Top Tens – Heroes & Villains: Top 10 Heroes of Mythology (Special Mention) (12) Aeneas & Romulus

The most famous image of Roman mythology or legendary history – Lupa Capitolina suckling the twins Romulus and Remus, here depicted in a bronze sculpture in the Capitoline Museum debated as to its age and origin as either 5th century BC Etruscan sculpture or medieval (with the twins added later)

 

 

(12) AENEAS & ROMULUS

 

All roads lead to Rome – Rome leads back to Romulus and Aeneas.

My previous special mention for Hector leads naturally to special mention for Aeneas, similarly a Trojan hero – less prominent in Greek mythology or the Iliad but one that rose to prominence as the ancestral hero of Rome in Roman mythology and the subject of the Aeneid, epic poem by Virgil intended as a sequel to the Iliad and Odyssey as well as foundational legend for Rome (and the imperial cult of Augustus).

I particularly like that Aeneas is the son of the goddess Aphrodite, which effectively makes her Roman equivalent Venus the founding mother and patron goddess of Rome.

Aeneas may well have been the founding father of Rome but he didn’t found the city itself – hence he shares special mention with Romulus. Famously, Romulus was one of two twin brothers – and as famously, he and his twin Remus were suckled by a she-wolf, known as Lupa Capitolina or the Capitoline wolf, in their infancy. Also as famously (or infamously), Romulus had a falling out of fratricidal degree with his brother as he went on to found the city (and kingdom) of Rome – just as well because the city of Reme just doesn’t have the same ring to it.

 

RATING:

A-TIER (TOP TIER)

Top Tens – Heroes & Villains: Top 10 Villains of Mythology (Special Mention) (11) Set

Set as he appears in his standard design from the Smite 2 video game

 

 

(11) SET

 

And ass-headed Set brayed in the desert…

Set often strikes me as similar to Loki, except more loyal when in balance or harmony with the rest of the Egyptian pantheon, until he was transformed into their antagonist. For example, he had a positive role where he accompanied Ra on the solar barque to repel Apep or Apophis, the serpent of chaos who would otherwise be the foremost villain of Egyptian mythology but for Set’s infamy.

However, with a divine brief as the god of the desert – lord of the Red Land as opposed to Horus as Lord of the Black Land or fertile land of the Nile – it was perhaps inevitable that Set would assume an antagonistic role, again as opposed to Horus, infamously by killing the father of Horus and husband of Isis, Osiris.

That ass-headed reference might not be accurate – “in art, Set is usually depicted as an enigmatic creature referred to by Egyptologists as the Set animal, a beast not identified with any known animal, although it could be seen as resembling a Saluki, an aardvark, an African wild dog, a donkey, a jackal, a hyena, a pig, an antelope, a giraffe or a fennec fox”. Of course, I prefer the ass version.

Interestingly, it may not have been so much his role as god of the desert that cast him as villainous but his role as god of foreigners, with the foreign conquests of Egypt – “Set’s negative aspects were emphasized during this period. Set was the killer of Osiris, having hacked Osiris’ body into pieces and dispersed it so that he could not be resurrected. The Greeks would later associate Set with Typhon and Yahweh”(!) – “a monstrous and evil force of raging nature (being the three of them depicted as donkey-like creatures).”

 

RATING:

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Top Tens – Heroes & Villains: Top 10 Heroes of Mythology (Special Mention) (11) Hector

Illustration of Hector, albeit in his duel with Ajax rather than Achilles, from The Story of the Iliad published in 1892

 

 

(11) HECTOR

 

Troy’s greatest warrior and the classical archetype of heroic antagonist, worthy adversary to Achilles in the Iliad.

It just goes to show you can have heroes on both sides. Indeed, there’s been a consistent tendency to see Hector as more heroic, or at least more sympathetic, than Achilles – a tendency that dates back potentially to the Iliad itself and certainly through to the modern reader.

“Hector is still the hero who forever captures the affection of the modern reader, far more strongly than his conqueror has ever done”.

It’s not a universal tendency. Some drily point out that the Iliad more tells than shows Hector’s prowess as a warrior – “Many, but not all, scholars of the Iliad see an incongruence between Hector’s in-story reputation and his actual achievements”. On the other hand, others argue Hector should have played it safe, “following his wife’s practical advice to defend Troy from the city wall” rather than “fighting on the frontlines for the sake of glory” – he was Troy’s crown prince after all.

