Top Tens – History: Top 10 Types of Empire & Imperialism (Special Mention) (7) Columbian Exchange – Ecological Imperialism

Alfred W. Crosby – “Ecological Imperialism: The Biological Expansion of Europe 900-1900”, Cambridge University Press, 1986 hardcover edition (fair use)

 

 

(7) COLUMBIAN EXCHANGE – ECOLOGICAL IMPERIALISM

 

The Columbian exchange – the massive and widespread transfer of plants, animals, human populations, and communicable diseases between the Old World and the New World from Columbus onwards – might well have happened simply from trade rather than imperialism. Well, perhaps except for the human populations.

However, it did happen from imperialism and is distinctive enough for its own type of imperialism as ecological imperialism. Indeed, the historian who coined the term Columbian exchange in a book of that title – American historian Alfred Crosby – also coined the term ecological imperialism in the title of a sequel book.

Of course, the focus of Crosby’s ecological imperialism is on the European side of the equation – that is, Europe’s exports of biological species or population rather than those it imported from elsewhere, where the latter largely consisted of cultivated plants (with superstars such as potatoes and tomatoes) and largely beneficial.

“Crosby introduced ecological imperialism as an explanatory concept that points out the contribution of European biological species such as animals, plants and pathogens in the success of European colonists” – foreshadowing arguments much to the same effect by Jared Diamond’s book Guns, Germs and Steel.

Ecological imperialism may not have had the same deliberate nature of other aspects of imperialism – and even where it was deliberate, often may not have had the same awareness or intention of consequences, the most destructive of which can be summarized in one word, extinction.

That is, extinction of human populations through disease, often overlapping with gen0cide, but also extinction of animal (or plant) species, through such things as competition with or predation by invasive species but also something that might be added as another aspect of ecological imperialism – human over-hunting or habitat destruction.

The same destructive consequences recurred with European ecological imperialism in Australasia and Oceania.

Top Tens – History: Top 10 Empires (Special Mention: Revisited) (7) Egyptian Empire

 

The maximum borders of the Egyptian empire 1450 BC by J.G. Bartholomew in 1913 (public domain image – Wikipedia “New Kingdom of Egypt”

 

(7) EGYPTIAN EMPIRE

 

“My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!”

Even more so than Mesopotamia, Egypt set the standard for imperial state chic, not least in its monumental architecture and statuary, as well as its priesthoods and divine ruler personality cult.

Indeed, it is not too difficult to see the stamp of Egyptian imperial chic even to the twentieth century and beyond, as in the Soviet Union but with a secular party priesthood devoted to the cycles of history as opposed to the Nile and cult of socialism rather than the sun god. Less pyramids perhaps, but equally monumental architecture and statuary, as well as a tendency towards equally grandiose and gigantic projects.

Ironically, despite this imperial chic, Egypt was not so much of an empire itself, except of course to its own subjects, as it largely kept within its own borders to the Nile. The exception is the imperial Egypt of the New Kingdom, when it extended southwards to Nubia and northwards through the Levant – under pharaohs such as Rameses, whose title in Greek gave us the figure in Shelley’s poem Ozymandias.

Also ironically, Egypt has consistently played an important role within empires, but more as imperial prize rather than ruling empire itself – starting with its conquest by Assyrian, Persian and Macedonian empires in turn.

The last also reveals something of an odd recurring tendency, for foreign invaders or subjects from an empire conquering or ruling Egypt to break away from that empire with their own dynasty within Egypt, which is then effectively regarded as Egyptian.

First and foremost among those was the Ptolemaic dynasty, founded by Alexander’s general Ptolemy as a successor state of the Macedonian empire and regarded as the last dynasty of ancient Egypt. It was the dynasty that gave history Egypt’s most famous female monarch, Cleopatra – also Egypt’s last reigning monarch, before its fall to the Roman Empire. Indeed, its fall transformed the Roman Republic into the Roman Empire.

