Top Tens – Film: Top 10 Comics Films (3) Spiderman: Into the Spiderverse

 

 

(3) SPIDERMAN: INTO THE SPIDERVERSE

(2018-2023: SPIDERVERSE 1-2. And yes – I’m waiting for the upcoming third film)

 

Alright, let’s start at the beginning one last time.

One might have expected me to rank Spider-Man into the Spider-Verse in my Top 10 Animated Films, given it deservedly won the Academy Award for Best Animated Feature in 2018, but I regard this computer-animated superhero film as a comic book film first and foremost (although it would absolutely rank in my Top 10 Animated Films). After all, the animation was intended to make the viewer feel like “you walked inside a comic book” – in some of the most stunning animation I’ve seen on screen.

The film also introduced audiences to Miles Morales and the concept of the Spider-Verse, essentially a multiverse of different, ah, Spider-Men (using that term somewhat loosely to include a cartoon pig and an anime schoolgirl). Miles and the other uncanny Spider-Men must save New York City, probably the world and possibly the multiverse itself from the villain Kingpin’s Super-Collider – which has caused different realities – and their Spider-Men – to bleed together, as it were.

The film is best encapsulated by its signature scene, the The Leap of Faith scene with its stunning visuals, fantastic music, great choreography, and the cathartic narrative moment of Miles finally becoming Spider-Man – “The entire movie was literally built around this scene, with the animators being shown a rough version of it to get an idea of what the directors wanted, almost all of which made it into the final version intact”.

In addition to the Academy Award for Best Animated Feature (as well as numerous awards), it won critical praise for its animation, characters, story, voice acting, humor and soundtrack – the critical consensus was “Spider-Man: Into the Spider-Verse matches bold storytelling with striking animation for a purely enjoyable adventure with heart, humor, and plenty of superhero action”. Although my favorite critical statement was that the “the greatest triumph and biggest surprise of the film is that it is an LSD freak-out on par with 2001: A Space Odyssey” (but a lot more exciting than that film).

 

“This literally cannot get any weirder”

“It CAN get weirder”

 

And it got even bigger with the sequel film Across the Spiderverse in 2023, which ended on a cliffhanger awaiting the upcoming third film Beyond the Spiderverse in 2027.

 

FANTASY OR SF

 

I’m going with the SF genre – the concept of a multiverse tends to be identified with the SF genre and alternative histories or timelines, although there’s nothing stopping it being used for fantasy as well and it often crosses over into it, both in general and in these films.

 

COMEDY

 

Well, it wouldn’t be Spiderman without some wisecracking comedy, but it has more serious emotional depth to it than other entries in my top ten.

 

 

RATING: 5 STARS*****

S-TIER (GOD TIER – OR IS THAT SPIDER TIER?)

Top Tens – Mythology: Top 10 Mythologies (Special Mention: Revised) (15) Atlantis

 

Cover art by Keith Parkinson for the role-playing game Rifts World Book 2: Atlantis

 

(15) ATLANTIS

 

“The time when the oceans drank Atlantis”

Atlantis – myth, allegory, Egyptian priestly gossip…?

Similarly to my special mention for legendary creatures (and A Dictionary of Fabulous Beasts, this special mention originates from the same source as my special mention in mythology books for The Dictionary of Imaginary Places – Atlantis earns special mention not just for its own mythos but as representative of all imaginary places or mythic lost or sunken continents, lands, and kingdoms, including phantom islands and even hollow earth or subterranean realms.

All of which could readily round out their own top ten – Lemuria or Mu, Hyperborea or Thule, Ys or Lyonesse, Agartha, Avalon or Tir Nan Og, Eldorado, Hy-Brasil, Shambhala or Shangri-La.

And they’re just the big names, although the biggest name of all in lost lands is course Atlantis itself, thanks to Plato. Ironically, Plato used Atlantis as a minor allegory (and counterpoint to Athens), set 9000 years or so before his time, one which concludes with “Atlantis falling out of favor with the deities and submerging into the Atlantic Ocean”, but it subsequently assumed a mythic significance after him.

