Monday Night Mojo – Top 10 Music (Mojo & Funk): Special Mention (Mojo) (2) Lana Del Rey – Summertime Sadness

 

(2) MOJO: LANA DEL REY –
SUMMERTIME SADNESS (2012)
B-side: Blue Jeans (2012)

 

“I got that summertime, summertime sadness”

You and me both, Lana del Rey, you retro pop queen – “self-styled gangsta Nancy Sinatra” and “L0lita lost in the hood”.

The music of Lana del Rey – or Elizabeth Woolridge Grant – has been noted “for its stylized cinematic quality; its preoccupation with themes of tragic romance, glamour, and melancholia; and its references to pop culture” Also – Hollywood sadcore, baroque pop, dream pop and “about music as a time warp, with her languorous croons over molasses-like arrangements meant to make clock hands seem to move so slowly that it feels possible, at times, they might go backwards”

And somehow all of this seems infused in her 2012 trip hop ballad hit, “Summertime Sadness” – so melancholy!

Also something of a crush of mine, although perhaps more as an idea

And as for my B-side, I’ll go with her characteristically mournful love song, Blue Jeans.

Love, like life, is the long lost last look back…

“I will love you till the end of time
I would wait a million years
Promise you’ll remember that you’re mine
Baby can you see through the tears?”

As for the balance of my Top 10 Lana Del Rey songs:

(3) Ultraviolence (2014)
(4) Video Games (2011)
(5) Born to Die (2011)

(6) Ride (2012)
(7) National Anthem (2012)
( 8 ) West Coast (2014)
(9) Did You Know There’s a Tunnel Under Ocean Blvd (2022)
(10) A & W (2023)

 

RATING: 4 STARS****
A-TIER (TOP-TIER)

 

Top Tens – History: Top 10 History Books (5) John Keegan – A History of Warfare

 

 

 

(5) JOHN KEEGAN –

A HISTORY OF WARFARE (1993)

 

The magnum opus of one of the foremost military historians of our time – a global history of war from prehistory to nuclear weapons. (Although one might also argue his magnum opus was his trilogy of The Face of Battle, The Mask of Command, and The Price of Admiralty).

 

After an introductory section “War in Human History”, Keegan organizes his history in broad thematic sections invoking the four classical elements but as the four elements of war, albeit also more or less in chronological sequence – “Stone”, “Flesh”, “Iron” and “Fire”.

 

Between each section is an “interlude”, not so much in chronological sequence but with a focus on recurring aspects – or problems – throughout the history of warfare, respectively limitations on warmaking, fortification, armies, and logistics and supply. For example, the interlude on ärmies dealt with the basic problem of – and limited number of means for – actually raising armies.

 

The titles of those elemental sections speak for themselves – with fire obviously corresponding to the defining characteristic of modern warfare increasingly relying on forms of combustion or energy, from gunpower through the internal combustion engine to nuclear weapons.

 

A personal highlight was the book’s examination of the conquests of the various “horse peoples”, the high point of which were the Mongols, always a subject of fascination for me. Something that has always resonated in my mind ever since is Keegan’s opinion that much of the mobile tactical skill of the horse peoples originated in the same techniques they used on their herds except on their adversaries instead.

 

 

RATING: 5 STARS*****

S-TIER (GOD TIER)