However, Hector was fated to fall in an epic for which the declared subject in its opening line is the wrath of Achilles – which was, after all, targeted on Hector, at least after Achilles’ companion Patroclus is killed by Hector. This time, it’s personal for Achilles – and so he killed Hector, leaving the Trojan king Priam to beg Achilles if the latter could please stop dragging Hector’s dead body behind him while doing victory laps in his chariot.

Still, it’s hard not to see Hector as more heroic or sympathetic to Achilles, particularly as Hector is fighting foremost to defend his city and family.

“Hector throughout the Trojan War brings glory to the Trojans as their best fighter. He is loved by all his people and known for never turning down a fight. He is gracious to all and thus thought of favorably by all but the Achaeans…He turns the tide of battle”.

That consistent tendency to see Hector as more heroic, or at least more sympathetic, than Achilles – has also carried over to the Trojans against the Greeks in general. The Romans traditionally traced their lineage to Troy and hence accordingly took a positive view of Hector, followed by medieval writers who hailed Hector as one of the “Nine Worthies” or nine heroes from Biblical, classical and medieval sources, as well as others since who have favored Hector as the true hero of the Iliad.

 

RATING:

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Top Tens – Heroes & Villains: Top 10 Villains of Mythology (Special Mention) (10) Tiamat

Chaos Monster and Sun God – a drawing of a Mesopotamian bas-relief, often associated with the battle of Marduk and Tiamat (but variously interpreted) – ‘Monuments of Nineveh, Second Series’ plate 5, London, J. Murray, 1853, ditor Austen Henry Layard , drawing by L. Gruner

 

 

(10) TIAMAT

 

Like my special mention for Orcus and Demogorgon, Tiamat is a mythological villain raised in profile by her adaptation in Dungeons and Dragons.

In fairness, Tiamat started with a higher – and more defined – profile in mythology than Orcus or Demogorgon. She was the primordial sea in Mesopotamian mythology – essentially that recurring mythic archetype of chaos monster.

And yes, I said she – Tiamat was very much a female figure, indeed a maternal one, as mother of monsters as well as the first deities and creation itself, albeit that last was not by giving birth but by her bodily dismemberment by the god Marduk.

“It was once thought that the myth of Tiamat was one of the earliest recorded versions of a Chaoskampf, a mythological motif that generally involves the battle between a culture hero and a chthonic or aquatic monster, serpent, or dragon.”

Tiamat was reborn as an arch-villain of Dungeons and Dragons – distinctively as a multi-headed dragon.

 

RATING:

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Top Tens – Heroes & Villains: Top 10 Heroes of Mythology (Special Mention) (10) Robin Hood

Statue of Robin Hood in Sherwood Forest, photographed by Richard Croft and published as image in Wikipedia “Robin Hood” licensed for use under https://creativecommons.org/licenses/by-sa/2.0/deed.en

 

 

(10) ROBIN HOOD

 

“The legendary outlaw archer Robin Hood is an incredibly famous character of medieval folklore, so much so that he has been adapted into countless different media” – and so incredibly famous that for English historical legend he is perhaps exceeded by only one other figure, King Arthur.

“Robin Hood is a legendary heroic outlaw from England. The character was first alluded to in William Langland’s poem Piers Plowman written in the year 1377, although the reference in this poem indicates Robin Hood existed much earlier than that in oral tradition.”

I’d say he needs little introduction, except elements of his legend originally varied from his subsequent adaptations. He is traditionally associated with Sherwood Forest in Nottinghamshire – hence the Sheriff of Nottingham as his antagonist – but an early ballad places him in Yorkshire, while later ones place him even further away in Scotland and London. “He is identified as a yeoman — a non-noble, free, small landholder — in his original incarnations. The Elizabethans would attribute a title of nobility to Robin as Earl of Huntingdon; several modern incarnations make him a knight (or at least a soldier) and treat The Crusades as some sort of medieval Vietnam.”

More religious elements, such as his devotion to the Virgin Mary, have been replaced by his iconic charity to the poor.

He is the archetypal archer hero – an archetype that has proved surprisingly enduring in the modern age of firearms or squires – combined with “association with nature” and “rebellious personality”.