“Atlantis has become a byword for any and all supposed advanced prehistoric lost civilizations and continues to inspire contemporary fiction”. To its mythic archetype of lost continent or land, one might also add its fantasy role as sunken, submerged or submarine kingdom – with the Atlanteans adapting to their new marine habitat.

Foremost in Atlantean mythology, at least as my personal favorites, are the so-called “location hypotheses” – the historical (or pseudohistorical) speculations as to the location of Atlantis, if only as possible sources of inspiration for Plato’s allegory.

Although not as wild as they used to be – with modern understanding of continental drift and plate tectonics putting paid to any actual lost continent (foremost among them Ignatius Donelly’s nineteenth century revival of the Atlantis myth) – there are still some wild theories proposed for America or even Antarctica as Atlantis.

Personally, I’d like to see more speculation for the United States as Atlantis – not as an allegory by Plato but a premonition (or both, the United States kinda fits the Atlantis allegory as well). Not to mention the Atlantean cold war against Lemuria-Mu.

Seriously, however, I lean more towards Plato creating a mostly fictional account, from more plausible sources of inspiration from the Mediterranean – my favorite being the volcanic eruption on Thera and the fall of Minoan civilization on Crete, although close runner-up is more contemporary (and personal) events to Plato in Sicily.

And then there are the more literary influences or interpretations – from utopias (or dystopias), including the definitive Utopia of Thomas More, to the lost land of Atlantis as metaphor for something no longer obtainable

Or again, personally I’d like to see more speculation for Atlantis as premonition by Plato, not to the future but as deep atavistic memory to the distant prehistoric past, when we were all happy little trilobites in Pangaea, or Gondawana, or whatever prehistoric supercontinent it was back then.

 

 

RATING:

A-TIER (TOP TIER)

Top Tens – Tropes & Other: Top 10 Ape Theories & Theses of Human Evolution (Special Mention) 11-15

Ape skeletons – public domain image in Wikipedia “Human Evolution”

 

 

(11) NEOTENOUS APE (ETERNAL CHILD)

 

Neoteny “is the retention of juvenile traits into adulthood” – and it is argued to be a distinctive feature of humans compared to non-human primates, both for physical and behavioral traits, while the evolutionary origins and reasons for that distinctive feature are also the subject of argument

The neoteny thesis is argued by various proponents of it but none perhaps encapsulated it best as Clive Bromhall with the title of his book The Eternal Child. (Bromhall also points out the same neoteny applies to the animal longest domesticated by humans – dogs).

 

(12) APE OUT OF AFRICA

 

Yes – it’s my ape title for the Out of Africa or OOA theory, “the most widely accepted paleo-anthropological model of the geographic origin and early migration of anatomically modern humans (Homo sapiens)”.

 

(13) GRANDMOTHER APE

 

“The grandmother hypothesis is a hypothesis to explain the existence of menopause in human life history by identifying the adaptive value of extended kin networking”

In other words, leaving the kids with grandma is good evolutionary ‘strategy’.

 

(14) PATRIARCHAL APE

 

An alternative to the grandmother hypothesis, which adds in the “male benefits of continued spermatogenesis and their roles in assistance”

In other words, silverbacking it with a younger model while leaving the kids with grandma.

 

(15) BEHAVIOURALLY MODERN APE

 

Just my ape title for the “suite of behavioral and cognitive traits believed to distinguish current Homo sapiens from other anatomically modern humans, hominins, and primates”.

Heh – suite. Good evening, will you be staying in our behaviorally modern suite?

Top Tens – Film: Top 10 Animated Films (3) Kung Fu Panda

 

(3) KUNG FU PANDA

(2008-2016: KUNG FU PANDA 1-3. Yeah…I just can’t bring myself to count the fourth film)

 

“Legend tells of a legendary warrior whose kung fu skills were the stuff of legend”

What’s not to love about Dreamwork’s Kung Fu Panda, or for that matter, the rest of the trilogy (discounting the fourth film)?

