Top Tens – History: Top 10 Types of Empire & Imperialism (Special Mention) (9) Civilizing Mission

Yes, you can read the title – the poem by Rudyard Kipling as it was originally published, and the poem that has probably alone done most to undermine his modern literary reputation (public domain image)

 

 

(9) CIVILIZING MISSION – WHITE MAN’S BURDEN

 

Although associated with – or claimed by – European colonial empires, a belief of civilizing mission is the flipside of the belief in manifest destiny that is inherent to most empires, flipped that is from the “destiny” of the imperial nation to its “responsibility” for the “benefit” of its subjects.

Well, in theory anyway – almost every empire proclaims itself to be spreading civilisation or bringing some benefit to its subjects, and all but the most destructive have at least some merits in those claims.

That’s including those European empires. As destructive as they were, they did bring the development of trade and industry, transport and communication, and technology and science that ultimately was the reason they were able to have empires in the first place, however unevenly and for their own interests first. Not to mention social and political ideas, some of which such as nationalism and liberalism were ultimately to prove self-destructive to their empires.

Still, it can’t help but add insult to the injury of imperial rule for the rulers to claim they are doing so for the civilization of their subjects, particularly when killing, starving or enforcing the servitude of those subjects.

That’s even more so when it is preached as a “burden” for the imperial rulers, as Rudyard Kipling did in his poem “The White Man’s Burden”, its subtitle expressly addressed to the United States for the Philippines after the Spanish-American War, exhorting the United States to assume the same “burden” as the British did for their empire. It was astonishingly tone-deaf even for its time, as demonstrated by contemporary criticism such as that by Mark Twain – and probably is the one poem that has alone done most to undermine Kipling’s modern literary reputation ever since.

Top Tens – History: Top 10 Empires (Special Mention: Revised) (9) Greek – Athenian Empire & Spartan Hegemony

 

Athens and its Delian League vs Sparta and its Peloponnesian League at the outset of the Peloponnesian War – map by Marysas (from E Levy) for Wikipedia “Delian League” under licence https://creativecommons.org/licenses/by-sa/3.0/

 

(9) GREEK – ATHENIAN EMPIRE & SPARTAN HEGEMONY

 

Athenian empire vs Spartan hegemony.

We usually (and correctly) think of the Roman Empire as the imperial template in Western culture, but this can mislead us into overlooking the Greek imperial template in Western culture. No – I’m not talking the Macedonian empire of Alexander the Great, although that too was influential, but the classical Greek city states, particularly the opposing Athenian empire and Spartan hegemony of the Peloponnesian War.

Of course, similarly to the archetypal city-states of Sumerian civilization, their imperialism was on a small scale – city states ruling other city states or their colonies.

And it tended not to call itself a formal empire as such. Indeed, in this it was a remarkably far-reaching imperial template, not so much for imperialism but neo-imperialism. Where the Roman imperial template set the model for imperialism from the fall of the western empire through to the European maritime empires, the Greek imperial template set the model for neo-imperialism from the European maritime empires onwards.

The Athenian empire evolved from the Delian League, an alliance of Greek cities led by Athens against Persia after the Greek-Persian Wars, based on Athenian naval supremacy and named (in modern historiography) after the sacred island of Delos, “where congresses were held in the temple and where the treasury stood until, in a symbolic gesture, Pericles moved it to Athens in 454 BC”.

That last part of moving the Delian treasury to Athens marked the point where the heavy-handed control by Athens of the Delian League evolved into an Athenian empire, where Athens began to use the League’s funds for its own purposes and there were conflicts with or outright rebellions by less powerful League members.

Essentially members of the League were given a choice of either offering armed forces or paying taxes into the treasury. Most states chose the tax, which now doubled up as leaving them effectively disarmed while paying taxes or tribute to Athens. In the words of the classical historian Thucydides, ” it was correspondingly easy” for Athens “to reduce any that tried to leave the confederacy” – that is, crush members that tried to revolt or secede.

Thucydides dramatized just how heavy-handed Athens could be in the famous Melian Dialogue, often invoked by the so-called school of realism in international relations for its maxim that “the strong do what they can and the weak suffer as they must”. Thucydides put that maxim in the mouths of his imagined Athenian emissaries when giving their ultimatum to the neutral island of Melos – surrender and join the League, paying tribute to Athens, or be destroyed.