“The possible inspirations for the myth are equally varied and unclear. While there is limited evidence that he may have been a historical figure, or at least named after one, the modern consensus is that he is a distillation of multiple figures — historical and mythical — from the early 2nd millennium.”

Although there are also theories identifying him as a “a remnant of pre-Christian pagan belief in some form of nature spirit” such as “Robin Wood”, the “Spirit of the Forest”. I’ve read one such version which also conflated him with the folklore figure Robin Goodfellow.

Robin Hood is accompanied by a cast of other characters in legend, perhaps most famously Maid Marian, and his Merry Men – including Little John, Will Scarlett, and Friar Tuck.

 

RATING:

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Top Tens – Heroes & Villains: Top 10 Villains of Mythology (9) Orcus & Demogorgon

Collage of the first edition D & D Monster Manual art for Orcus (left) and Demogorgon (right), the latter the model for the figurine in Stranger Things. In my opinion, Demogorgon definitely won out between them in art – but both benefited from the more refined art throughout subsequent editions

 

 

(9) ORCUS & DEMOGORGON

 

Yes – it’s another of my matched pair of villains, originating in classical mythology or literature (kind of) but raised in profile and matched as a pair by their adaptation as demon lords in Dungeons and Dragons.

Demogorgon has achieved particular pop culture status through adaptation as an extra-dimensional antagonist in the Stranger Things TV series, especially in the first season when it was a singular antagonist, the Demogorgon – although people forget that within the narrative of the first season, the characters called it the Demogorgon based on its visual resemblance to a figurine of the Dungeons and Dragons demon lord.

“Orcus was a god of the underworld, punisher of broken oaths in Etruscan and Roman mythology. As with Hades, the name of the god was also used for the underworld itself”. Ultimately, he was conflated with the primary god of the underworld (Hades or Pluto).

TV Tropes has a trope for Orcus on his throne, where an antagonist is powerful to the point of potential victory or “the potential to wipe out the forces of good” but seemingly sits around doing nothing. It’s a surprisingly prolific trope.

Ironically for his higher profile, Demogorgon is less clear in origin as a deity or demon associated with the underworld. “Although often ascribed to Greek mythology, the name probably arises from an unknown copyist’s misreading of a commentary by a fourth-century scholar…The concept itself can be traced back to the original misread term demiurge”.

Interestingly, John Milton paired Orcus with Demogorgon in Paradise Lost (among Demogorgon’s other surprisingly prolific references in literature or poetry) but it’s their pairing as demon lords in Dungeons and Dragons that earns them their entry here as a matched pair – particularly that they were famously antagonistic to each other in the game lore.

 

 

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Top Tens – Heroes & Villains: Top 10 Heroes of Mythology (Special Mention) (9) Beowulf

I will never tire of this promotional still featuring Grendel’s hot mother with heels from the 2007 Beowulf film. Or in other words – phwoah!

 

 

(9) BEOWULF

 

“I…AM…BEOWULF!”

The most enduring mythic character – along with antagonists Grendel and Grendel’s mother (with the subsequent dragon tending to be overlooked for that more intriguing mother and son duo) – from “the oldest surviving work of fiction in the English language, written sometime between 700 and 1000 AD”.

Indeed it’s so old – how old is it? Older than yo momma (but not Grendel’s momma) – “that the language it’s written in is barely recognizable as English” and it is more correctly described as Old English.

Like the Iliad and Odyssey earlier in these special mentions, it is an epic poem, but in Beowulf’s case it is “in the tradition of Germanic heroic legend”. The story, set in pagan Scandinavia, is reasonably well known, at least in outline, and is in an effective three-part structure that perhaps has added to its enduring appeal.

Beowulf, a “hero of the Geats” (in southern Sweden), “comes to the aid of Hrothgar, the king of the Danes” (once again gloomy Denmark pops up in classic literature), “whose mead hall Heorot has been under attack by the monster Grendel for twelve years”. In the first part, Beowulf faces off with Grendel, tearing off his arm and slaying him. In the second, Beowulf faces off against Grendel’s monstrous mother out for vengeance and slays her too. Yass hero, slay! Although he slays her in a very different sense in the 2007 film adaptation – not surprisingly given she appears as a golden form of her voice actress Angelina Jolie, complete with high heels! In the third, Beowulf, now a king in his elderly years, faces off and defeats a dragon, but “is mortally wounded in the battle”.