It’s set in an anthropomorphic animal version of pre-modern China – that alone would be enough to make it awesome.

And then there’s the story, deftly balanced between comedy and epic magical or wuxia martial arts action, with CGI animation and beautiful art – for even more awesome, such that will make your enemies go blind from overexposure to pure awesomeness. And just like the titular Panda, I love kung fu, or more precisely, my kung fu movies ever since seeing Bruce Lee’s Enter the Dragon

The eponymous panda, Po, is a hopeless fanboy of the kung fu masters, particularly the Furious Five, composed of animal homages to kung fu styles (Tiger, Monkey, Crane, Viper and Mantis) – hopeless, that is, until he is thrust, by fate and fireworks, into the position of the legendary Dragon Warrior. Worse, he has to fight the dangerous snow leopard Tai Lung (awesomely voiced, as always, by Ian McShane), who seeks the title of Dragon Warrior for himself…

However, my favorite kung fu panda in the film trilogy is not Po, but the red panda Master Shifu – voiced by Dustin Hoffman, who combines just the right amount of wise mysticism with worldly exasperation (usually at Po).

 

FANTASY OR SF

 

Very much the fantasy side of the scale – combining both wuxia fantasy and animal fable.

 

COMEDY

 

Very much the comedic side of the scale as well.

 

RATING: 5 STARS*****

S-TIER (GOD-TIER)

Top Tens – Mythology: Top 10 Mythologies (Special Mention: Revised) (13) Legendary Creatures

Several legendary creatures from a picture book for children between 1790 and 1822, by Friedrich Justin Bertuch – public domain image (used in Wikipedia “Legendary Creature”)

 

 

(13) LEGENDARY CREATURES

 

“Lions and tigers and bears, oh my!”

Except, you know, more like minotaurs and sphinxes and chimeras, oh my!

This special mention originates from the same source as my special mention in mythology books for A Dictionary of Fabulous Beasts – my love for one of the most fascinating aspects of mythology, its plethora of fabulous beasts or monsters, as reflected in the Wikipedia article for Legendary Creature (a title I obviously also used for this special mention) or the TV Tropes Index for Fictional Creatures and Our Monsters are Different (as well as its feature for Stock Monster Symbolism).

Obviously, I’ve already included a number of legendary creatures in previous special mention entries – notably Fairies, Dragons, Giants, Ghosts, Vampires and Lycanthropes, but arguably also Magic (extending to creatures created or summoned by magic) and Witchcraft (as for Magic but also extending to things like familiars, imps or even the witches themselves). They are arguably also encompassed by two special mentions subsequent to this one. This special mention is effectively for all the other legendary creatures (albeit some substantial overlap), including the really bizarre or weird ones (as encapsulated in the TV Tropes feature Our Monsters are Weird).

“A legendary creature is a type of extraordinary or supernatural being that is described in folklore (including myths and legends) and may be featured in historical accounts before modernity”.

Indeed, legendary creatures are so prolific that they exceed the capacity of any single top ten (although I’ll give it a try). The origins and classification or types of legendary creatures themselves could be the subject of their own top ten lists – as for fairies, even by broader classifications, let alone all the variations of individual types.

For origins, there’s legendary creatures as monstrous antagonists for heroes (in turn reflecting wild or chaotic forces in nature or other sources) and legendary creatures claimed in accounts of natural history as real animals – or alternatively (and my personal favorite), real animals thought to be mythical before they were confirmed or discovered as real such as the platypus. There’s legendary creatures as hybrid beasts, legendary creatures “based on real encounters or garbled accounts of travellers’ tales”, and legendary creatures as art or allegory.

As for classifications or types of legendary creatures, an interesting framework is that of the Wikipedia’s various lists of legendary creatures, particularly its list of legendary creatures by type – the various animal types (such as reptiles, serpents and worms overlapping with dragons) or plant types, artificial creatures, associations with body parts or abstract concepts, natural elements or time, natural or supernatural habitats, astronomical objects or even the Earth, humanoids, hybrids, shapeshifters, and undead.

