(3) JIM MORRISON & JIMI HENDRIX

 

Mr Mojo Risin’ and the Voodoo Child.

And here we are at the apex of mojo.

The Doors with their “dark, theatrical blues-influenced psychedelic rock”, led by the poetic lyrics, deep silky voice and charismatic persona of Jim Morrison “aka Mr. Mojo Risin’ aka The Lizard King”. And Jimi Hendrix – “one of the most celebrated musicians of the 20th century” and “arguably the greatest instrumentalist in the history of rock music”.

But hold on Stark After Dark, I hear you say – aren’t they your apex of mojo…in music?

Well, yes they are – which is why I’m giving them special mention here, similarly at god-tier ranking, for their lyrical content.

Of the two of them, Morrison leads for his lyrical content. Obviously I like Hendrix but his lyrical content – and for that matter his vocal performance – was eclipsed by his virtuosity of performance on electric guitar.

As the vocalist of The Doors, Morrison was all about lyrical content, vocal performance and onstage theater – the latter showcased by the sprawling trippy Oedipal epic performance of The End, not unlike the Greek drama that inspired it.

As for lyrical content, at the suggestion of Morrison their very name came from the title of Aldous Huxley’s The Doors of Perception, itself taken from William Blake – “When the doors of perception are cleansed, man will see things as they truly are, infinite” (from The Marriage of Heaven and Hell).

And I stand by L.A. Woman – both album and its titular single – as one of the great lyrical poems of the twentieth century. The title track song has so much mojo that it famously features the refrain of Mr. Mojo Risin’, an anagram of Jim Morrison no less, in the song’s break with its rising crescendo of unmistakably sexual rhythm (and a figure I’ve adopted into my own pagan mythology – I believe in L.A. Woman and Mr. Mojo Risin’).

Mr Mojo’ Risin’, Mr Mojo Risin! Whoa yeah!

 

RATING: 5 STARS*****

S-TIER (GOD TIER)

 

 

(2) NORTON ANTHOLOGY OF POETRY

 

This may seem as a bit of a cheat, particularly ranked as my top special mention and in god tier to boot, given that it is an anthology – that is, a collection of poetry from different poets in contrast to the individual poets of my Top 10 Poetry (and most of the balance of special mentions).

Indeed, it is the most comprehensive collection of poetry, both in poems and in poets, from the very earliest poems in English to the present day, that I know – my favorite single volume anthology or collection of poetry.

And that essentially gives away the method to my madness behind it as my top special mention. In short, the Norton Anthology of Poetry is the means by which I encountered most of my favorite poems or poets, including those in my top ten or these special mentions.

It is one of a series of Norton Anthologies which tend to be favorite volumes for schools, colleges or universities. Two other Norton Anthologies come close to it in my education – the Norton Anthology of English Literature and the Norton Anthology of American Literature – and one other comes close to it in my personal reading – the Norton Anthology of Modern and Contemporary Poetry.

But no other anthology, Norton or otherwise, has ever matched the Norton Anthology of Poetry for my discovery and enjoyment of poems and poets – and I still discover or rediscover poems and poets within its pages to this day.

 

RATING: 5 STARS*****

S-TIER (GOD TIER)