J.R.R. Tolkien wrote on the difficulty of translating Beowulf in an essay (“On translating Beowulf”). On the subject of J.R.R. Tolkien, here’s a shoutout to him as an enduring influence on adapting or interpreting Beowulf through his study of the epic poem, in lectures or his essay, as well as Beowulf as an enduring influence on Tolkien (“Beowulf is among my most valued sources”) – and through him on modern literary fantasy.

You might know Beowulf’s influence on Tolkien and modern literary fantasy through a little book Tolkien wrote called The Lord of the Rings. Although personally I tend to see more of the direct overlap through The Hobbit – with Bilbo as Beowulf, Gollum as Grendel, and Smaug as, well, the dragon. Sadly, no Grendel’s mother though.

 

RATING:

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Top Tens – Mythology: Top 10 Mythologies (Special Mention: Complete Twilight of the Gods Rankings)

Netflix official promotional art for their TV series Twilight of the Gods

 

 

TOP 10 MYTHOLOGIES

(SPECIAL MENTION: COMPLETE TWILIGHT OF THE GODS RANKINGS)

 

 

No, not a repetition of ranking mythologies by their apocalypses but more metaphorically in terms of their decline in actual or active belief in them.

These essentially fall on a sliding cultural-religious scale – from those that have declined to cultural impact or influence with diminished, if any, belief in them, to those that remain as the subject of active or actual belief at the religious end of the scale.

Surprisingly, my special mentions increase the number of mythologies that rank in the religious end of the scale, albeit not necessarily as the subject of religions rather than other forms of active or actual belief, such that somewhat over half my top ten mythologies and twenty special mentions (five of my top ten mythologies and thirteen of my twenty special mentions) rank in the religious end of the scale.

 

CULTURAL

 

(1) FAIRIES

 

Fairies rank in top spot for twilight of the gods – or is that twilight of the godlings (a la the book title by Francis Young)?

That is, at the far cultural end of the scale, enduring in cultural influence but not in actual belief. That’s because believing in fairies (at the bottom of the garden) has become proverbial for gullibility (and calling something a fairy tale as the proverbial expression of disparaging belief in it).

 

(2) DRAGONS

 

Here were dragons?

Dragons rank just below fairies at the far cultural end of the scale – that is, enduring in cultural influence but not in actual belief and almost as proverbial as fairies for symbolizing something as a myth or fantasy, now long-gone as the subject of belief.

 

(3) GIANTS

 

“There were giants in the earth in those days”.

Even in the Book of Genesis, giants are almost as proverbial as fairies or dragons for symbolizing something as myth or fantasy, now long gone, arguably reflecting the origin of giants in adults from a child’s perspective – and hence rank close to them at the far cultural end of the scale.

 

(4) LEGENDARY CREATURES

 

Similar to dragons and giants, it goes with the adjective legendary – as opposed to cryptids.

 

(5) TAROT

 

I’ve ranked the Tarot high up at the cultural end of the scale for twilight of the gods – just under fairies, dragons, giants and legendary creatures. Even when used for divination, it has always been a novelty rather than the subject of serious belief. Indeed, it started as a game and it is only in its modern form that it has any degree of serious belief as a means of divination.

 

(6) MIDDLE EASTERN (BABYLO-SUMERIAN)

 

(7) EGYPTIAN

 

(8) CELTIC (ARTHURIAN)

 

(9) NORSE

 

(10) CLASSICAL

 

For the most part, these top ten mythologies have faded away in the twilight of their gods from the realm of any active religion or ritual, except for the small sliver from modern paganism or neo-paganism.

Classical mythology was particularly poignant, with Olympian gods fading away. Or even dying, as was famously reported for Pan – “Pan is dead!”

Although ironically, as the argument does, Pan was the one Olympian god who did not die, being reborn with his goat-hooved and goat-halved form as the guise of the Christian Devil – better to reign in a Christian hell than to serve in an Olympian heaven I suppose. Sadly, it seems that argument is overstated but I prefer to believe it.