 

RATING:

A-TIER (TOP TIER)

Top Tens – Tropes & Other: Top 10 Ape Theories & Theses of Human Evolution (Special Mention) 6-10

Ape skeletons – public domain image in Wikipedia “Human Evolution”

 

(6) HUNTING APE

 

Well, this one’s obvious, consistent with the hunting hypothesis – “that human evolution was primarily influenced by the activity of hunting for relatively large and fast animals, and that the activity of hunting distinguished human ancestors from other hominins”.

 

(7) GATHERING APE

 

The counterpoint to the hunting hypothesis – “that gathering rather than hunting was the main factor in the emergence of anatomically modern humans”.

 

(8) COOKING APE

 

As I opine elsewhere, much of the Stone Age might be better termed the Fire Age, for the control of fire by early humans. Among the uses of this was for cooking food, leading to the cooking hypothesis, which “proposes that the ability to cook allowed for the brain size of hominids to increase over time”.

 

(9) BRAINY APE (EXPENSIVE TISSUE)

 

Another one that’s obvious – most theories of human evolution focus on the brain and brain size, including the expensive tissue hypothesis or ETH that “relates brain and gut size in evolution (specifically in human evolution)”.

Essentially, to evolve its large brain, humans had to sacrifice “less energy on other expensive tissues” – which was “achieved by eating an easy-to-digest diet and evolving a smaller, less energy-intensive gut”.

Again in tabletop terms, humans were minmax players, minimizing their gut stats to max out their brain stats (minimizing their constitution to max out intelligence?)

 

(10)  ANDROGYNOUS APE (REDUCED S€XUAL DIMORPHISM)

 

Well, not really androgynous – humans still have pronounced sexual dimorphism but it is decreased and I wanted a catchy ape title for it.

Top Tens – Film: Top 10 Comics Films (4) Guardians of the Galaxy

 

 

(4) GUARDIANS OF THE GALAXY

(2014-2023: GUARDIANS OF THE GALAXY 1-3)

 

Marvel Comics got cosmic, baby, with The Guardians of the Galaxy.

 

And it’s particularly striking that this film works as well as it does – given that it takes an ensemble from Marvel Comics C-list roster into its equally bizarre and eclectic cosmic setting. I tend to stay aware of a wide range of comics (albeit more so outside the DC / Marvel mainstream) and I hadn’t heard of the Guardians (although I was aware of elements of Marvel’s cosmic setting).

How does it work so well?

Well, there’s that cosmic setting with its visual effects.

There’s the funky sixties and seventies soundtrack on its protagonist’s impossibly durable mixtape (and for which he is prepared to risk death)

There’s Chris Pratt’s charismatic and comedic performance as the protagonist Peter Quill or Star-Lord (although the latter doesn’t quite catch on as well as he would like, much to his disappointment) – with such highlights as dancing off the villain.

There’s Zoe Saldana’s Gamora, with my personal favorite highlights including when she proclaims their heroism “we’re just like Kevin Bacon” (from a reference by Quill to Footloose) – and when she dances, ever so slightly, at the end (after rejecting the idea of dancing – prompting Quill’s Footloose reference).

There’s Dave Batista’s incredibly literal-minded Drax the Destroyer. (“Nothing goes over my head – my reflexes are too fast”).

There’s Bradley Cooper’s voiced (and spotlight-stealing) Rocket Racoon.

And then there’s Groot. Just Groot. I love Groot. Vin Diesel-voiced three-worded vocabulary tree-thing Groot. While the rest of the Guardians start off as rogues at best, Groot is the innocent and true hero amongst them – with a heart at big as he is.

And it’s turned into a cosmic comics space operatic franchise with two sequels in 2017 and 2023 – perhaps not as fresh as the first, but more psychedelic

 

RATING:

A-TIER (TOP TIER)

Top Tens – Mythology: Top 10 Mythologies (Special Mention: Revised) (9) Giants

David and Goliath, 1888 lithograph by Osmar Schindler – public domain image

 

 

(9) GIANTS

 

“There were giants on the earth in those days” – Genesis 6:4

Giants, titans or cyclopes, oni or Fomorians. The archetypal fire and frost giants of Norse mythology – to which Dungeons and Dragons added hill, stone, cloud and storm giants. The Biblical Nephilim as well as Goliath. Overlapping with ogres and trolls.