Kudos to Cleopatra, however, for almost pulling all a second breakaway dynasty based in Egypt, this time from the Roman Empire in its eastern half, through her alliance with Mark Antony. Yes – it was a long shot but it’s tempting to imagine the counterfactual of their victory, perhaps anticipating the eastern Roman Empire by three centuries, except from Alexandria rather than Constantinople, with Greek as its lingua franca at an earlier date. Or alternatively something like the short-lived breakaway Palmyrene empire under Zenobia two centuries ahead of the Crisis of the Third Century.

Egypt then became an imperial prize for the Roman Empire – and its richest, the proverbial breadbasket of its empire. That always strikes me as strange from my perspective of contemporary Egypt and its comparative poverty – but then that is part of the more general strange feature that the Roman Empire’s eastern or southern African and Asian provinces were richer than its western and northern European provinces, the reverse of our contemporary perspective.

From there, it was briefly a battlefield between the eastern Roman (or Byzantine) empire and the resurgent Persian (or Sassanid) empire, before falling to the Arab conquest that defeated one and conquered the other.

Egypt remained in the hands of one caliphate after another, but rose to new prominence as the seat of power for the Fatimid Caliphate. The Fatimids did not quite fall within that recurring tendency for Egyptian breakaway dynasties, except perhaps in the last stages of their decline when their rule was effectively confined to Egypt – but the Mamluks did, the slave mercenary military case that rose to rule their own Sultanate in Egypt and beyond, even famously defeating the Mongols at the Battle of Ain Jalat in 1260.

The Mamluks declined in turn, but their role was replayed by Albanian mercenaries with Egypt as a province in the Ottoman Empire, led by their commander Muhammed Ali Pasha, who founded his own dynasty, nominally subject to but effectively independent from the Ottoman Empire.

Egypt became a protectorate of the British Empire, as Egypt again rose to prominence as an imperial prize, not for its agriculture but for the newly constructed Suez Canal as maritime trade route.

And once again ironically, Egypt and the Suez Canal subsequently rose to prominence as the imperial humiliation of the British Empire, with the Suez Crisis in 1956 – often cited as one of the end points of the British Empire.

We’re not quite done with Egypt and its imperial ironies yet – as finally modern Egypt echoed the imperial heights of its ancient New Kingdom with the short-lived United Arab Republic, when it formed a sovereign union with Syria from 1958 to 1961.

Top Tens – Mythology: Top 10 Adaptations of the Odyssey (7) Coen Brothers – O Brother, Where Art Thou?

O Brother, Where Art Thou? DVD cover (fair use)

 

 

(7) COEN BROTHERS –

O BROTHER, WHERE ART THOU? (2000)

 

“You seek a great fortune, you three who are now in chains. You will find a fortune, though it will not be the one you seek. But first… first you must travel a long and difficult road, a road fraught with peril. Mm-hmm. You shall see thangs, wonderful to tell…”

So says the Blind Railman, this film’s equivalent of the blind prophet Tiresias in the underworld.

Some might prefer this film adaptation of the Odyssey to that of Nolan – and I obviously regard it as the only other cinematic version worthy of a place in my top ten, albeit second to Nolan’s film.

My reason is that Nolan’s film is a more straightforward adaptation of the original epic. As entertaining as it is, O Brother is only loosely based on the original epic – “a loose comedic retelling of Homer’s ancient Greek epic poem, The Odyssey, set in 1930s Depression-era Mississippi.” Oh – and musical as well.

Indeed, part of the fun is spotting the parallels with the original epic. George Clooney’s Ulysses and Holly Hunter’s Penelope. John Goodman’s cyclops. The sirens – always the best part of the Odyssey and one of the highlights here. And so on.

The other highlight for me was Sheriff Cooley and his relentless pursuit of Clooney’s Ulysses, as well as the latter’s escape by divine fortune. In terms of the epic, Cooley represents Poseidon (or the forces of divine retribution or nemesis in general), but arguably also Hades and the underworld, merged with the Christian Devil.