However, these mythologies still retain cultural impact or influence – and I’ve ranked them in ascending order, as the more cultural recognition they have, the closer they come to approximating religion or ritual.

 

(11) VAMPIRES

 

I have to rank vampires at the cultural end of the scale, but surprisingly less so than classical, Norse or Egyptian mythology as there are still outliers of active belief in them even in the twenty-first century – with people even being killed as vampires (in Malawi 2002-2003 and 2017). There is of course also their substantial cultural impact and influence, as well as belief in them enduring for a remarkably long period of time.

 

(12) LYCANTHROPES

 

Similar to vampires, with some outliers of belief.

 

RELIGIOUS

 

(13) CRYPTIDS

 

Yes, there’s no cryptid religions as such – although something like the Church of the Mothman would be a hoot to see – but cryptids have to tip the scale into active or actual belief in them. After all, it’s what distinguishes cryptids from legendary creatures – serious belief that they do, in fact, exist out there somewhere.

 

(14) ATLANTIS & BERMUDA TRIANGLE

 

Similar to cryptids, Atlantis and the Bermuda Triangle just tip the scale into the territory of active or actual belief in them, albeit very limited (I hope). And let’s face it – between the two of them, it’s probably the Bermuda Triangle that’s doing the heavy lifting in terms of people believing in it.

 

(15) URBAN LEGENDS

 

Similar to the preceding entries, urban legends tip the scales into active or actual belief in them – it’s kind of the point of an urban legend that it’s a “true story”, at least in some kernel of belief even if we mostly believe otherwise.

 

(16) CONSPIRACY THEORIES

 

Pretty much the same as urban legends, although conspiracy theories have more in the way of true believers – it’s again kind of the point of conspiracy theories.

 

(17) UFO

 

Now we’re getting into the territory of actual religion on the religious scale. Yes – there are UFO religions, although I anticipate that they remain a much smaller part of active or actual belief in UFOs as extraterrestrial aliens or something similar.

 

(18) DISCORDIANISM

 

Discordianism was tricky to rank. There’s probably more people with actual or active belief in the few preceding entries – cryptids, Atlantis and the Bermuda Triangle, urban legends, conspiracy theories and UFOs – but with the exception of a few weird UFO cults, usually not as part of a religion. Of course, with Discordianism, that may be a religion disguised as a joke or a joke disguised as a religion.

When you throw in parody religions in general, that’s probably enough to bump it up the religious scale, ranking it with UFOs where that scale just tips into actual religions, albeit at the lowest or smallest level.

 

 

(19) NATIVE AMERICAN (LAKOTA)

 

(20) MESO-AMERICAN (AZTEC)

 

And now we get to two of my top ten mythologies that persist in active religious belief, albeit on a small scale. There are practitioners of native American religions but their numbers are largely a matter of speculation, although unlikely to exceed a million and indeed estimates go lower than 10,000 or so. Arguably they punch above their religious weight in cultural influence and the preservation of Native American sacred sites.

The persistence of meso-American mythologies in active religious belief is harder to track but I speculate them to have higher numbers than their northern native American counterparts simply due to larger population. As I understand it, “the Aztecs abandoned their rites and merged their own religious beliefs with Catholicism, whereas the relatively autonomous Maya kept their religion as the core of their beliefs and incorporated varying degrees of Catholicism.”

 

(21) PAGANISM

 

Paganism would arguably be the archetype for the twilight of the gods – as the combination of all the pantheons eclipsed by Christianity. And yet, here it is in the religious part of the scale for twilight of the gods, not only because of its enduring cultural persistence – arguably as elements of belief in contemporary religions, particularly Christianity – but even more so its modern revival or reconstruction as religion, which pushes it into the religious side of the scale. The number of practitioners of modern paganism are still relatively small worldwide but would place it among what Wikipedia classifies as medium religions – 1 million or more. Indeed, there are estimates of 1 million adherents of modern paganism in the United States alone.

Given that Discordianism is a tiny (and somewhat obscure) subset of paganism – and one that is hard to tell whether it is a joke disguised as a religion or a religion disguised as a joke – I obviously had to rank paganism further along the religious scale than Discordianism.

