Top Tens – History: Top 10 Wars (Special Mention: Revised) (17) Opium Wars

The East India Company iron steam ship Nemesis, commanded by Lieutenant W. H. Hall, with boats from the Sulphur, Calliope, Larne and Starling, destroying the Chinese war junks in Anson’s Bay, on 7 January 1841 (First Opium War) – painted by Edward Duncan (public domain image – Wikipedia “Opium Wars”)

 

 

(17) OPIUM WARS (1839-1842 & 1859-1860)

 

Two wars in which China got pawned by European powers – the first Opium War in 1839-1842 saw China defeated by Britain (resulting in Hong Kong being ceded to Britain among other things) and the second Opium War in 1859-1860 was slightly less humiliating for China as at least it got defeated by Britain and France rather than a solo British effort.

The nineteenth century was…not a good century for China, as the commencement of what later became known as the Century of Humiliation by foreign powers. The Qing dynasty, formerly one of the most powerful states in the world and used to styling itself as the Middle Kingdom of the world, now became the punching bag of the new European world powers. Qing China was humbled and humiliated as it was easily defeated by European modern military technology and techniques. Ultimately that dealt the death knell to the Qing dynasty, which crumbled amidst a revolution and civil war that spanned decades.

And it was all pretty sordid by the European powers as well, with the Opium Wars being fought by Britain for free trade – its free trade of opium to China, that is. The Opium Wars saw the first of the so-called Unequal Treaties between China and Western powers – as an impotent China was forced to concede territory, privileges, concessions and reparations to one European power after another in a form of de facto colonization.

De facto colonization, that is, because China was too big for actual colonization by any one European power, particularly as rival European powers were concerned with maintaining a balance between themselves in China. Indeed, the European powers were remarkably cooperative between themselves when it came to their common purpose of pawning China.

Ironically, it was a newly admitted Asian power to the European circle of world power that upset this balance and came closest to colonizing China in the twentieth century – Japan. Although of course this was the final straw of humiliation for China. It was one thing to be humbled by European powers with their new industrial and military technology. It was quite another to be humbled by an upstart smaller Asian neighbor, particularly a former tributary state.

The Opium Wars earn their special mention particularly for my fascination with the interconnection between drugs and war, also reflected in my slightly tongue-in-cheek special mention for pharmacological warfare for types of war. The Opium Wars are the closest thing to wars fought over drugs like the modern stereotype of wars fought for oil – in this case, wars fought over Britain smuggling opium into China.

Of course, modern drug smugglers or cartels tend not to have the force of the world’s largest maritime empire behind them, but often play a role in more low-level war or insurgency as in Colombia. And notoriously, drug smuggling – particularly in cocaine and opium – has often laid beneath the surface of larger modern conflicts.

Top Tens – Comics: Top 10 Comics (Special Mention) (10) Frank Miller – Sin City

Iconic panel from the comic, showcasing Miller’s mastery of black and white line art (fair use)

 

 

(10) FRANK MILLER –

SIN CITY (1991-2000)

 

Frank Miller’s finest artwork apart from blood splatter, something (both finest artwork and blood splatter) which recurs frequently in Miller’s “absurdly macho” comic noir (or neo noir) Sin City. Its black and white line art is matched only by its black and grey morality. And we’re talking a pretty dark grey! It’s a mystery how the city of the title, Basin City, isn’t completely depopulated, as its economy seems to consist entirely of sociopathy and of course “wh0reswh0reswh0res”.

“Sin City reads like an Affectionate Parody of Film Noir turned Up to Eleven: every hero is a mentally or physically scarred bruiser and every woman is a beautiful dame with a heaving bosom”

Shoutout to Frank Miller’s 300, which is even more absurdly macho (Rated M for Manly according to TV Tropes), because THIS! IS! SPARTA!