Botticelli’s Birth of Venus
(2) BULFINCH’S MYTHOLOGY (1867)
I believe in all the gods –
especially the goddesses.
Now we get into the second of my three B’s, the top trinity of my top ten books of mythology. And we’re going old school for this one, as in nineteenth century old school – named for its American author Thomas Bulfinch and published as a collection of three volumes after his death in 1867. Yet Bulfinch’s Mythology still remains a classic reference (and handily in the public domain) – as indeed it was for me as my introduction as a child to the world of classical mythology. Well, technically that was the first volume – the Age of Fable – which also featured a briefer recitation of Nordic mythology, admittedly a close second to my love for classical mythology. (The second volume – The Age of Chivalry – featured Arthurian legend, while the third volume The Legends of Charlemagne is pretty much what it says on the tin).
Looking back to it now, it’s somewhat dated and has its flaws as a reference – particularly as his obituary noted, it was “expurgated of all that would be offensive”. Or in other words, half the fun of classical mythology or all the sex and violence. (Indeed, his Wikipedia entry includes an uncited reference that Bulfinch was an anti-homosexuality activist in his final years. If true, that would have made for some awkwardness when compiling classical mythology – those gods tended to swing all ways). Which is somewhat disappointing, because having learnt that Bulfinch was a merchant banker, I fondly imagined him as staid banker by day and Bacchanalian by night, similar to the hedonistic heathen imagined by Chesterton in The Song of the Strange Ascetic.
However, it remains one of the most accessible single-volume references to classical mythology for the general reader – as Bulfinch wrote in his preface:
“Our work is not for the learned, nor for the theologian, nor for the philosopher, but for the reader of English literature, of either sex, who wishes to comprehend the allusions so frequently made by public speakers, lecturers, essayists, and poets, and those which occur in polite conversation.”
Anyway, its impact as an introduction to classical mythology remains profound – if, deep within my psyche, there is any mythology that tempts me to actual religion, it’s classical mythology.
Yes – it’s the nymphs.
RATING: 5 STARS*****
S-TIER (GOD TIER)