 

(22) AFRO-AMERICAN (VOODOO)

 

Voodoo, or more broadly, Afro-American diaspora religion in general, which may well rank among major world religions in number of adherents but for the difficulty of estimating with any precision due to “its diverse, decentralized nature and syncretism with other faiths”. Even so, it is estimated at 60 million adherents.

 

(23) SHAMANISM

 

Shamanism might seem up (or down) there with paganism in its twilight of gods, clinging to the residual tribal religions of the world, except that like paganism, shamanism and tribal religions have had their modern revival or reconstruction. As such, you can argue that shamanism effectively incorporates Native American, Meso-American and even Afro-American mythology or religion within it – hence the more religious ranking.

I was tempted to rank it as even more religious, potentially as the most religious, on the argument that there’s the recurring shamanic nature or elements argued for all religions, as by Weston La Barre in The Ghost Dance – but I drew the line here.

 

(24) ZEN

 

Zen outranks most other mythologies for persistence and endurance in cultural influence and religious belief, given that I use it as representative of Buddhism (and Taoism) in general

 

(25) TANTRA

 

There’s not too much information about the number of genuine tantra practitioners out there – that it is an esoteric tradition suggests I might have ranked it too highly in terms of religious belief but because it is a tradition or reflects elements within Hinduism (and Buddhism) to the extent of prolific er0tic temple sculpture, it seemed appropriate to rank it just under the next entry.

Speaking of which…

 

(26) HINDU

 

(27) BIBLICAL

 

‘Nuff said – no surprises here for these entries from my top ten mythologies, except perhaps I rank three other entries as further on the religious end of the scale.

Hindu mythology underlies Hinduism, the third largest religion in the world, while Biblical mythology underlies Christianity as the first largest and arguably Islam as the second (as well as Judaism).

 

(28) WITCHCRAFT

 

Wait – witchcraft as even more religious than Hindu or Biblical mythology?

Am I referring to modern witchcraft or Wicca?

In short, no – or at least almost entirely not. I’m referring to the old witchcraft rather than modern witchcraft or Wicca – that is, the almost universal belief in witchcraft, including in the Bible itself, which not only features religious injunctions against witches but also an actual witch, the Witch of Endor. Hence the ranking above all but two other mythologies, because it features in almost all other mythologies.

You’d think that belief in witchcraft would not persist in the modern world but you’d be wrong. For one thing, it’s sobering to recall that the height of witch hunts and trials was not in the medieval period but the early modern one, not too far removed from the scientific revolution. For another, it persists as a subset of my next special mention entry and almost as prevalent, since it is intertwined. And for a last sobering thought, the persistence of beliefs in witchcraft in the modern world still has very real and fatal consequences, the latter particularly for those accused of it.

 

(29) MAGIC

 

In terms of persistence of belief, magic – and even more so magical thinking – would seem to outrank even the most religious of my top ten mythologies (or special mention entries) as it is almost universal to all of them, such that I rank it second only to one mythology on the religious side of the scale. As I like to quip, religion is just organized magic.

 

(30) GHOSTS

 

And here we are, with ghosts ranking as the most “religious” of all my top ten mythologies or special mentions – as in higher than actual or active belief than Biblical mythology or Hindu mythology with their major world religions, as well as higher than witchcraft or magic.

How so? There may not seem to be any ghost-religions as such but I have ranked it so high in terms of belief because almost all religions would seem to have some belief in ghosts, albeit more in terms of souls and afterlife. Indeed, it’s been argued (by Pascal Boyer in his book “Religion Explained: The Evolutionary Origins of Religious Thought”) that religion itself originated in the nearly universal belief that we persist in some form after our death (at least in the dreams of the living if nowhere else). Hence I have ranked ghosts so that they outrank all other mythologies that persist in actual or active belief.

Top Tens – Heroes & Villains: Top 10 Villains of Mythology (Special Mention) (8) Scylla & Charybdis

Odysseus in front of Scylla and Charybis, painting by Henry Fuseli, 1794-1796. Pretty sure that’s Scylla top right and Charybdis top left

 

 

(8) SCYLLA & CHARYBDIS

 

Yes – it’s another matched pair of villains, but from classical mythology and a pair that was canonically matched in their mythology.

Scylla and Charybdis were two sea monsters that Odysseus had to sail between in Homer’s Odyssey.

