
Portrait of Swinburne in watercolor and chalk by Dante Gabriel Rossetti in 1861 (public domain image used as feature image in the Wikipedia article for Swinburne)
(9) ALGERNON CHARLES SWINBURNE (1837-1909)
“What ailed us, O gods, to desert you,
For creeds that refuse and restrain?
Come down and redeem us from virtue,
Our Lady of Pain”
A deliciously decadent and pagan poet, as well as one that was distinctly kinky – that Lady of Pain wasn’t just some turn of the phrase but a glimpse into the sadomasochistic dungeon in the basement of his mind.
He was best known for his debut poetry collection Poems and Ballads, which was something of his personal pagan manifesto and featured the poem Dolores that I quoted at the outset.
“The poem demonstrates most of the controversial themes for which Swinburne became notorious. It conflates the cruel yet libidinous pagan goddess figure of Dolores, the Lady of Pain with Mary, Mother of Jesus and associates the poem itself, through its parenthetical titular text (Notre-Dame des Sept Douleurs, i.e., “Our Lady of Seven Sorrows” with the Seven Dolours of the Virgin.”
Camille Paglia observed how much the poem resembles prayer, particularly in rhythm and recurring phrases – presumably amidst sacraments of flagellation and spanking. I’d go to that church!
That pretty much sums up Swinburne. As for which Swinburne poem to select for this entry, there’s so many from which to choose. I’ll go with Dolores – Our Lady of Pain – but it was a close call with the temptation of Faustine, which resembles Dolores in prayer-like quality.
“What coiled obscene
Small serpents with soft-stretching throats
Caressed Faustine?”
RATING:
A-TIER (TOP TIER)