If you’re picking up a parallel with my special mention for dragons, that’s because giants and ‘giant-kin’ (a term borrowed from Dungeons and Dragons) are similarly ubiquitous or near universal in myth and folklore, typically as monstrous antagonists to humanity or even the gods themselves. Indeed, giants loom larger (heh) as the latter than dragons – hence the Gigantomachy or Gigantomachia or war between the giants and the gods in classical mythology, escalating to giants as apocalyptic beings in Norse mythology.

“Legendary creatures that resemble human beings but super-sized and often incredibly strong…these creatures may range in size from around 7 feet (the average size of the tallest real life humans), to truly colossal proportions.”

Similarly to dragons, giants in myth or folklore could well be the subject of their own top ten list, including their various elements, tropes and types – not to mention the elements, tropes and types of those important divine and human interactions with them, divine gigantomachy and human giant-killers.

However, giants differ somewhat from dragons, with the latter’s broad dichotomy between ‘western’ and ‘eastern’ dragons, with the former tending towards malevolence or demonic entities, and the latter towards benevolence or divine entities. For giants, the dichotomy between benevolent and malevolent giants occurs within ‘western’ giants (and indeed I only have superficial knowledge of giants in non-western or eastern myth or folklore), albeit leaning heavily towards the latter.

And again as with dragons, even their theories for their origin and ubiquitous presence in myth and folklore are fascinating and diverse.

The usual psychological theory is that “the profusion of Giants in mythology is usually attributed to memories of childhood (when adults tower over you), to the rivalry between young men and old men, and to medical conditions like gigantism that cause unusually tall stature”.

The more mundane archaeological or paleontological theory is tracing their origins to explaining (or mistaking) the bones of extinct megafauna or dinosaurs as those of giant humanoids. Along those lines, there’s the Gigantopithecus, “an extinct cousin of the orangutan” and “the largest primate to ever exist” standing at three meters tall on its hind legs, which did actually coexist with early humans.

Perhaps related to the above, “it wasn’t uncommon for cultures to describe the imposing ruins of older civilizations as having been built by bygone giants” – as with monumental or megalithic structures, as with the legends of the Giant’s Dance for Stonehenge. And of course monumental structures were often sculpted or drawn as giant figures. Sometimes the same legendary logic was used for natural structures as shaped by or originating from giants.

Yet again like dragons, a less obvious source for giants is that of the symbolism of natural or elemental forces – “gigantic peoples often feature as primeval creatures associated with chaos and the wild”.

Of course, truly gigantic humanoids in real life “would fall victim to the Square-Cube Law”.

 

RATING:

A-TIER (TOP TIER)

Top Tens – Tropes & Other: Top 10 Ape Theories & Theses of Human Evolution (Special Mention) 1-5

Ape skeletons – public domain image in Wikipedia “Human Evolution”

 

 

TOP 10 APE THEORIES & THESES OF HUMAN EVOLUTION (SPECIAL MENTION)

 

I’ve compiled my Top 10 Apes – not for my top ten species or types of apes, but for the use of the word ape as a trope, for which humans are the ape. That is, a trope used for naming theories or theses of human evolution – an idea for a top ten which struck me when I realized just how many had ape in their name or title.

 

And yes – I had to stretch my subject of ape theories and theses for human evolution to round out my top ten, but I’ll stretch it out even more for my usual twenty special mentions for various aspects of human evolution.

 

 

(1) WALKING APE (BIPEDALISM)

 

My ape title for human bipedalism, which has been the subject of several theories for its evolution – “There are at least twelve distinct hypotheses as to how and why bipedalism evolved in humans, and also some debate as to when”.