“Greek mythology sited them on opposite sides of the Strait of Messina between Sicily and Calabria, on the Italian mainland…They were regarded as maritime hazards located close enough to each other that they posed an inescapable threat to passing sailors; avoiding Charybdis meant passing too close to Scylla and vice versa.”

However, they weren’t equal hazards. Of the two, Charybdis was far more dangerous. Whereas Scylla would snatch up six sailors – one for each of her six ravenous heads – Charybdis would suck the whole ship down to the depths. Accordingly, you’d err on the side of Scylla.

And yes – you read that right when I said her. Scylla and Charybdis were female sea monsters. In the usual style of classical mythology, they were nymphs or demi-goddesses transformed into monsters by the gods. In some later versions, Scylla was adapted as a beautiful nymph transformed into her monstrous form. The reasons varied – as did the form, although it consistently involved six man-eating heads, which she would feed by snatching sailors from passing ships. In one version, the heads were those of dogs. Charybdis was somewhat more ambiguous in her origin and form, but the latter consistently involved her sucking or swallowing down water like a whirlpool or maelstrom.

Indeed, Charybdis was rationalized as an explanation for a coastal whirlpool, while Scylla was rationalized as a rock shoal, presumably with waves that could sweep sailors from a ship.

Between Scylla and Charybdis became a proverbial expression similar in meaning to between the devil and the deep blue sea, or similar expressions for a dilemma or choosing between evils. Indeed, I used to believe that the latter originated from the former, with Scylla as the man-eating devil and Charybdis swallowing you down into the deep blue sea. Sadly, the origin of the latter phrase is not clear but probably does not originate from the Odyssey.

 

RATING:

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Top Tens – Heroes & Villains: Top 10 Heroes of Mythology (Special Mention) (8) Prometheus

Prometheus Brings Fire – painting by Heinrich Fueger

 

 

(8) PROMETHEUS

 

The Rock – the People’s Champion!

No, seriously. Prometheus was the people’s champion – the champion of humanity – in classical mythology. The Rock comes later…

Unlike the Olympian gods or other gods in general (and Prometheus was a Titan which might account for some of the difference), he was consistently in humanity’s corner. In some versions of the myth, he created us (from clay) – which would also account for why he looked out for us.

The primary myth is that he stole fire from the Olympian gods to give to us and hence gave us the means for civilization. In some versions, he added to that by teaching us the actual arts and sciences of civilization as well. As part of his character as benefactor to humanity, he was the classic guile hero or even benevolent trickster, relying on intelligence – with his very name usually argued to mean forethought.

Some versions of his myth have him playing another trick on the gods which compounded his theft of fire from heaven – swindling their sacrifices. That is, he instructed humanity when the gods were choosing their portion of animal sacrifice to disguise the bones under a glistening layer of fat. The gods chose that portion, so that humans were able to retain the meat from animal sacrifices.

Unfortunately, you can only play so many tricks on the gods – only the one as a general rule, two if you were lucky or on a winning streak – before they came down on you with their wrath. The house always wins – and in classical mythology, Olympus was the house.

And so Prometheus literally was bound to a rock as people’s champion – perhaps not so bad of itself, but the eagle eating his liver daily was the true torment, the liver of course regenerating overnight to be eaten again the next day. I told you the Rock comes later. However, Zeus just couldn’t stay mad at Prometheus forever and allowed him to be freed by Heracles. Some versions of his myth attributed that to Prometheus finally confessing the secret of Zeus’ downfall but there was not too much attention given to what Prometheus did after he was unbound.

“In the Western classical tradition, Prometheus became a figure who represented human striving (particularly the quest for scientific knowledge) and the risk of overreaching or unintended consequences.”

Hence, Prometheus has lent his name to common usage as the adjective Promethean, meaning “daringly creative” or innovative but also often rebellious and defiant of authority (or even “suffering grandly”).

“In particular, he was regarded in the Romantic era as embodying the lone genius whose efforts to improve human existence could also result in tragedy” – as with the lesser known subtitle Mary Shelley gave her novel Frankenstein, “The Modern Prometheus”.

“The myth of Prometheus has been a favourite theme of Western art and literature”, particularly “in the post-Renaissance and post-Enlightenment tradition” – including popular culture, notably as the title of the Alien film prequel-sequel (presequel?).

 

 

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