Top Tens – Comics: Top 10 Comics (Special Mention: 2000 AD) (1) Pat Mills – Slaine

Peak Slaine – The Horned God with glorious cover art by Simon Bisley or the Biz!

 

 

(1) PAT MILLS – SLAINE (1983 – PRESENT: Yes, I’m counting the publication of the definitive collected edition)

 

“He didn’t think it too many”

Slaine’s catchphrase by reference to his body count. Also “kiss my axe” to much the same effect.

Slaine is essentially a prehistoric Irish Conan. although that is in itself turning full circle as the name Conan is of Celtic origin and Robert E. Howard identified Conan’s native Cimmerian people as prehistoric Celtic or Gaelic Irish and Scots. Or more accurately, a cross between Conan and Cuchulainn, the mythological Irish hero from the Ulster cycle – although there are other sources (and figures with whom Slaine interacts) from mythology, particularly Celtic or Irish mythology.

Slaine was introduced as a wandering exile from his tribe, banished for sleeping with the king’s intended consort Niamh – a figure adapted from Celtic mythology – and who remains something of a star-crossed lover for Slaine.

Getting into trouble with women is a recurring theme in Slaine’s early adventures, best personified by recurring antagonist and sorceress Medb, another figure adapted from Celtic mythology. Medb is something of a death cultist and Slaine earns her enmity when he rescued her from being sacrificed in a Wicker Man (in which he and Ukko were also imprisoned for execution) – unfortunately, she was a devotee of the dark god Crom Cruach and had eagerly embraced being a sacrificial bride of Crom.

Dark gods – of the Lovecraftian eldritch abomination sort – and their servants are the recurring antagonists for Slaine, his people the Tuatha de Danaan (living in Tir Nan Og or the Land of the Young) and their goddess Danu. Which is just as well as the morality of the protagonists, notably Slaine himself, is somewhat murky, but overshadowed by the completely monstrous antagonists. After all, the goddess Danu can be a bit of a bitch – “Sometimes I am the sister who befriends you, sometimes I am the mother who holds you and sometimes I am the lover who sticks one in your back”. It’s all part of her dance. Slaine himself tends to revel in raw brutality and blood lust, exemplified in his warp-spasm. Even the goddess snarkily rebukes him that he’s had his share of mindless violence, which Slaine acknowledges to be true.

The high point of Slaine is The Horned God story arc, painted by Simon Bisley (or the Biz as he is known in, well, the biz) with breathtaking results.

 

RATING: 

S-TIER (GOD-TIER – OR IS THAT GODDESS TIER?)

Top Tens – Heroes & Villains: Top 10 Heroes of Mythology (Special Mention) (1) Apollo & Dionysus

Collage of statues – the head of the Apollo Belvedere statue in the Vatican photographed by Marie-Lan Nguyen (left) and in wall protome of Dionysus in Kinsky Palace photographed by Zde (right) in Wikipedia “Apollonian and Dionsyian” under licence https://creativecommons.org/licenses/by/2.5/deed.en and https://creativecommons.org/licenses/by-sa/3.0/deed.en respectively

 

 

(1) APOLLO & DIONYSUS

 

Nietzsche famously propounded a literary or philosophical dichotomy or duality (or duo, if you prefer) between the Apollonian and the Dionysian. The classical Greeks themselves did not see Apollo and Dionysus as opposing figures but would probably applaud Nietzsche anyway, with all the reboots and retcons they gave the classical mythology.

The golden god of the sun, Apollo was the archetypal divine hero of classical mythology – the original Olympian Superman. His divine attributes or powers were extremely varied – the sun and light obviously but also archery (the symbolic equivalent of the sun’s rays), prophecy and truth (he was patron of the Delphic oracle), music and poetry, healing and more. In popular religion, he had a strong function as protector from evil – in short, he stood for truth, justice and the Grecian way. For Nietzsche, the Apollonian stood for the forces of reason and logic, control and clarity, structure and order, art and science – in short, the ideal of perfection

On the other hand, Dionysus was a foreign newcomer to Olympian pantheon and the god most associated with mortality – the son of a mortal mother (by Zeus) and a god who died to be reborn. He was also a darker figure as the god of intoxication in all its forms – ecstasy, fear and madness. What’s more, Dionysus was the god of the mysteries and theatre. For Nietzsche, the Dionysian stood for the forces of passion and emotion, chaos and mysticism, music and intoxication – in short, the ideal of a good night out…

 

 

RATING: 5 STARS*****

S-TIER (GOD TIER)