Cover of the Pan Science Fiction paperback edition – the edition I own

(8) ROBERT SHECKLEY –

OPTIONS (1975)

One of science fiction’s most unsung qualities, particularly to those not familiar with the genre, is the extent to which it can be a profoundly comic or satirical medium, often subversively so – which is ironic given that comic science fiction is perhaps the most accessible to readers outside the genre.

Robert Sheckley was primarily a humorist of science fiction, typically writing absurdist and satirical comedies with a thin veneer of a science fictional premise or setting. Sheckley’s “numerous quick-witted stories and novels were famously unpredictable, absurdist and broadly comical”.

Sheckley shone through his playful short stories. My personal favorites are his absurdist satires of human mores, typically through the lens of alien observers or human societies on other planets. One such is “Pilgrimage to Earth”, in which humanity’s home planet, exhausted of its material resources to offer its former space colonies, resorts to space tourism for more intangible commodities – “Earth specializes in impracticalities such as madness, beauty, war, intoxication, purity, horror and the like, and people come from light-years away to sample these wares”. Wares such as romantic love – as a vendor exclaims, other planets have tried it and found it too expensive or unsettling, but Earth specializes in the impractical and makes it pay.

However, it is in Sheckley’s longer fiction that we find more extended satires or absurdist comedies from science fiction premise – which brings us to my favorite Sheckley novella, the absurdist and anarchic Options, in which Sheckley plays with story itself. It starts off in a reasonably linear narrative, in a comedic play on an classic pulp science fiction premise – ostensibly about the marooned protagonist Tom Mishkin’s attempt to get a spare part for his spaceship stored in a cache on an alien planet. To protect him, he is assigned a Special Purpose Environmental Response or SPER robot.

Unfortunately, the robot is programmed for another planet. However, that premise becomes an increasingly loose framing device as the non-linear narrative descends into a mass of diversions, non sequiturs and musings – “a deliberate cosmic shambles, an explosion or disintegration of story logic, a comedy of cliches and crossed lines, and a joke on the very act of story-telling”.

RATING:
A-TIER (TOP TIER)