One might well see the template from this Athenian “empire” or Delian League for the style or techniques of modern neo-imperialism or European maritime empire – even more so when one recalls that the Athenian state was democratic, in the style of so-called democratic empires, “a political state which conducts its internal affairs democratically but externally its policies have a striking resemblance to imperial rule”.

Interestingly, American democracy initially echoed classical Athenian democracy, in that both were also slave-owning societies and excluded women from politics.

Its opposing counterpart, Sparta, was authoritarian at heart but was also shy of formal empire with its Spartan hegemony. Particularly after its victory in the Peloponnesian War, it too could prove equally heavy-handed – establishing many of the pro-Spartan foreign governments throughout the Aegean and also establishing many Spartan garrisons.

Just as I tend to see the Peloponnesian War between democratic Athens and oligarchic Sparta underlying the grand ideological conflict in Western civilization, so too I am tempted to see the Athenian empire and Spartan hegemony resembling the rival United States and Soviet Union in the Cold War, except with victory reversed.

However, there was a deeper template, from which the Athenian empire and Spartan hegemony arose in part, and that was the long history of classical Greek colonization, a precursor of subsequent settler colonialism.

Essentially, Greek cities founded other cities on a prolific scale throughout the Mediterranean and Black Sea coastlines, except in the western Mediterranean where they came up against the Phoenicians and their colonies (in what would become Carthage and its territories), from 750 to 550 BC.

The Greek cities or colonies often became strong city states in their own right, independent of their founding city or cities and often even rivalling them in influence – as in Sicily and southern Italy, to the extent that the Romans called the area Magna Graecia or Great Greece.

I am not familiar enough with the history of Greek colonization to comment on the extent that it was imperial in terms of displacing or dominating any inhabitants in the area of their colonies. However, it certainly had an impact that is occasionally characterized as cultural imperialism – Greek cities spread Greek culture.

However, I would go further – that Western civilization as a whole is effectively a Greek colony.

An analogy that is commonly drawn in modern history is to cast the British and their empire as the Greeks to the Romans of the United States, albeit American imperialism might be styled as closer to that of the Delian League (and its original democratic polity as closer to that of Athens).

Top Tens – Mythology: Top 10 Mythology Horror (Preamble)

This almost looks like a cheerful party, except for the dead babies – Francisco Goya’s “Witches’ Sabbath”, oil painting 1798 (public domain)

 

 

TOP 10 MYTHOLOGY HORROR

 

Horror is a genre of fiction that seeks to elicit fear or disgust.

That always prompts me to think of Greek dramatic tragedy and its quality of catharsis proposed by Aristotle, arousing intense feelings of fear and pity in its audience.

However, thinking about horror also prompts me to think that horror, or at least feelings or forms of horror, extend well beyond the genre of fiction labelled as such. Indeed, there is horror to be found throughout the subjects of my top ten lists, most obviously with the heart of horror genre fiction in my lists for film or fantasy and SF – but somewhat less obviously for poetry and literature, comics, television, music, and tropes, all of which are surprisingly prolific for feelings or forms of horror. More surprisingly prolific but even less obviously still is the horror to be found in science and philosophy or history.

Mythology on the other hand may not be so surprising for horror, given that it is easy to trace the origins of horror to mythology itself.

“The horror genre has ancient origins, with roots in folklore and religious traditions focusing on death, the afterlife, evil, the demonic, and the principle of the thing embodied in the person.” (Wikipedia, “Horror Fiction”)

Also, mythology was the usual subject of that Greek dramatic tragedy I referenced at the outset for its catharsis. I stand by that comparison between Greek tragedy and the genre of horror, at least as holding up in similar qualities of catharsis. And it wouldn’t take too much to tweak most Greek tragedies into horror films.

Hence, this is my Top 10 Mythology Horror list. Obviously, horror in mythology tends to be from supernatural sources, but then my own tastes in horror similarly lean towards dark fantasy or supernatural horror so it’s a good match. For that matter, horror films or horror in fantasy literature also frequently lean to adapting the horror in mythology.