 

(2) RUNNING APE (ENDURANCE & PERSISTENCE)

 

As the saying goes, you have to walk before you can run – and the walking ape leads naturally to the running ape or the endurance running hypothesis – “a series of conjectures which presume humans evolved anatomical and physiological adaptations to run long distances…proponents of this hypothesis assert that endurance running served as a means for hominins to effectively engage in persistence hunting”

 

(3) GRASPING APE (POWER & PRECISION GRIP)

 

Alternatively, the gripping ape – the evolved power and precision grip of the human hand (including the ulnar opposition or contact between the thumb and little finger), “underlying all the skilled manipulations”, as well as the act of throwing.

In tabletop game terms, humans maxed their dexterity and intelligence stats.

 

(4) GAZING APE (COOPERATIVE EYE)

 

My ape title for the cooperative eye hypothesis – “a proposed explanation for the appearance of the human eye…that the eye’s distinctive visible characteristics evolved to make it easier for humans to follow another’s gaze while communicating or while working together on tasks.”

That is, humans have eyes with white or unpigmented sclera (for distinct color contrast between the sclera and the iris or pupil), as well as eyes that are larger in proportion to body size – “among primates, humans are the only species where the outline of the eye and the position of the iris can be clearly seen in each individual”.

 

(5) CHATTERING APE (COMPLEX LANGUAGE)

 

It’s not for nothing that the final episode (and chapter) of David Attenborough’s Life on Earth for humanity is called The Compulsive Communicators – with the evolution of complex language as the distinctive feature of humans.

Top Tens – Film: Top 10 Animated Films (4) The Incredibles

In this undated animated still frame released by Pixar, The Incredibles family: speedy 10-year old Dash, left, shy teenager Violet, second from left, the strong and heroic Mr. Incredible, center, and ultra-flexible Elastigirl appear in this scene from “The Incredibles.”

 

 

(4) THE INCREDIBLES

(2004-2018: INCREDIBLES 1-2)

 

“You sly dog! You got me monologuing!”

This is how you do a Fantastic Four film. Yes, my fourth place entry, Pixar’s The Incredibles, is not actually a Fantastic Four film, but it deftly handles a similar superhero family or team ensemble with almost the same powers. In the words of TV Tropes, “it’s an affectionately parodic Decon-Recon Switch of the superhero genre, happily hanging lampshades on many conventions”.

Superheroes have been forced into government-sponsored retirement, due to public liability lawsuits. Damn lawyers! Of course, financial issues for superheroes are not often addressed in comics – or indeed, in many fictional narrative in popular culture. One exception is writer Grant Morrison, with his characteristic deconstruction or subversion of superhero tropes – as a female bystander wails while her car is totaled in a superhero battle in Morrison’s Animal Man, “I don’t have superhero insurance!’

Anyway, super-strong Mr. Incredible and rubber woman Elastigirl are now just Bob and Helen Parr, trying to live a quiet suburban life with their superpowered children, Dash (who has super-speed), (shrinking) Violet (who can project force fields as well as become invisible – essentially the same power set as Sue Storm in the Fantastic Four) and baby Jack-Jack (who doesn’t seem to have manifested any superpowers). Trying being the operative word – particularly as Bob finds his employment and suburban life chafing. And so he jumps at the chance offered by a mysterious woman Mirage to use his superpowers – only to find himself in more trouble than he can handle on his own at the hands of a new supervillain with ties to his past.

Just remember – no capes!

And there was a long-awaited sequel in 2018, which although it did not quite live up to the original, maintained much of the same spirit.

 

FANTASY OR SF?

 

Like Megamind with its origin in Superman, I’m going to go with SF for this one, consistently with its origin in The Fantastic Four (although FF leans more into SF, what with the space travel and all). Even if some of those superpowers push the boundaries into fantasy.

 

COMEDY

 

And also like Megamind with its affectionate superhero parody, The Incredibles also leans to the more comedic end of the scale – also with its affectionate superhero parody – although not at much as Megamind with its outright comedic cast.

 

RATING:

A-TIER (TOP-TIER)