial Revolution. And that’s before its use in other technologies that might be similarly compared to the Industrial Revolution, such as pottery or smelting. For that matter, the Industrial Revolution itself revolved around combustion – and much of human technology before and since might be compared, literally and figuratively, to humanity holding up its flaming torch in the clearing it has made for itself with fire or combustion.

SF writer Arthur C. Clarke famously observed that any sufficiently advanced technology is indistinguishable from magic. Typically, we tend to apply that to our contemporary technology or projections from it, but it has also applied to technological thresholds in our history or prehistory – the use or smelting of metal for one was often compared to magic, and even more so fire itself, portrayed as magic or even divine.

“The most basic form of pyromancy is that in which the diviner observes flames, from a sacrificial fire, a candle, or another source of flame, and interprets the shapes that he or she sees within them”. However, there are several variations on pyromancy, particularly when combined with burning or casting particular substances into fire (such as salt, in one variation of alomancy or divination by salt).

There’s probably enough variations of pyromancy for yet another top ten within my top ten, but I’ll just go with some major ones here – capnomancy or divination by smoke (or movements of smoke), causimancy (or causinomancy or causimomancy) and empyromancy or divination by burning, and lampadomancy or divination by a flame or flames.

Shoutout also to carromancy (divination by melting wax) and ceromancy (divination by dripping wax in water) – which I would like to adapt to my obsession with lava lamps (lavomancy?)

As a method of divination, pyromancy would seem to have considerable potency and versatility – particularly if one combines it with visions from burning, ahem, particular substances, or smoke inhalation.

As a school of magic, it would seem to be powerful but limited in versatility – pretty much like the school of evocation in Dungeons and Dragons. Sure, it feels reassuring to stride into a dungeon loaded up with fireball spells to shoot from your fingertips, but there’s not much else one can do with that except, well, shoot fire from your fingertips.

On the other hand, one can imagine pyromancers being at the forefront of fantasy Industrial Revolutions – as firebenders and the Fire Nation were in the animated Avatar series. Also, pyromancy becomes somewhat broader if one extends it to other forms of energy, heat and light, particularly in more metaphorical senses (such as life energy or heat of passion).

 

RATING: 4 STARS****
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Top Tens – Mythology: Top 10 Mythologies (8) Aztec

Free ‘divine gallery’ sample art – OldWorldGods

 

(8) AZTEC

 

I only have the usual superficial knowledge of Aztec mythology characteristic of its lurid image in popular culture – that is to say, the closest mythology comes to a horror film or the Cthulhu mythos, both of itself and of its ritual practice of human sacrifice. Yes – I know that is unfair to the nuances of Aztec mythology, particularly in the context of just how horrific other mythologies can be. I mean – have you read the Bible? Some of that stuff’s straight out of slasher horror.

However, it is hard to resist seeing Aztec mythology as horror film mythology. For one thing, there’s its deities with their tongue-twisting Scrabble-winning names. The messianic plumed serpent Quetzalcoatl might be one of the few good guys (and I have always have a soft spot for love goddesses like Xochiquetzal) but then you have gods like Xipe Totec, the flayed god – whose priests would flay the skin from a sacrificial victim and dance around for days wearing it. Although admittedly I’d go to church to see that.

For another thing, you have its ritual practice, infamous for human sacrifice on a grand scale – with the archetypal image of hearts being torn beating from the chests of thousands of victims on stepped pyramids slippery with blood on sacrificial days.

And finally for yet another thing, there’s that Aztec mythology is a post-apocalyptic mythology – with the present world being the fifth such world, after the apocalyptic destruction of four previous worlds. Indeed, one might even call it a zombie apocalyptic mythology – with the gods continuously, to the point of constantly dying and returning to life, giving their blood and their hearts to power the sun (fuelled in turn by the literal blood and hearts of human sacrifice), while they literally grew humans from bones smuggled out of the underworld. Or one of many underworlds, since the Aztecs had nine levels of its underworld (and thirteen heavens).

Also, I sometimes like to joke my middle initial Q stands for Quetzalcoatl.

 

RATING: 4 STARS****
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Top Tens – Mythology: Top 10 Books (8) Weston La Barre – The Ghost Dance

The Ghost Dance of 1889-1891 by Frederic Remington, 1890

 

 

(8) WESTON LA BARRE –
THE GHOST DANCE: THE ORIGINS OF RELIGION (1970)

 

A sweeping “psychoanalytic account of the birth of religion through the lens of his treatment of the ghost dance religion of native America”.

A sadly elusive and overlooked classic, particularly as anthropologist Weston La Barre regarded it as his magnum opus.

It’s also deliciously snarky, particularly about founding religious figures and classical philosophies.

Essentially, he presents all religion – not just native American – as shamanic in nature. All religions are ghost dances at heart. Indeed, this book led me to see the Bible as the Hebrew dreaming and the great messianic ghost dance.

Don’t get me wrong – I have a soft spot for the ghost dance, both the historical native American ghost dance and its metaphors. Hell – I usually feel my life has been one long ghost dance…

 

RATING: 4 STARS****
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